Spain: First travelling exhibition dedicated to Auschwitz unveiled in Madrid
The first travelling exhibition dedicated to Auschwitz death camp was presented to the press on Tuesday at the Canal Art Centre in Madrid.
SOT, Cristina Cifuentes, President Community of Madrid (Spanish): It is the most sinister episode in the entire history of mankind. More than one million one hundred thousand people, ninety percent Jews, were killed
SOT, Cristina Cifuentes, President Community of Madrid (Spanish): And this happened in the heart of Europe, very near, in the occupied Poland, and happened not so long ago, less than one century.
Video ID: 20171128 060
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Carlos de Haes: A collection of 126 paintings (HD)
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Carlos de Haes: A collection of 126 paintings (HD)
Description: Carlos de Haes was born in Brussels to a family of bankers. The family moved to Spain, settling in Málaga in 1835 when he was six years old. De Haes first studied art with the Neoclassical portrait painter Luis de la Cruz y Ríos, and in 1850, de Haes decided to continue his art training with the great Flemish landscape painter Joseph Quinaux, who taught de Haes until 1855. Quinaux taught him to paint outdoors, and this defined his future artistic direction.
In the 1850s, Carlos de Haes was involved in the rise of the Realist School of landscape painting in Spain. In 1857 he became the first professor of landscape painting at the Academy, and the first teacher in all Spain to teach painting outdoors en plein air from nature.
Besides his teachings, he continued his with his own paintings, and in 1858, Carlos de Haes received the first medal at the National Exhibition. He was elected an Academic at the Royal Academy in 1860. He again showed in 1876 at the National Exhibition with his landscape oil painting La Canal de Mancorbo en Los Picos de Europa. It did not win any prize, but because of its importance as a realistic Spanish landscape painting, it was bought by the Spanish government to be hung in the collection of the Museo del Prado in Madrid. Carlos de Haes was cited along with Aureliano de Beruete, one of his students, as one of the grand masters of Spanish landscape painting.
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NEWS - CULTURE - Marc Chagall in Madrid's Thyssen Museum - February 15, 2012
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Marc Chagall in Madrid's Thyssen Museum
The first retrospective on the Russian artist Marc Chagall to be organised in Spain is opening on February 14 at the Museo Thyssen-Bornemisza and Fundación Caja Madrid.
More than 150 works from public and private collections and institutions around the world will be on display in the two venues, offering a complete overview of the career of one of the leading artists of the 20th century: a unique creative figure with a highly distinctive style who played a key role in the history of modern art. The MoMA and the Guggenheim in New York, the Kunsthaus Zurich, the Kunstmuseum Berne, the Stedelijk Museum Amsterdam, the Tel Aviv Museum of Art, and Tate Modern in London are among the twenty international museums that have lent key works from their collections, to be seen alongside others from private collections. Particularly important is the loan from the Centre Pompidou in Paris, which is sending 20 works, and that from the artist's family, which has been particularly generous in this respect.
The result is a large and comprehensive group of masterpieces selected by the exhibition's curator, Jean-Lous Prat, President of the Comité Chagall. Together they will make this exhibition a major and unrepeatable artistic event and one that will offer visitors a unique opportunity to appreciate the wide-ranging and incomparable oeuvre of this essential figure. The exhibition will be open until May 20.
FUNDACION MARCH
Descripción de las actividades plásticas que desarrolla la Fundación Juan March en Madrid.
Velotel Brugge
At just 5 minutes by car from the city centre the Apollo Arthotel Brugge offers a nice accommodation, with a restaurant, bar and a Leisure Centre with a sauna. The regularly changing art exhibitions in the hotel add a special touch.
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Boris Brejcha @ Grand Palais for Cercle
Boris Brejcha playing an exclusive DJ set at Grand Palais for Cercle
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This show was organized on the occasion of the Grand Palais's exhibition The Moon.
This exhibition is the opportunity to study, present and celebrate the 50th anniversary of the first human step on the Moon through the artworks and objects that embody the countless visions and emotions it has inspired.
☞ Boris Brejcha
Video credits:
Artists: Boris Brejcha
Venue: Grand Palais
Produced by Cercle
Executive producers: Philippe Tuchmann & Derek Barbolla
Film directed by: Pol Souchier & Derek Barbolla
Directors of photography: Jérémie Tridard & Mathieu Glissant & Mickaël Fidjili
Stage Manager: Vincent Mathieu & Pierre Jean Lorteau
Sound engineer: Timothée Renard & Charles Dumaire
Light engineer: Pierre Jean Lorteau & Romuald Michou
Sound mastering: Michel Avannier
Moon scenography: Cercle
Structure: ATC
Mapping: ETC, Cosmo AV, Whatsit
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Special thanks to the Grand Palais's team for this collaboration and their trust.
