Quarterjacks at Christ Church Bristol
Quarterjacks at Christ Church with St Ewan & St George in Broad Street Bristol. England, UK Paul Potts sang in the choir of this Church
[Wikipedia] List of churches in Bristol
The English city of Bristol has a number of churches.
Bristol has lost, rebuilt or demolished all of its strongly characteristic late medieval parish churches - the naves had no clerestories, any added aisles and chapels were separately gabled, all in simple Perpendicular style. These include the church of St Thomas the Martyr, St Nicholas's church, Christ Church with St Ewen, St Werburgh's church, Temple church, St Peter's church, St Mary le Port church and the church of St Augustine the Less. The church of St Philip and St Jacob gives an idea of the Bristol style, but with much alteration.There is also a list of former churches in Bristol.
The churches listed are Anglican except when otherwise noted.
Christ Church organ
Jamie played the organ as part of the Royal College of Organists course. This performance was at Christ Church with Saint Ewen, All Saints and Saint George, Bristol with all the students displayed on a screen for the audience.
The Harlequin Singers - Both Sides Now (Full Album)
Recorded in the churches of St Thomas the Martyr and Christ Church with St Ewen on the 4th and 6th July 2009, Bristol - England.
Recorded by Graham Alsop.
Peter Wilkinson (Director)
Claire Alsop (Piano)
Jonathan Price (Organ)
Ben Johnson (Guitar)
Sopranos: Jo Burton, Liz Curtis, Mandy Ebsworth, Chirs Green, Helena Hobbs, Margaret Johnstone, Rebecca Lambert, Laura Niblett, Rose Parry, Nicola Round, Ellen Tweney, Kate Warr.
Altos: Sarah Crabtree, May Curtis, Ceri Dash, Clare Hargreaves, Alison Heard, Jeni Leggat-Green, Emma McMillan, Rachel McMurray, Jo Price, Katie Wilkinson.
Tenors: Steve Beggs, Sandy Johnstone, Tom Morrison, John Price, Mike Reed, Chris Sheahan.
Basses: Steve Hannam, Tom Inman, David Jeffery, Peter Moore, Malcolm Strickland, John Todd, Paul Woolcock.
Track list:
1) All Creatures Now (John Benet)
2) Beati Quorum Via (Charles Villiers Stanford)
3) Crucifixus (Antonio Lotti)
4) Surrexit Christus Hodie (Samuel Scheidt)
5) Irish Blessing (Bob Chilcott)
6) Kyrie From Missa Papae Marcelli (Giovanni Pierluigi Da Palestrina)
7) Lullabye (Billy Joel)
8) Tears In Heaven (Eric Clapton arr. by Roger Emerson)
9) The Water Of Tyne (English Folk Song arr. by Michael Neaum)
10) Both Sides Now (Joni Mitchell arr. by John Coates)
11) De Gospel Train (Spiritual arr. by Peter Wilkinson)
12) O Praise Ye The Lord In Heaven (Anton Arensky)
13) Psalm 43 (Felix Mendelssohn)
14) Ave Verum (Camille Saint-Saens)
15) Magnificat In B Flat (Charles Villiers Stanford)
16) Nunc Dimitris (Peter Wilkinson)
17) The Drunken Sailor (Sea Shanty arr. by Robert Sund)
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City of Cambridge England hears the truth of the Gospel of Jesus Christ
Cambridge England preach Gospel Jesus Christ God salvation mercy grace repent love pardon heaven hell Christian holy
Robert Parker preaches in Oxford UK
The Gospel is the power of God unto salvation to those who believe, foolish to those who perish
Stallings Family Search-Winchester, England
This video starts with the train ride from London to Winchester. It covers a Baptist church and a Methodist church and then moves on to the cathedral. It covers the inside of the cathedral and some of the memorials there, especially ones relating to lines of the family genealogy. Nicholas Stanley's memorial is there with other members of the family, and it shows the family crest including the black martlet. From the cathedral it moves to the down town and Alfred the Great's statue. Another part of town contains a palace where, among other things, there are the round table and the coats of arms of pertinent people on the stained-glass windows. The video ends with the return trip to London.
John Bond Epsiode 4
Episode 4
Street Evangelist Bio: Don Karns
Testimony of open air preacher/American missionary Don Karns. Don lives in Virginia and goes around the world preaching the glorious Gospel of the Lord Jesus Christ unashamedly with great zeal and love for the Lord. Don is a wonderful brother in Christ and he hopes that you will be blessed by this video.
