Places to see in ( Doncaster - UK )
Places to see in ( Doncaster - UK )
Doncaster, is a large market town in South Yorkshire, England. Together with its surrounding suburbs and settlements, the town forms part of the Metropolitan Borough of Doncaster . The Doncaster skyline is dominated by the minster in the middle of the town. The Frenchgate Shopping Centre holds an important position in the skyline, along with the Doncaster College Hub building and Cusworth Hall. Cusworth Hall is an 18th-century Grade I listed country house in Cusworth, near Doncaster. Set in the landscaped parklands of Cusworth Park, Cusworth Hall is a good example of a Georgian country house.
Historically part of the West Riding of Yorkshire, Doncaster is about 20 miles (30 km) from Sheffield, with which it is served jointly by an international airport, Robin Hood Airport Doncaster Sheffield in Finningley. The Doncaster Urban Area includes Doncaster and the neighbouring small village of Bentley as well as some other villages.
Doncaster sits on the European Route E15 and is the starting point of European Route E13. The E13 connects Doncaster, Sheffield, Nottingham to London. Doncaster is a European hub with a new international airport, Robin Hood Airport Doncaster Sheffield opened in 2005. Doncaster International Railport facilities link to the Channel Tunnel.
From around the 16th century, Doncaster embraced the wealthy stagecoach trade. This led to horse breeding in Doncaster, which in turn led to the start of horseraces there. Recent leisure developments include a new community sports stadium for sports teams including the towns men's football club, Doncaster Rovers F.C.
Alot to see in ( Doncaster - UK ) such as :
Yorkshire Wildlife Park
Cusworth Hall
Brodsworth Hall and Gardens
Conisbrough Castle
St George's Minster, Doncaster
South Yorkshire Aircraft Museum
The Trolleybus Museum at Sandtoft
Doncaster Museum and Art Gallery
Mansion House, Doncaster
Earth Centre, Doncaster
Potteric Carr Nature Reserve
Roche Abbey
Cusworth Hall Museum & Park
Tickhill Castle
The Point, home of darts (Doncaster Community Arts)
Harry Tomlinson
Sandall Beat Wood
Denaby Ings Nature Ressrve
Coronation Park
( Doncaster - UK) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting the city of Doncaster . Through a series of videos we will try to show you recommended places to visit in Doncaster - UK
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House For Sale Doncaster, UK: 75 Barnby Dun Road | Preston Baker Estate Agents Doncaster
A fantastic home in Doncaster for sale! ????
~*75 Barnby Dun Road - GUIDE PRICE £130K*~
View this property for sale online:
This pleasing three-bedroom semi-detached property is located in Wheatley.
The property is situated on Barnby Dun Road, set back from the main road, and has excellent road and transport links to the town centre, via Thorne Road and Wheatley Hall Road.
It is also located within a five-minute drive to the M18, which allows great access to the north and south via the M1 and A1, and also the west and east via the M180 and M62.
The area has a good choice of local amenities close by, including two retail parks within a five-minute drive.
The property is situated in a good school catchment area, with a choice of primary and secondary schools.
The property offers an expansive lounge, a generously sized dining room, an attractive kitchen, three pleasing bedrooms, a stylish kitchen, a large rear garden and off-street parking.
Freehold, 3 Bedrooms, 2 Reception Rooms, 1 Bathroom, House, Semi Detached, Garden, Patio, Off Street Parking
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Fieldsports Britain - Seven wild boar in a row, episode 120
Wild boar hunting - it's a European obsession! We're at IWA, the biggest gun trade show outside the USA, to see what's going to be hitting the gunshops near you this year. There is kit for deerstalking (we go out after Chinese water deer with Zeiss's new Victory HT scope), for foxshooting (we are out with Team Wild TV's Ian Harford), for game shooting (the new Browning B725, the Krieghoff Parcours) and lots and lots of new knives (we talk to Sporting Rifle editor Peter Carr). There is also every kind of kit for boar hunting. It's all on Fieldsports Britain this week #Fieldsports Britain
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West Ham United F.C.
West Ham United Football Club is an English professional football club based in Upton Park, East London, England currently playing in the Premier League, England's top tier of football. The club was founded in 1895 as Thames Ironworks FC and reformed in 1900 as West Ham United. In 1904 the club relocated to their current Boleyn Ground stadium. They initially competed in the Southern League and Western League before eventually joining the full Football League in 1919 and subsequently enjoyed promotion to the top flight for the 1923 season. 1923 also saw the club feature in the first FA Cup Final to be held at Wembley against Bolton Wanderers.
