Where is Undeveloped Costa Rica? [Adventure #151]
What was this tourist hotspot like before the mega-resorts and hundreds of “eco-hotels” took over? We travel down the remote, wild Nicoya peninsula, which has seen very little development compared to other parts of the country, visiting Sámara and Puerto Coyote - two small, sleepy, quaint little villages that have managed to keep that charm.
________________
We hope you enjoy our videos and adventures. To help us continue making these videos and sailing with a purpose, you can Join the Journey here:
PATREON:
CROWDFUNDING:
________________
To see more of our adventure, check out:
And to see where we are RIGHT NOW:
________________
Our video equipment:
Our Main Camera:
Our Action Cam:
Voiceover Mic:
Video Mic:
Portable Mic:
Drone:
________________
MUSIC
Fresh Fruit - DJ Quads
________________
Footage from January 2019
________________
Spinosaurus fishes for prey | Planet Dinosaur | BBC
Check out BBC Earth on BBC online -
John Hurts tells the stories of the biggest, deadliest and weirdest Dinosaurs ever to walk the Earth. Massive carnivorous hunter Spinosaurus hunts the giant fresh water fish Onchopristis.
Planet Dinosaur tells the stories of the biggest, deadliest and weirdest creatures ever to walk the Earth, using the latest fossil evidence and immersive computer graphics. Narrated by John Hurt.
Visit for all the latest animal news and wildlife videos
BBC Earth Facebook (ex-UK only)
BBC Earth Twitter
Subscribe to BBC Earth:
BBC Earth Channel:
Latest BBC Earth videos:
Antes de Comprar un Patinete Electrico Mira Esto ! | +50km/h (Ni Xiaomi ni Dualtron)
Ahora por poco mas de lo que cuesta el patinete electrico de Xiaomi, tienes el DOBLE.
- De autonomia: 30km vs 60km
- De velocidad maxima: 25km/h vs 50km/h
- De potencia: 250w vs 500w
- De resistencia: Chasis de viga con plegado macizo
- Suspension: Hidraulico delante y muelles detras
►► Enlace: ◄◄
Otros Accesorios:
- Camara tercera persona:
- Manillar plegable para bici:
- Luces en condiciones:
- Mini ruedas para poner debajo:
- Freno delantero:
- Mochila:
PROGRAMA ESPECIAL CON TUS PREGUNTAS 4 con Luis Manuel Palacios Gutierrez
Hoy deseo poder ayudarte en contestar esas dudas y preguntas que puedas tener y si está en mi saber te las contestaré y si no te orientare.
PROXIMOS VIAJES
17 AL 29 DE MARZO DEL 2020 VIAJE A MÉXICO (YUCATÁN Y QUINTANA ROO) – ZONA ARQUEOLÓGICAS MAYA CON CON YOLANDA SORIA, IVÁN MARTÍNEZ, DIEGO MUÑOZ Y LUIS PALACIOS
JORDANIA - MAYO 2020 ( PETRA Y UADI RUM, MAR MUERTO)
BALI - JUNIO 2020 (INDONESIA)
EGIPTO - OCTUBRE 2020 ( CRUCERO RIO NILO Y CAIRO)
INFORMACIÓN Y RESERVAS EN VIAJES ALADINO
anabas@viajesaladino.com
Móvil: +34 626 41 89 97
CONGRESOS PRESENCIAL 7 y 8 Marzo 2020 ( Barcelona, España ) - JORNADAS CONSCIENCIA CUÁNTICA
7 y 8 Marzo 2020 ( Live Streaming En Directo ) - JORNADAS CONSCIENCIA CUÁNTICA
LUIS PALACIOS
Reportero, Entrevistador y conductor de programas en YouTube para la Caja de Pandora, Administrador y maquetación WEB, Community Manager, Director de programas, Marketing OnLine y contenido en audiovisuales ( Edición, grabación, maquetación de contenido).
Formado en Electricidad y Electrónica, en terapias cuánticas, Terapias energéticas, Psicoterapias, geobiología, radiestesia, Canalizador y sigo formando en temas de crecimiento personal.
luis@lacajadepandora.eu
YouTube:
YouTube:
LISTADO CON LOS VÍDEOS DE LUIS PALACIOS EN YOUTUBE:
#AulasPandora, #LaCajadePandoraVídeo, #DescifrandolaMatrix, #ViajesPandora, #LuisPalacios,
................................
TEMAS CLAVES, Hoy deseo poder ayudarte, contestar preguntas y dudas, orientación, Terapia, Terapeuta, crecimiento personal, resolviendo tus preguntas, preguntas y respuestas, indefensión aprendida, sociedad, humanismo, social, ocultación, conspiración, conspiraciones, iluminatis, oscuratis, sociedades secretas, salud, herramientas, autoayuda, espiritualidad, consciencia, autoayuda, Descifrando la matrix, la matrix, matrix, matriz, Luis Palacios, La Caja de pandora, viajes ,
_____________________________________
Si quieres colaborar con nosotros aceptamos donaciones, cualquier importe es bienvenido, muchas gracias.
