Butterfly Art Project at Montebello Design Center
The Butterfly Art Project encourages creativity and healing. Once a week we bring children from Vrygrond a marginalised community in the South of Cape Town to Montebello Design Center for a woodsculpture group with Right Mukore. Thanks to Right for volunteering his time, thanks to Sue and George Kleyn from Southern Sky Tours for free transport, thanks to the Sir-Peter-Ustinov Foundation our funders for our Heart for Art Programme and thanks to Rosalinde Willemse our dedicated intern for art therapy. She guided the group in 2015 and produced this little video.
A hilarious celebration of lifelong female friendship | Jane Fonda and Lily Tomlin
Legendary duo Jane Fonda and Lily Tomlin have been friends for decades. In a raw, tender and wide-ranging conversation hosted by Pat Mitchell, the three discuss longevity, feminism, the differences between male and female friendship, what it means to live well and women's role in future of our planet. I don't even know what I would do without my women friends, Fonda says. I exist because I have my women friends.
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Barbara Kirshenblatt-Gimblett Oral History
Distinguished folklorist Barbara Kirshenblatt-Gimbett discusses her life and career in folklore.
- Barbara Kirshenblatt-Gimbett is distinguished professor emerita of performance studies at New York University and also served as chief curator of the Core Exhibition at the recently-opened POLIN Museum of the History of Polish Jews in Warsaw. Originally from Toronto, she received her doctorate in folklore from Indiana University and began a multifaceted career in both academic and public sector work. In addition to teaching performance studies at NYU since 1981, she has held faculty appointments the University of Texas, Columbia University and the University of Pennsylvania. Known for her interdisciplinary contributions, her areas scholarly of interest range from Jewish culture to urban culture, popular culture and mass culture, performance studies and tourism, to ethnology, museums, folk art and food. She served as president of the American Folklore Society from 1991 to 1992 and was the Society's delegate to the American Council of Learned Societies. In 2017, she received an honorary doctorate from the University of Haifa and was elected to the American Academy of Arts and Sciences. In 2015, she received the Officer's Cross of the Order of Merit of the Republic of Poland from the president of Poland, an honorary doctorate from the Jewish Theological Seminary of America and the Marshall Sklare award for her contributions to the social scientific study of Jewry. In 2008, she was honored with the Foundation for Jewish Culture lifetime achievement award, as well as the Mlotek Prize for Yiddish and Yiddish Culture, and was selected for the Forward 50, which celebrates leadership, creativity and impact.
For transcript and more information, visit
Live from Disrupt Berlin 2019 Day 2
Colonial history of the United States | Wikipedia audio article
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Colonial history of the United States
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
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The colonial history of the United States covers the history of European colonization of the Americas from the start of colonization in the early 16th century until their incorporation into the United States of America. In the late 16th century, England, France, Spain, and the Netherlands launched major colonization programs in eastern North America. Small early attempts sometimes disappeared, such as the English Lost Colony of Roanoke. Everywhere, the death rate was very high among the first arrivals. Nevertheless, successful colonies were established within several decades.
European settlers came from a variety of social and religious groups, including adventurers, soldiers, farmers, indentured servants, tradesmen, and a few from the aristocracy. Settlers traveling to the continent included the Dutch of New Netherland, the Swedes and Finns of New Sweden, the English Quakers of the Province of Pennsylvania, the English Puritans of New England, the English settlers of Jamestown, Virginia, the English Catholics and Protestant nonconformists of the Province of Maryland, the worthy poor of the Province of Georgia, the Germans who settled the mid-Atlantic colonies, and the Ulster Scots people of the Appalachian Mountains. These groups all became part of the United States when it gained its independence in 1776. Russian America and parts of New France and New Spain were also incorporated into the United States at various points. The diverse groups from these various regions built colonies of distinctive social, religious, political, and economic style.
Over time, non-British colonies East of the Mississippi River were taken over and most of the inhabitants were assimilated. In Nova Scotia, however, the British expelled the French Acadians, and many relocated to Louisiana. No major civil wars occurred in the thirteen colonies. The two chief armed rebellions were short-lived failures in Virginia in 1676 and in New York in 1689–91. Some of the colonies developed legalized systems of slavery, centered largely around the Atlantic slave trade. Wars were recurrent between the French and the British during the French and Indian Wars. By 1760, France was defeated and its colonies were seized by Britain.