And thanks to ETC, Cosmo AV and Whatsit for the mapping.
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This artistic performance has been recorded live.
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Preparations underway for Expo Zaragoza
SHOTLIST
Zaragoza, June 4, 2008
1. Cathedral and city centre from river
2. Zoom out main square
3. Pedestrian street
4. Pan across Expo
5. Various shots of people working at Expo
6. Pan to water tower
7. Wide shot of bridge over river Ebro
8. Set up shot of Jorge Alonso, editor of El Heraldo de Aragon newspaper
9. SOUNDBITE : (Spanish) Jorge Alonso, editor of El Heraldo de Aragon newspaper
Now we are share the same high level that cities such as Valencia and Bilbao have. We are still well behind Barcelona but from now on tourists will find more reasons to come here. There are lots of new architectural icons such as the bridge pavilion or the Spain or the Aragon pavilions.
10. Wide shot of Aragon pavilion
11. Set up shot of Daniel Olano, architect of Aragon pavilion
12. SOUNDBITE: (Spanish) Daniel Olano, architect of Aragon pavilion
At first we wanted a curvy fa�ade that would represent the meaning of Expo. We wanted something light that would represent water and also that could reflex the sky. But we also found out that the draft looked like a basket. So we finally decided to go for that kind of shape.
13. Various shots of people working
14. Wide shot of stage over river Ebro
15. Set up shot of Paco Ortega, art director of Expo Zaragoza
16. SOUNDBITE: (Spanish) Paco Ortega, art director of Expo Zaragoza
We have planned an estimated five thousand shows during the total length of the exhibition. Basically the whole Expo acts as a big stage subdivided in thirteen smaller ones. We want all of our visitors, regardless their culture, social status or age to find a show that suits them at any time of the day.
17. Various shots of dancers rehearsing on mobile stage
18. Exterior shot of city hall
19. Set up shot of Juan Alberto Belloch, mayor of Zaragoza
20. SOUNDBITE: (Spanish) Juan Alberto Belloch, mayor of Zaragoza
Expo is not only an exhibition with shows and educating values. It has also been a big urban development as it usually happens with this type of events. It gave us the opportunity to build in three and a half years all those infrastructures that would have taken twenty years to build or perhaps would never have been done. All this has resulted in a dramatic change in the shape of our city.
21. Various shots of city centre
22. SOUNDBITE: (Spanish) Elena Tremul, voxpop
This was one of the forgotten big cities of Spain. And Expo will help to make us famous not only in Spain but also internationally. It will become a mayor European tourist destination such as Barcelona, Seville or Madrid.
23. Various shots of old town
24. Various shots of Expo
25. Wide of cathedral and new bridge
LEAD IN:
The Spanish city of Zaragoza is located about midway between Madrid (271 kilometres/ 169 miles) and Barcelona (254 kilometres/ 158 miles)
in the centre of the northern part of Spain.
The city of over 600, 000 inhabitants hopes to transform its image as a sleepy backwater by hosting the Expo 2008, which will be inaugurated on June 14, 2008.
STORYLINE:
The Expo has transformed the Aragonese capital of Zaragoza.
The city is little known outside of Spain and so far has found most fame as the location of the Basicila del Pilar, an impressive cathedral whose domes dominate the skyline.
But now the city is reinventing itself, thanks to its role of host of Expo 2008.
Jorge Alonso, editor of El Heraldo de Aragon newspaper says that the investment in the city is bound to attract more visitors and help put Zaragoza on the tourist map.
The newspaper says that the whole project has cost the city of Zaragoza 1.5 billion euros (2.3 billion US Dollars).
Zaragoza wants to show, through Expo 2008, Spain's commitment to renewable energy and responsible management of water.
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Retiro Park in Madrid part 1 of 2
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Buen Retiro Park (Parque del Buen Retiro) is a large and popular 140 hectare park at the edge of the city centre, very close to the Puerta de Alcalá and not far from the Prado Museum. A magnificent park, filled with beautiful sculpture and monuments, galleries, a peaceful lake and host to a variety of events, it is one of Madrid's premier attractions.
King Philip II (r. 15561598) moved the Spanish court to Madrid in 1561. Philip had the Retiro enlarged by his architect Juan Bautista de Toledo, and formal avenues of trees were laid out.
