Wisconsin Dells Beaver Creek horseback ride
Spent the day on a horse
Wisconsin Dells Boat tour and Horse ride
Exploring the Wisconsin Dells by way of boat and horse. More Wisconsin Dells videos coming....Subscribe
Dylan & Skylar Horseback Riding
Horseback riding in Minocqua 7/11/10
WPT University Place: Southern Wisconsin's Glacial Landscape
David Mickelson, Professor Emeritus, Geology and Geophysics, UW-Madison, shares an historical perspective of how the landscape could have been viewed a hundred years ago and contrasts that with a new remote sensing technology called “Lidar,” a combination of light and radar.
Explore the full archive of WPT's University Place lectures online at
Around the Corner with John McGivern | Program | Sparta (#804)
[Original Airdate: January 24, 2019]
It’s true that Sparta Wisconsin is the bicycling capital of America, but we found lots of things happening here: soldiers marching, shovelmen building, luthiers crafting, quilters quilting, and, of course, bikers biking. Yes, Sparta likes active people and companies: Fast Eddie and FAST Corp fit right in, and so does John Gurda because he is the real life version of Ben Bikin. After all, John G. has literally been bikin’ all over Wisconsin! John McGivern is more like Ben’s friend, Willbee Ridin… As in, he will be ridin’ in his car back to Sparta because he’s coming for a longer visit!
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Join Emmy Award-Winning actor John McGivern as he explores living, working and playing in Wisconsin's unique communities. John has visited more than 100 communities so far, with no end in sight!
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Hill City SD KOA campsite 8 27 11.avi
Jilly and Jaxson ridin' ponies at the OC Fair - 7/24/13
Jilly and Jaxson ridin' ponies at the OC Fair - 7/24/13
Byron MS/HS Marching Band Show 2014 - Green Day - School Song
Byron MS/HS Marching Band Combined Halftime Show
Friday, September 12, 2014
Green Day Show:
Holiday
Wake Me Up When September Ends/Homecoming
Basket Case
Prairie Mosaic 1007
On this edition, well visit Gooseberry State Park in Gooseberry Falls, MN; Interstate State Park in Taylor Falls, MN; Icelandic State Park near Cavalier, ND; Itasca State Park near Bemidji, MN; listen to music by Dariann Leigh of Karlstad, MN
About the Minnesota Arts and Cultural Heritage Fund
In 2008, Minnesota voters passed a landmark piece of legislation — the Minnesota Clean Water, Land, and Legacy Amendment — which provided funding to public television stations serving audiences in Minnesota. Its mission is to help preserve and document the treasures of culture, history, and heritage that make Minnesota special, and to increase access to the natural and cultural resources we all share.
From Travels In Alaska by John Muir - FULL AudioBook - Naturalism & Outdoor Adventure
From Travels In Alaska by John Muir - FULL Audio Book
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Chapter listing and length:
From Travels In Alaska by John Muir -- 00:17:52
Read by Jason Mills
This is a Librivox recording. All Librivox recordings are in the public domain. For more information or to volunteer visit librivox.org.
Rilla of Ingleside Audiobook by Lucy Maud Montgomery | Audiobook with Subtitles
Rilla of Ingleside by Lucy Maud Montgomery Audiobook read by Karen Savage. Genre(s): Children's Fiction.
Written in 1921, this is the final book in L. M. Montgomery's Anne of Green Gables series. Set during World War I, it shows the courage and endurance of the sisters, mothers and wives (and brothers and fathers) left to tend the home front. The main focus of the book is on Anne and Gilbert’s youngest daughter, Rilla. (Summary by Karen Savage)
Genre(s): Children's Fiction
Chapters:
0:18 | Chapter 1 – Glen Notes and Other Matters
19:08 | Chapter 2 – Dew of Morning
29:04 | Chapter 3 – Moonlit Mirth
50:17 | Chapter 4 – The Piper Pipes
1:10:41 | Chapter 5 – The Sound of a Going
1:33:46 | Chapter 6 – Susan, Rilla, and Dog Monday Make a Resolution
1:46:37 | Chapter 7 – A War-baby and a Soup Tureen
2:02:19 | Chapter 8 – Rilla Decides
2:15:48 | Chapter 9 – Doc Has a Misadventure
2:25:37 | Chapter 10 – The Troubles of Rilla
2:44:23 | Chapter 11 – Dark and Bright
3:02:10 | Chapter 12 – In the Days of Langemark
3:13:44 | Chapter 13 – A Slice of Humble Pie
3:29:18 | Chapter 14 – The Valley of Decision
3:43:31 | Chapter 15 – Until the Daybreak
3:56:05 | Chapter 16 – Realism and Romance
4:16:54 | Chapter 17 – The Weeks Wear By
4:40:35 | Chapter 18 – A War-Wedding
5:01:52 | Chapter 19 – They Shall Not Pass
5:17:35 | Chapter 20 – Norman Douglas Speaks Out in Meeting
5:28:52 | Chapter 21 – Love Affairs Are Horrible
5:39:05 | Chapter 22 – Little Dog Monday Knows
5:52:11 | Chapter 23 – And So, Goodnight
6:03:16 | Chapter 24 – Mary Is Just in Time
6:21:03 | Chapter 25 – Shirley Goes
6:35:17 | Chapter 26 – Susan Has a Proposal of Marriage
6:54:18 | Chapter 27 – Waiting
7:19:56 | Chapter 28 – Black Sunday; Ch 29 – Wounded and Missing; Ch 30 – The Turning of the Tide
7:44:50 | Chapter 31 – Mrs Matilda Pitman
8:03:31 | Chapter 32 – News From Jem
8:16:35 | Chapter 33 – Victory!; Ch 34 – Mr Hyde Goes to His Own Place and Susan Takes a Honeymoon
8:28:01 | Chapter 35 – Rilla-my-Rilla
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----------------------------------------------------------------------------------------------------- Audio Book Audiobooks All Rights Reserved. This is a Librivox recording. All Librivox recordings are in the public domain. For more information or to volunteer visit librivox.org.
WSOR T4 Rolls through Palmyra WI 6/21/14
T4 Rolls through Palmyra WI
Our Miss Brooks: Indian Burial Ground / Teachers Convention / Thanksgiving Turkey
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Our Miss Brooks: Mash Notes to Harriet / New Girl in Town / Dinner Party / English Dept. / Problem
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)
The Great Gildersleeve: Gildy Is In a Rut / Gildy Meets Leila's New Beau / Leroy Goes to a Party
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter Bronco Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed Ha!!! or What a character! Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.