The Russian State Symphony Cappella - S. Rachmaninov: Liturgy of St. John Chrysostom / Antiphon
Sergei Rachmaninov (1873-1943)
Liturgy of St. John Chrysostom, Op. 31
The Russian State Symphony Cappella's playlist:
1. First Antiphon 00:00
2. Second Antiphon 06:31
3. Third Antiphon 11:09
A brilliant pianist, a skilled conductor and a gifted composer, Sergei Rachmaninov embodied all the talents of a complete musician. When he wrote the Liturgy of St. John Chrisostom at the age of 37 his list of compositions already included two symphonies, three operas, three piano concertos as well as numerous romances and piano preludes. The St. John Liturgy consists of 20 pieces representing the most important parts of the Russian orthodox liturgical service (The Ektenias, Anaphora, Creed, etc.). From a musical point of view, its symphonic and epic scope cannot be overlooked. It is also distinguished by Rachmaninov's unique, pliant rhythmic style and his unmistakable harmonic language.
This concert closes with the premier recording of three a cappella choruses. Similar to the St. John Liturgy, these three compositions unite the long tradition of Russian song and chant with Rachmaniniv's unique mode of expression.
Opera vocal category:
Album N°: CD 50-9304/5
EAN: 7619931930428
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EXECUTIVE PRODUCER
Claves records
ARTISTIC ADVISOR
Eric Lavanchy
RECORDED BY
The Russian State Symphony Cappella Recording Studio
RECORDING ENGINEER
V. Ivanov, I. Veprintsev
RECORDING ASSISTANTS
E. Buneyeva, V. Kiselev
COVER GRAPHICS
Christoph Dütschler, Bern
COVER ILLUSTRATION
St. John Chrisostom, mid-16th century, Russian Museum, St. Petersburg
EDITOR, LAYOUT & DESIGN
Mark Manion, Münsingen
© 1993 Claves Records SA, Pully (Switzerland)
Recorded at the Smolensk Cathedral in October 1990 (Liturgy of St.John) and at the St. Sophia Cathedral in Polotsk in 1987
Special thanks to Andreas Balmer
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Sergey Rachmaninov - Liturgy of St John Chrysostom / Литургия Иоанна Златоустa
Sergey Rachmaninov (1873-1943), Россия
- Liturgy of St John Chrysostom, Op. 31 (1910)
- Литургия Иоанна Златоустa, coч. 31 (1910)
- Liturgie de Saint Jean Chrysostome, op. 31 (1910)
1. Bless the Lord, O My Soul / Благослови, душе моя, Господа
2. Glory to the Father and the Only-Begotten Son / Слава отцу - единородный Сыне
3. In Thy Kingdom Remember Us, O Lord / Во царствие Твоем
4. Come, Let Us Worship / Приидите, поклонимся
5. Lord, Save the Faithful and the Trisagion / Господи, спаси благочестивыя
6. Augmented Litany / Сугубая ектения
7. Cherubical Hymn / Херувимская песнь
8. The Creed / Символ веры: верую
9. A Mercy of Peace / Милость мира
10. To Thee We Sing / Тебе поем
11. It Is Truly Meet / Достойно есть
12. The Lord's Prayer / Отче наш
13. Praise the Lord from the Heavens / Хвалите Господа с небес
14. Blessed Is He and We Have Seen the True Light / Благословен граду - Видихом свет
15. May Our Mouths Be Filled with Thy Praise / Да исполнятся уста наша
16. Blessed Be the Name of the Lord / Буди имя Господне
17. Glory Be to the Father / Слава Отцу
Natalia Gerasimova, soprano: 10
Alexander Kurakuts, tenor: 5, 12
Yuri Kutanin, bass: 4, 5, 8, 14
Sergei Baikov, bass: 6, 9
Moscow Chamber Choir
Vladimir Minin
Recording: Smolensk, Cathedral of the Dormition, 1988
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Рахманинов - Литургия Св. Иоанна Златоуста | Rachmaninov - Liturgy of St. John Chrysostom
ОРИГИНАЛЬНЫЙ СОВЕТСКИЙ КОМПАКТ-ДИСК | ORIGINAL USSR CD
