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Actress Jennifer Garner partners with Vermont government leaders and local organization to promote high-quality, affordable early childhood care and education
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Edited Clear Van Smashes thru front door of Georgia jewelry store
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The Nov. 28 accident at the Oconee County, Ga. shop was caught on video surveillance
Warning: View from the gem lab of the accident at Chandlee Jewelers on Nov. 28, 2012 includes audio and images that viewers may find disturbing.
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Fortunately the shop was relatively empty and no one was seriously injured when a van drove through the storefront of Chandlee Jewelers around 3:30 p.m. on Nov. 28, 2012.
One customer, a 63-year-old Athens woman who had been seated near the front of the store, was thrown about 15 feet from her chair. She was treated and later released from an area hospital.
The driver, 63, from Winterville, told authorities an object rolled from beneath her seat and obstructed the Honda Odyssey's pedals. A CO2 cylinder was found in the front seat, according to a Georgia State Patrol trooper, who said the driver does not face criminal charges.
The shop, which specializes in jewelry sales and repair, reopened for business on Monday.
Irvine Studio Arts Festival.mov
Each year, the Irvine Fine Arts Center hosts the Studio Arts Festival, an Irvine Fine Arts Center fundraiser, in beautiful Heritage Park. Join us at the beginning on June 1, 9am - 5pm, for a firsthand look and opportunity to purchase some of the finest artwork by Southern California artists including many Art Center instructors and patrons. Over 100 artists participate and include a variety of disciplines from ceramics, sculpture, jewelry, painting, photography, textiles, glass art, gourd art and more!
Enjoy live music and food around the lagoon as you spend a spring day shopping for fine art. Spend the day Saturday enjoying what the Irvine Fine Arts Center has to offer you. This video is from a previous festival.
Susa Women's Boutique in Claremont CA Susa Boutique
Women's Boutique in Claremont Shoes Hats Hand Bags Gifts Mother of the Bride Prom Alterations Suits Evening Wear Clothing (909) 625-9690 Welcome to Susa, home of fashion and style. Where skilled color-coordinators are your personal shoppers. Weddings, cruises, business, or any special occasion, you will look your best with the assistance of our expert tailors and professional staff. We offer high-end designers such as, Eileen Fisher, Tommy Bahama, Jovani, Cole Haan, Donald J. Pliner, Eric Javits, Yansi Fugel, David Kahn, Blue Colt, as well as unique European styles. We have been serving the Claremont Village area for over 20 years and we invite you to experience our hospitality and we look forward to serving you!
100 Oaks Office Tower promotional film
16mm film courtesy of Gary Belz
Film transferred by Emily at PSU Film & Video, Nashville, TN
psunashville.com
100 OAKS MALL
Thompson Lane and Powell Avenue
Nashville, Tennessee
Named for the 100 Oaks Thompson Mansion that it replaced, Nashville's first fully-enclosed shopping center occupied 51.7 acres, 3 miles south of the Volunteer State Capitol.
Encompassing 850,000 leasable square feet, 100 OAKS MALL was developed by Memphis-based Belz Enterprises, The dual-level shopping hub, which opened for business in late 1968, was basically a strip shopping complex of exterior-entranced stores with an enclosed mall on its upper floor. The original anchors were a 2-level (112,300 square foot) J.C. Penney, 1-level (122,500 square foot) Woolco and 2-level (64,800 square foot) Nashville-based Harvey's.
Charter tenants included Spencer Gifts, Morrison's Cafeteria, Paas Pets, Family Bootery, Port of Call Records, House of Bamboo Outlet, Sergeant Pepper's Boutique, Zimm's Jewelers, Baker's Shoes, Cotton Patch apparel, Tall Gals apparel and Casual Corner.
The Martin Theatre, a single-screen venue, had opened, on the southeast corner of the future mall site, December 25, 1966. It was twinned in 1978 and closed in 1989. Other outparcels were a Giant Foods supermarket, Penney's Auto Center and bank. The mall proper also included the 5-story 100 Oaks Office Tower.
100 OAKS MALL was adjacent to the Interstate 65 expressway, which opened to traffic in the early 1970s. Oddly enough, there were no mall-accessing interchanges with said highway constructed for several years.
