Did you know Peacocks are from Africa? Tips for Using at a safari for O.T. by Traveling Sensory Boy
Tips and Treasures from Sensory Seeker on exploring Big Joel's Safari Educational Park
Christian reports this is a 2 thumbs up adventure. He enjoyed the Safari and this video shows him engaged in the Educational Park on the grounds. He saw baby animals some only 3 days old, feed other little cuties, petted some fuzzy beasts, and played on a train.
During our time out Christian will always engaged in a little Occupational Therapy: today was no different. He was able to use his upper body muscles while pulling on the large tires to gain balance and find this grounding. He could run, slide, and use resistance for hand and muscular development. He had time to enjoy some sand play-which is his favorite to help regulate and ground him while he is out in the public. He also used the time in the train to slow down and focus which helps to ground him and give him a sense of body awareness and space. His Proprioceptive and Vestibular needs were met while pulling, pushing, and spinning while feeding the animals and playing on the unique play ground. The different textures, sounds, smells, and sizes also gave him sensory input while enjoying his day.
He gave this day a two thumbs up! 2Thumbs up
Tips and Treasures for this trip:
-bring cash or be prepared to walk back inside the gift shop (past the snakes) to refill your feeding cup or purchase the Camel ride tickets
-Do not bring a stroller if you can get away from it as the walkway is pebbles/rock which may make it a bit difficult and frustrating
-You can go into the petting area with the baby goat- we did not now this so we stayed on the outside of the fence.
-The staff are helpful and very knowledgeable of their animals
-Everyone was polite and helpful
-Check the website for additional attractions like the bounce house which was not up when we went.
-Parking is free
Big Joel's Safari can be found at 13187 State Highway M, Wright City, MO 63390 As Christian mentioned it is a walk through petting zoo and Educational area. It has over 60 different animals you can feed, observe, and enjoy. The camel rides were $5.00 but Christian felt it was worth the money. The Large cup is also a good investment for your tip as you keep the cup and have the opportunity to use it for animal feeding.
They also have a gift shop where you can buy toys and trinkets, hats and tee-shirts for a reminder of your trip, and some snacks.
The gift shop and entrance to the Safari has snakes for you who do not like snakes you may need to enter by the side where the snakes are.
This family owned zoo is fun for all and so interactive and personal the staff is right there to help with any needs you may have.
The kids will love the wagon rides and other seasonal events listed on the website:
Riding Camels & with baby animals at Safari Park- Tips for Outdoor Therapy
Tips and Treasures on exploring Big Joel's Safari Educational Park
Christian reports this is a 2 thumbs up adventure.He says riding a Camel is cool!! you hold on tight because you can see for miles!. It was worth the $5.00
He enjoyed the Safari and this video shows him engaged in the Educational Park on the grounds. He saw baby animals some only 3 days old, feed other little cuties, petted some fuzzy beasts, and played on a train.
During our time out Christian will always engaged in a little Occupational Therapy: today was no different. He was able to use his upper body muscles while pulling on the large tires to gain balance and find this grounding. He could run, slide, and use resistance for hand and muscular development. He had time to enjoy some sand play-which is his favorite to help regulate and ground him while he is out in the public. He also used the time in the train to slow down and focus which helps to ground him and give him a sense of body awareness and space. His Proprioceptive and Vestibular needs were met while pulling, pushing, and spinning while feeding the animals and playing on the unique play ground. The different textures, sounds, smells, and sizes also gave him sensory input while enjoying his day.
He gave this day a two thumbs up! 2 Thumbs up
Tips and Treasures for this trip:
-bring cash or be prepared to walk back inside the gift shop (past the snakes) to refill your feeding cup or purchase the Camel ride tickets
-Do not bring a stroller if you can get away from it as the walkway is pebbles/rock which may make it a bit difficult and frustrating
-You can go into the petting area with the baby goat- we did not now this so we stayed on the outside of the fence.
