Top 10 Scariest Things Found In The Woods
Top 10 Scariest Things Found In The Woods
Subscribe To Most Amazing Top 10:
Become A Most Amazing Top 10 Member:
More Top 10 Vids ????
Hello and welcome back to the Most Amazing Channel on the Internet! I am your host, Rebecca Felgate and today we are talking the Top 10 Scariest Things Found in the Woods! You guys just LOVE a bit of scary, don’t you! I love hiking in woods ….so we are kind of meeting on the same page here, except you have kind of made me scared of hiking alone! Before we get into this video, why don’t you guys let me know if you have ever hike a woodland trail? If so, where? My favourite recently was Allegheny National Forest!
#top10 #scary #woods
Channel Producer:
Landon Dowlatsingh-
Most Amazing Top 10 Instagram-
Most Amazing Top 10 Merch:
Hosted By:
Rebecca Felgate:
Video Edited By:
Ryan Wazonek
For Business Inquiries Contact: mostamazingtop10@gmail.com
Sources:
1.29 – 1.39
Kansas Lecture Series 2016: What is a Kansan?
Kansas author and 2016 Kansan of the Year, Jim Hoy, speaks about what it means to be a Kansan.
For more information on this and other happenings at the college, visit
News Now Stream 11/08/19 (FNN)
Sharing a mix of breaking news, top stories, popular culture and engaging discussions.
Racism, School Desegregation Laws and the Civil Rights Movement in the United States
The African-American Civil Rights Movement (1955--1968) refers to the social movements in the United States aimed at outlawing racial discrimination against black Americans and restoring voting rights to them. This article covers the phase of the movement between 1955 and 1968, particularly in the South. The emergence of the Black Power Movement, which lasted roughly from 1966 to 1975, enlarged the aims of the Civil Rights Movement to include racial dignity, economic and political self-sufficiency, and freedom from oppression by white Americans.
The movement was characterized by major campaigns of civil resistance. Between 1955 and 1968, acts of nonviolent protest and civil disobedience produced crisis situations between activists and government authorities. Federal, state, and local governments, businesses, and communities often had to respond immediately to these situations that highlighted the inequities faced by African Americans. Forms of protest and/or civil disobedience included boycotts such as the successful Montgomery Bus Boycott (1955--1956) in Alabama; sit-ins such as the influential Greensboro sit-ins (1960) in North Carolina; marches, such as the Selma to Montgomery marches (1965) in Alabama; and a wide range of other nonviolent activities.
Noted legislative achievements during this phase of the Civil Rights Movement were passage of Civil Rights Act of 1964, that banned discrimination based on race, color, religion, or national origin in employment practices and public accommodations; the Voting Rights Act of 1965, that restored and protected voting rights; the Immigration and Nationality Services Act of 1965, that dramatically opened entry to the U.S. to immigrants other than traditional European groups; and the Fair Housing Act of 1968, that banned discrimination in the sale or rental of housing. African Americans re-entered politics in the South, and across the country young people were inspired to action.
Desegregation busing in the United States (also known as forced busing or simply busing) is the practice of assigning and transporting students to schools in such a manner as to redress prior racial segregation of schools, or to overcome the effects of residential segregation on local school demographics.
1600 Pennsylvania Avenue / Colloquy 4: The Joe Miller Joke Book / Report on the We-Uns
After Miller's death, John Mottley (1692--1750) brought out a book called Joe Miller's Jests, or the Wit's Vade-Mecum (1739), published under the pseudonym of Elijah Jenkins Esq. at the price of one shilling. This was a collection of contemporary and ancient coarse witticisms, only three of which are told of Miller. This first edition was a thin pamphlet of 247 numbered jokes. This ran to three editions in its first year.
Later (not wholly connected) versions were entitled with names such as Joe Miller's Joke Book, and The New Joe Miller to latch onto the popularity of both Joe Miller himself and the popularity of Mottley's first book. It should be noted that joke books of this format (i.e. Mr Smith's Jests) were common even before this date. It was common practice to learn one or two jokes for use at parties etc.
Owing to the quality of the jokes in Mottley's book, their number increasing with each of the many subsequent editions, any time-worn jest came to be called a Joe Miller, a Joe-Millerism, or simply a Millerism.