ЧИТАЙТЕ ОПИСАНИЕ НИЖЕ | READ ENGLISH DESCRIPTION BELOW
========================================================
Литургия Св. Иоанна Златоуста | Liturgy of St. John Chrysostom
Исполнители: Ю. Кутанин, бас (4, 5, 7, 8, 14); С. Байков, бас (6, 16); А. Каракуц, тенор (5, 12); Н. Герасимова, сопрано (10);
Московский камерный хор, дирижер: Владимир Минин | Yu. Kutanin, bass (4, 5, 7, 8, 14); S. Baikov, bass (6, 16); A.Karakuts, tenor (5, 12); N. Gerasimova, soprano (10); The Moscow Chamber Choir, conductor Vladimir Minin
ТРЕКЛИСТ ДИСКА:
1. 00:00 Благослови, душе моя, Господи | Bless the Lord, О My Soul
2. 04:03 Слава Отцу и Единородный | Glory to the Father and the Only-Begotten Son
3. 06:43 Во царствии Твоем | In Thy Kingdom Remember Us, oh Lord
4. 11:36 Приидите, поклонимся | Come, Let Us Worship
5. 13:10 Господи, спаси благочестивыя и Святый Боже | Lord, Save the Faithful and the Trisangion
6. 16:59 Сугубая и последущия Ектинии | Augmented Litany
7. 20:29 Иже Херувимы | Cherubical Hymn
8. 25:43 Верую | The Creed
9. 31:48 Милость мира | A Mercy of Peace
10. 35:38 Тебе поем | To Thee We Sing
11. 38:46 Достойно есть | It Is Truly Meet
12. 41:07 Отче наш | The Lord's Prayer
13. 45:13 Хвалите Господа с небес | Praise the Lord from the Heavens
14. 47:26 Благословен грядый и Видехом свет истинный | Blessed Is He and We Have Seen the True Light
15. 48:50 Да исполнится уста наша | May Our Mouths Be Filled with Thy Praise
16. 52:21 Буди имя Господне | Blessed Be the Name of the Lord
17. 53:01 Слава Отцу и Благочестивейшаго | Glory Be th the Father
На церковнославянском языке | In Church Slavonic
Запись произведена в Успенском кафедральном соборе г. Смоленска в 1988 г. | Recorded at Smolensk Cathedral of the Dormition in 1988
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Russia - Sergeyev Posad - Trinity Lavra of Saint Sergius
Sergiyev Posad (Russian: Се́ргиев Поса́д) is a city and the administrative center of Sergiyevo-Posadsky District in Moscow Oblast, Russia. It grew in the 15th century around the monastery Trinity Lavra established by St. Sergius of Radonezh (Russian: Тро́ице-Се́ргиева Ла́вра), the most important Russian monastery and the spiritual centre of the Russian Orthodox Church.
The monastery was founded in 1337 by one of the most venerated Russian saints, Sergius of Radonezh, who built a wooden church in honour of the Holy Trinity on Makovets Hill.
In 1355, Sergius introduced a charter which required the construction of auxiliary buildings, such as refectory, kitchen, and bakery. This charter was a model for Sergius' numerous followers who founded more than 400 cloisters all over Russia.
St. Sergius supported Dmitri Donskoi in his struggle against the Tatars. The monastery was devastated by fire, when a Tatar unit raided the area in 1408.
St. Sergius was declared patron saint of the Russian state in 1422. The same year the first stone cathedral was built. The relics of St. Sergius still may be seen in this cathedral, dedicated to the Holy Trinity. The greatest icon painters of medieval Russia, Andrei Rublev and Daniil Chyorny, were summoned to decorate the cathedral with frescoes. Traditionally, Muscovite royals were baptized in this cathedral and held thanksgiving services here.
In 1476, Ivan III invited Pskovian masters to build the church of the Holy Spirit. This graceful structure is one of the few remaining examples of a Russian church topped with a belltower. In the early 16th century, Vasily III added the Nikon annex and the Serapion tent.