The gardens were extended in the 1620s, when Gaspar de Guzmán, Count-Duke of Olivares, Philip IV's powerful favourite, gave the king several tracts of land in the vicinity for the Court's recreational use. Olivares determined to build, in a place that the king liked, a royal house which should be superior to those villas that Roman nobles had been setting up in the hilly outskirts of Rome during the previous century. Although this second royal residence was to be built in what were then outlying areas of Madrid, it was actually not far from the existing Alcázar or fortress residence, and the location in a cool, wooded area proved to be ideal.
In the 1630s, under the supervision of architects Giovanni Battista Crescenzi and Alonso Carbonell, several building were erected in great haste, two of which are still standing: the Casón del Buen Retiro which served as a ballroom, and the building that today houses the military museum, the Museo del Ejército, which includes the grand entrance hall, the Salón de Reinos (Hall of Kingdoms), its wall decorated with paintings by Velázquez and Zurbarán and frescoes by Luca Giordano.
The Count-Duke of Olivares commissioned the park in the 1630s, worked on by Cosimo Lotti, a garden designer who had worked under Bernardo Buontalenti on the layout of the Boboli Gardens for Cosimo I, Grand Duke of Tuscany. Water was a distinguishing trait of the garden from the outset: the great pond, Estanque del Retiro, which served as the setting for mock naval battles and other aquatic displays, the great canal, the narrow channel, the chamfered or bellflower pond, created —along with the chapels— the basic layout of the gardens. Buen Retiro was described as The world art wonder of the time, probably the last great creation of the Renaissance in Spain. Buen Retiro became the center of Habsburg court life at a time when Spain was the foremost power in the world.
The gardens were neglected after the death of Philip IV in 1665, but have been restored and changed on many occasions, notably after being opened to the public in 1767 and becoming the property of the municipality in 1868
Philip V (17001746) ordered the creation of a parterre, the only French-style garden in the complex.
The Buen Retiro Palace was used until the era of Charles III. Most of the palace was destroyed during the Peninsular War (18071814) with the First French Empire.
The reign of Queen Isabella II saw profound changes in the Retiro. During the queen's minority, the gardens enjoyed a particularly prosperous period, with the planting of shade and fruit trees, and previously unplanted areas like the Campo Grande, were landscaped as well. The gardens eventually passed to public ownership in 1868, at the time of the overthrow of Queen Isabella.
El Retiro gradually became the green heart of the city. At the beginning of the 20th century, the monument to Alfonso XII was erected next to the pond. Countless statues, fountains and commemorative monuments have filled the park and converted it into an open-air sculpture museum.
The nineteen-thirties and forties witnessed the creation of new gardens attributed to Chief Gardener Cecilio Rodriguez who designed and built the rose bed and the gardens that have been named to honor him.
Close to the northern entrance of the park is the Estanque del Retiro (Retiro Pond), a large artificial pond. Next to it is the monument to King Alfonso XII, featuring a semicircular colonnade and an equestrian statue of the monarch on the top of a tall central core.
The Rosaleda rose garden. Among the many rose bushes of all kinds stands the Fountain of the Falling Angel, erected in 1922, whose main sculpture El Angel Caído (at the top) is a work by Ricardo Bellver (18451924) inspired by a passage from John Milton's Paradise Lost [3], which represents Lucifer falling from Heaven. It is claimed that this statue is the only known public monument of the devil.
Since assuming its role as a public park the late 19th century, the Parque del Retiro has been used as avenue for various international exhibitions.
Medinacelli Function Room 3D Virtual Tour | The Westin Palace, Madrid
The three Medinaceli rooms cover a combined area of 422 square meters making them the perfect venue for more extensive gatherings, conferences, and large scale social events such as wedding banquets. Each is decorated in a sophisticated palette of dove gray and white and is fully carpeted. Large windows provide plenty of natural light during the day while at night elegant chandeliers create a soft atmospheric glow.
This versatile space can be divided into two or three independent venues by the installation of partitions. Providing the perfect atmosphere for meetings or events that energize attendees while inspiring creative thought and synergy, set-ups can include conference, workshop or theatre-style.
Salvador Dali exhibition
Haifa,Israel 2013
Elina Cerla Discusses Her Technical Ability: Art Discussion
Elina Cerla Discusses Her Technical Ability: Art Discussion
This clip was taken from a longer video available at:
Figurative painter interested in pushing and exploring the expressive qualities of gesture, the human form and materials. Was born in London, brought up speaking English and French, gained a degree in Philosophy then a Masters in Cultural Theory, lived for 10 years in Spain and has recently returned to live and work in London.
