Bike Trail - Little Econ Greenway Trail in Orlando, FL
Come and ride with me the Trail in Florida and find out how and what you can find along the way. I run with my SONDORS FAT bike and Yi camera on my chest.
The idea is to be able to you see the trajectory of each Trail in Florida and USA
Bike Trails -Little Econ Greenway Orlando, FL
video is 15 minute long 7.5 miles.
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Roller Blading on Rail trail in Lake County Florida
In Line Skating on Trail in Lake County, Florida. This video was taken on The South Lake Trail which connects to West Orange Trail in Orange County Florida.
This was taken with a Kodak Zi8 mounted on the front of my bicycle. The speed this was shot at was approximately 15 mph
Lake Apopka Restoration - Magnolia Park
Allied Group has an ongoing contract with the State of Florida to help restore Lake Apopka. This is the first in several videos that will document the status of the restoration process.
Forrest Fenn Saturday Session - We Answer Your Questions
Join A Gypsy's Kiss as they tell you about their search for the treasure Forrest Fenn hid somewhere in the mountains north of Santa Fe, New Mexico in 2010 and described in his first memoir, The Thrill of the Chase.
#forrestfenn #fenntreasure #agypsyskiss
December 5, 2019 - BCC Land Use Meeting
Методы накачки рук
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The History of Mr. Polly Audiobook by H. G. Wells | Audiobook with subtitles
A funny and touching account of the imaginative Mr. Polly who, bored and trapped in his conventional life, makes a U-turn –- and changes everything.
H.G. Wells’ early life as the son of a semi-insolvent shopkeeper and as a draper’s apprentice fueled his novels of the lower middle class: The Wheels of Chance (1896), Kipps (1905), and The History of Mr. Polly (1910). These works evoke the desperation of apprentices, clerks, and small traders in their monotonous toil behind shop counters. And, like Mr. Polly, his protagonists make a break from their mundane lives with more or less success.
H. G. Wells (1866-1946) was a prolific writer in history, general and science fiction, and politics. He was a lifelong socialist. (Summary by Adrian Praetzellis)
The History of Mr. Polly
H. G. WELLS
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ModernWarfare F The Rest Were The Best
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Hey up legends hows it going ? hope you doing well and welcome to my MODERNWARFARE F THE REST WERE THE BEST stream I am using restream to #livestream to #dlive and youtube!
In my WE ARE DLIVE NEVER GONNA STOP US YOU DONT HAVE THE POWER FAM stream I am going to be playing COD MW on the PS4 pro! I will be playing Multiplayer and CO-OP and hopefully winning every game we go into !! #modernwarfare
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Any footage used within this video is considered Fair Use. I am transforming the original content with commentary and critiques. I hold the right to create said content with the following definition of Fair Use, as outlined below:
*17 U.S. Code § 107 - Limitations on exclusive rights: Fair use* Not withstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—
(1) the purpose and character of the use, including
whether such use is of a commercial nature or is for nonprofit
educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
(4) the effect of the use upon the potential market for or value of the copyrighted work.
The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.
(Pub. L. 94–553, title I, § 101, Oct. 19, 1976, 90 Stat. 2546; Pub. L.
101–650, title VI, § 607, Dec. 1, 1990, 104 Stat. 5132; Pub. L. 102–492, Oct. 24, 1992, 106 Stat. 3145.)
Source: Legal Information Institute
U.S. Code - Title 17 - § 107
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MIT Tech Day 1993: Ocean Recreation & Sports - J.Milgram, T.Van Dusen, D.Liu, P.Quigley, K.Vandiver
MIT alumni enjoy a day of talks by fellow MIT grads on MIT Technology Day. Held on June 4th 1993, the yearly alumni event that year was dedicated to “Riding the Wave of Innovation: The Ocean and MIT” to celebrate the centennial of the MIT Department of Naval Architecture.
Speakers at this session on ocean recreation and sports:
• Kim Vandiver SM ‘69 PhD ‘75 (moderator)
• Jerry Milgram ‘61 SM ‘62 PhD ‘65
• Ted Van Dusen SM ‘69 ME ‘70
• Donald Liu ‘66 SM ‘66
• Peter A. Quigley ‘85
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The Cruise of the Snark Audiobook by Jack London | Full Audiobook with subtitles
The Cruise of the Snark (1913) is a memoir of Jack and Charmian London's 1907-1909 voyage across the Pacific. His descriptions of surf-riding, which he dubbed a royal sport, helped introduce it to and popularize it with the mainland. London writes: Through the white crest of a breaker suddenly appears a dark figure, erect, a man-fish or a sea-god, on the very forward face of the crest where the top falls over and down, driving in toward shore, buried to his loins in smoking spray, caught up by the sea and flung landward, bodily, a quarter of a mile. It is a Kanaka on a surf-board. And I know that when I have finished these lines I shall be out in that riot of colour and pounding surf, trying to bit those breakers even as he, and failing as he never failed, but living life as the best of us may live it. Excerpted from Wikipedia.
Genre(s): Memoirs
The Cruise of the Snark
Jack LONDON
Chapters:
0:23 | 1 - Chapter I -- Foreword
22:46 | 2 - Chapter II -- The Inconceivable And Monstrous
54:18 | 3 - Chapter III -- Adventure
1:11:43 | 4 - Chapter IV -- Finding One's Way About
1:34:55 | 5 - Chapter V -- The First Landfall
1:50:08 | 6 - Chapter VI -- A Royal Sport
2:14:28 | 7 - Chapter VII -- The Lepers Of Molokai
2:45:10 | 8 - Chapter VIII -- The House Of The Sun
3:14:18 | 9 - Chapter IX -- A Pacific Traverse
3:50:08 | 10 - Chapter X -- Typee
4:21:00 | 11 - Chapter XI -- The Nature Man
4:48:48 | 12 - Chapter XII -- The High Seat of Abundance
5:27:12 | 13 - Chapter XIII -- The Stone-fishing of Bora Bora
5:42:33 | 14 - Chapter XIV -- The Amateur Navigator
6:22:33 | 15 - Chapter XV -- Cruising in the Solomons
7:01:18 | 16 - Chapter XVI -- Beche de Mer English
7:17:00 | 17 - Chapter XVII -- The Amateur M.D.
7:56:00 | 18 - Back Word
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Calling All Cars: Nine Years a Safecracker / Corpse in the Red Necktie / Baby Dillinger Gang
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
PaperFree Chris | Tube Life S01 * E40 on Puša Studios
Self-proclaimed 22-year-old dude living in Canada Chris makes comedic skits and vlogs for Youtube. If there is a joke that can be made, he will make it. On occasion, he'll work freelance on a video or commercial. But between those, he mainly just enjoys being creative and making fun content.
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Our Miss Brooks: Exchanging Gifts / Halloween Party / Elephant Mascot / The Party Line
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)