Gomyo Inari Shrine Tarui-cho Gifu Prefecture Japan 五明稲荷神社 岐阜県垂井町
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Japan Drone 9 Gifu tarui
Ibuki Mt. Tarui
Tokai's beautiful garden Shizuoka Fugetsuro
Let's go to Yoro Falls in Gifu, Japan! 養老の滝に行きましょう！
Let's go to Yoro Falls! A quaint waterfall in Gifu Prefecture, Japan!
Welcome to Gifu Prefecture - ALTIA CENTRAL
ALTs in Gifu Prefecture have the convenience of enjoying work and play in the geographic and historical center of Japan.
Osaka beach resort
Video quy hoạch ý tưởng trục đường
GIBBON SLACKFIT TEASER 2016
Introducing to you the new GIBBON Slackfit course concept for fitness studios! Combine effective fitness with the fun and versatility of Slacklining to experience a unique workout solution. as a positive side effect learn to slackline.
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deep down another freschly grilled beat by th one and only: Marten Hörger:
Gifu prefecture japan| Outside of Gujo, Gifu Prefecture Japan!!!
Picturesque!! The freshness of the country air!!
郡上八
幡旅行
you-tuber
Momentos' galera da tostem!
Faltou tanta foto....
YORO Park//GIFU
[JAPAN’s]
Một nơi để tận hưởng thiên nhiên, nghệ thuật và thể thao
Công viên Yoro có các cơ sở nghệ thuật và thể thao xung quanh Thác Yoro. Dọc theo con đường đi bộ đến Yoro Fall, du khách có thể thưởng thức hoa anh đào vào mùa xuân và cây phong vào mùa thu có màu vàng, cam và đỏ. Nó làm cho mọi người cảm thấy như họ đang đi qua một đường hầm sơn màu. Đường dẫn đến Thác Yoro rất dốc nên chúng tôi khuyên bạn nên đi thang máy.
Ngoài ra còn có Yoro Tenmei Hantenchi (Trang web của số phận đảo ngược), là một khu vườn nghệ thuật khái niệm của công viên. Shusaku Arakawa và Madeline Gins đã tạo ra nó, và cấu trúc bí ẩn của nó gây nhầm lẫn cho du khách về cảm giác cân bằng và phối cảnh. Trang web mở cửa từ 9:00 sáng đến 5:00 chiều, và lối vào cuối cùng là lúc 4:30 chiều. Vé vào cửa là 750 yên cho người lớn, 500 yên cho học sinh trung học và 300 yên cho học sinh tiểu học và trung học.
Đối với trẻ em, có một khu vực gọi là 'Thế giới Kid Kid của tỉnh Gifu.' Nó được thiết kế để hài hòa với cảnh quan thiên nhiên và môi trường xung quanh. Nó có các cơ sở như hồ bơi, sân điền kinh và hội trường cho các vở kịch trong nhà. Khu vực này mở cửa từ 9:00 sáng đến 4:30 chiều.
Ngoài ra còn có nhiều cơ sở khác như sân golf, sân tennis, khu ẩm thực có tên 'Rakuichi-rakuza Yoro', nơi du khách có thể thưởng thức đồ ăn nhẹ, ẩm thực theo mùa, thực phẩm địa phương và bia, và cuối cùng cũng có khu vực cắm trại.
A place to enjoy nature, arts and sports
Yoro Park has artistic and sports facilities surrounding Yoro Falls. Along the walking path to Yoro Fall, visitors can enjoy cherry blossoms in the springtime and maple trees in autumn that are tinted yellow, orange, and red. It makes people feel like they are walking through a color-painted tunnel. The path to Yoro Falls is so steep that we recommend taking the lift.
There is also Yoro Tenmei Hantenchi (the Site of Reversible Destiny), which is a conceptual art garden of the park. Shusaku Arakawa and Madeline Gins made it, and its mysterious structure confuses visitor’s sense of balance and perspective. The Site is open from 9:00 am to 5:00 pm, and the last entrance is at 4:30 pm. Entrance fees are 750 yen for adults, 500 yen for high school students, and 300 yen for elementary and middle school students.
For children there is an area called 'Kid’s World of Gifu Prefecture.' It is designed to be in harmony with the natural landscape and surroundings. It has facilities such as a pool, athletics field, and halls for indoor plays. The area is open from 9:00 am to 4:30 pm.
There are also many other facilities such as a golf course, tennis court, a food court named 'Rakuichi-rakuza Yoro' where visitors can enjoy snacks, seasonal cuisine, local food and beer, and finally there is also a camping area.
GEAR USED↓↓↓
Camera - iphone X
Drone - mavic air
Gimbal - osmo mobile 2
Tripod - Manfrotto(MTPIXIEVO-BK)
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Thanks so much to AKIKO for putting together most of this video!check out her work below
Music : Acejax feat. Danilyon - By My Side [NCS Release].mp4
Kurodake hike in Gotenba city, Shizuoka prefecture (2013/6/1)
Nice hike out with the view of Mt. Fuji. Mt. Fuji is the highest mountain in Japan, and the access to the mountain is relatively easy from Tokyo.
The Bronze Age Collapse - Before the Storm - Extra History - #1
Egyptians. Hittites. Assyrians. Myceneans. Long ago, these four Bronze Age civilizations lived together in a healthy system of trade, agriculture, and sometimes warfare. But then, everything changed when the Sea People attacked.
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On the way back from Tenmabashi station
Busy intersection outside Tenmabashi Station, Osaka.