In 1940 the team won the inaugural Football League War Cup. The club have won the FA Cup three times: in 1964, 1975 and 1980 as well as being runners-up twice, in 1923 and 2006. In 1965, they won the European Cup Winners Cup, and in 1999 they won the Intertoto Cup. They are one of eight existent clubs never to have fallen below the second tier of English football, spending 55 of 87 league seasons in Division 1 to 2013. However, unlike the other seven (Arsenal, Chelsea, Everton, Liverpool, Manchester United, Newcastle United and Tottenham Hotspur), the club has never won the league title. The club's best final league position is third place in the 1985--86 First Division.
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Traces of the Alhambra Theatre, Morecambe
The Alhambra Theatre was opened in 1901, on a prominent site on the Promenade in the West End of Morecambe, Lancashire.
The architect was Herbert Howarth.
The Alhambra was a music hall/variety theatre and was also used as a cinema from around 1930.
In 1960, the theatre featured extensively in the British film 'The Entertainer', starring Laurence Olivier and Joan Plowright.
A devastating fire in 1970 started in an upper floor room at the front of the building and destroyed the roof and much of the auditorium. The interior was gutted and remodelled as a club/disco and was adapted over the years to create a series of large internal function rooms. The Carleton Club became well-known for it's club nights (especially for students from nearby Lancaster University) and closed in 2012. Use of the building has been intermittent after this time, although the shop units on the ground floor still operate.
During this private visit, we explored some of the hidden areas, looking for traces of the building's theatrical past.
Detached-House for sale in Doncaster for £295,000
To find out more about this property click:
or contact Doncaster on 01302 341770
or E-Mail: doncaster@haart.co.uk
A select development of only three detached houses, This excellent new build four bedroom detached house, with gardens and detached garage, the internal accommodation is deceptively large and includes, entrance hall with galleried staircase, wc cloakroom , large lounge with double French doors to rear garden,fantastic dining kitchen with fitted kitchen and appliances, dining area again with French doors to rear garden and double doors to the dining room , to the first floor there are four bedrooms the master with en-suite shower room and a lovely family bathroom , a lawned L shaped garden to the rear drive and garage , A beautiful property and a fantastic location viewing essential .
Detached-House for sale in Doncaster for £275,000
To find out more about this property click:
or contact Doncaster on 01302 341770
or E-Mail: doncaster@haart.co.uk
Situated in the sought after area of Warmsworth this three bedroom, detached bungalow is stunning throughout and has been modernised to the highest specification. Offering spacious living accommodation comprising entrance hall, three bedrooms, lounge, dining kitchen and conservatory leading out to a generous rear garden. Well placed in a village location close to all local amenities and public transport. Available with no onward chain. This bungalow is must view and you will certainly will not be disappointed.
Lounge 6.59m x 3.48m (21'7 x 11'5)
Two front facing UPVC double glazed window, access to the kitchen/diner, two radiators
Kitchen 5.66m x 3.35m (18'7 x 11')
Double glazed skylight window to the ceiling, fully fitted wall and base units with roll top work surfaces over, integrated wine cooler, oven, dishwasher and fridge freezer, spotlights to the ceiling, stainless steel sink with side drainer and mixer tap, radiator
Dinning Room 2.59m x 2.17m (8'6 x 7'1)
Radiator, located just off the kitchen
Conservatory 6.25m x 3.33m (20'6 x 10'11)
Brick based conservatory, access to the rear garden through UPVC double glazed French doors
Bedroom One 3.34m x 4.28m (10'11 x 14'1)
UPVC French doors giving access to the conservatory, access to the en suite bathroom, radiator
En Suite Bathroom
Fully fitted walk in shower unit, tiled throughout, heated towel rail, low flush WC, hand wash basin
Bedroom Two 2.62m x 3.38m (8'7 x 11'1)
Rear facing UPVC double glazed window, radiator
Bedroom Three 3.64m x 2.92m (11'11 x 9'7)
Front facing UPVC double glazed window, radiator
Bathroom Suite
Side facing UPVC double glazed window, low fitted bathtub, heated towel rail, low flush WC, hand wash basin
Detached Garage
Located to the rear of the bungalow
Front Garden
Ample paved driveway, lawn area
Rear Garden
Ample rear garden, mainly laid to lawn
Agents Note
All services/appliances have not and will not be tried or tested
Photography 101 Using your camera.
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Suspense: After Dinner Story / Statement of Employee Henry Wilson / Cabin B-13
In the earliest years, the program was hosted by The Man in Black (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr.
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's Sorry, Wrong Number, about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's The Hitch Hiker, in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone.
