藝苑掇英 Tsuruko Yamazaki 鶴子·山崎 (1925) Abstract Expressionism Conceptual Art Japanese
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Yamazaki Tsuruko was the only female artist belonging to the Gutai Art Association from its founding to its dissolution. Shortly after joining the Association, she produced works using bright, reflective materials such as tin and zinc. Michel Tapié, a French art critic who supported Gutai, suggested that she should instead paint on canvas, because the metals were not sufficiently durable. Around the end of 1950s, she began painting on canvas using bright primary colors. The work titled by a figure , displayed at her solo exhibition in 1963 held at Gutai Pinacotheca, takes as its title a cloud-like shape that appeared to rise from the canvas. This work is lively and full of energy, with dynamic stripes running diagonally and colorful shapes and lines floating above the painting surface. Despite this being an oil painting, the artist successfully achieves the brilliance that she had previously found when using metal as her material.
YAMAZAKI Tsuruko born in Ashiya, Hyogo Prefecture in 1925.
Yamazaki attended a Yoshihara Jiro lecture organized by the City of Ashiya in 1946, and began to study under him the next year. In 1948, she graduated from Obayashi Sacred Heart School and exhibited her work at the first Ashiya City Exhibition (and continued to display her works at subsequent exhibitions). In 1954, she became a founding member of the Gutai Art Association and remained in the Association until its dissolution in 1972. In the mid-1950s she began teaching art classes for children. Yamazaki held a solo exhibition at Gutai Pinacotheca in 1963, joined the Artist’s Union (AU) as a founding member in 1975, and held a retrospective exhibition at Ashiya City Museum of Art & History in 2004.
鶴子·山崎 Yamazaki Tsuruko是唯一一位屬於Gutai藝術協會的女性藝術家，從其成立到解散。加入協會後不久，她使用錫和鋅等明亮的反光材料製作作品。支持Gutai的法國藝術評論家MichelTapié建議她應該在畫布上塗漆，因為金屬不夠耐用。大約在20世紀50年代末，她開始使用明亮的原色在畫布上繪畫。 1963年在Gutai Pinacotheca舉辦的個人展覽中展出的作品以一個人物為標題，其標題呈雲狀，似乎從畫布上升起。這項工作充滿活力，充滿活力，對角線上有動態條紋，彩色的形狀和線條浮在畫面上方。儘管這是一幅油畫，但藝術家成功地實現了她以前在使用金屬作為材料時所發現的光彩。
鶴子·山崎於1925年出生於兵庫縣蘆屋市。
山崎參加了由蘆屋市於1946年組織的吉原次郎講座，並於明年開始在他的下學習。 1948年，她畢業於大林聖心學校，並在第一屆蘆屋市展覽會上展出她的作品（並繼續在隨後的展覽中展出她的作品）。 1954年，她成為Gutai藝術協會的創始成員，並一直留在協會，直到1972年解散。在20世紀50年代中期，她開始教授兒童藝術課程。 Yamazaki於1963年在Gutai Pinacotheca舉辦個展，1975年作為創始成員加入藝術家聯盟（AU），並於2004年在Ashiya市藝術與歷史博物館舉辦了回顧展。
Ashiya Museum Management Recognized in the Stevie Awards
Ashiya Museum Management is recognized in the Community Involvement Program of the Year category in the 2010 Stevie Awards for Women in Business.
GALERIE RICHARD - Norio Imai
Galerie Richard is pleased to present Norio Imai in his New York debut solo
exhibition Perspective in White from February 13th through March 29th. The artist
(b. Osaka, 1946) joined the Gutai Art Association in 1965 and was the youngest
member of the avant-garde collective of post-war era Japan. Imai gained early
recognition for his white monochrome works that featured a sculptural quality. The
artist uses the canvas in a way that allows him to experiment and develop painting
in three dimensions. By doing so, he plays with light by adding tonality to the
monochrome and creates fluid and organic curved lines with inherent sensuality,
serenity and peace.
The exhibition features historical works and recent works created in the 2000's. This
is an opportunity to discover fourteen works made in 1964-65, that were destroyed
and recreated by the artist with ready-made objects and, molded three-
dimensional objects between the stretcher and the white painted canvas. Some of
the molds are surrounded by white painted tacks around the object for figurative
visual effect and for making the emphasis on the bulges on surface. Eliminating
materiality is what he focused on in the series of early white pieces from his Gutai
period.
The exhibition features six paintings entitled White Ceremony with different shaped
canvases originally made in 1966 and 1967. They have been in high demanded due
to their sensual reminiscence of feminine shapes, which deftly reflect one of the
most important changes that are taking place in our culture. The dimension in which
we live today is increasingly shifting towards the feminine. Fluid, matrixial qualities
are gaining importance over unambiguous masculinity. I would describe Imai's work
as maternal. In its complete pureness it is pregnant with possibilities.[1] The
canvases become organic bulbous shapes, and white immaterial ethereal spaces.
Like Matsutani and Shirley Kaneda's paintings, these shapes seem to form
spontaneously and therefore look similar to shapes we encounter in nature. This
work also highlights the soft aesthetic that emerged in the 60's inspired by the
technology of the Cold War Space Race. The influence was widespread, offering
sumptuous aerodynamic curves to art, design, fashion, and architecture.
A major work in the exhibition is titled White Event IV (1966). Constructed from a
wooden frame and rubber surface, a motorized internal structure moves four
wooden bars and creates a simultaneously bulging and receding outward
appearance. The White Event series is Imai's first experiment in kinetic art. His
fascination for film, and the moving image in the 60's, led him to add kinetic effects
to his work. He considered that movement in art should no longer be merely
visualized by an optical effect and instead opted for literal kinesis.
The exhibition also includes several works from the late 2000's series Shadows of
Memory. The practical object is transformed into ghostly abstract shapes on the
painting. Visually it is apparent that everyday items each have a different bulge in
itself, and such visual characteristics of the item appears in the work. A bicycle
helmet or a boat propeller is transformed into a beautiful sculpture featuring
modernist abstract shapes. Shadow of Memory 038 - Spiral looks like an
architectural model. The work Shadow of Memory 107 - Mandolin is a suspended
painting-sculpture that we experience by visualizing its two opposite sides; on the
front side we can see a musical instrument shape and on the back side we are
referred to an organic bulbous shape that is more abstract or bodily related.
For Norio Imai, the possibility to represent the essence of an object -- the inherent
energy of a shape -- are statements in these works that break through borders
between painting and performance, object and process, abstraction and figuration.
Imaifirst exhibited in theGutai Pinacotheca, Osaka in 1964. He was included in every
Gutai exhibition until the group broke up in 1972. He has been featured in Gutai
surveys including Gutai II: 1959--1965, at Ashiya City Museum of Art and
Historyin1993, Japanese Art After 1945: Scream Against the Sky at Guggenheim
Soho and the San Francisco Museum of Modern Art in 1994; Gutai: Splendid
Playground at Solomon R. Guggenheim Museum in 2013. Featured in renowned
collections such as the Ashiya City Museum of Art and History, The Museum of
Modern Art in Shiga, The Osaka Museum of Modern Art, Hyōgo Prefectural Museum
of Art, The Miyagi Museum of Art, The Dallas Museum of Art, The Getty Center, Los
Angeles, and Vervoordt Foundation in Wijnegen.
Music by:
Chill Carrier - A New Day
山/抽象版×小沢裕子ライブパフォーマンス 2017/1/9
山/抽象版×小沢裕子ライブパフォーマンス
2017年1月9日｜月/祝｜
芦屋市立美術博物館
art trip vol.02 この世界の在り方 思考／芸術
* * * * *
A LIVE PERFORMANCE OF MOUNTAIN / ABSTRACT EDITION × YUKO OZAWA
Monday, January 9 (Mon) 2017
art trip vol.02 “The State of this World: Thought and the Arts”
in Ashiya city Museum of Art & History, JAPAN
Performed by Mountain / Abstract Edition & Yuko Ozawa
Special Guest: Kotaro Tategami
Best Attractions and Places to See in Nishinomiya, Japan
Nishinomiya? ????? Travel Guide. MUST WATCH. Top things you have to do in Nishinomiya? ?????. We have sorted Tourist Attractions in Nishinomiya? ????? for You. Discover Nishinomiya? ????? as per the Traveler Resources given by our Travel Specialists. You will not miss any fun thing to do in Nishinomiya? ?????.
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List of Best Things to do in Nishinomiya?, Japan
Hanshin Koshien Stadium
Shukugawa Park
Nishinomiya Shrine
Hankyu Nishinomiya Gardens
Koshien History Museum
Lalaport Koshien
Ashiyagawa Kahan
Hakutsuru Sake Brewery Museum
Mondo Yakujin
Kabutoyama Shinrin Park
An Historical Trip in Fukuoka: The Kyushu Historical Museum and Dazaifu
The Kyushu Historical Museum where the history and culture of Kyushu is introduced and displayed in an easy-to-follow format from the research and excavations conducted at historic sites such as Dazaifu has been presented.
July 20, 2011
Art 74_Intervention_3_of_5.flv
Art 74 Intervention 3 of 5
Ivy Smarter Kit Promo (Japanese Subtitles)
The Nanoleaf Ivy Smarter Kit is the world's most energy-efficient Zigbee smart lighting kit for the home.
Frank Lloyd Wright | HOW TO SEE Wright's landscape designs with Therese O'Malley and Jennifer Gray
One of the most accepted narratives about Frank Lloyd Wright is that he was extremely sensitive to the native ecologies surrounding his building projects. Therese O'Malley and Jennifer Gray discovered in their research that Wright frequently used foreign plants in his landscape designs and that discussions about ecology often entered into much larger political discourses about race, immigration, and what it means to be native to a particular area.
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“Frank Lloyd Wright at 150: Unpacking the Archive“ opens June 12, 2017. Learn more: mo.ma/FLW150
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#art #moma #museum #modernart #nyc #architecture #franklloydwright #architect #FLW #museumofmodernart #modernarchitecture #flw150 #landscape #design #ecology
FRANK LLOYD WRIGHT MARIN COUNTY CIVIC CENTER AERIAL VIEW
Marin County Civic Center - FLW
Marin County Civic Center, the last commission by Frank Lloyd Wright, is located in San Rafael, California. Groundbreaking for the Civic Center Administration Building took place in 1960, after Wright's death and under the watch of Wright's protégé, Aaron Green, and was completed in 1962. The Hall of Justice was begun in 1966 and completed in 1969. Veterans Memorial Auditorium opened in 1971, and the Exhibit Hall opened in 1976.
Photos: Ron & Birgitta Yeo
The selection of Frank Lloyd Wright in 1957 to design the Civic Center was controversial. The June 1960 election changed the makeup of the Marin County Board of Supervisors such that, in the following January, the new board voted to halt work on the project and possibly convert it for use as a hospital. However, a poll by the Marin Independent Journal showing overwhelming support for the project pressured board members to change
Marin County Civic Center
Marin County Civic Center
The High Life & Times of Frank Lloyd Wright
The High Life & Times of Frank Lloyd Wright, a conversation between Lord Peter Palumbo, Raymund Ryan and Professor Carlos Jiménez took place at Kentuck Knob on 5 August 2017. Part of the summer Farm-to-Table Dinner and Speaker series, the event was also in celebration of the 150th anniversary of Frank Lloyd Wright's birthday.
Jalpari (Mermaid) Found in Gujarat on 7th March
Jalpari (Mermaid) was found in Gujarat, Porbandar near Madhupura Village on 7th march. When people found this mermaid (jalpari) they put it out from the ocean's side, And they informed to the police. This type of incidents happen very rarely on the earth. Mostly we listen about Jalpari and Mermaids only in t.v serials, movies, but this has happened in reality in the Gujarat where people found live Jalpari, Mermaid.
Frank Lloyd Wright tours at Marin Civic Center
Frank Lloyd Wright tours at Marin Civic Center (Keri Brenner - Marin Independent Journal)
Osaka Tondabayashi PL
dezembro video amador
완전히 보다] 안도 타다오_넥스트21을 가다_Tadao Ando(安藤忠雄)_NEXT21_PER_SPECT_IVE_ep11
[구독]과 [좋아요]는 큰 힘이 됩니다 ^..^
안도 다다오가 설계에 참여한 친환경 실험주택
넥스트21에 다녀왔습니다. 주소는
〒543-0011 Ōsaka-fu, Ōsaka-shi, Tennōji-ku,
Shimizudanichō, 6−16 ＮＥＸＴ２１
다니마치로쿠초메역에서 10분 정도 걸립니다.
(오사카 역사박물관에서는 약 도보 15분 거리)
.
오사카 역사박물관 편 :
오사카 자연사박물관 편 :
.
.
'PER_SPECT_IVE : 완전히 보다'
혼자서 둘러보기 좋은 강연과
작은 전시회를 소개합니다.
많은 구독 부탁드려요.