On the eastern seaboard, the four distinct English regions were New England, the Middle Colonies, the Chesapeake Bay Colonies (Upper South), and the Southern Colonies (Lower South). Some historians add a fifth region of the Frontier, which was never separately organized. By the time that European settlers arrived around 1600–1650, a significant percentage of the Indians living in the eastern region had been ravaged by disease, possibly introduced to them decades before by explorers and sailors (although no conclusive cause has ever been established).
Von der Wende bis heute - Das Jahrhundert der Frauen - Teil 1
Das Jahrhundert der Frauen,die Wende.
Die Vereinbarkeit von Familie und Beruf wird in ganz Deutschland zum Thema. Mehr junge Frauen als junge Männer machen hierzulande Abitur. Eine Frau wird Kanzlerin. Aber eine Bankkauffrau in der Bundesrepublik verdient für die gleiche Arbeit auch heute noch statistisch zirka 20 Prozent weniger als ihr Kollege.
Weitere Stichworte dieser Folge: Geburtsvorbereitung für Paare, Schönheitswahn, Ehrenmorde, die erste deutsche Kanzlerin.
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)
A Portrait of the Artist as a Young Man Audiobook by James Joyce | Audio book with subtitles
This is James Joyce's first novel, the semi-autobiographical story of a young Irish boy who struggles with family, country, and religion to become an artist and a man. (Summary by Peter Bobbe)
A Portrait of the Artist as a Young Man
James JOYCE
Genre(s): Published 1900 onward
Chapters:
0:26 | Chapter 1. Part 1.
41:22 | Chapter 1. Part 2
1:06:59 | Chapter 1. Part 3
1:49:15 | Chapter 2. Part 1
2:18:52 | Chapter 2. Part 2
2:49:03 | Chapter 2. Part 3
3:23:43 | Chapter 3. Part 1
3:40:28 | Chapter 3. Part 2
4:23:57 | Chapter 3. Part 3
4:51:10 | Chapter 3. Part 4
5:18:30 | Chapter 4. Part 1
6:00:15 | Chapter 4. Part 2
6:22:35 | Chapter 5. Part 1
7:08:06 | Chapter 5. Part 2
7:53:49 | Chapter 5. Part 3
8:30:22 | Chapter 5. Part 4
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Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Words at War: Apartment in Athens / They Left the Back Door Open / Brave Men
Greece entered World War II on 28 October 1940, when the Italian army invaded from Albania, beginning the Greco-Italian War. The Greek army was able to stop the invasion and even push back the Italians into Albania, thereby winning one of the first victories for the Allies. The Greek successes and the inability of the Italians to reverse the situation forced Nazi Germany to intervene in order to protect her main Axis partner's prestige. The Germans invaded Greece and Yugoslavia on 6 April 1941, and overran both countries within a month, despite British aid to Greece in the form of an expeditionary corps. The conquest of Greece was completed in May with the capture of Crete from the air, although the Fallschirmjäger suffered such extensive casualties in this operation that the Germans abandoned large-scale airborne operations for the remainder of the war. The German diversion of resources in the Balkans is also considered by some historians to have delayed the launch of the invasion of the Soviet Union by a critical month, which proved disastrous when the German army failed to take Moscow.[citation needed]
Greece itself was occupied and divided between Germany, Italy and Bulgaria, while the King and the government fled into exile in Egypt. First attempts at armed resistance in summer 1941 were crushed by the Axis, but the Resistance movement began again in 1942 and grew enormously in 1943 and 1944, liberating large parts of the country's mountainous interior and tying down considerable Axis forces. However, political tensions between the Resistance groups resulted in the outbreak of a civil conflict among them in late 1943, which continued until the spring of 1944. The exiled Greek government also formed armed forces of its own, which served and fought alongside the British in the Middle East, North Africa and Italy. The contribution of the Greek war and the merchant navies in particular was of special importance to the Allied cause.
Mainland Greece was liberated in October 1944 with the German withdrawal in the face of the advancing Red Army, while German garrisons continued to hold out in the Aegean Islands until after the war's end. The country was devastated by war and occupation, and its economy and infrastructure lay in ruins. Greece suffered more than 400,000 casualties during the occupation, and the country's Jewish community was almost completely exterminated in the Holocaust. By 1946, however, a vicious civil war erupted between the British and American-sponsored conservative government and leftist guerrillas, which would last until 1949.
Suspense: Stand-In / Dead of Night / Phobia
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.