Lanhouse Concert - Sesc Belem part 01
Lanhouse Concert is an audiovisual installation for computers connected in a local area network (LAN, commonly used in internet cafes). The work arose from experiments undertook during audio and interactive video workshops and hacklabs in rooms of free internet access throughout Brazil.
The installation was programmed and composed in two parts. The first part combines the lights of monitors and the sound from computer speakers spread around the room to create an interplaying game of sound, illusory movements and synchrony. In the second part, color variations are used in an extended intertwining of horizontal temporal arrangements.
Considering the computer as a tool which brings together different media (metamedia), being it capable of articulating sound, light and machines in a metadata flux through the LAN, Lanhouse Concert incites the thought of the LAN as a metainstrument. The building of this metainstrument can be understood as a handicraft work analogous to the work of a luthier. The digital 'luthiering' would take place on a plane combining hard and software, the computer network and audiovisual programming environments such as Pure Data.
The installation thinks the local computer network as a kind of media performance. Lanhouse Concert is a little aesthetic performedia exercise and also a modest tribute to the 108.000 internet cafés currently (2010) spread around Brazil.
A Batalha de São Bráz
Documentário de Adrianna Oliveira sobre uma batalha de rap no Mercado de São Brás - bairro tradicional de lutas sociais em Belém do Pará.
Edital Jovem.Doc
Festival In-Edit Brasil - Seleção Oficial
Festival de Audiovisual de Belém - Melhor Curta-Metragem (Voto Popular) - Melhor Documentário
MIMO Festival - Seleção Oficial
Mostra Sesc de Cinema - Seleção Nacional
Queima de Fogos Inauguração Sesc Belenzinho SP
Queima de fogos da Inauguração do Sesc Belenzinho em São Paulo, Zona Leste.
OS FOLIÕES DANÇAM O BUMBA-BOI NA MOSTRA SESC BELÉM 2009
VÍDEO DE DELL RODRIGUES. OS FOLIÕES FAZEM A FESTA NA MOSTRA NACIONAL SESC DE CULTURA POPULAR, EM BELÉM DO PARÁ. NESSE VÍDEO, A BELEZA DA TOADA MARANHÃO, MEU TESOURO, MEU TORRÃO, DE HUMBERTO DO MARACANÃ. OBRA-=PRIMA DO BUMBA-MEU-BOI SOTAQUE DA ILHA (BOI DE MATRACA). NO COMANDO, MESTRE WALMIR.
X COPA DE VOLEIBOL FEMININO DO COLEGIO SÃO PAULO - AO VIVO
CSPEDUCA #INOVACSP 2018
Bye Bye Brasil
Salomé (Betty Faria), Lorde Cigano (José Wilker) e Andorinha são três artistas ambulantes que cruzam o país juntamente com a Caravana Rolidei, fazendo espetáculos para o setor mais humilde da população brasileira e que ainda não tem acesso à televisão. A eles se juntam o sanfoneiro Ciço (Fábio Junior) e sua esposa, Dasdô (Zaira Zambelli), com os quais a Caravana cruza a Amazônia até chegar a Brasília.
O Charme do Choro - Já? Já!
Composição e arranjo: Jacinto Kahwage
O Charme do Choro:
Jade Guilhon: Bandolim
Dulci Cunha: Flauta
Laíla Cardoso: Violão
Camila Alves: Violão 7 cordas
Carla Cabral: Cavaquinho
Rafaela Bittencourt: Pandeiro
Uma produção da Amazon Filmes - Belém/PA (+ 55 91 3246 1534)
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Exposição As Tias do Marabaixo - Belém, 2017
Vídeo-convite da exposição 'As Tias do Marabaixo' na Galeria Theodoro Braga (Centur), em Belém.
Período de visitação: 15.3 a 12.4.17
Horário: 9 às 18h, segunda a sexta
Fotos: Fabio Gomes
Música: O Remo (Maria José Libório) Maria LIbório (faixa do CD Favela)
CHORO DO PARÁ (SESC PARÁ)
Bye Bye Brasil (1979): Dasdô resolve se prostituir
Cena do filme Bye Bye Brasil, de 1979, gravada em Belém, no Pará, com a participação do já falecido cantor Walter Bandeira acompanhado da banda Sayonara, fazendo uma releitura do clássico disco Lay Love on You, de Luisa Fernandez. Dasdô resolve se prostituir, mas é impedida por seu marido de ter seu primeiro cliente.
Direção de Cacá Diegues, com Betty Faria, Fábio Júnior, José Wilker, Zaira Zambelli e Jofre Soares.
Suite Popular Paraense - Luiz Pardal
Estreia da Orquestra Jovem Sesc Pará (OJSPA), no dia 28 de junho de 2019, no Theatro da Paz- Belém do Pará /Brasil.
Estrela de Oito Pontas - Túlio Mourão Instrumental SESC Brasil TV SENAC ano 2000
Sesi Bonecos Belém
Sesi Bonecos, o maior festival de bonecos do Brasil, vai acontecer em Belém nos dias 07, 08 e 09 (Teatro Maria Sílvia Nunes), 11 e 12 de setembro de 2010 (Praça Amazonas). A capital paraense irá sediar a etapa internacional do evento, com companhias da Itália, Espanha, Inglaterra e EUA. Serão 19 espetáculos e performancese a programação é gratuita. Confira a programação em
ZOUKLAMBADA - GIULIANO E LUANA - SESC THEATER 2012
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Lambada is a dance
from South America(BRASIL)
for couples.
