Guido Van Der Werve, @ Charles H. Scott Gallery, Vancouver B.C. Part one
Charles H. Scott Gallery
Vancouver, Canada
Exhibition by
Guido van der Werve
Minor Pieces ( Nummer Twaalf, Variations on a Theme ) one
November 17 to December 19, 2010
Curator: Cate Rimmer
Nummer twaalf, variations on a theme
The king's gambit accepted, the number of stars in the sky and why a piano can't be tuned or waiting for an earthquake, 2009, 4k video, 40 minutes.
Filmed by Kevin Immanuel
nakedsunorchidartjournal.yolasite.com
Guido Van Der Werve @, Charles H Scott Gallery, Vancouver B.C. part two,
Charles H. Scott Gallery
Vancouver, B.C. Canada
Exhibition by Guido van der Werve
Minor Pieces ( Nummer Twaalf, Variations on a Theme )
November 17 to December 19, 2010
Curator: Cate Rimmer
Nummer twaalf, variations on a theme
The king's gambit accepted, the number of stars in the sky and why a piano can't be tuned or waiting for an earthquake, 2009, 4k video, 40 minutes.
Filmed by Kevin Immanuel
Guido Van Der Werve, @ Charles H Scott Gallery, Vancouver B.C. part 6
Charles H. Scott Gallery
Vancouver, B.C. Canada
Exhibition by Guido van der Werve
Minor Pieces Nummer Twaalf, Variations on a Theme ) five,
November 17 to December 19, 2010
Curator: Cate Rimmer
Nummer twaalf, variations on a theme
The king's gambit accepted, the number of stars in the sky and why a piano can't be tuned or waiting for an earthquake, 2009, 4k video, 40 minutes.
Filmed by Kevin Immanuel
Guido van der Werve, Charles H. Scott Gallery, exhibition After the Gold Rush part 3,
Dutch artist Guido van der Werve's Nummer twee: Just because I'm standing here, doesn't mean I want to and Nummer zeven: The clouds are more beautiful from above, blend melancholy and absurdity, longing and failure.
Charles H. Scott gallery ( Vancouver, B.C. Canada )Exhibition
Allora & Calzadilla, Cornelia Parker, Guido Van Der Werve, Jonathan Monk, Mark Soo
After the Gold Rush
March 19 to April 25, 2010
Exhibition curated by Cate Rimmer
Closing Reception: Friday, April 23 at 7:30pm
Guido van der Werve, Charles H. Scott Gallery, 2010
Gudio van der Werve
Video Art Work Nummer twee: Just because I'm standing here, doesn't mean I want to and Nummer zeven
Dutch artist Guido van der Werve's Nummer twee: Just because I'm standing here, doesn't mean I want to and Nummer zeven: The clouds are more beautiful from above, blend melancholy and absurdity, longing and failure.
Charles H. Scott gallery ( Vancouver, B.C. Canada )
Group Exhibition AFTER THE GOLD RUSH
Curator: Cate Rimmer
Allora & Calzadilla, Cornelia Parker, Guido Van Der Werve, Jonathan Monk, Mark Soo
March 19 to April 25,
Closing Reception: Friday, April 23 at 7:30pm
Filmed by Kevin Immanuel
Guido van der Werve, @ Charles H. Scott Gallery, 2010
Guido van der Werve
Exhibition Minor Pieces
November 17 to December 19, 2010
Curator: Cate Rimmer
Opening Reception: Tuesday, November 16 at 7:30pm
Artist Talk: November 15 at 7:00pm in the Emily Carr University theatre (SB 301)
The Charles H. Scott Gallery is pleased to present Minor Pieces, a solo exhibition by Dutch artist Guido van der Werve featuring two film works and a series of related photographs.
The title of the exhibition is a reference to the game of chess which plays a key role in one of van der Werve's film presented at the gallery. In Nummer twaalf, variations on a theme: The King's Gambit accepted, the number of stars in the sky and why a piano can't be tuned or waiting for an earthquake, the artist considers the concept of infinity by interweaving chess, music, the mathematics of nature and notions of the sublime.
The exhibition will also include Nummer zes: Steinway grand piano, wake me up to go to sleep, and all the colors of the rainbow. In the film, the artist who is also a composer and classically trained pianist, sets out the history of the Steinway piano, subsequently enacting his desire to locate himself within its privilege and romantic grandiosity.
Guido van der Werve was recently awarded the Prix International d'Art Contemporain, La Fondation Prince Pierre de Monaco and is currently short-listed for the Future Generation Art Prize. He has exhibited extensively including solo exhibitions at the Hirshhorn Museum in Washington DC and the Hayward Gallery in London.
