Julian Vilarrubi- time-lapse painting 'The Level' January 2011 Brighton, England by Wendy Pye
Oil on canvas 53x 9' completed January 2011 and inspired by the area known as 'The Level' in Brighton, England. Photography and editing Wendy Pye. julianvilarrubi.com
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James Acaster On The Absurdity Of The British Empire
The hilarious James Acaster takes centre stage with his stand up special about 'Old Blighty' and how we still showcase the property we stole from other countries in glass boxes in museums.
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Heavenly Views Inside Buckingham Palace
Heavenly Views Inside Buckingham Palace. Whilst Buckingham Palace is seen as the administrative hub of the Monarchy, it is also very much a family home, in addition to holding The Queen's Gallery and the Royal Mews. The Queen gave birth to Prince Charles and Prince Andrew at the Palace, and to this day notice of royal births and deaths are still attached to the front railings for members of the public to read. The christenings of The Prince of Wales, The Princess Royal, The Duke of York and Prince William took place in the Music Room and many Royal Weddings have been celebrated at Buckingham Palace, most recently The Duke and Duchess of Cambridge’s.
The offices of those who support the day-to-day activities and duties of The Queen and The Duke of Edinburgh and their immediate family, such as the Private Secretary’s Office and the Privy Purse and Treasurer’s Office are located at Buckingham Palace.
History of Buckingham Palace
George III bought Buckingham House in 1761 for his wife Queen Charlotte to use as a comfortable family home close to St James's Palace, where many court functions were held. Buckingham House became known as the Queen's House, and 14 of George III's 15 children were born there.
George IV, on his accession in 1820, decided to reconstruct the house into a pied-à-terre, using it for the same purpose as his father George III.
As work progressed, and as late as the end of 1826, The King had a change of heart. With the assistance of his architect, John Nash, he set about transforming the house into a palace. Parliament agreed to a budget of £150,000, but the King pressed for £450,000 as a more realistic figure.Nash retained the main block but doubled its size by adding a new suite of rooms on the garden side facing west. Faced with mellow Bath stone, the external style reflected the French neo-classical influence favoured by George IV.
The remodelled rooms are the State and semi-State Rooms, which remain virtually unchanged since Nash's time.
The north and south wings of Buckingham House were demolished and rebuilt on a larger scale with a triumphal arch - the Marble Arch - as the centrepiece of an enlarged courtyard, to commemorate the British victories at Trafalgar and Waterloo.
By 1829 the costs had escalated to nearly half a million pounds. Nash's extravagance cost him his job, and on the death of George IV in 1830, his younger brother William IV took on Edward Blore to finish the work. The King never moved into the Palace. Indeed, when the Houses of Parliament were destroyed by fire in 1834, the King offered the Palace as a new home for Parliament, but the offer was declined.
Queen Victoria was the first sovereign to take up residence in July 1837 and in June 1838 she was the first British sovereign to leave from Buckingham Palace for a Coronation. Her marriage to Prince Albert in 1840 soon showed up the Palace's shortcomings.
A serious problem for the newly married couple was the absence of any nurseries and too few bedrooms for visitors. The only solution was to move the Marble Arch - it now stands at the north-east corner of Hyde Park - and build a fourth wing, thereby creating a quadrangle. The cost of the new wing was largely covered by the sale of George IV's Royal Pavilion at Brighton.
Blore added an attic floor to the main block of the Palace and decorated it externally with marble friezes originally intended for Nash's Marble Arch. The work was completed in 1847.By the turn of the century the soft French stone used in Blore's East Front was showing signs of deterioration, largely due to London's notorious soot, and required replacing.
In 1913 the decision was taken to reface the façade. Sir Aston Webb, with a number of large public buildings to his credit, was commissioned to create a new design. Webb chose Portland Stone, which took 12 months to prepare before building work could begin. When work did start it took 13 weeks to complete the refacing, a process that included removing the old stonework.
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Take a look at the view from Brighton's BA i360 (360 video)
Check out the view from inside the pod of the BA i360 in Brighton. You can use your cursor to scroll around the pod.
This is from the press day on Tuesday 2 August 2016.
360 video must be viewed in Chrome desktop or through the YouTube app on mobile devices.
The Fantasy News Show - 19th October 2016
Episode 038 - On this week’s show:
Studio Ghibli Artist Michiyo Yasuda has passed away aged 77.
Widely respected animator and colour artist career spanned five decades and included a span at Studio Ghibli from its first feature Castle in the Sky, in 1986 to last feature The Wind Rises in 2008. Our thoughts are with her family and friends.
An exhibition of art by Ian Miller is currently showing at Brighton.