Snatched
After her boyfriend dumps her on the eve of their exotic vacation, impetuous dreamer Emily Middleton (Amy Schumer) persuades her ultra-cautious mother, Linda (Goldie Hawn) to travel with her to paradise. Emily and Linda realize that working through their differences as mother and daughter - in unpredictable, hilarious fashion - is the only way to escape their outrageous jungle adventure.
Star Trek: TNG 30th Anniversary Reunion Full Panel - Front Row - August 4, 2017
This is the Star Trek: The Next Generation Reunion Panel filmed at the Rio Hotel during the 2017 Star Trek Convention in Las Vegas, NV on August 4, 2017. Panelists included Sir Patrick Stewart, LeVar Burton, Brent Spiner, Michael Dorn, Gates McFadden, Marina Sirtis, Denise Crosby, and John de Lancie.
The panel took place in the evening after the regular programming of the day. Jonathan Frakes was supposed to attend but wasn't able to make it. The cast has some fun talking about him in his absence. They share memories from the past thirty years and keep it entertaining.
This was filmed upclose from the front row center. This is the full panel with a couple of cuts for battery changes. This was filmed in HD. If you enjoy the video please hit the subscribe button :)
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Suspense: I Won't Take a Minute / The Argyle Album / Double Entry
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Roswell Incident: Defense Department Interviews - Jed Roberts / Marilyn Strickland / Alice Knight
Just days before the 50th anniversary of the incident, the Air Force released a follow-up report to the 1994 one called The Roswell Report: Case Closed. More on Roswell:
Despite the finality suggested in the report's title, when then asked whether this would put the controversy to rest Defense Department spokesman Kenneth Bacon said: of course not.[20] While his assessment has proved to be true, the report nevertheless laid out in great detail how the Air Force felt alien accounts likely arose, and remains the final word on the subject from the Air Force's point of view. It also forms the basis, along with the previous report, for the skeptical response to the Roswell UFO incident.
It concluded that UFO researchers had failed to establish accurate dates for their reports of aliens and had erroneously linked these reports to the Project Mogul debris recovery (which the Air Force identified previously as being the source of the Foster ranch debris).[19] (p. 2) Convoluted scenarios linked the various crash sites to the events at the Foster ranch and dates were fixed so as to coincide with the reported events, thus establishing a time frame and adding credibility to the alien claims.[19] (p. 12) It further concluded that alien accounts were likely descriptions of publicized military achievements and descriptions of incidents involving injured or killed military personnel.[19] (ibid p. 2)
These conclusions were greeted with incredulous responses from many, but a careful reading of the report, especially interview transcripts, revealed that in fact many of the UFO authors had ignored or omitted the prosaic explanations given by many of the witnesses themselves, as well as the witnesses' oft-stated vagueness as to when the events they were recalling actually took place.
The 1994 report concluded that: no aliens or alien spacecraft were recovered by the Air Force; reports of aliens could not have been associated with the Mogul debris recovery as that vehicle was incapable of transporting passengers; no unusual activity was carried out by the Air Force in 1947 outside of the Mogul recovery.
In light of these established facts, the Air Force concluded that actual events, if any, which inspired alien reports did not occur in 1947 and that reports which described material associated with balloons were not connected to alien stories. They therefore eliminated from further research those numerous accounts consistent with balloon debris and its transport and were left with a relative few accounts focused on aliens.
From the remaining accounts, several working hypotheses were established: given the number and great detail of the accounts, some event or events likely did happen; due to the similarities of the two crash site descriptions and the great distance between the sites, it was likely one event formed the basis for the accounts (the Air Force focused its investigation on what seemed to be two separate crash sites outside the Foster ranch); since the alien accounts from the Roswell base shared no common elements with the crash site accounts, it was likely an event not related to the other events.
The research focused first on the crash site accounts, seeking common threads within the accounts, then if such links were found, how they were related to actual events. Finally, it was asked whether these actual events were part of government or military activities.[19] (pp. 13--14) Additionally, care was taken to determine whether these accounts were from actual witnesses to the events, or a recitation of someone else's account. It dealt separately with the accounts of aliens at the Roswell base employing a similar method.
The Real Men in Black - Black Helicopters - Satanism - Jeff Rense and Jim Keith - Multi - Language
Men in Black instances straddle the lines between mysticism and science. Occultism and UFOs. Material reality and fantasy. Partaking of all, defined by none. Since ancient times, these mysterious beings have stalked the planet and in recent years, they have tried to silence witnesses of UFO sightings with threats of harassment and even worse.
Who are these strange beings garbed all in black?
Are they Government agents?
Aliens?
Creatures from another dimension?
Casebook by Jim Keith
This was a radio broadcast of a show called Sightings Radio with Jeff Rense.
rense.com
His guest is Jim Keith and they ddiscuss topics ranging from Nicotine found in the blood of cattle mutilations, lips removed from cattle, the actual documents that created AIDS, not just a paper trail, blood and it's relation to the Mothman, Implants of Whitley Streiber and how he (whitley) thinks he might be mind controlled, The Monatak Project, Cathy Obrien, Satanism and how it is involved with UFOs and how recently, abductees are taken to fancy hotels instead of space ships.
Free Truth Productions
Truth and Freedom go hand in hand...
FreeTruthProductions.com
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The Great Gildersleeve: A Job Contact / The New Water Commissioner / Election Day Bet
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Leila Leaves Town / Gildy Investigates Retirement / Gildy Needs a Raise
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter Bronco Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed Ha!!! or What a character! Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.