Filmed by Kevin Immanuel
Guido van der Werve, Charles H. Scott Gallery, part 2, 2010
Guido van Der Werve
Video Art Work Nummer Twee
@ Charles H.Scott Gallery
Curator: Cate Rimmer
Group Exhibition After the Gold Rush
Dutch artist Guido van der Werve's Nummer twee: Just because I'm standing here, doesn't mean I want to and Nummer zeven: The clouds are more beautiful from above, blend melancholy and absurdity, longing and failure.
Charles H. Scott gallery ( Vancouver, B.C. Canada )
After the Gold Rush
Allora & Calzadilla, Cornelia Parker, Guido Van Der Werve, Jonathan Monk, Mark Soo
March 19 to April 25, 2010
Closing Reception: Friday, April 23 at 7:30pm
Filmed by Kevin Immanuel
Gallery Hop Vancouver Panel: Air | Land | Sea with Charles Stankievech, Kara Uzelman and Cate Rimmer
Abandoned space stations. Ghostly jellyfish. Backyard excavations. Experimental archaeology. Regional homesteading. Survivalist architecture. Architecture with armament. Clandestine rocket launches. Shipwrecks. Lighthouse keepers. Light boxes. The darkness of winter...
On April 27, as part of Gallery Hop Vancouver, a panel titled Air | Land | Sea explored these elements and other expanded notions of landscape in contemporary art.
The panel featured artists Charles Stankievech and Kara Uzelman and curator Cate Rimmer, and it was moderated by Canadian Art Foundation programs and outreach manager Christine Shaw.
This post features audio from the panel, as well as slides from the panellist presentations.
Charles Stankievech creates fieldworks which have been shown at Palais de Tokyo, Documenta 13, 10th Venice Biennale of Architecture, NGBK and HKW in Berlin, International Symposium on Electronic Arts (ISEA), Musée d'art contemporain de Montréal, Canadian Centre for Architecture and MASS MoCA. He is a founding faculty member of the Yukon School of Visual Arts and Co-director of K. Verlag | Press, located in Berlin.
Kara Uzelman's process-based sculptures and site-specific installations have been shown internationally in both group and solo exhibitions, most recently at The Power Plant in Toronto, Le Commissariat in Paris and Temporäre Kunsthalle in Berlin. She has attended residencies at the Klondike Institute of Art, Dawson City; Triangle, Marseille; and Mains d'œuvres, Paris.
Cate Rimmer is a curator at the Charles H. Scott Gallery. From 2010--11, she curated a year-long public art project for the City of Vancouver entitled Walk In/Here You Are. Her current projects include The Voyage, or Three Years at Sea, a multi-part exhibition project at the Charles H. Scott Gallery which looks at our relationship to the sea.
Christine Shaw is program and outreach manager at the Canadian Art Foundation. She has developed education and curatorial initiatives across Canada, the US and Europe which investigate the relations among contemporary art, radical education and institutional analysis. She holds an MFA from Western University and a PhD in Social and Political Thought from York University.
Gallery Hop Vancouver is an annual day of free art talks and gallery tours co-presented by the Canadian Art Foundation and the Contemporary Art Society of Vancouver.
To find out more about future events presented by the Canadian Art Foundation, please visit
To find out more about Gallery Hop Vancouver, please visit
Aleesa Cohene, Or Gallery, Vancouver B.C. Canada, Exhibition, Like Like, 2009
Seemed Like a Good Idea at the Time
Alessa Cohene, Alex Da Corte, Jon Pylypchuk, Markus Vater
CURATED By Kim Nguyen
11September- 23 October 2010
Ruben Ochoa: Cores and Cutouts
| Interview with Los Angeles-based artist Ruben Ochoa on the occasion of his first solo exhibition in Miami at Locust Projects during Art Basel Miami Beach 2011.
Cores and Cutouts is Los Angeles-based artist Ruben Ochoa's first solo exhibition in Miami, Florida. For his show at Locust Projects he created a new site-specific installation using the building's substructure as source material. In this video, Ruben Ochoa talks about his new work.
Ruben Ochoa is known for using building materials such as concrete and steel. At Locust Projects he cut through the concrete floor to expose subterranean cross-sections of the gallery's foundation, revealing the space where earth and architecture intersect. Cored segments of the concrete floor are sitting like flowers on steel columns above their normal resting place and the heads of the gallery's visitors, resembling abstract paintings.