-The staff are helpful and very knowledgeable of their animals
-Everyone was polite and helpful
-Check the website for additional attractions like the bounce house which was not up when we went.
-Parking is free
Big Joel's Safari can be found at 13187 State Highway M, Wright City, MO 63390 As Christian mentioned it is a walk through petting zoo and Educational area. It has over 60 different animals you can feed, observe, and enjoy. The camel rides were $5.00 but Christian felt it was worth the money. The Large cup is also a good investment for your tip as you keep the cup and have the opportunity to use it for animal feeding.
They also have a gift shop where you can buy toys and trinkets, hats and tee-shirts for a reminder of your trip, and some snacks.
The gift shop and entrance to the Safari has snakes for you who do not like snakes you may need to enter by the side where the snakes are.
This family owned zoo is fun for all and so interactive and personal the staff is right there to help with any needs you may have.
The kids will love the wagon rides and other seasonal events listed on the website:
How To Build Your Vision From The Ground Up | Q&A With Bishop T.D. Jakes
Bishop T.D. Jakes and Pastor Steven have an inspiring conversation about entrepreneurship and leadership. Learn how to build your vision from the ground up by making the most of your God-given opportunities.
Little Mermaid Jr - BHMS - Warrenton, MO
Baba Yetu (By Christopher Tin) Lord's Prayer in Swahili - Alex Boyé, BYU Men's Chorus/ Philharmonic
DOWNLOAD the single “Baba Yetu” on iTunes ( Other BYU Men’s Chorus albums are available on Amazon.com (
iTunes ( BYUMusicStore.com ( and wherever BYU music is sold.
Support Christopher Tin! Purchase his Grammy-winning album 'Calling All Dawns' at christophertin.com
CONNECT WITH ALEX BOYE!
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Check out my Africanized album on itunes NOW!!
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SONG CREDITS
“Baba Yetu” words and music by Christopher Tin; arranged by Derek Machan
Performed by Alex Boyé, Dan Hall, BYU Men’s Chorus 2015-16 (Rosalind Hall, conductor), BYU Philharmonic Orchestra 2015-16 (Kory Katseanes, conductor)
Produced by Rosalind Hall, Jeff Carter
Executive producer: Ben Fales
Recorded and mixed by Jeff Carter
Mastered by Troy Sales
© BYU Records 2016
VIDEO CREDITS
Director: Jeff Parkin
Performers: Alex Boyé, Dan Hall, BYU Men’s Chorus 2015-16, BYU Philharmonic Orchestra 2015-16
Director of Photography: Daniel Kellis
Producer: Melody Shuss
Executive Producers: Rosalind Hall, Jeff Parkin, Ben Fales
1st A.D./Assoc. Producer: Willem Kampenhout
Editors: Daniel Kellis, Jeff Parkin
Drone Pilot: Jason Hatfield
Camera Operators: Daniel Kellis, Michael Boren, Michael Gordon, Mike Henderson, Howie Burbidge, Morgan Crockett, Charles Unice
Assistant Camera: Lauren Vanderwerken, Andrew Davis, Marshal Davis, Robert Hill
Song Mixing: Jeff Carter
Song Mastering: Troy Sales
Sound Design: Kyle Sawyer
Visual Effects: Daniel Kellis, Aaron Hinton
Colorist: Jessica Bryant
Audio Playback: Robi Aamodt, Alexis Aamodt, Gwenyth Fales
Craft Services: Rachel Jacobs
Producer's Assistant: Jacob Shuss
Transportation: Brady Johnson
Publicity/Marketing: Jamison Peterson
© BYU Records 2016
Special thanks to Julie Walker, Brian Wilcox, Ben Fales, Yvette Arts, Jeff Merrill, Travis Talbot, Jamison Peterson, Ben Jacobs, Jeff Sheets, Jana Parkin, and the City of Provo for their generosity in providing us with a shooting location.
