VINTAGE AND RETRO CLOTHING MILTON KEYNES
GONE RETRO
83 HIGH STREET
STONY STRATFORD
MILTON KEYNES
MK11 1AT
Drew Falls Completely In Love With This Incredible Country House! | SERIES 12 | Salvage Hunters
Drew and Tee visit Shuckburgh Hall, a privately owned country house in Northamptonshire, which Drew falls completely in love with when he sees inside!
Pots Thru Time: Joy Bridy & The Weis Family
Thanks to Joy Bridy at joybridy.com
Made possible with the generous, community-minded support of American Public University System (
Researched, written, produced by Jim Surkamp.
Music by Cam Millar - Cornfields, Family Bonds (with permission)
Shana Aisenberg - The Spirit Lives and Waiting from her CD
Desert Winds. (with permission)
References:
Weis Pots courtesy St. Peter's Lutheran Church, Shepherdstown, WV; Jefferson County Museum, Charles Town, WV; and Historic Shepherdstown Museum.
wikiclay.com
heat-work.blogspot.com
ceramica.wikia.com
wvculture.org
wikipedia.org
nlm.nih.gov
studiopottery.com
wvgeohistory.org
Barber, E. A. (1893). “The Pottery and Porcelain of the United States.” New York, NY: G.P. Putnam’s & Sons.
Bourry, Emile; Wilton P. Rix. (1901). ”Treatise on Ceramic Industries: A Complete Manual for Pottery, Tile and Brick Works.” London, UK: Scott & Greenwood & Co.
POTTERY-EARTHENWARE-KILN-TOOLS
Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers (Encyclopaedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts). 1751. edited by Denis Diderot and Jean le Rond d'Alembert Paris, Fr: André le Breton, publisher.
Kenamond, A. D. (1963). “Prominent Men of Shepherdstown, 1762-1962.” Charles Town, WV: Jefferson County Historical Society.
Mitchell, Mary B. “Memories.” edited by Nina Mitchell. Shepherd University Library.
Moler, Mrs. M. S. R.(1940). “George Weis and His Pottery.” Magazine of the Jefferson County Historical Society Vol. 6. pp.16-17.
Morton, Clyde D. (1987). “The Weis Pottery and the Genealogy of the Potters.” Magazine of the Jefferson County Historical Society Vol. 52. pp. 48-55.
Parziale, Reynolds and Pamela. (1981). “Pottery in the 1800s. The Weis Pottery, Shepherdstown, West Virginia.” Magazine of the Jefferson County Historical Society Vol. 47. pp. 23-29.
Rice, A. H.; John Baer Stoudt. (1929). “The Shenandoah Pottery.” Strasburg, VA: Shenandoah Publishing House, Inc.
Sanderson, Robert; Coll Monigue. (2000). “Wood-fired Ceramics: Contemporary Practices.” Philadelphia, PA: University of Pennsylvania Press. pp. 10-14.
Sweezy, Nancy. (1994). “Raised in Clay: The Southern Pottery Tradition.” Chapel Hill, NC: University of North Carolina Press.
Timbrell, John. (2005). “The Poison Paradox: Chemicals as Friends and Foes.” Oxford, UK: Oxford University Press. Print.
Weaver, Emma. (1967). “Artisans of the Appalachians.” Photos by Edward L. Dupuy. Asheville, North Carolina: Miller Printing Co.
1860 U.S. Federal Census - Population - National Archive and Records Administration (NARA).
Image Credits:
Map of the Line of Intrenchments at Fisher's Hill, Va., Aug. 13th to 17th, 1864. Battle of Fisher's Hill, Sept. 22d., 1864. “The War of the Rebellion Atlas.”
A map of Washington Co., Maryland. Exhibiting the farms, election districts, towns, villages, roads, etc., etc. - Library of Congress.
Michael Ball’s Kiln Firing Catawba Valley, North Carolina.
Artist unidentified; possibly Pennsylvania, Baby in Red Chair (31.100. 1), ca. 1810-1830, oil on canvas, Colonial Williamsburg Foundation, Williamsburg, VA).
(Painting) Edward Lamson Henry - “The Conversation.”
(Painting) Eastman Johnson - “Old Man Seated.”
Sanborn Fire Insurance Map of Shepherdstown, 1894. Go to civilwarscholars.com for 700K of footnoted content and 12K images to accompany these videos made possible with the support of American Public University System more at Go to civilwarscholars.com for 700K of footnoted content and 12K images to accompany these videos made possible with the support of American Public University System more at
Jimmy Thomas - Springtime - Spark
From an early 60’s career as a highly valued member of the Ike & Tina Turner Revue; and an uncredit duet with Tina and several solo singles. Jimmy flashed up on British Rare Soul collectors radar with a wonderful Northern Soul dancer on hometown label Mirwood. A hugely popular “Torch” spin, with demand alerting “President” for a UK Jay Boy release.