Ruben Ochoa was born in Oceanside, California in 1974. He currently lives and works in Los Angeles. Recent exhibitions include a two person show at the San Jose Museum of Art, San Jose, CA, 2011; and group exhibitions in the FGAP @ Venice, Collateral Event of the 54th International Exhibition, La Biennale di Venezia, Palazzo Papadopoli, Venice, Italy, 2011; and The Artist's Museum: Los Angeles Artists 1980-2010, Museum of Contemporary Art, Los Angeles, CA, 2010. Ochoa has had solo exhibitions at the Museum of Contemporary Art, San Diego, CA, 2010; Susanne Vielmetter Los Angeles Projects, LA, 2010; Charles H. Scott Gallery at Emily Carr University, Vancouver, British Columbia, Canada, 2009; and Site Santa Fe, NM, 2009. Ochoa was included in the 2008 Whitney Biennial at the Whitney Museum of American Art, NY and the 2004 California Biennial at the Orange County Museum of Art, CA. He has been awarded the John Simon Guggenheim Memorial Foundation Fellowship, 2008 and a Creative Capital Foundation Grant, 2005. Upcoming exhibitions include his first solo exhibition at James Cohan Gallery, NY in the spring of 2012. The exhibition at Locust Projects runs until January 28, 2011.
Locust Projects is a not-for-profit exhibition space founded by three Miami artists in 1998 in order to provide contemporary visual artists the freedom to experiment with new ideas and methods without the limitations of conventional exhibition spaces.
Ruben Ochoa: Cores & Cutouts. Locust Projects, Miami. Interview with Ruben Ochoa on the occasion of the Reception for the Artist, coinciding with Art Basel Miami Beach 2011. Miami / USA, December 1, 2011.
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Emily Carr Halloween 2008
Clips from the costume competition and dance party at the Emily Carr University, Vancouver, Canada.
DORM TOUR 2015
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Freedmantown Sample #1
Music Inspired by Freedmantown features
Reggie Quinerly—drums, percussion
Tim Warfield—tenor saxophone (1, 4, 6, 8, 10, 11)
Mike Moreno—guitar (2, 4, 6, 10)
Gerald Clayton—piano (except 3, 5)
Vicente Archer—bass, electric bass (except 9)
Antoine Drye—trumpet (3, 7)
Matt Parker—tenor saxophone (3, 7)
Corey King—trombone (3, 7)
Enoch Smith Jr.—vocals, piano, organ, arranger and lyricist on Freedmantown (3, 5)
Sarah Elizabeth Charles—vocals (9)
Julia Feyrer, Art Speak GalleryThe Poodle Dog Ornamental Bar, 2011 filmed by Kevin Immanuel
Julia Feyer
Art Speak Gallery
Vancouver B.C. Canada
Video Art Installation,
2011
Referencing experimental film, performance documentation, and filmmaking-as-process, Julia Feyrer's 16mm film, The Poodle Dog Ornamental Bar, was shot on a film set the artist constructed in a Vancouver backyard. Modeled on an 1890's Gastown bar of the same name, Feyrer activated her temporary illegal bar (serving home brewed Frankfurt style apple wine) with performances, readings, and events. These events and their audiences provide the cast and soundtrack for the non-narrative film that is itself an accumulation of improvisations, collaborations, and cinematic visual compositions, placing the historical past as a backdrop to its reinterpreted present.
Feyrer's work has been exhibited and screened in Berlin, Frankfurt, Leipzig, Munich, New York, Sackville, Skopje (Macedonia), Toronto, Vancouver, and Victoria. She has been the drummer for the band They Shoot Horses, Don't They?, co-edited the audiozine Spoox, and authored Comedy Tragedy, an artist book. She studied at Emily Carr Institute of Art + Design and the Städelschule School of Fine Arts. She lives in Vancouver.
Filmed by Kevin Immanuel
Athena Papadopoulos reading Library Archive / AHVA Koerner Library Gallery UBC, 2011
AHVA Koerner Library Gallery
University of British Columbia
Vancouver, Canada
Exhibition Contemporary Histories -- Intersecting Pasts and Futures curated by Mo Salemy
Contemporary Histories -- Intersecting Pasts and Futures is an exhibition featuring works by Derya Akay, Jordy Hamilton, Emily Hui, Kevin Immanuel, Vytas Narusevicius, Heather Passmore and Joomi Seo.