SOLO EXHIBITIONS
2016 - Fluid Lives, with texts by Jofre Casanovas Riera, Casa del Gavià L’Escala
2013 - Scales and Experiments, Círculo de Bellas Artes Madrid
GROUP EXHIBITIONS
2016 - Hats (Chapeaux), 2-person show with Thibault Franc, Galerie Collectif E3 Arles
2015 - Group Show, Cercle Artístic de Sant Lluc Barcelona
2015 - Portraits of Julia, Casa de Cultura de Grado, Cultural Centre Grado
2014 - Los Artistas del Barrio, Open Studios Madrid
2014 - Portraits of Julia, Casa de Cultura de Luarca, Cultural Centre Luarca
2012/13 - Group Show, Reial Cercle Artístic Barcelona
2012/13 - Group Show, Círculo de Bellas Artes (CBA) Madrid
2011/12 - Printmakers, Fundación CIEC Betanzos
2011/12 - 400 Women, Shoreditch Town Hall (touring to Edinburgh and Amsterdam) London
PUBLICATIONS AND INTERVIEWS
2016 - Fluid Lives, with texts by Jofre Casanovas Riera
2016 - Parlem, TV interview for Canal 10 (in Catalan)
2016 - Interview for Radio L'Escala (in Catalan)
2016 - Self-Portraits, Spanish Association of Painters and Sculptors
2015 - art.es, bilingual (Spanish and English) art magazine published bimonthly
OTHER PROJECTS
2013 - Participation in the project Portraits of Julia, initiative created by Fernando Galán, director of the international art magazine art.es
2011 - Participation in the physical theatre project Inferno which subsequently went on tour, directed and choreographed by Vahid
2010 - Participation in the project 400 Women and subsequent touring exhibition, initiative created by the artist Tamsyn Challenger
2009 - Collaboration with the multidisciplinary artist Gema Herrero in her video installation Subtle Body Madrid
PRIZES AND RESIDENCIES
2016 - Beca Internacional de Primavera, Three-month artist residency L'Escala
2013 - Preselected for Figurativas ’13, MEAM Museum Barcelona
2013 - Selected for the exhibition of the Painting and Printmaking Prize, CBA Madrid
TEACHING
2016 - Portrait Painting Workshop L’Escala
2016 - School workshops L’Escala
Private drawing and painting classes
Various Seminars and academic papers
For more information please visit:
BigB.TV - GAUGUIN & THE VOYAGE TO THE EXOTIC , AT THE THYSSEN MUSEUM MADRID
06-Oct-2012] 9 October 2012 to 13 January 2013
Curator: Paloma Alarcó
To coincide with the celebration of the Museum's 20th Anniversary, the Museo Thyssen-Bornemisza is presenting Gauguin and the Voyage to the Exotic, opening on 9 October. Primarily focusing on Gauguin and his flight to Tahiti, the exhibition analyses how this journey to supposedly more authentic worlds resulted in an updating and rethinking of his creative idiom and to what extent this experience affected the transition towards modern art. The exhibition surveys the period that opens with Gauguin's visual experiments in the South Seas and continues with the artistic investigations of subsequent artists such as Emil Nolde, Henri Matisse, Wassily Kandinsky, Paul Klee and August Macke, with the aim of revealing Gauguin's influence on the early 20th-century avant-garde movements.
Curated by Paloma Alarcó, Chief Curator of Modern Painting at the Museo Thyssen-Bornemisza, the exhibition includes 111 works loaned by museums and private collections around the world including the Beyeler Foundation, Basel, the Albertina, Vienna, The Fine Arts Museum, Budapest, and the National Gallery of Art, Washington. Particularly important loans include Gauguin's painting Matamoe (Death. Landscape with Peacocks, 1892) from the State Pushkin Museum, Moscow, Two Tahitian Women (1899) from the Metropolitan Museum of Art, New York, and Girl with a Fan (1902) from the Museum Folkwang, Essen. Also important are the loans of works from the Nolde Foundation, which is sending six watercolours by the artist from the series Natives of the South Seas (1913-1914), and the Centre Pompidou, Paris, which has lent a significant group of works from the Kandinsky Bequest.