The dance became
internationally popular in the 1990s,
especially in Latin America and Caribbean countries.
It has adopted aspects of dances such as forró, salsa, merengue, maxixe and the carimbó.
Lambada is generally danced with arched legs, with the steps being from side to side, turning or even swaying, and in its original form never front to back, with a pronounced movement of the hips. At the time when the dance became popular, short skirts for women were in fashion and men wore long trousers, and the dance has become associated with such clothing, especially for women wearing short skirts that swirl up when the woman spins around, typically revealing 90s-style thong underwear.
Origins
Carimbó dance
From the time that Brazil was a Portuguese colony, Carimbó was a common dance in the northern part of the country. Carimbó was a loose and very sensual dance which involved many spins by the female dancer, who typically wore a rounded skirt. The music was mainly to the beat of drums made of trunks of wood, thinned by fire.
Carimbó involved only side to side movements and many spins and hip movement, and became the basis of the Lambada.
The word Lambada
After a while, a local radio station from Belém (Pará's capital city) started to call these new type of music the strong-beated rhythm and the rhythms of Lambada (lambada meaning strong slap or hit in Portuguese; cf. French and later English lambaste). This last name Lambada had a strong appeal and began to be associated with this new emerging face of an old dancing style.[1]
The word Lambada is of obscure etymology, and in Brazilian Portuguese it may refer to the wave-like motion induced in a whip. This flowing wave motion is reproduced by the dancer's bodies, and is one of the main elements that distinguish Lambada from other Latin dances.[2]
Two-beat dance style
Around 1983 the Carimbó dance started once more to be danced in couples, in a 2-beat style, something very close to Merengue, but with many spins.
The Lambada music
Aurino Quirino Gonçalves, or simply Pinduca is a Brazilian musician. He is a very well known singer at the north of Brazil (Amapá and Pará area), where it is strongly believed he is the true father of the Lambada music.
Pinduca is a musician and composer of mainly Carimbó. He is the singer and composer of the King of Carimbó (as it is affectionately known) and he created rhythms, such as: Sirimbó, Lári-Lári, Lambada and Lamgode.
The musician and composer of carimbó, Pinduca, launched in 1976, a song entitled Lambada (Sambão), track number 6 of the LP In the rhitmus of carimbó and sirimbó vol. 5.
It is the first recording of a song under the label of Lambada in the history of Brazilian popular music.
Some support the version that the guitarist and composer master Vieira, the inventor of the guitarrada, would also be the creator of the Lambada music. His first official disc, Lambada of Quebradas, was recorded in 1976 but officially launched two years later, in 1978.[3]
In the late 1980s, the fusion between the metallic and electronic music from Caribbean brought again a new face to the Carimbó. This style started to be played throughout the north-eastern region of Brazil (a place well known for its tourist approach), although this new Carimbó went with the name of Lambada.
Lambada in Bahia
Lambada dance a four-beat dance style
The Lambada spread along the coast until it reached Bahia (the elder Brazilian state) where it was influenced by the Forró, an old Brazilian style of dance which also had a strong beat. It became a four-beat dancing style, which was distinctive from the original Carimbó.
This form of Lambada was danced with arched legs, with the steps being from one side to the other, and never from front to back. At the time short skirts for girls were in fashion and men wore long trousers, and the dance became especially associated with girls wearing short skirts. This association has continued until today, and the tradition is common in some places, such as the Lambar night club of São Paulo and Giros dance school and club in Belo Horizonte Brazil.
Bye Bye Brasil (1979): Onde é que fica o puteiro?
Cena do filme Bye Bye Brasil, de 1979, gravada em Belém, no Pará, em que Lorde Cigano (José Wilker) procura onde fica o puteiro da cidade. Cena com participação dos músicos Haroldinho (atualmenre professor de inglês) e Janjão (radialista da Rádio Marajoara) acompanhado da banda Chácara Som, fazendo uma releitura da música You're The One That I Want.
Direção de Cacá Diegues, com Betty Faria, Fábio Júnior, José Wilker, Zaira Zambelli e Jofre Soares.
TEASER TERRAÇO BRASIL SHOPPING BOULEVARD BELÉM - PA 22-06-2018
A CAMINHO DE BELEM
teatro evangelização portal da luz nascimento de jesus A CAMINHO DE BELEM cancioneiro Espírita
CHICO BUARQUE BYE BYE BRASIL
charles belém, rodrigo araújo, nelsinho jota e cacau
Pink Floyd - Wish You Were Here | Iron Maiden - Wasting Love (Sesc Casa da Música - Belém)
Recital de encerramento dos alunos da Casa da Música do Sesc Belém - 22/06/0217
Bateria: Rodrigo B Brasil
Contrabaixo: André Lobato
Guitarra: Breno Oliveira, Rodrigo D'Alincourt, Davi Moraes, Prof. Ewando Muller