A Collaborative Reading Performance/Art Action/Art Intervention
Athena Papadopoulos reading Kevin Immanuel's installation, titled,
Untitled Artist Files. March 10 2011
Filmed by Kevin Immanuel
Athena Papadopoulos reading Library Archive / AHVA Koerner Library Gallery UBC, 2011
AVHA Koerner Library Gallery
University of British Columbia
Vancouver, Canada
Exhibition
Contemporary Histories -- Intersecting Pasts and Futures curated by Mo Salemy
Contemporary Histories -- Intersecting Pasts and Futures is an exhibition featuring works by Derya Akay, Jordy Hamilton, Emily Hui, Kevin Immanuel, Vytas Narusevicius, Heather Passmore and Joomi Seo.
Collaborative Performance/Art Action/ Art Interventioni:
Athena Papadopoulos reading from Kevin Immanuel's Untitled Artist Files, March 10 2011, in the AVHA Koerner Library Gallery.
Filmed by Kevin Immanuel
Julia Feyrer, @ ArtSpeak Gallery, The Poodle Dog Ornamental Bar , 2011
RecentThe Poodle Dog Ornamental Bar
Julia Feyrer
November 13 - January 8, 2011
Opening November 12, 8pm
Artist Talk with Michael Turner
January 8, 2pm
ArtSpeak Gallery, Vancouver B.C. Canada
Referencing experimental film, performance documentation, and filmmaking-as-process, Julia Feyrer's 16mm film, The Poodle Dog Ornamental Bar, was shot on a film set the artist constructed in a Vancouver backyard. Modeled on an 1890's Gastown bar of the same name, Feyrer activated her temporary illegal bar (serving home brewed Frankfurt style apple wine) with performances, readings, and events. These events and their audiences provide the cast and soundtrack for the non-narrative film that is itself an accumulation of improvisations, collaborations, and cinematic visual compositions, placing the historical past as a backdrop to its reinterpreted present.
Feyrer's work has been exhibited and screened in Berlin, Frankfurt, Leipzig, Munich, New York, Sackville, Skopje (Macedonia), Toronto, Vancouver, and Victoria. She has been the drummer for the band They Shoot Horses, Don't They?, co-edited the audiozine Spoox, and authored Comedy Tragedy, an artist book. She studied at Emily Carr Institute of Art + Design and the Städelschule School of Fine Arts. She lives in Vancouver.
Filmed by Kevin Immanuel
autistic artist J.A. Tan
J.A. Tan, a 23-year old autistic artist who just completed his Bachelor of Fine Arts degree at the Emily Carr University of Art and Design (Class of 2010) in Vancouver, Canada is in Manila for the opening of his exhibit dubbed Piece by Piece...A Selection of My Personal Best on Fiday, July 23, 2010 at 6:30 pm in the 2/F Glass Wing of Ayala Museum.
[Conférence] Nicolas SASSOON - ESAPB - Janvier 2016
Nicolas Sassoon est un artiste français basé à Vancouver au Canada. Son travail emploie l’animation et le dessin informatique comme éléments générateurs de visions fantastiques explorant le paysage, l’architecture et l’univers domestique. Bien que la majorité de son travail soit publié sur Internet via le GIF animé et d’autres formats web, Nicolas Sassoon matérialise sa pratique digitale en installations in-situ, sculptures, impressions et textiles, collaborant régulièrement avec d’autres artistes, couturiers et producteurs d’évènements musicaux. Son travail s’intéresse particulièrement aux dimensions contemplatives et projectives de l’univers digital ; comment le numérique peut agir sur notre espace quotidien.
Nicolas Sassoon est un membre fondateur du collectif WALLPAPERS, et un membre du collectif Computers Club. Nicolas a exposé au New Museum (USA), Eyebeam (USA), 319 Scholes (USA), May Gallery & Residency (USA), Vancouver Art Gallery (CANADA), Plug In ICA (CANADA), Contemporary Art Gallery (CANADA), Charles H.Scott Gallery (CANADA), Western Front (CANADA), PRETEEN Gallery (MEXIQUE), the Centre d’Art Bastille (FRANCE), Arti et Amicitiae (PAYS-BAS), MU Eindhoven (PAYS-BAS) , Victoria & Albert Museum (ANGLETERRE), Today Art Museum (CHINE), la Berlin Fashion Week (ALLEMAGNE) et la New-York Fashion Week (USA).