It took 26 years to construct the six-pillared Assumption Cathedral, which was commissioned by Ivan the Terrible in 1559. The cathedral is much larger than its model and namesake in the Moscow Kremlin. The magnificent iconostasis of the 16th–18th centuries features Simon Ushakov's masterpiece, the icon of Last Supper. Interior walls were painted with violet and blue frescoes. The vault contains burials of Boris Godunov, his family and several 20th-century patriarchs.
As the monastery grew into one of the wealthiest landowners in Russia, the village (or posad) gradually developed into the modern town of Sergiyev Posad. The cloister itself was a notable centre of chronicle-writing and icon painting.
In 1550s, a wooden palisade surrounding the cloister was replaced with 1.5 km-long stone walls, featuring twelve towers.
By the end of the 17th century, when young Peter I twice found refuge within the monastery from his enemies, numerous buildings had been added. These include a small baroque palace of the patriarchs, noted for its luxurious interiors, and a royal palace, with its facades painted in checkerboard design. The refectory of St. Sergius, covering 510 square meters and also painted in dazzling checkerboard design, used to be the largest hall in Russia. The five-domed Church of John the Baptist's Nativity (1693–1699) was commissioned by the Stroganovs and built over one of the gates. Other 17th-century structures include the monks' cells, a hospital topped with a tented church, and a chapel built over a holy well discovered in 1644.
In 1744, Empress Elizabeth conferred on the cloister the dignity of a Lavra. Elizabeth particularly favoured the Trinity and annually proceeded afoot from Moscow to the cloister. Her secret spouse Alexey Razumovsky accompanied her on such journeys and commissioned a baroque church to the Virgin of Smolensk, the last major shrine to be erected in the Lavra. Another pledge of Elizabeth's affection for the monastery is a white-and-blue baroque belltower, which, at 88 meters, was one of the tallest structures built in Russia up to that date.
Throughout the 19th century, the Lavra maintained its status as the richest Russian monastery. The monastery boasted a supreme collection of manuscripts and books.
After the Russian Revolution of 1917, the Soviet government closed the lavra in 1920. Its buildings were assigned to different civic institutions or declared museums. In 1930, monastery bells, including the Tsar-Bell of 65 tons, were destroyed. Overall many valuables were lost or transferred to other collections.
In 1945, following Joseph Stalin's temporary tolerance of the church during World War II, the Lavra was returned to the Russian Orthodox Church. On April 16, 1946 divine service was renewed at the Assumption Cathedral. The monastery continues as a prime centre of religious education. Important restoration works were conducted in the 1960s and 1970s. In 1993, the Trinity Lavra was inscribed on the UN World Heritage List.
[
Russian Orthodox Chant: Litany of Fervent Supplication
Here I present The Litany of Fervent Supplication by Alexander Gretchaninov
taken from his Liturgy of S.t John Chrysostom No 4.
Sung here by Canctus Sacred Music Ensemble under the direction
of Ludmila Arshavskaya.
Priest - Father Alexei Godunov.
Unlike the Great litany, in which petitions are for the whole world, all groups of people in all places, in the Litany of Fervent Supplication the petitions are specifically for people who, either directly or indirectly, are involved in the local church community, the ruling bishop(s), clergy, civil authorities and so on......
At Daily Vespers and daily matins, the Litany is conducted at the end of the service.
Priest: Let us say with all our soul, and with all our mind, let us say.
Choir: Lord, have mercy
Priest: Lord, Almighty, God of our fathers, we pray Thee, hearken and have mercy.
Choir: Lord, have mercy. Priest: Have mercy on us, O God, according to Thy great mercy, we pray Thee, hearken and have mercy.
Choir: Lord, have mercy, Lord, have mercy, Lord, have mercy.
Priest: Furthermore, we pray for the honourable Orthodox patriarchs and bishops, and for all our brethren in Christ.
Choir: Lord, have mercy, Lord, have mercy, Lord, have mercy. Priest: Furthermore, we pray for the God-protected Russian land and for its salvation.
Choir: Lord, have mercy, Lord, have mercy, Lord, have mercy.