Augustin Barié - Intermezzo (Symphonie op.5)
This was recorded live during a lunchtime recital at Christ Church with St Ewen in 2015. Hope you enjoy this little known but delightful piece!
Samuel Bristow is currently a third year BMus (Hons) student at the Royal Birmingham Conservatoire. He studies with Henry Fairs and Daniel Moult, and is a recipient of the John Campbell Keyboard Prize. He is also Organ Scholar of Birmingham Cathedral where, in addition to playing for services, he assists in the training of the choristers and is accompanist to the St Philip’s Singers. In December he was heard accompanying the cathedral choir on their annual BBC WM Radio Christmas broadcast.
For the last two years he has been the Organ Scholar of Coventry Cathedral. There he worked closely with Kerry Beaumont and Paul Leddington-Wright, and regularly accompanied the cathedral choirs. He also broadcasted for BBC Radio Coventry and Warwickshire and accompanied the girls, scholars and clerks on their visiting choir tour to Truro Cathedral. He was also a finalist in the Northern Ireland International Organ Competition 2017, and was the recipient of the 2017 May Dale Young Organ Recitalist Award.
Prior to this, he was the Organ Scholar of Cirencester Parish Church and studied under Dr Anthony Hammond and Dr David Ponsford. During this time he gained his Associateship of Trinity College London diploma with Distinction. He has attended organ study trips taking him to Germany and the Netherlands, enabling him to participate in masterclasses with Martin Schmeding, Pieter van Dijk, Arvid Gast, Joachim Vogelsänger and Ullrich Bohme.
Increasingly active as a recitalist, he has performed in venues throughout England and Scotland. Recent engagements include Bristol Cathedral; St Laurence’s Church, Ludlow; Ayr Town Hall; Kelvingrove Art Gallery; Blenheim Palace; Bristol, Portsmouth and Glasgow Cathedrals and St Petri Kirche, Hamburg. Future concerts include Truro Cathedral; University of St Andrew’s, Scotland; St Michael and all Angels, Croydon and St Bride’s Fleet Street, London.
A Man Dies (Rock Opera, 1964) - Side 1
From the rock opera A Man Dies (1964).
CREDITS: Valerie Mountain, Ricky Forde, The Strangers
with the Boys and Girls of St. James' Church, Lockleaze, Bristol
Written and Composed by ERNEST MARVIN, EWAN HOOPER, VALERIE MOUNTAIN, DAVID MALLETT, RICHARD SMITH, MICHAEL G. WILLIAM
Text on the back cover: 'A Man Dies' was originally written for the teenagers of St. James' Presbyterian Church, Lockleaze. Bristol. It is an attempt to present the Bible story in the modern idiom—in the music and dancing which teenagers love so much and can do so well.
It is written by Ewan Hooper (formerly an actor at the Bristol Old Vic. now Director of the Greenwich Theatre Project), and Ernest Marvin, one of the Ministers at St. James'. They have tried to demonstrate that the Gospel is relevant to the present moment and must be expressed and dramatised in meaningful worship. Sunday night at St. James' begins at 6-30 with a forty-five minute service in the church. This is followed by general chaos in the halls when refreshments are served to adults as well as young people, and the usual youth club activities take place. Over the years many youngsters have come to enjoy this total evening of fellowship, worship and recreation: But it has always been apparent that for quite a number the worship is a 'bore', and does not mean very much. The Gospel and the Liturgy of the Church is not readily understood—a sad fact when you remember that Gospel simply means 'good news', and Liturgy 'the work of the people'. It was out of this situation that 'A Man Dies' was born. This drama follows the Medieval Mystery Plays in attempting to combine satire, humour and social comment with the Gospel story. And like those plays it is performed in the dress and language of the day (someone once asked the writers if they were saving up for costumes to do it properly !). The Mystery Plays were performed before an audience who were unable to read the Bible; 'A Man Dies' is for and about people who are able to read it, but see no reason why they should. This dramatisation was first presented in St. James' Church Hall at Easter, 1 960. On that occasion and ever since it has always attracted much unsought for and unexpected national and international publicity. In 1961 it was presented in the Colston Hall, Bristol, and an extract from it lasting three-quarters of an hour was televised by ABC Television. An attempt was made in the House of Commons and elsewhere to have this broadcast of 'A Man Dies' banned on the grounds of bad taste. The Nativity section was first written for television and produced on Sunday Break by ABC at Christmas 1961, under the title 'Man in Time'. This was presented together with the earlier part, in the Colston Hall at Easter. 1962.