Ian Miller is one of the 1970s and 1980s artists whose imagination shaped Horror, Fantasy and Science fiction art. Highly recommend you visit this exhibition if you can. The exhibition is at the Corridor Gallery in Brighton from the 5th to the 31st of October from 11am to 6pm. Their website is corridorgallery.co.uk
ArmadaCon 28 is a Sci-Fi and Fantasy multi-media convention that's been running in Plymouth, England since 1988.
The convention tales place on the 4th to the 6th of November at the Futures Inn, Plymouth, England. To find out more and to book your tickets then visit their website: armadacon.org
The city of Hull, in England, is hosting this year’s FantastiCon once more.
This convention celebrates all thing Sci-Fi and Fantasy and it shows! You can grab your free biscuits on the 19th and 20th of November at the Guildhall, Hull in England. To find out more and book your tickets, visit: fantasticon.co.uk
Robot Wars is set to return for a second series.
Yes, BBC2’s revival of arena mechanical dust ups, Robot Wars is coming back for a second run of 6 episodes and once again the presenting team is Dara Ó Briain and Angela Scanlon. Applications are already open so if you think you can build a robot and smash your way to victory in the new series then e-mail robotwars@mentorn.tv
Kickstarter:
We start the Kickstarter section on a bit of a sad note. Games publisher LudiCreations had 1 day’s takings stolen at the German Essen Games Convention last Saturday.
For a small games publisher that can be quite a blow for them. But rather than sitting back and taking it, they decided to turn a negative into a positive and have created a micro game in order to re-coup the stolen money. The game is called Steal This Game and is designed by David Turczi. It finishes on the 31st of October.
Moonstone is a fantasy skirmish game for 2 – 6 players from Goblin King Games.
In game you lead a troupe of fairy-tale inspired characters across farmsteads, town centres, and the darkest of forests in search of precious Moonstones. It finishes on the 9th of November.
Steampunk Universe: is steampunk anthology edited by Sarah Hans.
This is a diverse collection of stories featuring neurotypical and disabled characters. It finishes on the 7th of November.
Riyria is the graphic novel adaptation of The Death of Dulgath novel by Michael J. Sullivan.
The Death of Dulgath is the ninth adventure of Royce and Hadrian, a former assassin and ex-mercenary who are hired by nobles for various nefarious tasks. This episode was written as a standalone, and no prior knowledge of the other Riyria tales is necessary to get stuck into the action. It’s so close to being funded and finishes on the 5th of November.
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ART REVIEW: Rachel Whiteread at Tate Modern by Robert Dunt, Artist and Founder of ArtTop10.com
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A review of the sculpture exhibition of the artist Rachel Whiteread at Tate Britain.
This is the YouTube channel of the website ArtTop10.com which is a leading resource for the art world, focusing on reviewing art exhibitions and art fairs and interviewing artists.
Up until now our reviews have been text and image based, but we're now moving into filmed reviews. You can see the text based reviews at ArtTop10.com
ArtTop10.com was founded in 2011 by the artist Robert Dunt. robertdunt.com
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12 September 2017 – 21 January 2018
Sponsored by RSM
Supported by The FLAG Art Foundation and Amanda and Glenn Fuhrman, with additional support from the Rachel Whiteread Exhibition Supporters Circle, Tate Americas Foundation, Tate International Council, Tate Patrons and Tate Members
Ticket price eg Adult £16.50 (without donation £15.00). Concession £14.50 (without donation £13.10)
Open daily 10.00 – 18.00
For public information call +44(0)20 7887 8888, visit tate.org.uk or follow @Tate
Tate Britain presents the most substantial survey to date of work by Rachel Whiteread, one of the leading artists of her generation. The exhibition reveals the extraordinary breadth of her career over three decades, from the four early sculptures shown in her first solo show in 1988 to works made this year especially for Tate Britain including Chicken Shed, a new concrete shed installed outside the gallery.
Known for her signature casting technique, Whiteread’s work ranges in scale from the modest to the monumental in a variety of materials such as plaster, resin, rubber, concrete, metal and paper.
Rachel Whiteread first rose to wide public attention with the unveiling of her first public commission House in London’s East End in 1993. A concrete cast of the interior of an entire terraced house, House only stood for a few months before its demolition, but was a landmark public sculpture for London and has come to epitomise Whiteread’s lifelong project as an artist: fusing everyday architectural and domestic forms with personal and universal human experiences and memories.