Date : Le Mardi 05 Janvier à 18h30
Lieu : Amphithéatre 100, Ecole d’art de l’agglomération Côte Basque Adour
3, avenue Jean Darrigrand - 64100 Bayonne
Renseignements : 05 59 59 48 41 - ecole-art@agglo-cotebasque.fr
Maritime history of the United Kingdom | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Maritime history of the United Kingdom
00:00:47 1 Chronology
00:00:56 1.1 Eighteenth century
00:01:51 1.2 Nineteenth century
00:03:26 1.3 Twentieth century
00:05:24 1.4 Twenty-first century
00:05:44 2 Royal Navy
00:05:53 2.1 Eighteenth-century navy
00:06:46 2.2 Nineteenth-century navy
00:07:57 2.3 Twentieth-century navy
00:12:01 2.4 The Navy Board
00:12:26 2.5 Ministry of Defence
00:12:44 2.6 Notable wars
00:12:53 2.6.1 American Wars
00:13:28 2.6.2 French Revolutionary/Napoleonic Wars
00:14:06 2.6.3 Maritime events of World War I
00:17:27 2.6.4 Maritime events of World War II
00:22:39 2.6.5 Post War Operations
00:24:30 3 Notable individuals
00:24:39 3.1 Charles Hardy
00:25:11 3.2 Augustus Keppel
00:26:35 3.3 Edward Hawke
00:26:59 3.4 Richard Howe
00:27:37 3.5 Horatio Nelson
00:29:30 3.6 Hyde Parker
00:30:23 3.7 Edward Pellew
00:30:55 3.8 James Saumarez
00:31:41 3.9 William Dampier
00:32:18 3.10 James Cook
00:33:49 3.11 George Vancouver
00:34:23 3.12 Admiral Anson
00:34:49 3.13 Sir John Franklin
00:35:51 3.14 James Clarke Ross
00:36:12 3.15 Robert Scott
00:36:32 3.16 Ernest Shackleton
00:37:10 4 Shipbuilding
00:38:36 5 Famous ships
00:38:45 5.1 iCutty Sark/i
00:39:40 5.2 iEndeavour/i
00:40:45 5.3 iGreat Britain/i
00:41:20 5.4 iGreat Eastern/i
00:42:33 5.5 iTitanic/i
00:43:52 5.6 iQueen Mary/i
00:44:29 5.7 iBritannia/i
00:45:11 5.8 iVictory/i
00:46:07 5.9 iWarrior/i
00:46:50 5.10 iBelfast/i
00:47:43 6 Navigation
00:47:52 6.1 Instruments and guides
00:48:45 6.2 Lighthouses
00:49:27 6.3 Navigation marks
00:50:02 7 Safety and rescue
00:50:12 7.1 Plimsoll line
00:50:49 7.2 Lifeboats
00:51:51 7.3 Maritime and Coastguard Agency
00:52:20 8 Ports and harbours
00:54:26 9 Trade
00:54:34 9.1 Goods
00:57:44 9.2 Passenger liners
00:58:27 9.3 Emigration/deportation
00:59:03 10 Ferries and cruise boats
01:00:07 11 Customs men and smugglers
01:01:22 12 Fishing
01:03:55 13 Energy
01:04:03 13.1 Gas and oil
01:04:59 13.2 Oil spills
01:06:21 13.3 Offshore wind farms
01:06:56 14 Coast
01:08:11 15 Leisure activities
01:08:20 15.1 Resorts
01:09:00 15.2 Rowing, yachting and power boats
01:11:35 15.3 Marinas
01:11:57 16 Marine science
01:12:07 16.1 Hydrographics
01:12:54 16.2 Oceanography
01:14:17 17 Maritime studies
01:14:26 17.1 Colleges
01:15:01 17.2 Admiralty law
01:15:45 18 Law of the sea
01:16:11 18.1 Ship design
01:16:51 19 Maritime museums
01:17:23 19.1 Maritime archaeology
01:18:02 20 Maritime subjects in the Arts
01:18:12 20.1 Art
01:18:44 20.2 Literature
01:20:01 20.3 Music
01:20:16 21 See also
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- Socrates
SUMMARY
=======
The Maritime history of the United Kingdom involves events including shipping, ports, navigation, and seamen, as well as marine sciences, exploration, trade, and maritime themes in the arts from the creation of the kingdom of Great Britain as a united, sovereign state, on 1 May 1707 in accordance with the Treaty of Union, signed on 22 July 1706. Until the advent of air transport and the creation of the Channel Tunnel, marine transport was the only way of reaching the British Isles. For this reason, maritime trade and naval power have always had great importance.
Prior to the Acts of Union, 1707, the maritime history of the British Isles was largely dominated by that of England. (See Maritime history of England for more details.)