Priest: Furthermore, we pray for the blessed and ever-memorable founders of this holy temple, and for all our fathers and brethren, the Orthodox departed, who lie here and throughout the world.
Choir: Lord, have mercy, Lord, have mercy, Lord, have mercy.
Priest: Furthermore, we pray for mercy, life, peace, health, salvation, pardon and remission of sins of the servants of God, the brethren of this holy temple.
Choir: Lord, have mercy, Lord, have mercy, Lord, have mercy.
Priest: Furthermore, we pray for those who hear fruit and do good works in this holy and all- honourable temple, for those who labor, for those who sing, and for all the people here present, who await Thy great and rich mercy.
Choir: Lord, have mercy, Lord, have mercy, Lord, have mercy.
Photographs:
The Novospassky Monastery in Moscow. The Monastery is one of the fortified monasteries surrounding Moscow. Interestingly, during the Soviet years, the monastery was used as a prison. During the 1970's an art restoration institute was housed within its walls and finally in 1991, after the fall of the Soviet Union, the monastery was returned to the Orthodox Church.
Assumption Cathedral in Smolensk Dec 2016 - Night version
Sergej Rachmaninov - Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37
Sergey Rachmaninov - Vespers. Mass for mixed choir, Op 37
Valery Polyansky, conductor
Recorded live at the Smolensk Cathedral
1. O Come and Worship
2. Praise the Lord, O My Soul (Greek Chant)
3. Blessed is the Man
4. Joyful Light (Kiev Chant)
5. Now Lettest Thou Depart (Kiev Chant)
6. Hail Mary
7. Hexapsalmos / O Praise Our God (Znamenny Chant)
8. Blessed be the Lord (Znamenny Chant)
9. Christ's Resurrection
10. My Soul Doth Magnify the Lord
11. Greater Doxology (Znamenny Chant)
12. This Day of Salvation (Troparion, Znamenny Chant) / Christ is Risen from the Dead (Troparion) / Thanksgiving to the Mother of God
Sergey Rachmaninov
Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37
Святой Марти́рий Зелене́цкий. Престольный праздник Волгоградского храма.
24.11.2012г. Престольный праздник храма. Святого праведного Иоанна Кронштадтского в Волгограде. Богослужение возглавил Митрополит Волгоградский и Камышинский Герман в сослужении епископа Урюпинского и Новоаннинского Елисея и духовенства храма.
Марти́рий Зелене́цкий (Марти́рий Великолу́кский, в миру — Мина; начало XVI века, Великие Луки — 1 (11) марта 1603, Зеленецкий-Троицкий монастырь) — основатель Свято-Троицкого Зеленецкого монастыря. Канонизирован в Русской церкви в лике преподобного, память совершается 1 (14) марта и 11 (24) ноября.
Преподобный Мартирий, в мире Мина, родился в Великих Луках. Едва выучил он псалтирь, как на 10 году его скончались родители его. Благоговейный иерей Благовещенской церкви любил доброго сироту, часто видя его в храме, и учил его добру.
Спустя несколько лет овдовевший священник постригся в обители бессребреников; Мина посещал его и здесь, — посещал и тогда, как Боголеп поставлен был в строителя Великолуцкой Сергиевой обители. В этой обители Мина, раздав всё имение, принял пострижение от наставника своего и назван Мартирием. Великолуцкий житель Афанасий, постриженный с именем Авраамия, поручен был руководству Мартирия и заменил труды его по храму.
Прожив 7 лет при наставнике Боголепе, Мартирий пожелал жить в уединении в пустынном месте, за 60 вёрст от Лук. Пишет преподобный в своей повести: «Возле какого-то ручья, на берегу в земле, в глине, выкопали мы себе землянку и покрыли её еловыми ветками. Я же жил в пустыни и питался рукоделием своим: плёл из лыка лапти и с навещающем крестьянином отсылал по сёлам жителям, а они присылали с ним же всё потребное мне. И я, грешный, принимал с благодарностью от них приносимое». Однако наставник прислал ему совет возвратиться в общежитие, так как здесь может он быть полезным и для других. В недоумении отправился он на поклонение Смоленской иконе Богоматери и чудотворцу Авраамию. В Смоленске получил ответ: «ты должен жить в пустыне, где укажет Господь и Его Пречистая Матерь». В Тихвинской обители обрадован он был свиданием с учеником своим Авраамием, который, быв болен, исцелён Богоматерью и оставался в Тихвине.