Top Spanish publishing bookfair opens in Mexico
SHOTLIST
1. Wide of book fair entrance
2. Opening ceremony
3. Author Tony Morrison with Peruvian First Lady Eliane Karp de Toledo
4. Mid of attendees
5. Various of book fair goers walking through exhibits
6. Peruvian exhibit
7. Various of shelves displaying books
8. Children looking at books
9. People walking
10. US author Tony Morrison at book signing
11. SOUNDBITE: (English) Toni Morrison, Author:
It is very impressive. I've been to a lot of book fairs all over the world and this one is extremely impressive because of its size and the rather elegant way in which it is organised.
12. Various of exhibit
STORYLINE:
The Guadalajara International Book Fair - considered to be the most important event in the Spanish-speaking world - opened its doors this weekend.
This year marks the nineteenth year of the fair where book professionals and exhibitors come to share ideas and do business.
Part of the University of Guadalajara, the book fair has 26-thousand square metres (31-thousand square yards) of exhibition space divided into thematic islands.
This year, Peru has been chosen to be the Guadalajara International Book Fair's Guest of Honour.
Its exhibit displays both the traditional and modern sides of Peruvian culture.
Peruvian First Lady Eliane Karp de Toledo was the guest of honour at the opening ceremony.
She was accompanied by the 1993 Nobel Prize winner in Literature, US author Toni Morrison.
She said the Guadalajara Book Fair was particularly impressive because of its size.
The fair attracts almost 50-thousand visitors a day, all eager to discover the most recent new releases on the market.
More than 1,500 publishing houses also attend the event.
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VICENTE O. SAUSOR
Buñol (Valencia), 1963
Licenciado y doctor en Bellas Artes, en la especialidad de escultura.
Artista multimedia, desarrolla su trabajo en la instalación, el video y el sonido, la escenografía y el documental, y en la actualidad también es profesor del Departamento de Escultura de la Facultad de Bellas Artes de Valencia.
Ha intervenido tanto individualmente como colectivamente en diferentes ciudades de todo el mundo, como Valencia, Barcelona, Madrid, Alicante, Londres (Inglaterra), Lieja (Bélgica), Fukui-Ken (Japón), Lima (Perú) y Delphi (Grecia), entre otras poblaciones.
Ha proyectado sus videos en espacios tan prestigiosos como la Sala Parpalló de la Diputación de Valencia, el IVAM, la sala ASBL Les Brasseurs Art contemporain en Lieja (Bélgica), Espace International (Londres, Inglaterra), Art Camp'96 en Imadate Art Hall (Imadate, Fukui-Ken, Japón), Festival Internacional Vídeo Arte Electrónica en la Universidad Ricardo Palma (Lima, Perú), Festival Internacional de Música Contemporánea en Espai Moma (Valencia), Arco 2003, Feria Internacional de Muestras de Madrid, y Annex of the Athens School of Fine Arts (Delphi, Grecia).
Además ha expuesto su proyecto en el suplemento del periódico Levante-EMV dedicado al taller DE MUNTADAS y estrena la obra musical D (para cinta y vídeo, con música original de Gregorio Jiménez) en el marco del festival Ensems 96 en el Palau de la Música (Valencia). También participa en el Observatori 2005, que tuvo lugar en el Museo Príncipe Felipe, en la Ciudad de las Artes y las Ciencias de Valencia.
Ha participado en diferentes ponencias como MOVART, 1as Jornadas en torno a la Videocreación en la Facultad de Filosofía y Ciencias de la Educación de la Universidad de Valencia, así como entrevistas televisivas en Escuelas hacen metrópolis. Bellas Artes de Valencia en el programa Metrópolis de RTVE (Madrid).
Tiene obra en el Fondo de Arte Contemporáneo de la UPV y ha participado en la exposición del mismo título en el IVAM Centro del Carmen (Valencia).
Buñol (Valencia), 1963
Degree and PhD in Fine Art, specialization in Sculpture.
As a multimedia artist, he has developed his work around installation, video and sound, scenography and documentary. He is also a lecturer at the Department of Sculpture at the Faculty of Fine Art in Valencia.
He has had individual and collective exhibitions in different cities all around the world, such as Valencia, Barcelona, Madrid and Alicante in Spain, and also in London (UK), Liege (Belgium), Fukui-Ken (Japan), Lima (Peru) and Delphi (Greece), among others.
His videos have been shown in prestigious spaces such as the Sala Parpalló (Valencia), IVAM (Valencia), ASBL Les Brasseurs Art Contemporain in Liège (Belgium), Espace International (London, England), Art Camp'96 in Imadate Art Hall (Imadate, Fukui-Ken, Japan), the Festival Internacional Vídeo Arte Electrónica [International Electronic Video Art Festival] at the Ricardo Palma University (Lima, Peru), the Festival Internacional de Música Contemporánea [International Contemporary Music Festival] in Espai Moma (Valencia, Spain), Arco 2003, Feria Internacional de Muestras de Madrid (Spain), and the Annex of the Athens School of Fine Arts (Delphi, Greece).
