Vlog 1 | Travel With Me From Manzini Swaziland To Nelspruit South Africa | @charity_caramel
One of my plans for 2018 was to travel at least twice outside the country and I finally went for my second trip this weekend. Thank you for watching...
Vula ischaba Manzini swaziland
Khoza boiz
@MonoT_Mapiano rocking Ground Zero, Nelspruit
Kalawa Invasion Party
Duba Duba Feat West Nkosi (VOL.1)
The individual band members were all domestic workers from Pretoria. West Nkosi, born in Nelspruit in 1940, was sent to live with his grandfather in Pretoria at the age of 16 to find employment. Nkosi found work as a market porter, and then as a house servant, in 1957. During his off-hours, Nkosi played meticulous pennywhistle kwela tunes outside sports centres or on the streets, in awe of his idol Spokes Mashiyane, who at that time was a great kwela star. Two fellow domestic workers, Joseph Makwela and Lucky Monama, happened to see Nkosi playing. In awe of his music, Makwela and Monama persuaded Nkosi to teach them how to play rhythmic music. Not long afterwards, they formed their own group The Pretoria Tower Boys, with three more members. Nkosi was on pennywhistle (though he changed to saxophone in the early '60s), as was Monama, with Makwela on guitar. The Tower Boys sometimes encountered another pennywhistle group, led by talented guitarist Marks Mankwane, who hailed from the Warmbaths area. Nkosi said to his band members to look out for Mankwane, who was a very polished musician, having played guitar since he was 12 years old.
Eventually, Nkosi travelled to Johannesburg in 1962 with Monama and Makwela, all of them hoping to join the recording industry. They ended up as session musicians for Gallo Record Company, playing in producer Reggie Msomi's line-up the Hollywood Jazz Band (Nkosi was now on saxophone, Monama was now on drums, whilst Makwela had made history by becoming the first black electric bassist in South Africa). In mid-1963, Msomi took them on a tour of Northern Rhodesia, which was to become Zambia; however, the tour ended up being a disaster, as political turmoil prevented the group's audiences attending their concerts. As a result they were stranded there for six months. When they returned to Gallo in Johannesburg, they found that it had been severely reorganised.
Los miembros individuales de la banda eran todos trabajadores domésticos de Pretoria. West Nkosi, nacido en Nelspruit en 1940, fue enviado a vivir con su abuelo en Pretoria a la edad de 16 años para encontrar un empleo. Nkosi encontró trabajo como portero de mercado, y luego como sirviente de la casa, en 1957. Durante sus horas de descanso, Nkosi tocó meticulosas melodías kwela fuera de los centros deportivos o en las calles, en el asombro de su ídolo Habla Mashiyane, quien en ese momento Fue una gran estrella kwela. Dos compañeros de servicio doméstico, Joseph Makwela y Lucky Monama, vieron a Nkosi jugar. Asombrados por su música, Makwela y Monama persuadieron a Nkosi para que les enseñara a tocar música rítmica. No mucho después, formaron su propio grupo The Pretoria Tower Boys, con tres miembros más. Nkosi estaba en pennywhistle (aunque cambió a saxofón a principios de los 60), al igual que Monama, con Makwela en la guitarra. Los Tower Boys a veces se encontraron con otro grupo de silbatos, liderado por el talentoso guitarrista Marks Mankwane, que provenía del área de Warmbaths. Nkosi le dijo a los miembros de su banda que cuidaran a Mankwane, que era un músico muy pulido y que había tocado la guitarra desde que tenía 12 años.
Finalmente, Nkosi viajó a Johannesburgo en 1962 con Monama y Makwela, todos ellos con la esperanza de unirse a la industria discográfica. Terminaron como músicos de sesión para Gallo Record Company, tocando en la alineación del productor Reggie Msomi, la banda de jazz de Hollywood (Nkosi ahora estaba en saxofón, Monama ahora estaba en la batería, mientras que Makwela había hecho historia al convertirse en el primer bajista eléctrico negro en el sur África). A mediados de 1963, Msomi los llevó a una gira por Rhodesia del Norte, que se convertiría en Zambia; sin embargo, la gira terminó siendo un desastre, ya que la agitación política impidió que el público del grupo asistiera a sus conciertos. Como resultado, quedaron varados allí durante seis meses. Cuando regresaron a Gallo en Johannesburgo, encontraron que se había reorganizado severamente.