Joke 99 states:
A Lady's Age happening to be questioned, she affirmed she was but Forty, and called upon a Gentleman that was in Company for his Opinion; Cousin, said she, do you believe I am in the Right, when I say I am but Forty? I ought not to dispute it, Madam, reply'd he, for I have heard you say so these ten Years.
Joke 234 speaks of:
A famous teacher of Arithmetick, who had long been married without being able to get his Wife with Child. One said to her 'Madam, your Husband is an excellent Arithmetician'. 'Yes, replies she, only he can't multiply.'
Joe Miller was referred to in Charles Dickens' A Christmas Carol (1843), by the character Scrooge, who remarks Joe Miller never made such a joke as sending [the turkey] to Bob's will be!
Joe Miller was also referred to in James Joyce's Ulysses (1922) in the limerick that Lenehan whispers during the Aeolus episode to Stephen Dedalus, the last line of which is I can't see the Joe Miller. Can you?.
According to Leonard Feinberg, the 1734 edition contains one of the oldest examples of gallows humor.
Calling All Cars: History of Dallas Eagan / Homicidal Hobo / The Drunken Sailor
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
The Assassination of Jesse James
The names ricochet through Western lore. Jesse James (Brad Pitt) was the most notorious outlaw of his time, wanted by the law in 10 states yet celebrated as a Robin Hood in newspapers and dime novels. Teenaged Robert Ford (Casey Affleck) idolized Jesse, sought his friendship, rode with him. It wasn't enough. The up-and-comer wanted his shot at fame. And when he got it, he took it. Pitt gives a volcanic, charismatic performance as Jesse in this saga of celebrity and obsession adapted from Ron Hansen's historical novel by director Andrew Dominik (Chopper). They're all lies, Jesse says of the stories surrounding him. A deeper, more human truth awaits in this ambitious and stirring epic film. MPAA Rating: R (c) 2007 Warner Bros. Entertainment Inc. All rights reserved.
Suspense: Murder Aboard the Alphabet / Double Ugly / Argyle Album
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Calling All Cars: The General Kills at Dawn / The Shanghai Jester / Sands of the Desert
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Europe to the Stars — ESO’s first 50 years of exploring the southern sky (Full movie)
The official movie for ESO's 50th anniversary, Europe to the Stars, takes the viewer on a 58-minute journey behind the scenes at the most productive ground-based observatory of the world. Science, history, technology, people...
The movie captures the story of its epic adventure — a story of cosmic curiosity, courage and perseverance. The story of discovering a Universe of deep mysteries and hidden secrets. The story of designing, building and operating the most powerful ground-based telescopes on the planet.
The movie consists of eight chapters each focusing on an essential aspect of an observatory, while putting things in perspective and offering a broader view on how astronomy is made. From site testing and explaining the best conditions for observing the sky to how telescopes are built and what mysteries of the Universe astronomers are revealing.
The material is released under a Creative Commons Attribution-NoDerivatives 4.0 International License.
German version is also available.
A fulldome version is available.