Support from the BYU School of Music, BYU Department of Theatre and Media Arts, BYU University Communications, Laycock Center for Creative Collaboration, and BYU Records.
For information about booking BYU Men’s Chorus for a performance or concert, please contact BYU Performing Arts Management at 801-422-3576.
Artists Respond to Authoritarianism
October 7, 2019
Artists have been responding to governmental action across the world throughout history. Focusing on artist responses to repression, state aggression, and authoritarianism in places like the United States, the Middle East, and other parts of the world, this event will investigate both the past and present. Cultural activist and artist Cannupa Hanska Luger (Mandan, Hidatsa, Arikara, and Lakota), whose collaborative work, Mirror Shield Project, is on view at the KHC will be present, as will Greg Sholette, artist, author, and professor of Art and Policy at Queens College-CUNY. Both speakers will discuss their work with activist art, and the ever-changing relationship between art, activism, and government.
Part of the KHC/NEH 2019-2020 Colloquium:
Authoritarianism on the Continuum
Holiday Inn Express - Warrenton - Warrenton, Missouri
Hotel and Resort photography & video by PhotoWeb (photowebusa.com)
Relax at the Holiday Inn Express® Hotel Warrenton, MO
Winner of the 2008 Quality Excellence Award for guest satisfaction, our accommodations are the perfect stop for any trip to St. Louis or Columbia because we are well-situated right off of I-70, and we provide the services you deserve at a price you can afford.
Our hotel in Warrenton, MO is just minutes away from the nearby cities of Wright City, Foristell, Wentzville, Troy, Hawk Point, Washington, Marthasville, New Florence, Montgomery City, Jonesburg and Hermann. St. Louis attractions are an easy drive using I-70 or Hwy-40. University of Missouri, home of the Mizzou Tigers is less than one hour west of our hotel. Warrenton, MO is not just a passerby city, we offer the Warrenton Outlet Mall, where you can shop till you drop and find great deals.
When it comes to accommodating business patrons, other hotels in Warrenton, MO just can't compare to ours. We are near all of the local businesses and corporations, including Truesdale Packaging (Coca-Cola), SAF Holland, Cascade Plastics and Warrenton Oil Company. And, our Business Center and free high-speed Internet access make doing work easy.
As always, the Holiday Inn Express® Hotel Warrenton, MO is the smart choice for travelers, offering everything from an indoor pool to the free, hot Express Start Breakfast Bar. Make your reservation today.
Hotel and Resort photography & video by PhotoWeb (photowebusa.com).??PhotoWeb's Virtual Tours, videos, Digital Stills & Worldwide Distribution allow clients to put their most powerful media where the booking decisions are being made. With superior technology and the highest quality custom content available, viewers are guaranteed to be impressed.?Photo Web has been providing cutting edge imaging services since 1996. With offices in the US, UK, Australia, Japan, India, and Colombia, PhotoWeb provides services worldwide.??For further information, please contact sales@photowebusa.com or tel: 614-882-3499.
U.S. Economic Collapse: Henry B. Gonzalez Interview, House Committee on Banking and Currency
Henry Barbosa González (born Enrique Barbosa González; May 3, 1916 -- November 28, 2000) was a Democratic politician from the state of Texas. He represented Texas's 20th congressional district from 1961 to 1999.
González was born in San Antonio, Texas, the son of Mexican-born parents Genoveva (née Barbosa) and Leonides Gonzalez (from Mapimi, Durango), who had immigrated during the Mexican Revolution. He attended the University of Texas at Austin and San Antonio College, earning his undergraduate degree. Later, he received a Juris Doctor from St. Mary's University School of Law. Upon graduation, he became a probation officer, and was quickly promoted to the chief office of Bexar County, Texas. In 1950, he was Scoutmaster of Troop 90 of San Antonio, of which his son was a member.