Мартирий просил Господа указать ему уединенное место для подвигов. Такое место указано было ночью ученику Мартириеву знамением крестовидной зари на острове, издавна называвшемся Зелёным. Благочестивый поселянин Иосиф по временам приносил ему пищу, а иногда, смущаемый помыслами и суетой, надолго оставлял без неё. По времени узнали и об отшельнике Зеленого острова. Как ни много тогда было в Новгородской области иноческих обителей, но в глуши, где поселился Мартирий, их не было. Потому, узнав о Мартирии, с особенным жаром стремились в его пустыню искренние подвижники.
Мартирий построил часовню и кельи с оградой. Узнал о преподобном и благочестивый Новгородский боярин Феодор Сырков; его усердием построен был в Мартириевой пустыни храм Благовещения, а братия упросили старца принять на себя сан священства и начальство над ними со званием игумена. Это было не позже 1570 года.
Но блаженному Мартирию в его глуши долго пришлось бороться с нуждами и бедностью. В писцовой книге Обонежской пятины за 1583 год читаем: «В Михайловском погосте на Ладожском подгорье монастырь называемый Зеленая пустынь, на острове, вновь строится в черном лесу. В монастыре церковь живоначальной Троицы, другая церковь — Благовещения с трапезою, обе деревянные; в монастыре игумен Мартирий и 12 старцев; ограда вокруг монастыря — деревянная; за монастырем двор коровий и конюшенный; пашни нет».
Вот что рассказывает преподобный о небесном утешении, посетившем его: «Спал я в своей келье, в чулане, и увидел во сне Пречистую Богородицу в девичьем образе; благолепна была Она на вид: не видел я между людьми такой красивой девицы; умиленна лицом и прекрасна. На голове у неё был золотой венец, украшенный разноцветными каменьями. Невозможно человеческому уму постигнуть красоты её, ни выразить языком. Она же, Царица и Богородица, взирает на меня. Очи её были полны слез, чуть не канут на её пречистое лице».
Преподобный Мартирий традиционно на иконах изображается в полном монашеском облачении: подряснике, рясе, поясе, мантии, аналаве на груди, в схиме на плечах и в сапожках; с благословляющей десницей и свитком в левой руке.
Да снизойдет на Вас Божия благодать!
Приход храма Святого праведного Иоанна Кронштадтского Чудотворца. Волгоград. Россия.
Братья и сестры! Просвещайтесь, распространяйте, подписывайтесь -
The Glorification Service for Saint Xenia of Saint Petersburg, 1978
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Glorification service for Saint Xenia of Saint Petersburg
Cathedral of Our Lady of the Sign
Metropolitan Philaret presiding
1978
New York, New York, USA
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Russian Orthodox Choir Chanting Choral Vocal Top 10 Collection
Russian Orthodox Choir Chanting Choral Vocal Top 10 Collection.
Русский православный хор. Orthodox Christian Choir Vocal Singing, Beautiful Melody, Beautiful Singing, Beautiful Choir Music, Orthodox Vocal Chanting, Angelic Choir, Angelic Voices, Angelic Choir, Angelic Singing. Best of Choral Singing, Russian Choir, Ukrainian Choir, Slavic Choir, Female Choir, Male Choir. Russian Christian Choir. Vocal Only, Voices Only, Singing Only, Melody Only, Not musical instruments. Vocal Masterpieces. Choral Masterpieces. Large Choir, Small Choir. Angelic Sounds. Spiritual Singing, Spiritual Chanting, Spiritual Choral Music, Spiritual Melody. Meditation Music, Meditation Melody, Soothing Music, Soothing Melody, Relaxing Music. Русский хор, Украинский Хор, Славянский хор. Ruski pravoslavni hor.
This Chanel is NOT Monetized so I don't understand how or why youtube keeps inserting their ads into this video. It is very annoying when listening to music and I don't know how to stop youtube from inserting their ads into this video. If anyone can help me figure this out, please contact me. Thank you!