More information and download options:
Credit:
Directed by: Lars Lindberg Christensen
Art Direction, Production Design: Martin Kornmesser
Producer: Herbert Zodet
Written by: Govert Schilling
3D animations and graphics: Martin Kornmesser & Luis Calçada
Editing: Martin Kornmesser
Cinematography: Herbert Zodet & Peter Rixner
Sound engineer: Cristian Larrea
Audio Mastering: Peter Rixner
Host & Lead Scientist: Dr J (Dr Joe Liske, ESO)
Narration: Sara Mendes da Costa
Soundtrack & Sound Effects: movetwo — Axel Kornmesser & Markus Löffler (movetwo.de)
Additional music: John Stanford & zero-project (zero-project.gr)
Proof reading: Anne Rhodes
Subtitles: Mathieu Isidro
Technical support: Lars Holm Nielsen, Raquel Yumi Shida & Mathias Andre
DVD Authoring: Andre Roquette
Executive producer: Lars Lindberg Christensen
Footage and photos: ESO, Christoph Malin (christophmalin.com), Babak Tafreshi/TWAN, Stéphane Guisard (eso.org/~sguisard), José Francisco Salgado (josefrancisco.org), Alexandre Santerne, Nick Risinger (skysurvey.org), Martin Kornmesser, Herbert Zodet, J. Dommaget/J. Boulon/J. Doornenbal/W. Schlosser/F.K. Edmondson/A. Blaauw/Rademakers/R. Holder, Mineworks, Daniel Crouch/Rare Books (crouchrarebooks.com), Getty Images, Royal Astronomical Society/Science Photo Library, Jay M. Pasachoff, Chris de Coning/South African Library/Warner-Madear, Africana Museum/Warner, Leiden University, G. Brammer, Mauricio Anton/Science Library, NASA/Spitzer Science Center/R. Hurt, VISTA/J. Emerson, Digitized Sky Survey 2, MPE/S. Gillessen/M. Schartmann, PIONIER/IPAG, Rainer Lenzen/MPIA Heidelberg, West-Eastern Divan Orchestra in Berlin by KolBerlin, Davide De Martin, Cambridge Astronomical Survey Unit, IDA/Danish 1.5 m/R. Gendler and C. Thöne, Mario Nonino, Piero Rosati and the ESO GOODS Team, ALMA (ESO/NAOJ/NRAO), The NASA/ESA Hubble Space Telescope, Matthias Maercker, Igor Chekalin, Hans-Hermann Heyer, Edmund Janssen, Luis Calçada, Graeme Lufkin, Scott Kardel, Tom Jarrett, Kevin Govender, Sergey Stepanenko, ESA, NASA, IAU/IYA2009, T. Preibisch, R. Fosbury (ST-ECF), INAF-VST/OmegaCAM, OmegaCen/Astro-WISE/Kapteyn Institute, A. Fujii, J.-B. Le Bouquin et al., D. Coe (STScI)/J. Merten (Heidelberg/Bologna), Gemini Observatory/NRC/AURA/Christian Marois et al., M. Janson, Jean-Luc Beuzit, IAC (SMM) and ESPRESSO consortium, T.M. Brown (STScI), UltraVISTA team, TERAPIX/CNRS/INSU/CASU, World Wide Telescope.
Ukrainian version:
Produced by: Belka&Strelka team (
Narration: Vladimir Zlatsky and Maria Yarotska
Translation: Alek Legosteva
Scientific consultant: Oleksandr Bazey
The Great Gildersleeve: Bronco and Marjorie Engaged / Hayride / Engagement Announcement
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Suspense: Blue Eyes / You'll Never See Me Again / Hunting Trip
Thriller is a broad genre of literature, film, and television programming that uses suspense, tension and excitement as the main elements.[1] Thrillers heavily stimulate the viewer's moods giving them a high level of anticipation, ultra-heightened expectation, uncertainty, surprise, anxiety and/or terror. Good thriller films tend to be adrenaline-rushing, gritty, rousing and fast-paced. Literary devices such as red herrings, plot twists and cliffhangers are used extensively. A thriller is a villain-driven plot, whereby he or she presents obstacles that the protagonist must overcome.[2][3]
Common subgenres are psychological thrillers, crime thrillers and mystery thrillers.[4] Another common subgenre of thriller is the spy genre which deals with fictional espionage. Successful examples of thrillers are the films of Alfred Hitchcock. The horror and action genres often overlap with the thriller genre.[5]
In 2001, the American Film Institute in Los Angeles made its definitive selection of the top 100 greatest American heart-pounding and adrenaline-inducing films of all time. To be eligible, the 400 nominated films had to be American-made films, whose thrills have enlivened and enriched America's film heritage. AFI also asked jurors to consider the total adrenaline-inducing impact of a film's artistry and craft.[6][7]
Homer's Odyssey is one of the oldest stories in the Western world and is regarded as an early prototype of the thriller. One of the earliest thriller movies was Harold Lloyd's comic Safety Last! (1923), with a character performing a daredevil stunt on the side of a skyscraper. Alfred Hitchcock and Fritz Lang helped to shape the modern-day thriller genre beginning with The Lodger (1926) and M (1931), respectively.[2]
AIR Dibrugarh Online Radio Live Stream