He has also published his project in the Levante-EMV newspaper supplement regarding the DE MUNTADAS workshop and made the musical play D (with original music by Gregorio Jiménez) as part of the Ensems 96 festival in the Palau de la Música (Valencia). Likewise, he took part in the Observatori 2005, in the Príncipe Felipe Museum in the Ciudad de las Artes y las Ciencias (Valencia).
Sausor has also given various papers in MOVART, 1as Jornadas en torno a la Videocreación [1st Video-creation Conference] at the Faculty of Philosophy and Education of the University of Valencia, and was interviewed in Escuelas hacen metrópolis. Bellas Artes de Valencia for the television program Metrópolis in RTVE (Madrid).
His work can be seen in the Fondo de Arte Contemporáneo of the Polytechnic University of Valencia. He also participated in the exhibition under the same title in the IVAM-Centro del Carmen (Valencia).
Marbella Art Festival 2013
Marbella Art Festival 2013
AMSTERDAM, THE MAGIC CENTER. ART AND COUNTERCULTURE 1967–1970
This summer, the Stedelijk Museum brings back the magic of the late 1960s in Amsterdam with the exhibition 'Amsterdam, the Magic Center. Art and Counterculture 1967–1970'. Discover how a new generation takes over the city with love, peace, protests, experimentation and counterculture, and how the underground emerges from the shadows. The exhibition is on view from July 7!
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We have done our utmost to discover the makers and rightsholders of the material. If there is material for which you are the rightful claimant of and have not granted permission for, please contact online@stedelijk.nl
The Dordrechts Museum
General introduction to one of the best museums in the Netherlands, worth while a visit
Developing disabled access in galleries and museums
Providing access to disabled audiences means so much more than just ensuring they can get into the building. This short film commissioned by the British Council explores two ingenious approaches by organisations from different sections of the UK's galleries and museums ecology, Tate and Attenborough Arts Centre, demonstrating that with creative and inclusive thinking, any organisation can improve its access offer.
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disabilityartsinternational.org/films
Exposición: Velázquez, Rembrandt, Vermeer. Miradas Afines
VELÁZQUEZ, REMBRANDT, VERMEER. MIRADAS AFINES
Museo Nacional del Prado. Madrid
25/06/2019 - 29/09/2019
En el marco de la celebración de su Bicentenario, el Museo del Prado presenta “Velázquez, Rembrandt, Vermeer. Miradas afines”, un ambicioso proyecto que, con el patrocinio de la Fundación AXA y la colaboración especial del Rijksmuseum de Ámsterdam, se dedica a la pintura holandesa y española de finales del siglo XVI y del siglo XVII.
La exposición propone una reflexión sobre las tradiciones pictóricas de España y los Países Bajos y confronta los mitos históricos y las realidades artísticas de ambos ámbitos para reflexionar sobre los numerosos rasgos que las unen.
Comisariada por Alejandro Vergara, Jefe de Conservación de Pintura Flamenca y Escuelas del Norte del Museo del Prado, esta exposición se podrá visitar en las salas A y B del edificio Jerónimos.
Subtítulos disponibles en español e inglés.
Más información sobre la exposición:
________________________________________________________________
VELÁZQUEZ, REMBRANDT, VERMEER. PARALLEL VISIONS.
Museo Nacional del Prado. Madrid
6/25/2019 - 9/29/2019
Within the context of the Prado’s celebration of its Bicentenary, the Museum is presenting Velázquez, Rembrandt, Vermeer: Parallel visions, an ambitious exhibition devoted to Dutch and Spanish painting of the late 16th and early 17th centuries which benefits from the sponsorship of Fundación AXA and the special collaboration of the Rijksmuseum, Amsterdam.
The exhibition offers a reflection on the traditions of painting in Spain and the Low Countries. While the art-historical literature has considered these traditions to be essentially different, the exhibition juxtaposes the historical myths and artistic realities of these two artistic centres in order to reflect on their numerous shared traits.
The exhibition is curated by Alejandro Vergara, Chief Curator of Flemish Painting and the Northern Schools at the Museo del Prado. It is on display in Rooms A and B of the Jerónimos Building.
Subtitles in English and Spanish are available.
More information about the exhibition: