Jennifer Lee and Frank Alfano perform Fleetwood Mac's Dreams at 54 Main's Open Mic in Madison, NJ
Jennifer Lee and Frank Alfano perform Fleetwood Mac's Dreams at 54 Main's Open Mic in Madison, NJ
Born To Have Fun - Jenny Cat @ The Pattenburg House 5/18/14
Jenny Cat performs a familiar cover of a popular NJ Rock Star's signature song with Cats. No. Not really. At least not real cats.
Exploring & Sailing New York City | Field Trips VLOG
In this episode I'm leaving the fishing rod at home to explore New York City for the first time. Richard and Susan Chavis host me for the week, and Susan and their daughter Paige take me into The Big Apple to check out a tour of Madison Square Garden, the Empire State Building, the Fashion Institute of Technology and some legendary food in Chinatown at Wo Hop.
Then I link up with Miss Jaclyn Red Marsh to hop on a private sail boat tour of New York Harbor and the Statue of Liberty.
COMMENT BELOW if you've been to NYC and what else I need to check out while I'm here!
Rich Chavis runs the best eye glass biz in Manhattan, hit him up:
Book a trip with Capt. Nate Richter of True Sailing NYC:
Visit Surf City Bar:
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Day two of Brett Kavanaugh’s Supreme Court confirmation hearing
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Driving directions with Street View on Google Maps
Now you can use Street View when getting driving directions on Google Maps.
Subliminal Message Deception - Illuminati Mind Control Guide in the World of MK ULTRA- Subtitles
Why do they add the word sex to every single piece of advertisement? It's MK Ultra on a mass scale. No longer are they mind controlling individuals one by one. Subliminals are a key factor .
$500 Billion spent on advertising a year worldwide to control how you think...
That's what advertising is. It has its origins from the psychoanalytic death cults that arose out of England after World War 2. We see glimpses of it in the TV series Madmen. What they don't tell you is that Madison Avenue was filled with German Scientists conducting their little subliminal mind control program.
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tokipona
contrôle de esprit subliminal
rialú intinne subliminal
control subliminal da mente
અતિશય મન નિયંત્રણ
mahimmancin hankali
podsvjesna kontrola uma
अचेतन मन पर नियंत्रण
Subliminal lide kontwòl
ենթագիտակցական մտքի հսկողություն
kontrol pikiran bawah sadar
nchịkwa subliminal
subliminal huga stjórna
controllo della mente subliminale
שליטה תת הכרתי המוח
サブリミナルマインドコントロール
kontrol pikiran subliminal
ақыл-ойдың ақыл-ойының бақылауы
გონების კონტროლის კონტროლი
ការត្រួតពិនិត្យចិត្តសាស្ត្រ
ಪ್ರಜ್ಞಾಪೂರ್ವಕ ಮನಸ್ಸಿನ ನಿಯಂತ್ರಣ
잠재 의식 마인드 컨트롤
pasąmonės proto kontrolė
zemapziņas prāta kontrole
Fanaraha-maso subliminal
mana whakahaere hinengaro
сублиминална контрола на умот
ബോധപൂർവ്വമായ മനസ് നിയന്ത്രണം
Доод хязгааргүй оюун санааны хяналт
अत्याधुनिक मन नियंत्रण
kawalan minda subliminal
kontroll tal-moħħ subliminal
စိတ်ကိုထိန်းချုပ်
अचेतन दिमाग नियन्त्रण
subliminale geestcontrole
subliminal sinnkontroll
kudziletsa maganizo
ਅਉਲੀਮਿਨਲ ਮਨ ਕੰਟ੍ਰੋਲ
podprogowa kontrola umysłu
controle mental subliminar
controlul minții subliminale
подсознательный контроль над разумом
අධිෂ්ඨානශීලී මනස පාලනය කිරීම
podprahové ovládanie mysle
subliminalni nadzor uma
xakamaynta maskaxda
xakamaynta maskaxda
nën kontroll mendor
сублиминална контрола ума
ho laola kelellong ea maikutlo
kontrol pikiran subliminal
subliminal sinne kontroll
kudhibiti akili ndogo
முட்டாள் மனதில் கட்டுப்பாடு
లొంగని మనస్సు నియంత్రణ
Дунёи иқтисод
ควบคุมจิตใจอ่อนเกิน
kontrol ng subliminal na isip
bilinçaltı zihin kontrolü
підсвідомий контроль розуму
مجرمانہ دماغ کا کنٹرول
subliminal aql nazorat
kiểm soát tâm trí thăng hoa
סאַבלימינאַל מיינונג קאָנטראָל
iṣakoso iṣakoso subliminal
潜意识心理控制
ukulawula kwengqondo ye-subliminal
Men In Black (1997)
A sci-fi adventure comedy about two top secret agents (Will Smith and Tommy Lee Jones) with the everyday mission of policing alien activities on planet Earth. The Men in Black's current assignment: to stop an intergalactic terrorist from making Earth his next victim. © 1997 Columbia Pictures Industries, Inc. All Rights Reserved.
You Bet Your Life: Secret Word - Air / Bread / Sugar / Table
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
Our Miss Brooks: Another Day, Dress / Induction Notice / School TV / Hats for Mother's Day
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
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Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)