González served on the San Antonio City Council from 1953 to 1956, when he was elected to the Texas Senate, having defeated the Republican candidate, Jesse Oppenheimer. He remained in the Senate until 1961 and set the filibuster record in the chamber at the time by speaking for twenty-two straight hours against a set of bills on segregation. Most of the bills were abandoned (eight out of ten). He ran for governor in 1958, finishing second in the Democratic primary (the real contest for governor in a solidly Democratic state) to Price Daniel. In January 1961, González ran in the special election for Lyndon Johnson's Senate seat, finishing sixth. However, in September, 20th District Rep. Paul J. Kilday was appointed to the Court of Military Appeals. González ran in the special election for the San Antonio-based district in November and defeated a strong Republican candidate, John Goode. He was unopposed for a full term in 1962 and was reelected seventeen times. He never faced truly serious or well-funded opposition, having been unopposed in 1970, 1974, 1976, 1978, 1982, and 1984. In fact, the 20th was (and still is) became so heavily Democratic that González faced GOP opposition only five times and handily won each time.
González became known for his liberal views. In 1963, Rep. Ed Foreman (R-Texas) called González a communist and a pinko and González confronted him. González was referred to as a communist in 1986 by a man at Earl Abel's restaurant, a popular San Antonio eatery. The 70 year-old representative responded by punching him in the face. González was acquitted of assault for this incident.
González chaired the United States House Select Committee on Assassinations that investigated the deaths of John F. Kennedy and Martin Luther King, Jr. He introduced legislation calling for the impeachment of Ronald Reagan and George H. W. Bush. González also blocked hearings into Whitewater until finally agreeing to hold hearings in 1994. In 1997, González fell ill and was unable to return to the House for over a year. Finally, he decided not to run for a 19th full term in 1998. He had long groomed his son, Charlie, to succeed him. Charlie Gonzalez won easily in 1998 and still holds the seat; between them, father and son have served 50 consecutive years in Congress (as of November 2011). He was an outspoken critic of the Federal Reserve System and in 1993 proposed an audit of the central bank.
According to Gretchen Morgenson's book on the 2008 financial meltdown, Reckless Endangerment, while head of the House Banking Committee, Gonzalez invited the organization ACORN to help legislators define the goals when they were devising the new legislation covering Fannie and Freddie.
On October 24, 2006, it was announced that Rep. González's personal notes, correspondence and mementos would become part of the Congressional History Collection at the University of Texas at Austin's Center for American History.
Epcot Live Stream - 3-2-18 - Walt Disney World - ResortTV1
Support the stream: Today, we'll be live streaming at Epcot in the Walt Disney World Resort with Nathan and Veronica from Paging Mr. Morrow! We'll check out the Epcot Flower and Garden Festival, and we'll also enjoy a beautiful evening in the park! We'll even watch Illuminations: Reflections of Earth and ride Gran Fiesta Tour! Be sure to join us for all of the fun!!
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Bold and Determined Victor Pride is like this video + Rollo Tomassi The Rational Male
Learn about Bold and Determined by Victor Pride and Modanifil (like the pill NZT-48 from the movie Limitless) here
Find Rollo Tomassi The Rational Male
sambotta.net
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Rollo Tomassi The Rational Male & Modanifil
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SATAN is Focus on the Family, Mark Driscoll, Family Life and anything with SATAN worshipper Kirk Cameron
You Bet Your Life: Secret Word - Chair / People / Foot
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
You Bet Your Life: Secret Word - Door / Paper / Fire
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
The Great Gildersleeve: Selling the Drug Store / The Fortune Teller / Ten Best Dressed
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
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The Great Gildersleeve: Halloween Party / Hayride / A Coat for Marjorie
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
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The Great Gildersleeve: Minding the Baby / Birdie Quits / Serviceman for Thanksgiving
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)
The Great Gildersleeve: Gildy Is In a Rut / Gildy Meets Leila's New Beau / Leroy Goes to a Party
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter Bronco Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed Ha!!! or What a character! Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.