#1) Dominus vobiscum. The first piece is in Latin but it is performed in Russia by the USSR Ministry of Culture Chamber Choir. This may help clear up some confusion.
#4 at 18.26 is Agni Parthene - Valaam Brethren Choir. From the Album “The Northern Athos”. 1995. Here is the website of the Russian Orthodox Monastery where it was recorded:
It is also here on youtube:
Other references are below.
#2) Cherubium, a russian chant choir thingy.
Recording: Sacred Treasures Choral Masterworks from Russia.
Sources/Credits: Agni Parthene - Valaam Brethren Choir. P.I TCHAIKOVSKY hymn of the cherubim by The USSR Ministry Of Culture Chamber Choir. Russian orthodox angelic song. Very beautiful orthodox Russian voices. Херувимская песнь (знаменный распев). Cherubim Hymn. Peter Ilych Tchaikovsky - Liturgy of St. John Chrysostom (Part 1 of 3). This chanting by them is brilliant. Благослови душе моя, Господа.
For additional Information and sources see my Playlist called RUSSIAN ORTHODOX CHOIR and see the comments below.
Timeless, Transcending, and Deeply Moving Melody.
Be sure to:
1) Enjoy
2) Share
3) Comment - which of the 10 are your favorite?
4) Give it a Thumbs Up
Helpful Questions / Answers Thanks to the commenting contributors in the comments section:
Q: i want the lyrics of the hymn that starts in 13.00
It is on the album Sacred Treasurers: Choral Masterworks from Russia. The words, sung in Slavonic, are from the Liturgy: Holy God, Holy Mighty, Holy Immortal have mercy on us.
Danses sur les tombes
Les archéologues ont retrouvé des ossements qui pourraient appartenir à un général de l’armée de Napoléon, mort en 1812. Au-dessus de la tombe, les habitants de la ville de Smolensk avait une piste de danse.
En savoir plus:
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The Russian State Symphony Cappella - S. Rachmaninov: Liturgy of St. John Chrysostom / Blessing
Sergei Rachmaninov (1873-1943)
Liturgy of St. John Chrysostom, Op. 31
The Russian State Symphony Cappella's playlist:
Blessing
A brilliant pianist, a skilled conductor and a gifted composer, Sergei Rachmaninov embodied all the talents of a complete musician. When he wrote the Liturgy of St. John Chrisostom at the age of 37 his list of compositions already included two symphonies, three operas, three piano concertos as well as numerous romances and piano preludes. The St. John Liturgy consists of 20 pieces representing the most important parts of the Russian orthodox liturgical service (The Ektenias, Anaphora, Creed, etc.). From a musical point of view, its symphonic and epic scope cannot be overlooked. It is also distinguished by Rachmaninov's unique, pliant rhythmic style and his unmistakable harmonic language.
This concert closes with the premier recording of three a cappella choruses. Similar to the St. John Liturgy, these three compositions unite the long tradition of Russian song and chant with Rachmaniniv's unique mode of expression.
Opera vocal category:
Album N°: CD 50-9304/5
EAN: 7619931930428
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EXECUTIVE PRODUCER
Claves records
ARTISTIC ADVISOR
Eric Lavanchy
RECORDED BY
The Russian State Symphony Cappella Recording Studio
RECORDING ENGINEER
V. Ivanov, I. Veprintsev
RECORDING ASSISTANTS
E. Buneyeva, V. Kiselev
COVER GRAPHICS
Christoph Dütschler, Bern
COVER ILLUSTRATION
St. John Chrisostom, mid-16th century, Russian Museum, St. Petersburg
EDITOR, LAYOUT & DESIGN
Mark Manion, Münsingen
© 1993 Claves Records SA, Pully (Switzerland)
Recorded at the Smolensk Cathedral in October 1990 (Liturgy of St.John) and at the St. Sophia Cathedral in Polotsk in 1987
Special thanks to Andreas Balmer
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Bortnyansky - Sacred Concertos
Dmytri Stepanovych Bortniansky (Russian: Дмитрий Степанович Бортнянский; alternative transcriptions of names are Dmytro, Dmitri, and Bortnyansky; 28 October 1751–10 October [O.S. 28 September] 1825) was a composer and conductor of Ukrainian origin.
