MK50 - TMA Celebrate the 50th birthday of Milton Keynes.
Our film tells the story of Milton Keynes past, present and future and shows you many of the amazing things there are to see and do in Milton Keynes!
Thanks to everyone who helped us make this film!
Links.
Superman 4 Redux -
IF Festival info -
Redbull Racing -
Blecthley Park -
The National Museum Of Computing -
Mk Dons -
Masrhalls -
MK Theater -
Aston Martin Works -
MK History -
May 30/13 - Milton-Keynes - UK
Today is the day! The very first Black Star Riders show tonight in Milton-Keynes at teh Marshall Amplification Theatre. Are you ready?
The Helm - Calling Out
Here is a video of our song 'Calling Out'.
The footage was taken from our performance at the
Marshall Ultimate Band Contest Live Final, 11TH.DEC.2010.
The live final was held at Marshall Amps HQ, Milton Keynes in the Marshall Theatre.
We are an indie/ rock band from South West, England.
This track was written and preformed by 'The Helm' and recorded by
Thanks for watching, The Helm.
more info at the above links!:-)
Marshall Amplification - Factory Tour (video 3)
During my visit to the Marshall Amplification factory in Bletchley/Milton Keynes to pick up my custom amp and cab, back in 2010.
father of loud day Dave
Me playing the father of loud memorial day at MIlton Keynes for Marshall Amplification...by the way the Marshall people are some of the best people I have ever met and It wasa great honor to be asked to do this !
States Of Panic interview with Michelle Livings (Bloodstock Radio) @Download 2013
States Of Panic talk to Michelle Livings for Bloodstock Radio @ Download 2013
Metallica jams with John Marshall
While Hetfield cant play guitar , John Marshal from Metal Church is learning the songs
The Captain Meets Joe Bonamassa!
Finally the big reveal.... That's right folks, back in the Autumn of 2013 Lee Anderton, of Andertons Music Co, got to meet one of his favourite guitar players - Mr Joe Bonamassa. The meeting was set up by the guys at Marshall Amplification so that Joe could check out an amplifier that Lee & the team at Marshall had designed & built to celebrate the 50th Anniversary of Andertons Music Co.
The amp is called a CS JTM145 & is based upon the kind of amps Marshall were making in 1964 - the year Andertons Music Co first opened. The Custom Shop JTM145 is limited to just 200 pieces & will be built exclusively for Andertons in 2014. Worldwide shipping is available.
For the full spec & more information on this highly limited edition & UK made tube head, please click on this link -
Thanks to all the team at Marshall for making this happen.
Thanks to Paul at ampaholics.org.uk for his invaluable input
Thanks to Joe Bonamassa for making this amp sound about as good as I could ever have dreamed!
And thanks to you guys for watching this video & for supporting Andertons over the last 50 years - it means a lot!
Cheers
Lee Anderton (aka The Captain!!)
States of panic - live free or die
States of panic performing live free or die @THINK TANK newcastle upon tyne 18th jan 2014
American idiot sound check
Juno soundcheck Stöten grande finale 2014 green day HD 720p
Juno gör en soundcheck inför grande finale 2014 med Juno, På G, och Ebba Gold
Summertime,Louis Armstrong & Ella Fitzgerald (Cover) For Sale Band Belgrade
Arrangements by Vladimir Juvan, bass played Dragan Saric, musics production Vladimir Juvan, video by Dragan Jankovic, all members of the band For Sale.
Summertime is an aria composed by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, although the song is also co-credited to Ira Gershwin by ASCAP.
The song soon became a popular and much recorded jazz standard, described as without doubt... one of the finest songs the composer ever wrote....Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of African-Americans in the southeast United States from the early twentieth century. Composer and lyricist Stephen Sondheim has characterized Heyward's lyrics for Summertime and My Man's Gone Now as the best lyrics in the musical theater. The song is recognized as one of the most covered songs in the history of recorded music, with more than 33,000 covers by groups and solo performers.Musicologist K. J. McElrath wrote of the song:
Gershwin was remarkably successful in his intent to have this sound like a folk song. This is reinforced by his extensive use of the pentatonic scale (C-D-E-G-A) in the context of the A minor tonality and a slow-moving harmonic progression that suggests a blues. Because of these factors, this tune has been a favorite of jazz performers for decades and can be done in a variety of tempos and styles.
Heyward's inspiration for the lyrics was the southern folk spiritual-lullaby All My Trials, of which he had Clara sing a snippet in his play Porgy. While in his own description, Gershwin did not use any previously composed spirituals in his opera, Summertime is often considered an adaptation of the Afro-American spiritual Sometimes I Feel Like a Motherless Child, which ended the play version of Porgy. Alternatively, the song has been proposed as an amalgamation of that spiritual and the South-Russian Yiddish lullaby Pipi-pipipee. The Ukrainian-Canadian composer and singer Alexis Kochan has suggested that some part of Gershwin's inspiration may have come from having heard the Ukrainian lullaby, Oi Khodyt Son Kolo Vikon (A Dream Passes By The Windows) at a New York City performance by Oleksander Koshetz's Ukrainian National Chorus in 1929 (or 1926).There are over 25,000 recordings of Summertime. In September 1936, a recording by Billie Holiday was the first to hit the US pop charts, reaching #12. Other notable recordings include those by Louis Armstrong and Ella Fitzgerald in 1957, Sam Cooke also in 1957, Gene Vincent and Miles Davis in 1958, John Coltrane in 1961, The Marcels in 1961, The Tornadoes in 1964, Janis Joplin with Big Brother and the Holding Company on the 1968 album Cheap Thrills, Al Green on the 1969 album Green is Blues as well as The Zombies. The most commercially successful version was by Billy Stewart, who reached #10 on the Billboard Hot 100 in 1966.
The Doors occasionally performed this song on stage as a medley in the middle of Light My Fire, which can be heard on Live in Boston. English singer-songwriter Nick Drake recorded the song in 1967 or 1968, and it is included on the posthumous anthology Tanworth In Arden. The Fun Boy Three released their version in July 1982. In 1998, Morcheeba and Hubert Laws recorded the song for the Red Hot Organization's compilation album Red Hot + Rhapsody.