The new 1964 production has just been seen in the Colston Hall, and for the first time at the Royal Albert Hall, London. At the Albert Hall it was filmed in its entirety by ABC Television, and is being shown throughout the British Isles in a series of four programmes.
In the songs and action an attempt has been made at topicality and modern parallels are frequently drawn with biblical situations. For instance in the first song How Long, Lordie?. the misery of the Jews in Egypt is compared to the burden borne by those suffering from racial discrimination today.
EWAN HOOPER and ERNEST MARVIN
Read here an interview with one of the writers:
Carolyn Muessig: Female Preaching (Oxford Medieval Studies Lecture)
Public lecture for the Oxford Medieval Studies Programme by Professor Carolyn Muessig (Bristol) on PERFORMANCE AND FEMALE PREACHING IN LATE MEDIEVAL AND EARLY MODERN EUROPE
Tuesday, June 12, 2018 - 5:00pm
St Giles', Oxford, OX1 3NA
Taylor Institution’s Main Lecture Theatre
Francis of Assisi (d. 1226) once preached to nuns about penance by sitting down on the floor, pouring ashes on his head, then suddenly leaving with barely saying a word. This exceptional example of male preaching proves the rule for female preaching -- action over words sometimes created the most powerful sermon. This paper will argue that the key to recognizing female participation in late medieval and early modern preaching is to understand the diverse methods of communication that women used to ‘preach’ sermons. Like Francis they employed gestures and mime to convey theological ideas. In particular, they relied on key New Testament narratives to articulate through movement some of the most fundamental Christian beliefs such as the incarnation, resurrection and redemption. Examples of women who preached in performative ways will include the Dominican observant nun Tommasina Fieschi (1448-1534) and the Dominican tertiary Stefana Quinzani (1457-1530).
UK Land Rights show: Three Acres and a Cow - Robin Grey - Apr 2015
“History is the fundamental source of human memory. It affects everything in terms of attitudes, values and political decisions.”
Professor Tom Devine – University Of Edinburgh
“The first step in resistance is a history lesson – it’s not a lesson written for us, but one we write ourselves.”
Professor Simon Critchley – The New School, New York
_________________________________________________________________
‘Three Acres And A Cow’ connects the Norman Conquest and Peasants’ Revolt with current issues of fracking and the housing crisis via the Enclosures, English Civil War, Irish Land League and Industrial Revolution, drawing a compelling narrative through the radical people’s history of Britain in folk song, stories and poems.
Part TED talk, part history lecture, part folk club sing-a-long, part poetry slam, part storytelling session… Come and share in these tales as they have been shared for generations.
Telling the history of land and food in Britain is always a multi-stranded narrative. On one side we have the history of enclosure, privatisation and the dispossession of land based communities; on the other we have the vibrant histories of struggle and resistance that emerged when people rose up and confronted the loss of their lands, cultures and ways of life.
These multiple histories go largely undocumented in the literature of the times, often expressed simply as a hanging here and an uprising there, yet in the music and stories of the people they take on a different life.
‘Three Acres And A Cow’ connects the Norman Conquest and Peasants’ Revolt with current issues like fracking, the housing crisis and food sovereignty movement via the Enclosures, English Civil War, Irish Land League and Industrial Revolution, drawing a compelling narrative through the radical people’s history of Britain in folk song, stories and poems.
Part TED talk, part history lecture, part folk club sing-a-long, part poetry slam, part storytelling session… Come and share in these tales as they have been shared for generations.
I have been really enjoying reading a number of pamphlets which I picked up recently from ‘Bristol Radical History Group‘ who seem to do a lot of great work down in the south west.
This one on Anglo-Saxon Democracy is of particular interest, although there are many others which I will write up at some point soon.
These few paragraphs are good food for thought, the italics in the last paragraph are mine:
———————————-
The Rise of the Church
If the major cause of the retreat of Anglo-Saxon democracy is the increasing use of charters to create bookland beyond the control of the local courts and thus the local community then it also has to be accepted that the use of charters to gain rights and privileges at the expense of the local populace was first introduced by the Roman Catholic church and all of the charters of pre-Conquest England were denrived from the form of the private charter of the later Roman empire.
