Gravity Max OMFG Tilt Roller Coaster POV Seriously Messed Up AWESOME Ride! 搶救地心
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Gravity Max, the Vekoma Tilt Coaster is one seriously SCREWED UP amazing roller coaster! The train gets locked onto a section of track, the track is tilted 90 degrees, locks into the next part of track, and RELEASE! HOLY CRAP!!!! This is located at Discovery World in Lihpao land in Taiwan. Filmed & Edited by Robb Alvey - themeparkreview.com 搶救地心 - 麗寶樂園
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'80s Skate Night
Students enjoyed an evening of '80s-themed roller skating.
Biker Gang's Enforcer Meets His Match
Doug longed for a sense of family and community when he joined his motorcycle gang. But over time, this tough guy realized there was still something missing.
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NASA Talk - Path to Mars and Asteroid Mission: The First Step
The Space Technology and Exploration Directorate at NASA Langley Research Center presented a five-part lecture series on “The Future of America’s Space Exploration Program” on the campus of Christopher Newport University. Each 75-minute lecture took place at the Yoder Barn Theatre in Newport News, Virginia and explores the ins and outs of America’s vision for deep space exploration.
Lecture 1: Path to Mars and Asteroid Redirect Mission: The First Step
Lecture 2: The Next Human Spacecraft: Orion and the Launch Abort System
Lecture 3: Escaping Earth’s Gravity: Space Launch System
Lecture 4: Mars Entry, Descent and Landing with Humans
Lecture 5: Spacecraft, Habitats and Radiation Protection
RENT - Look Pretty and Do As Little as Possible: A Video Essay
RENT is terrible and I hate it.
Twitter: @thelindsayellis
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The Big Live Comedy Show - YouTube Comedy Week
Watch as Comedy Week kicks off with an all-star show featuring live performances and video debuts from some of the top names in comedy!
Starring:
SARAH SILVERMAN -
SETH ROGEN -
THE LONELY ISLAND -
T-PAIN -
JERROD CARMICHAEL
GARFUNKLE & OATES -
PETE HOLMES -
SQWAK.COM -
WORKAHOLICS -
LILBUBBUB -
THE FINE BROS -
ERIC ANDRE -
BEARDYMAN -
REGGIE WATTS -
SMOSH -
SHANE DAWSON -
¡THREE LOCO! -
JUSTIN WILLMAN -
EPIC RAP BATTLES OF HISTORY -
NICE PETER -
EPIC LLOYD -
SKRILLEX -
TOBY TURNER -
JOHN DORE -
VINCE VAUGHN & OWEN WILSON -
JEFF ROSS -
EPIC MEAL TIME -
TIM AND ERIC -
DAX FLAME -
THE KEY OF AWESOME -
RHETT AND LINK -
HANNIBAL BURRESS -
JASH -
FIDLAR -
This is the End in theaters June 12
Exclusive Clip -
The Internship in theaters June 7
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YouTube Comedy Week - May 19-25
I Remember Mama Pastor, Evangelist, Shirley Caesar
A Flag Ship Tribute To Mothers Gone and Near! A Gospel Treat and Gospel Classic! Make Everyday a Happy Mothers's Day
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Poetry Slam: 2016 National Book Festival
The Poetry Slam at the 2016 Library of Congress Book Festival in Washington, D.C. included some of the nation's top youth slam groups-from Washington, Indianapolis, Des Moines and New York. Champion delegates from these groups will compete to be named top youth slammer by performing new works on books and reading. This event is presented in collaboration with the Library of Congress, the National Endowment for the Arts and the poetry organization Split This Rock.
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Technological and industrial history of the United States | Wikipedia audio article | Wikipedia ...
This is an audio version of the Wikipedia Article:
Technological and industrial history of the United States | Wikipedia audio article
Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago.
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
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The technological and industrial history of the United States describes the United States' emergence as one of the most technologically advanced nations in the world. The availability of land and literate labor, the absence of a landed aristocracy, the prestige of entrepreneurship, the diversity of climate and a large easily accessed upscale and literate free market all contributed to America's rapid industrialisation. The availability of capital, development by the free market of navigable rivers, and coastal waterways, and the abundance of natural resources facilitated the cheap extraction of energy all contributed to America's rapid industrialization. Fast transport by the very large railroad built in the mid-19th century, and the Interstate Highway System built in the late 20th century, enlarged the markets and reducing shipping and production costs. The legal system facilitated business operations and guaranteed contracts. Cut off from Europe by the embargo and the British blockade in the War of 1812 (1807–15), entrepreneurs opened factories in the Northeast that set the stage for rapid industrialization modeled on British innovations.
From its emergence as an independent nation, the United States has encouraged science and innovation. As a result, the United States has been the birthplace of 161 of Britannica's 321 Greatest Inventions, including items such as the airplane, internet, microchip, laser, cellphone, refrigerator, email, microwave, personal computer, Liquid-crystal display and light-emitting diode technology, air conditioning, assembly line, supermarket, bar code, automated teller machine, and many more.The early technological and industrial development in the United States was facilitated by a unique confluence of geographical, social, and economic factors. The relative lack of workers kept United States wages nearly always higher than corresponding British and European workers and provided an incentive to mechanize some tasks. The United States population had some semi-unique advantages in that they were former British subjects, had high English literacy skills, for that period (over 80% in New England), had strong British institutions, with some minor American modifications, of courts, laws, right to vote, protection of property rights and in many cases personal contacts among the British innovators of the Industrial Revolution. They had a good basic structure to build on. Another major advantage, which the British lacked, was no inherited aristocratic institutions. The eastern seaboard of the United States, with a great number of rivers and streams along the Atlantic seaboard, provided many potential sites for constructing textile mills necessary for early industrialization. The technology and information on how to build a textile industry was largely provided by Samuel Slater (1768–1835) who emigrated to New England in 1789. He had studied and worked in British textile mills for a number of years and immigrated to the United States, despite restrictions against it, to try his luck with U.S. manufacturers who were trying to set up a textile industry. He was offered a full partnership if he could succeed—he did. A vast supply of natural resources, the technological knowledge on how to build and power the necessary machines along with a labor supply of mobile workers, often unmarried females, all aided early industrialization. The broad knowledge of the Industrial Revolution and Scientific revolution helped facilitate understanding for the construction and invention of new manufacturing businesses and technologies. A limited government that would allow them to succeed or fail on their own merit helped.
After the close of the American Revolution in 1783, the new government continued the strong property rights established under British rule and established a rule of law necessary to protect those pro ...
Washington DC, Consumer Credit Counseling Service | (888) 551-1270
Washington, District of Columbia Free Consumer Credit Counseling Service call (888) 551-1270 Credit Repair, Bankruptcy Counseling, Foreclosure Prevention, Student Loan Debt Consolidation, Wage Garnishment and Vehicle Repossession solutions, Mortgage Loan Modification, and Debt Settlement through chapter 13. Credit counseling starts with the parent and may include intermediaries later in life empowered by the individual debtor to act on their behalf to negotiate with creditors and resolve debt that is beyond a debtor’s ability to pay. Credit counseling is a generic name and is not a brand name owned or controlled by any agency or company. Consumer credit counseling services are provided by attorneys, accountants, finance and tax professionals, for-profit, and non-profit credit counseling companies. Regulations on credit counseling and credit counseling agencies varies by country and sometimes within regions of the countries themselves.
Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Dragnet: Big Escape / Big Man Part 1 / Big Man Part 2
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.