Bortniansky is best known today for his liturgical works and his prolific contributions to the genre of choral concertos.[4] He was one of the Golden Three of his era, along with Artemy Vedel and Maksym Berezovsky. Bortniansky composed in many different musical styles, including choral compositions in French, Italian, Latin, German and Church Slavonic.
Russian State Symphonic Cappella
Valeri Polyansky
Recorded in:
Dormition Cathedral of Smolensk and St Sophias Cathedral, Polotsk
1989-90
Dmitry Stepanovich Bortnyansky (1751-1825)
Sacred Concerto No. 24 9:31
1 I 'I will lift up mine eyes unto the hills' - 3:47
2 II 'He will not suffer thy foot to be moved' - 3:05
3 III 'The Lord shall preserve thy going out and thy coming in' 2:39
Sacred Concerto No. 25 12:31
4 I 'We, the unworthy, shall not cease' - 6:35
5 II 'We shall not renounce you' - 2:47
6 III 'For you are the eternal saviour of us' 3:08
Sacred Concerto No. 26 11:02
7 I 'Lord God of Israel, there is no God like thee' - 3:42
8 II 'Lord God of Israel! That thine eyes may be open' - 2:15
9 III '. . .and forgive thy people that have sinned against thee' - 2:37
10 IV '. . .that this house, which I have builded' 2:27
Sacred Concerto No. 27 15:18
11 I 'I cried to the Lord with my voice' - 6:12
12 II 'He sent from above, he took me' - 2:47
13 III 'According to the cleanliness of my hands' - 3:10
14 IV '. . .and I did not put away his statutes from me' 3:07
Sacred Concerto No. 28 10:36
15 I 'Blessed is the man that feareth the Lord' - 2:27
16 II 'His seed shall be mighty upon the earth' - 1:18
17 III 'The Lord hath sworn in truth unto David' - 4:14
18 IV 'His enemies will I clothe with shame' 2:34
Sacred Concerto No. 29 8:03
19 I 'I will praise the name of God with a song' - 1:21
20 II '. . .and will magnify him with thanksgiving' - 2:09
21 III 'For his merciful kindness is great toward us' - 2:41
22 IV '. . .and the truth of the Lord endureth for ever'
11/1/16 St John of Kronstadt Feast
Hierarchal Liturgy- Bishop Nicholas of Manhattan
St John of Kronstadt chapel in the Brooklyn shelter
Procession | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Procession
Listening is a more natural way of learning, when compared to reading. Written
language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through
audio (audio article). You could even learn subconsciously by playing the audio
while you are sleeping! If you are planning to listen a lot, you could try using
a bone conduction headphone, or a standard speaker instead of an earphone.
You can find other Wikipedia audio articles too at:
In case you don't find one that you were looking for, put a comment.
This video uses Google TTS en-US-Standard-D voice.
SUMMARY
=======
A procession (French procession via Middle English, derived from Latin, processio, from procedere, to go forth, advance, proceed) is an organized body of people walking in a formal or ceremonial manner.
1943 Smolensk, overrun 2nd line of defense, MoWAS
All three strategic points had been occupied, prepare for German counterattack!
Rachmaninoff – All-night Vigil (Vespers), op. 37. Divine choral music. [Valery Polyansky]
USSR Ministry of Culture Chamber Choir
Conductor: Valeri Polyansky
Recording 1986 Smolensk, Dormition of the Theotokos Cathedral
Rachmaninov Vespers - 3 Blessed is the Man (Psalm 1)
USSR Ministry of Culture Chamber Choir
Conductor: Valeri Polyansky
Recording 1986 Smolensk, Dormition of the Theotokos Cathedral
Updated HD version - 28000 views so far
Рахманинов - Всенощное бдение - Блажен муж
Камерный хор Министерства культуры СССР
под управлением Валерия Полянского
Смоленск, собор Успения Божией Матери, 1986