In the late 7th century, the English church began to centralise and introduce a hierarchy of ecclesiastical authority that matched that of Rome which since the 4th century had created an organisation that had a bureaucracy based on the Roman army.
This was a level of organisation considerably more structured and bureaucratic than the secular English kingdom had managed. The missionaries from continental Europe who converted the English south of the Humber also brought with them their own views about the nature of political authority. Increasingly ideology from the Late Roman Empire and its early medieval successors under the Franks influenced how royal government was practiced in England.
The Anglo-Saxon view of a king as being chosen by the witan and whose most important duty was to maintain the peace and to ensure the security of the people was becoming replaced by the Frankish view of kings being chosen by God to protect the Christian faith and convert the pagan.
Discovery 2 Showcase, 229 The Venue, 25th August 2016
Discovery 2 Showcase, 229 The Venue, 25th August 2016
Featuring the UK's finest, rising, independent artists.
DINACHI
Dinachi's music is an intriguing blend of jazz, folk, highlife and gospel.
Dinachi honed her craft singing in church choirs and leading gospel choirs whilst at school and at University. The influence of her choral background is apparent on her debut EP, with impeccable harmonies adding depth and colour to her music.
Dinachi's music has a message, whether it's the political message contained in the soulful lament of her Bring Back Our Girls video, or a message that relates to the Christian faith she proudly professes. Her songs will make you think, make you feel, and her voice will move you.
Dinachi will be performing with her band.
One of the joys of writing this feature is discovering a voice that stops you in your tracks, and that’s exactly what happened when we first listened to Dinachi - Right Chord Music
Dinachi plays the guitar and sings with this beautiful Asa-esque voice that I find endlessly charming. - Brittle Paper
dinachi.com
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JACKSON
Jackson is an 8-piece funk and soul group, headed by Jack Baldus, and featuring some of the finest professionals on the gigging circuit in the
Southwest. Featuring all original compositions written by Jack Baldus, the sound is a throwback to the psychedelic funk of the 70’s, yet fresh as the
proverbial daisy. Influences can be traced to Jamiroquai, Herbie Hancock, and Stevie Wonder, to name but a few.
Featuring keys, vocals/talkbox, guitar, bass, horns and percussion, Jackson is also pleased to boast the talents of DJ Asian Hawk; 5 times the UK DMC champion. Mixed by legendary Drum and Bass producer DJ Die. Jack himself is a seasoned session player of the Bristol scene, having has performed and recorded for many of the South West's top funk and soul acts including Laid Blak, The Soul Strutters, Ewan Hoozami, Sure Thing, Celestine, James Morton and Victoria Klewin. He has also worked with many DJs and producers such as Christophe and DJ Die and has had vinyl released with legendary House label Futureboogie
Recordings.
jackbaldus.com
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NAVAN
Navan stand for breaking down ideologies, building new ones, and understanding that we all have the capacity to create, and facilitate change.London born, hot duo NAVAN give their audiences something a little different. Navan rely on no–one and produce, sing, rap all their own material. They are quite literately a dream team! There sound can be described as a mould of UK hip-hop, glitch electronica, soul intended with a undertone of influences from Grime that truly illustrate the buzzing sounds of London culture. Navan will be performing with their band.
“They are a melting pot of music, similar to how London is a melting pot of different cultures.” Disorder Magazine
“If you're after an act with a keen eye for the future, NAVAN is that act for you.” Complex UK
facebook.com/navanofficial
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ShaoDow
ShaoDow is a full time independent rapper, entrepreneur and possible ninja. Trained in Shaolin Kung Fu in China. He has independently built his career and company (DiY Gang Entertainment) through hard work, passion and dedication.
He is currently nominated for the Hardest Working Artist Award in the AIM Independent Music Awards.
To date he has sold over 22,000 copies of his albums independently, toured the UK and parts of Europe, released his own brand of headphones and rapidly growing merchandise range. He also co-launched The Blue and Purple Store the first ever artist run pop up shop selling a range of his music and merchandise.
ShaoDow has had airplay on UK major radio stations including Radio 1 and 1xtra, opened for artists such as Tech N9ne, Wiley, Stormzy, Skepta and The Pharcyde and featured on tracks alongside the likes of Ghetts, Dot Rotten and McLean.