Matsulu horror Movie part 2
The walking dead zombie
Vula Bops. VOL.1
The individual band members were all domestic workers from Pretoria. West Nkosi, born in Nelspruit in 1940, was sent to live with his grandfather in Pretoria at the age of 16 to find employment. Nkosi found work as a market porter, and then as a house servant, in 1957. During his off-hours, Nkosi played meticulous pennywhistle kwela tunes outside sports centres or on the streets, in awe of his idol Spokes Mashiyane, who at that time was a great kwela star. Two fellow domestic workers, Joseph Makwela and Lucky Monama, happened to see Nkosi playing. In awe of his music, Makwela and Monama persuaded Nkosi to teach them how to play rhythmic music. Not long afterwards, they formed their own group The Pretoria Tower Boys, with three more members. Nkosi was on pennywhistle (though he changed to saxophone in the early '60s), as was Monama, with Makwela on guitar. The Tower Boys sometimes encountered another pennywhistle group, led by talented guitarist Marks Mankwane, who hailed from the Warmbaths area. Nkosi said to his band members to look out for Mankwane, who was a very polished musician, having played guitar since he was 12 years old.
Eventually, Nkosi travelled to Johannesburg in 1962 with Monama and Makwela, all of them hoping to join the recording industry. They ended up as session musicians for Gallo Record Company, playing in producer Reggie Msomi's line-up the Hollywood Jazz Band (Nkosi was now on saxophone, Monama was now on drums, whilst Makwela had made history by becoming the first black electric bassist in South Africa). In mid-1963, Msomi took them on a tour of Northern Rhodesia, which was to become Zambia; however, the tour ended up being a disaster, as political turmoil prevented the group's audiences attending their concerts. As a result they were stranded there for six months. When they returned to Gallo in Johannesburg, they found that it had been severely reorganised.
Los miembros individuales de la banda eran todos trabajadores domésticos de Pretoria. West Nkosi, nacido en Nelspruit en 1940, fue enviado a vivir con su abuelo en Pretoria a la edad de 16 años para encontrar un empleo. Nkosi encontró trabajo como portero de mercado, y luego como sirviente de la casa, en 1957. Durante sus horas de descanso, Nkosi tocó meticulosas melodías kwela fuera de los centros deportivos o en las calles, en el asombro de su ídolo Habla Mashiyane, quien en ese momento Fue una gran estrella kwela. Dos compañeros de servicio doméstico, Joseph Makwela y Lucky Monama, vieron a Nkosi jugar. Asombrados por su música, Makwela y Monama persuadieron a Nkosi para que les enseñara a tocar música rítmica. No mucho después, formaron su propio grupo The Pretoria Tower Boys, con tres miembros más. Nkosi estaba en pennywhistle (aunque cambió a saxofón a principios de los 60), al igual que Monama, con Makwela en la guitarra. Los Tower Boys a veces se encontraron con otro grupo de silbatos, liderado por el talentoso guitarrista Marks Mankwane, que provenía del área de Warmbaths. Nkosi le dijo a los miembros de su banda que cuidaran a Mankwane, que era un músico muy pulido y que había tocado la guitarra desde que tenía 12 años.
Finalmente, Nkosi viajó a Johannesburgo en 1962 con Monama y Makwela, todos ellos con la esperanza de unirse a la industria discográfica. Terminaron como músicos de sesión para Gallo Record Company, tocando en la alineación del productor Reggie Msomi, la banda de jazz de Hollywood (Nkosi ahora estaba en saxofón, Monama ahora estaba en la batería, mientras que Makwela había hecho historia al convertirse en el primer bajista eléctrico negro en el sur África). A mediados de 1963, Msomi los llevó a una gira por Rhodesia del Norte, que se convertiría en Zambia; sin embargo, la gira terminó siendo un desastre, ya que la agitación política impidió que el público del grupo asistiera a sus conciertos. Como resultado, quedaron varados allí durante seis meses. Cuando regresaron a Gallo en Johannesburgo, encontraron que se había reorganizado severamente.
Two Mabone VOL.1
The individual band members were all domestic workers from Pretoria. West Nkosi, born in Nelspruit in 1940, was sent to live with his grandfather in Pretoria at the age of 16 to find employment. Nkosi found work as a market porter, and then as a house servant, in 1957. During his off-hours, Nkosi played meticulous pennywhistle kwela tunes outside sports centres or on the streets, in awe of his idol Spokes Mashiyane, who at that time was a great kwela star. Two fellow domestic workers, Joseph Makwela and Lucky Monama, happened to see Nkosi playing. In awe of his music, Makwela and Monama persuaded Nkosi to teach them how to play rhythmic music. Not long afterwards, they formed their own group The Pretoria Tower Boys, with three more members. Nkosi was on pennywhistle (though he changed to saxophone in the early '60s), as was Monama, with Makwela on guitar. The Tower Boys sometimes encountered another pennywhistle group, led by talented guitarist Marks Mankwane, who hailed from the Warmbaths area. Nkosi said to his band members to look out for Mankwane, who was a very polished musician, having played guitar since he was 12 years old.