In a vast 1,500m² open gallery space, some of Whiteread’s most important large scale sculptures are shown alongside her more intimate works. These will include Untitled (Book Corridors) 1997-8 and Untitled (Room 101) 2003 – a cast of the room at the BBC’s Broadcasting House thought to be the model for Room 101 in George Orwell’s dystopian novel Nineteen Eighty Four. A range of smaller sculptures include casts in different materials and colours from architectural features such as floors, doors and windows to domestic objects such as tables, boxes and a selection of Torsos, Whiteread’s casts of hot water bottles.
Another highlight of the exhibition is Untitled (One Hundred Spaces) 1995 – an installation of 100 resin casts of the underside of chairs – shown in Tate Britain’s Duveen galleries. Special sections are also devoted to archive material and to the artist’s drawings. Working with pencil, varnish, correction fluid, watercolour and collage, these works on paper constitute a distinct area of Whiteread’s practice and are an intimate part of her artistic process in producing her sculptural work.
Born in London in 1963, Whiteread studied painting at Brighton Polytechnic and sculpture at the Slade School of Fine Art. She was the first woman to win the Turner Prize in 1993 and went on to represent Britain at the 1997 Venice Biennale. The exhibition will include documentation of House and all of the other public projects which have punctuated Whiteread’s career, such as Watertower 1998 in New York, the Holocaust Memorial 2000 in Vienna; Monument 2001 for Trafalgar Square’s fourth plinth in London and Cabin 2016 on Governor’s Island. She has been awarded numerous prestigious commissions, and solo exhibitions of her work have been shown internationally in museums and galleries such as MADRE in Naples, Kunsthaus Bregenz, the Museums of Modern Art in Rio de Janeiro and Sao Paolo, The Solomon R Guggenheim Museum in New York, the Museum of Contemporary Art in Chicago and Serpentine Gallery in London. Whiteread lives and works in London and her work is represented in major private and public collections worldwide.
Rachel Whiteread is curated at Tate Britain by Ann Gallagher, Director of Collection, British Art and Linsey Young, Curator of Contemporary British Art, with Helen Delaney, Assistant Curator and Hattie Spires, Assistant Curator of Modern British Art. The exhibition is co-organised with the National Gallery of Art, Washington, curated by Molly Donovan, where it will be shown in autumn 2018, and will also tour to the 21er Haus Vienna and the Saint Louis Art Museum.
This Is Lloyds Aka All Risks - Reel 1 (1940-1961)
Most footage dates from 1961 - there are some library shots from 1940 and 1952.
01:00:12 Storm sequence - large sailing ship floundering in high seas. Lifeboat on calm seas. Titles superimposed over lifeboat. Associated British Pathe Present This Is Lloyd's.
Spoken by Anthony Quayle.
01:01:03 Men in lifeboat dressed in period costume spot sail and start calling for rescue. Model shot of 17th Century London. Recreation of exterior of Lloyd's coffee shop 17th Century. Two men in costume enter. Interior coffee house. People chat. Coffee poured. Men drink coffee. C/U hand banging candlestick on bar. Waiter reads from piece of paper about the capture of a ship. Various gentlemen discuss the news. View of coffee house interior. Men do business insuring ships. (This section is all played out in 17th century costume).
01:03:22 Modern day - man in Lloyd's coffee house reads from Lloyd's List. Camera pulls back to wider shot. Two men discuss business while waiter pours them coffee. C/U coffee and milk poured into cup with Lloyd's logo on it. Tilt up to businessmen. C/U man moves hands over table.
01:04:03 Aerial shot of English countryside. Aerial over farm buildings. Aerial as railway engine passes towards town. (Train is a diesel and is pulling Pullman carriages). Aerial of nuclear power station. Aerial over industrial area. Aerial over motorway junction. Aerial over seashore oil refinery. Ship is moored at quay. Aerial over hospital (ambulances can be seen leaving). Aerial follows ambulance along road. Aerial over Wembley Stadium, London. Aerial over Palace of Westminster. (sound of Big Ben). Also seen is Westminster Abbey. Aerial over Tower Bridge, boats move on the River Thames. Also seen is Tower of London. Aerial over London showing St. Paul's Cathedral. Aerial of London showing City of London.
01:06:43 Exterior Lloyd's building (circa 1961). People walking through entrance. Man walks into reception wearing bowler hat. He speaks to male receptionist wearing red robe. A man comes through a revolving door and greets him. They walk through the revolving door. Men walk up steps . Lots of men moving around. C/U feet walking across mosaic floor. Men meet and shake hands. C/U panel showing chairmen of Lloyd's since 1771. Broker walks out of office to meet member of staff (staff are called waiters). Camera follows uniformed member of staff along corridor in the Nelson Room. C/U painting of Admiral Lord Horatio Nelson. Two men look at the painting of Nelson. Silver plate in Nelson collection. C/U Trafalgar log.