ShaoDow is currently planning the release of his third studio album 'シャウ道。- The Way of Shao’ for November 2016 alongside an original manga comic book of the same name.
“One of the hardest workers I’ve ever met in this” - Charlie Sloth - Radio One and 1xtra
“A brilliant rapper with a wonderful flow” - Tom Robinson - BBC 6Music
DiYGang.co.uk
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discovery-talent.co.uk
229thevenue.com
Videography: Amanda Rose
facebook.com/AmandaRosePhotographer
Post Production: Matt Allen
facebook.com/iamjustmattallen
Murray grateful for fans' Christchurch donation
Euan Murray speaks to scottishrugby.org at AMI Staium in Christchurch afer a donation of £45,454 is given to the Mayor from Scottish Rugby fans.
Rockaoke Uni Tour 2011
Well it appears the students like a little bit of Rockaoke as well!
A Man Dies (Rock Opera, 1964) - Side 2
From the rock opera A Man Dies (1964).
CREDITS: Valerie Mountain, Ricky Forde, The Strangers
with the Boys and Girls of St. James' Church, Lockleaze, Bristol
Written and Composed by ERNEST MARVIN, EWAN HOOPER, VALERIE MOUNTAIN, DAVID MALLETT, RICHARD SMITH, MICHAEL G. WILLIAM
Text on the back cover: 'A Man Dies' was originally written for the teenagers of St. James' Presbyterian Church, Lockleaze. Bristol. It is an attempt to present the Bible story in the modern idiom—in the music and dancing which teenagers love so much and can do so well.
It is written by Ewan Hooper (formerly an actor at the Bristol Old Vic. now Director of the Greenwich Theatre Project), and Ernest Marvin, one of the Ministers at St. James'. They have tried to demonstrate that the Gospel is relevant to the present moment and must be expressed and dramatised in meaningful worship. Sunday night at St. James' begins at 6-30 with a forty-five minute service in the church. This is followed by general chaos in the halls when refreshments are served to adults as well as young people, and the usual youth club activities take place. Over the years many youngsters have come to enjoy this total evening of fellowship, worship and recreation: But it has always been apparent that for quite a number the worship is a 'bore', and does not mean very much. The Gospel and the Liturgy of the Church is not readily understood—a sad fact when you remember that Gospel simply means 'good news', and Liturgy 'the work of the people'. It was out of this situation that 'A Man Dies' was born. This drama follows the Medieval Mystery Plays in attempting to combine satire, humour and social comment with the Gospel story. And like those plays it is performed in the dress and language of the day (someone once asked the writers if they were saving up for costumes to do it properly !). The Mystery Plays were performed before an audience who were unable to read the Bible; 'A Man Dies' is for and about people who are able to read it, but see no reason why they should. This dramatisation was first presented in St. James' Church Hall at Easter, 1 960. On that occasion and ever since it has always attracted much unsought for and unexpected national and international publicity. In 1961 it was presented in the Colston Hall, Bristol, and an extract from it lasting three-quarters of an hour was televised by ABC Television. An attempt was made in the House of Commons and elsewhere to have this broadcast of 'A Man Dies' banned on the grounds of bad taste. The Nativity section was first written for television and produced on Sunday Break by ABC at Christmas 1961, under the title 'Man in Time'. This was presented together with the earlier part, in the Colston Hall at Easter. 1962.
The new 1964 production has just been seen in the Colston Hall, and for the first time at the Royal Albert Hall, London. At the Albert Hall it was filmed in its entirety by ABC Television, and is being shown throughout the British Isles in a series of four programmes.
In the songs and action an attempt has been made at topicality and modern parallels are frequently drawn with biblical situations. For instance in the first song How Long, Lordie?. the misery of the Jews in Egypt is compared to the burden borne by those suffering from racial discrimination today.
EWAN HOOPER and ERNEST MARVIN
Read here an interview with one of the writers:
Steven Tyler performs Amazing at Recovery Unplugged drug rehab
Steven Tyler visited the Recovery Unplugged Drug Treatment Center to speak and perform for clients. We are a one-of-a-kind music centered recovery program.
The Blues Barn Band
An outdoor gig on Saturday, June 22nd in Bridgewater Ma.
University Challenge - Christmas 2014 E01 Lady Margaret Hall, Oxford vs The University of Warwick
Festive version of the quiz featuring teams of university graduates.