Cta Corriente:
IBAN: ES67 2100 3136 4722 0022 7941 LA CAJA DE PANDORA
( Concepto: DONACION PANDORA )
PAYPAL: cajapandora1@gmail.com
-----------------------------------------------------
Si te ha gustado el vídeo haz un me gusta
Suscríbete a nuestro canal de youtube:
Visita nuestra web y apúntate a la lista de correo:
Visita nuestra web de cursos:
Visita la web de TV:
_____________________________________
Por qué No Uso Mi Anillo De Casada ???? PREGUNTAS QUE HE EVADIDO ???? Bessy Dressy
Por que no uso mi anillo de casada - preguntas que he evadido
Like ???? Suscribete - Comparte - Comenta ????
???? Youtube -
???? YT vlogs -
???? Facebook -
???? Instagram -
???? Contact -
???? Amazon -
???? Videos Nuevos Los Miercoles y Viernes ????
#BessyDressy #Dressy #okbessy
Familia Telerín. Si Tú Tienes Muchas Ganas de Aplaudir. Canciones Infantiles para Niños.
Regalo de Navidad de Cleo y Cuquin | Familia Telerin Villancico 2019
--~--
Familia Telerin ™ & © 2008-2015, MAI. All rights reserved
• Suscríbete:
• WEB:
• Facebook:
• Twitter:
Si tú tienes muchas ganas de aplaudir es una canción tradicional para niños que se ha ido cantando de generación en generación. Si te gusta Pocoyo , Dora la exploradora, Pepa pig o la Gallina Pintadita, seguro que te gustará toda la colección de musica y canciones de la Familia Telerin.
Disfruta de todo el contenido de Familia Telerín en la nueva app YouTube Kids, completamente gratis y para los más peques de la casa. Descárgala gratuitamente aquí:
Descarga Google Play
Descarga en iTunes
Si tú tienes muchas ganas de APLAUDIR.
Si tú tienes muchas ganas de APLAUDIR.
Si tú tienes la razón y no hay oposición,
No te quedes con las ganas de APLAUDIR.
Si tú tienes la razón y no hay oposición,
No te quedes con las ganas de APLAUDIR.
Si tú tienes muchas ganas de BAILAR.
Si tú tienes muchas ganas de BAILAR.
Si tú tienes la razón y no hay oposición,
No te quedes con las ganas de BAILAR.
Si tú tienes la razón y no hay oposición,
No te quedes con las ganas de BAILAR.
Si tú tienes muchas ganas de GRITAR.
Si tú tienes muchas ganas de GRITAR.
Si tú tienes la razón y no hay oposición,
No te quedes con las ganas de GRITAR.
Si tú tienes la razón y no hay oposición,
No te quedes con las ganas de GRITAR.
‘La Familia Telerín’ es una marca que ha dejado huella en la memoria colectiva mexicana. El recordado ‘Vamos a la cama’ comenzó a emitirse a diario en Televisa (Canal 2) en los años 70 y así permaneció más de una década. Ahora, la célebre ráfaga que mandó a dormir a dos generaciones de niños, regresa renovada y en 3D para emitirse en el Canal 2, como cierre de la novela ‘Antes muerta que Lichita’.
Esta marca icónica de la televisión celebra su 50 aniversario y cabe destacar que fue elegida por los espectadores como la imagen más representativa de la historia de Televisión Española.
Además, esta emblemática familia posee un gran reconocimiento y prestigio en otros países como Uruguay, Chile, Venezuela, Costa Rica, Perú, El Salvador o Nicaragua.
Estos son los motivos que han llevado a Anima Kitchent a abordar esta nueva aventura de la mano de la Familia Moro, creadores de la conocida pieza del “Vamos a la Cama”: Transformar una marca clásica muy reconocida y querida en un contenido transmedia, con una nueva estética y una estrategia de marca y de licencias que mira al mercado internacional.
*****************************
Canción original: Si tú tienes muchas ganas de aplaudir
Adaptación musical : Agustín Mejías, Alejandro Mejías y Marcos Mejías
Adaptación de la letra: Agustín Mejías, Alejandro Mejías y Marcos Mejías
*****************************
Calling All Cars: Disappearing Scar / Cinder Dick / The Man Who Lost His Face
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Our Miss Brooks: Another Day, Dress / Induction Notice / School TV / Hats for Mother's Day
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Calling All Cars: Crime v. Time / One Good Turn Deserves Another / Hang Me Please
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: Ghost House / Death Under the Saquaw / The Match Burglar
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.