Eventually, Nkosi travelled to Johannesburg in 1962 with Monama and Makwela, all of them hoping to join the recording industry. They ended up as session musicians for Gallo Record Company, playing in producer Reggie Msomi's line-up the Hollywood Jazz Band (Nkosi was now on saxophone, Monama was now on drums, whilst Makwela had made history by becoming the first black electric bassist in South Africa). In mid-1963, Msomi took them on a tour of Northern Rhodesia, which was to become Zambia; however, the tour ended up being a disaster, as political turmoil prevented the group's audiences attending their concerts. As a result they were stranded there for six months. When they returned to Gallo in Johannesburg, they found that it had been severely reorganised.
Los miembros individuales de la banda eran todos trabajadores domésticos de Pretoria. West Nkosi, nacido en Nelspruit en 1940, fue enviado a vivir con su abuelo en Pretoria a la edad de 16 años para encontrar un empleo. Nkosi encontró trabajo como portero de mercado, y luego como sirviente de la casa, en 1957. Durante sus horas de descanso, Nkosi tocó meticulosas melodías kwela fuera de los centros deportivos o en las calles, en el asombro de su ídolo Habla Mashiyane, quien en ese momento Fue una gran estrella kwela. Dos compañeros de servicio doméstico, Joseph Makwela y Lucky Monama, vieron a Nkosi jugar. Asombrados por su música, Makwela y Monama persuadieron a Nkosi para que les enseñara a tocar música rítmica. No mucho después, formaron su propio grupo The Pretoria Tower Boys, con tres miembros más. Nkosi estaba en pennywhistle (aunque cambió a saxofón a principios de los 60), al igual que Monama, con Makwela en la guitarra. Los Tower Boys a veces se encontraron con otro grupo de silbatos, liderado por el talentoso guitarrista Marks Mankwane, que provenía del área de Warmbaths. Nkosi le dijo a los miembros de su banda que cuidaran a Mankwane, que era un músico muy pulido y que había tocado la guitarra desde que tenía 12 años.
Finalmente, Nkosi viajó a Johannesburgo en 1962 con Monama y Makwela, todos ellos con la esperanza de unirse a la industria discográfica. Terminaron como músicos de sesión para Gallo Record Company, tocando en la alineación del productor Reggie Msomi, la banda de jazz de Hollywood (Nkosi ahora estaba en saxofón, Monama ahora estaba en la batería, mientras que Makwela había hecho historia al convertirse en el primer bajista eléctrico negro en el sur África). A mediados de 1963, Msomi los llevó a una gira por Rhodesia del Norte, que se convertiría en Zambia; sin embargo, la gira terminó siendo un desastre, ya que la agitación política impidió que el público del grupo asistiera a sus conciertos. Como resultado, quedaron varados allí durante seis meses. Cuando regresaron a Gallo en Johannesburgo, encontraron que se había reorganizado severamente.
Dombeya Wildlife Estate [Official Commercial]
Dombeya Wildlife Estate in the Kingdom of Swaziland!
About Us:
Dombeya Game Reserve is a residential wildlife estate, which offers a unique experience-the tranquility & beauty of a nature reserve, with proximity to town. Just 20 minutes north-east of Manzini, homeowners enjoy nature in a secure, scenic & spacious game reserve. Walk, cycle or game drive from your back garden.
Home Sites:
Full title deed home sites are now available for sale in the Game Reserve. Each of the 18 sites available for sale is carefully located to maximize the beautiful views of the surrounding mountains, the indigenous veld & your privacy. Home sites are 1.5- 2 hectares each, leaving nearly 300 hectares of bushveld for homeowners to enjoy.
The Reserve:
330 hectares of rolling middleveld bush, Dombeya is a newly formed nature reserve in the picturesque valley below Mliba mountain. With a backdrop of marulas, silver-leaf terminalias, & our namesake wild pears (Dombeya rotundifolia), the Reserve will soon be one of Swaziland's finest examples of ecological restoration.
Production Company:
Backpacker Films, LLC
backpackerfilms.com
Written, Produced, Directed, Shot, & Edited by:
Jeremy La Zelle, Greg Taylor
Bestial Storm Ground Zero Performance
Bestial Storm Performing @ Ground Zero Park In Nelspruit, Mpumalanga
Manzini swaziland
Manzini is the very populated city of Swaziland.
Amazing life.
Peaceful
Comfertable
Welcomed people
Cooprative nation.
The Cottage at Dombeya 2018
A lovely clip made by one of our guests, Paul Chasusa, while staying at The Cottage in Dombeya Game Reserve! For more info, visit our website: dombeya.org or email: info@dombeya.org
Sun-El Musician - Africa to the World (Album Mix by TeeVee)