In Christmas University Challenge, teams of prominent graduates from 14 universities and university colleges will compete for the glory of their institutions and the honour of being declared Series Champions.
Each team will compete in one of seven first round matches.
The four teams with the highest winning scores will play in two semi-finals, with the winners meeting in the final.
Line-up (team captain listed first)
King’s, Cambridge: Noreena Hertz, author, economics writer, academic and speaker; David Walker, Bishop of Manchester; Martin Bell, author and lecturer and Thomas Adès, composer, conductor and pianist.
Trinity Hall, Cambridge: Adam Mars-Jones, novelist and literary critic; Tom James, Olympic gold medal-winning rower and management consultant; Dan Starkey, actor and Emma Pooley, Olympic silver medal-winning cyclist and professional triathlete.
Royal Holloway, London: Francis Wheen, journalist, writer and broadcaster; Valerie Vaz, Labour MP for Walsall South; Norman Baker, Liberal Democrat MP for Lewes and Tori James, speaker and adventurer.
Manchester Metropolitan: Bernard Hill, actor; Eddie Morland, Chief Executive, Health and Safety Laboratory; Gordon Taylor, Chief Executive of the Professional Footballers’ Association and John Thomson, comedian and actor.
York: Sir Michael Dixon, Director of the Natural History Museum; Adam Hart-Davis, writer and broadcaster; Helen Geake, archaeologist and Finds Adviser to the Portable Antiquities Scheme at the British Museum and Philip Lawson, composer, arranger and singer.
Warwick: Simon Calder, travel writer and broadcaster; Jonathan Coe, novelist; Sir Bob Kerslake, Permanent Secretary at the Department for Communities and Local Government and Simon Bailey, Keeper of the Archives, University of Oxford.
Leeds: James Mates, ITV News’ Europe Editor and ITV Weekend news presenter; Jacqui Oatley, sports broadcaster and commentator; Sir David Baulcombe, Royal Society Research Professor and Regius Professor of Botany at the University of Cambridge and Julian Dutton, comedy writer and actor.
Balliol, Oxford: Sir Alan Beith, Liberal Democrat MP for Berwick-upon-Tweed; Charlotte Higgins, culture writer and journalist; Ewan Birney, Director of the European Bioinformatics Institute and Roger Cohen, op-ed columnist.
Lady Margaret Hall, Oxford: Cathy Newman, Channel 4 News anchor; Samuel West, actor and director; Michelle Paver, children’s author and Philip Hensher, novelist, critic and journalist.
Hull: Dame Jenni Murray, journalist, writer, broadcaster and presenter of Women’s Hour; Rosie Millard, journalist and Chair of Hull City of Culture 2017, Malcolm Sinclair, actor and President of Equity and Stan Cullimore, musician, actor, children’s writer and columnist.
Goldsmiths, London: Corrie Corfield, Radio 4 announcer and newsreader; Neil Innes, singer-songwriter; Fiona Rae, artist and Shazia Mirza, comedian and columnist.
Surrey: Jim Al-Khalili, Professor of Physics, author, broadcaster and presenter of Radio 4’s The Life Scientific; Sue Blackmore, psychology writer, lecturer and broadcaster; Odaline de la Martinez, conductor, composer and record producer and Michael Price, composer, editor and arranger for film and TV.
Edinburgh: Philippa Gregory, author; Quentin Cooper, science writer and broadcaster; Allan Little, BBC special correspondent and Judith Miller, antiques expert, writer and broadcaster.
Newcastle: Kate Adie, author and broadcaster; Giles Fraser, journalist, commentator and Church of England priest; Alastair Reynolds, science fiction author and John Yorke, Managing Director of Company Pictures.
Fixture list:
Lady Margaret Hall, Oxford vs. Warwick - 20 Dec 2014
Hull vs. Newcastle - 23 Dec 2014
King’s, Cambridge vs. Royal Holloway, London - 24 Dec 2014
Edinburgh vs. Leeds - 25 Dec 2014
Trinity Hall, Cambridge vs. Balliol, Oxford - 26 Dec 2014
York vs. Surrey - 29 Dec 2014
Manchester Metropolitan vs. Goldsmiths, London - 30 Dec 2014
Semi-Final 1 - 31 Dec 2014
Semi-Final 2 - 1 Jan 2015
Final - 2 Jan 2015