Jimmy was now in the minds of the British collector, especially when Leeds Central DJ the legendaryTony Banks made Jimmy’s rare Parlophone release “A Beautiful Night” his signature tune.
As a kid-digger through Leicester’s vinyl emporium “A. T. Brown’s” I came across this “Jimmy” oddity, a quick play confirmed it was the very same Jimmy Thomas. Which excited me, I couldn’t wait to get it back home for a closer listen.
We my head firmly fix in “Motownesque” mode, the funky dance rhythms left me lukewarm even though I had never encountered the disc before. I just filed it without a 2nd thought to it’s rarity.
Decades later and it’s obscurity now 50 fold, those funky rhythms caught the attentions of a few DJ’s far further afield, today the fingers of Rare-Soul is a global thing, those Funky riffs and attitude vocal alerted the curious collector of this rare winner, and the demand kindled.
This copy is MINT no more than 4 plays 3 of those by us to understand why this rare piece is changing hands for brow-raising sums.
DOG-RARE, spectacular condition, UK ONLY, and hitting all the right notes for those who prefer their Rare-Soul with “Bite”. A bite that Jimmy perfected being tutored by the gal with more bite than a roaring Tigress with cubs..
You will not see, this UK ONLY 45 in this astonishing condition again, any time soon..
Current bid: £ 86.00 @
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.
WE WANT WHAT YOU DON'T WANT - Great website credit or cash offer for you unwanted vinyl.
We are looking for clean at least Ex+ vinyl in ALL genres.
Especially Northern Soul, Punk, Ska & Reggae, 50s British Rock N' Roll, Freakbeat, Jazz, Progressive Rock etc etc.
Let us know whatcha got...generous Web Site credits or cash offer awaits - so why not freshen up your collection the painless way.
John Manship Records
raresoulman.co.uk
Tel: +44 (0) 1664 464991
Email: info@raresoulman.co.uk
Beat Ballad Heaven
videos and artwork by Paul Royle -
Jimmy Thomas - Springtime - Spark
ModernWarfare F The Rest Were The Best
Multistreaming with
Hey up legends hows it going ? hope you doing well and welcome to my MODERNWARFARE F THE REST WERE THE BEST stream I am using restream to #livestream to #dlive and youtube!
In my WE ARE DLIVE NEVER GONNA STOP US YOU DONT HAVE THE POWER FAM stream I am going to be playing COD MW on the PS4 pro! I will be playing Multiplayer and CO-OP and hopefully winning every game we go into !! #modernwarfare
I really do hope you have fun watching my MODERNWARFARE F THE REST WERE THE BEST stream be sure to subscribe and like if you do enjoy the stream and want EVEN more !! and if you want to check me out on Dlive head over to dlive.tv/streammaster !!
On this channel there will be gaming and reaction videos and live streams!
This will be from pc and also from ps4!
This is just for fun!
want to see my livestreams head over to
tip for free with gawkbox app on IOS & ANDROID
Merch cheapest around
Welcome to the channel if you are new Thanks 4 joining! I am TSM here we do streams vlogs reactions gameplays tuts current events entertainment and more I hope you enjoy your time here! ???????????? Dont forget to Like ???? share and subscribe n hit the????
►►MERCH STORES►►
►►SUPPORT CHANNEL WITH TIPS FOR FREE GAWKBOX►►
►►DONATE PAYPAL OR CARD►►
paypal.me/urologicmarkz
►►MY INSTAGRAM►►
►►MY TWITTER►►
Any footage used within this video is considered Fair Use. I am transforming the original content with commentary and critiques. I hold the right to create said content with the following definition of Fair Use, as outlined below:
*17 U.S. Code § 107 - Limitations on exclusive rights: Fair use* Not withstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—
(1) the purpose and character of the use, including
whether such use is of a commercial nature or is for nonprofit
educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
(4) the effect of the use upon the potential market for or value of the copyrighted work.
The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.
(Pub. L. 94–553, title I, § 101, Oct. 19, 1976, 90 Stat. 2546; Pub. L.
101–650, title VI, § 607, Dec. 1, 1990, 104 Stat. 5132; Pub. L. 102–492, Oct. 24, 1992, 106 Stat. 3145.)
Source: Legal Information Institute
U.S. Code - Title 17 - § 107
MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST MODERNWARFARE F THE REST WERE THE BEST
The Great Gildersleeve: Aunt Hattie Stays On / Hattie and Hooker / Chairman of Women's Committee
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.