01:08:23 Member of staff walks through door into the Writing room. Lots of activity. High angle shot of the room. Lots of underwriters at work. C/U face of underwriter doing business. More underwriters at work. Camera tilts up to gallery floor (area devoted to non-marine business). Two men discuss business. Underwriters at work. Man looks up details in small book. Lots of different kind of business being conducted. C/U pieces of paperwork - hand written. G/V broking room. Underwriters at work. High angle shot marine floor. Man writes into the Loss Book. C/U entry being made into the Loss Book - hand written with a quill pen. C/U writer's face. Pages in Loss Book turned over to show many lost ships. Including 'Flying Enterprise', Clip of 'Flying Enterprise' sinking (the film of the sinking boat could come from 52/3, 52/4, 52/4 H, 52/5, 52/5 E). Clip of the Hindenburg Airship bursting into flames. Collapse of the Tacoma bridge. Bridge rocks to and fro and finally is ripped apart. The bridge plunges into the river below (40/97).
01:14:33 High angle shot of Lloyd's floor. Underwriters chatting.
01:14:53 L/V site for building of Kootaboolah Bridge in Australia. Two men talking and looking at plans. Two men in office looking over plans. Pull back to show secretary taking dictation. Broker on non-marine floor of Lloyd's. Talking about risk to underwriter. C/U blueprints. Various C/U's of broker and underwriter.
01:16:33 High angle shot of boat show. Lots of boats being viewed by public. Two men discussing insurance.
See Reel 2.
Note: Some of this reel is scratched. This reel comprises reels 1 and 2 combined. The film is also known as All Risks. Paperwork includes shotlist, script, music cues and other letters.
FILM ID:1251.01
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British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website.
Solo Hang Drum in a Tunnel | Daniel Waples - Hang in Balance | London - England [HD]
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CHURCHILL WAR ROOMS MUSEUM TOUR
Churchill War Rooms, discover the secrets hidden beneath the streets of Westminster in the underground nerve centre where Winston Churchill and his inner circle directed the Second World War and relive history. The underground nerve centre that allowed Britain’s leaders to plot the allied route to victory during the Second World War. Step back in time and walk the top secret corridors of the Cabinet War Rooms. Subscribe to get more new reviews thnx :).
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Bob Layzell lo mejor Fantasy and Sci-Fi Art collection |5
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*Classic ''40s-70s'' Art Collection:
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Bob Layzell is an illustrator from the golden age of British Sci-fi art. That means two things, 70’s book covers and the Terran Trade Authority (TTA).
Layzell’s contemporaries of this era include the likes of Chris Foss, Peter Andrew Jones, Peter Elson, Tim White, Angus Mckie, Tony Roberts to name but a few.
Of course all though Sci-fi themes are often similar each artist uses a markedly different approach in both technique and design. (text from
Train Sim World 2020 - 1K64 London Paddington to Bedwyn - Great Western Express - GWR Class 166
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Drive a Networker Turbo on the first half of itsjourney to Bedwyn, between London Paddington and Reading.
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Train Simulator 2017 - Amazing View in Passenger Mode
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Train Sim World (PC): East Coastway - Cutting Closure
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The Middle Aged Gamer playing Train Sim World on the East Coastway route. This scenario is called Cutting Closure and we are taking a Class 66 from Brighton to Kingston Tunnel to help a crew remove rubble and debris from a landslide.
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Pavilion Contemporary: The Lost Pagodas, an installation by Geraldine Pilgrim
Short film exploring the creation of Geraldine Pilgrim's Lost Pagodas, part of the Pavilion Contemporary series. Geraldine discusses the inspiration for her work, and the story behind the original pagodas that were once displayed in the Royal Pavilion. Clip also contains contributions from Nicola Coleby and David Beevers.
Exhibition runs 27 October 2012 -- 2 April 2013:
Video produced by Junk TV for the Royal Pavilion and Museums, Brighton & Hove.
Liverpool water front- part 1
A brief tour of Liverpool's waterfront from the Titanic memorial cruise UK leg on the Balmoral. When I say Thames I mean Mersey ;0) Sorry Liverpool if I got anything wrong, the 3rd of the 3 graces is the Port of Liverpool building
Fishbourne Roman palace Chichester West Sussex
Fishbourne Roman palace may encourage you to leave the house more often and explore the many attractions of Chichester West Sussex. Even if you know the area well we are here to help you and can offer advice to help you make the right decision. Simply visit our website.
Train Sim World 2019 Review (Plus TSW 2020 Giveaway) #TrainSimWorld
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