After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and producer in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors.
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Street View's New Look on Google Maps Australia
Check out the new experience of Street View on Google Maps. Learn the new ways to enter Street View, look at our full screen mode, navigate through driving directions, and more.
Street View is a feature of Google Maps that allows you to quickly and easily view and navigate high-resolution, 360 degree street level images of various cities in Australia.
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Grief Drives a Black Sedan / People Are No Good / Time Found Again / Young Man Axelbrod
In the beginning of the Golden Age, American radio network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium. As a result, prime-time shows would be performed twice, once for each coast. However, reference recordings were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common.
Local stations, however, had always been free to use recordings and sometimes made substantial use of prerecorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs.
Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 33⅓ rpm on 16 inch discs, the standard format used for such electrical transcriptions from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the center of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited.
Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations.[7][8]
When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were molded in a record press.
Words at War: Faith of Our Fighters: The Bid Was Four Hearts / The Rainbow / Can Do
Wanda Wasilewska (21 January 1905 -- 29 July 1964) was a Polish and Soviet novelist and communist political activist who played an important role in the creation of a Polish division of the Soviet Red Army during World War II and the formation of the People's Republic of Poland.
She had fled the German attack on Warsaw in September 1939 and taken up residence in Soviet-occupied Lviv and eventually the Soviet Union.
Wasilewska was born on 25 January 1905 in Kraków, Austria-Hungary. Her father was Leon Wasilewski, a Polish Socialist Party politician. She studied philosophy at the Warsaw University and Polish language and Polish literature at the Jagiellonian University in Kraków. After she graduated she remained at her alma mater and passed her doctorate exams in 1927. While studying she started cooperation with the Union of Socialist Youth and Society of Workers' Universities.
Soon after she finished her studies she started working as a school teacher and a journalist for various left-wing newspapers, among them Naprzód, Robotnik, Dziennik Popularny and Oblicze Dnia. She also became the chairperson of the Płomyk and Płomyczek monthlies for children, where she introduced Soviet propaganda. Although she was often criticised for her radical left-wing opinions, she joined the PPS instead of the communist party, where she was soon promoted to a member of the main party council. In her early political career she supported an alliance of all the left-wing parties with the communists against the ruling Sanacja. She was also an active supporter of many strikes in Poland. During one of the demonstrations in Kraków she met Marian Bogatko, whom she later married.
After the Polish defeat in the Polish Defensive War of 1939 and the partition of Poland into Soviet and German occupied zones, she moved to Lviv where she automatically became a Soviet citizen. The Gestapo — acting at the request of the NKVD — helped to transfer her daughter and her furniture from Warsaw to Lviv.[1] She became a member of various communist organisations uniting local Polish and Ukrainian communists. She was also a journalist for the Czerwony Sztandar (Red Banner), a Soviet propaganda newspaper printed in Polish language. In early 1940, Joseph Stalin awarded her a seat in the Supreme Soviet of the USSR. She also became the chair of the Dramatic Theatre in Lviv. After the German invasion of the Soviet Union Wasilewska fled advancing Nazi army and joined the Red Army as a war correspondent and a functionary of the Political Commandment (Politupravleniye) of the Red Army. She held the military rank of a colonel.[2] She was also one of the founders (together with Jerzy Putrament) of the Nowe Widnokręgi monthly.
After consultations with Stalin (and most probably by his direct order) she became the head of the newly formed Związek Patriotów Polskich (Society of Polish Patriots), a Soviet-created provisional government that was to control Poland. In 1944 she also became the deputy chief of the Polish Committee of National Liberation (PKWN), another provisional government which was also sponsored by the Soviet Union and opposing the Polish government in exile as the legal government of Poland. She favoured the incorporation of Poland as a republic of the Soviet Union.
After most of Poland was occupied by the Red Army she decided to stay in the Soviet Union. She also became involved in a relationship with Ukrainian playwright Oleksandr Korniychuk, with whom she moved to Kiev.
Although both her Russian and Ukrainian language abilities were very limited, she remained a member of the Supreme Soviet of the Soviet Union for several decades. She did not return to public life, however. She died on July 29, 1964 in Kiev. She is buried in the Baikove Cemetery.
She was triple recipient of the Stalin prize for literature (1943, 1946, 1952). During the life of Joseph Stalin she was considered a classic writer of Soviet literature and her works were included into the school curriculum throughout the Soviet Union, but she was almost completely forgotten after his death.
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Dragnet: Eric Kelby / Sullivan Kidnapping: The Wolf / James Vickers
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.