CSUN David Nazarian College of Business and Economics 50th Anniversary Gala
Fifty years ago, business in Los Angeles had a different face. Different industries employed a different workforce. Fifty years ago, a still-new California State University campus in Northridge launched a School of Business and Economics.
As Los Angeles grew and changed, so did CSUN and its business college. From a modest opening enrollment of 438 to the more than 7,800 students enrolled today, the David Nazarian College of Business and Economics has grown to become one of the 10 largest accredited business schools in the nation, consistently ranking among the top programs in the state.
CSUN’s business college is celebrating 50 years of changing lives with a gala celebration on Thursday, Sept. 22, 2016, at the Beverly Wilshire Hotel in Beverly Hills.
As part of the 50th anniversary gala, the college recognized its Fabulous 50 Business Alumni, an impressive list of Southern California, national and global business leaders. To learn more about the gala event, visit csun.edu/business50.
Resources:
CSUN David Nazarian College of Business and Economics
Celebrating 50 Years of Business Excellence
© 2016 California State University, Northridge
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Welcome to Laguna Woods Village - Where New Adventures Begin. For more than five decades, Laguna Woods Village has been Southern California’s premier active lifestyle community for people 55 and older. Just 10 minutes from the beautiful Laguna Beach coastline, the Village is nestled on 3.8-square miles of rolling hillsides in Orange County, California. It's easy to embrace the Village's countless activities, services, amenities and social opportunities. Our 18,500 residents enjoy endless opportunities to explore, connect and live life to the fullest in this picturesque South County community.
The community owns and operates its own cable television network. Village Television provides daily local origination programming to the Laguna Woods Village community, covering community news, highlights of community events, feature stories, and entertainment programs, as well as live broadcasts of homeowner’s association meetings and live broadcasts of the Laguna Woods City Council meetings on Channel 31.
lola- A Unique Boutique Are you a Material Girl? Toyota of Boerne
Our Boutique items are hand picked by our very own Cheri Vaughan...She has a great eye for accessory items that range from newborn baby clothes to chic belts and purses... Check out our great selection of costume jewelry and Maui Jim Sunglasses too...toyotaofboerne.com
Claire’s - The Ear Piercing Specialists in North America
Claire's are the World’s Leading Ear Piercing Specialists. We’ve been piercing since 1978 and with over 100 Million Ears Pierced Worldwide; you can trust that you are in safe hands.
All of our Ear Piercing Specialists are fully trained to ensure that they meet all safety regulations and requirements. Our ear piercing earrings are individually packaged and pre-sterilised at a state of the art facility.
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Calling All Cars: Thou Shalt Not Kill / Mae West Jewel Robbery / Rhythm of Jute
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
You Bet Your Life: Secret Word - Hair / Chair / Name
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
Calling All Cars: History of Dallas Eagan / Homicidal Hobo / The Drunken Sailor
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: The 25th Stamp / The Incorrigible Youth / The Big Shot
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
HOW TO ANALYZE PEOPLE ON SIGHT | Audiobook with subtitles | Human Analysis, Psychology
In this popular American book from the 1920s, accomplished public speaker and self-help charlatan Elsie Lincoln Benedict outlines her pseudo-scientific system of Human Analysis. She proposes that, within the human race, five sub-types have developed through evolutionary processes, each with its own distinct character traits and corresponding outward appearance. She offers to teach the reader how to recognise these five types of people and understand their innate differences. Her ideas have never been taken seriously by the scientific community, but this book is considered a classic within its genre and remains in print today. (Summary by Carl Manchester)
How to Analyze People on Sight Through the Science of Human Analysis: The Five Human Types
Elsie Lincoln BENEDICT and Ralph Paine BENEDICT
Genre(s): *Non-fiction, Psychology, Self-Help
Chapters:
0:22 | 1 - Front matter
4:52 | 2 - Human Analysis
46:30 | 3 - Chapter 1, part 1 The Alimentive Type
1:08:51 | 4 - Chapter 1, part 2 The Alimentive Type
1:39:14 | 5 - Chapter 2, part 1 The Thoracic Type
2:11:21 | 6 - Chapter 2, part 2 The Thoracic Type
2:39:58 | 7 - Chapter 3, part 1 The Muscular type
3:00:34 | 8 - Chapter 3, part 2 The Muscular type
3:22:53 | 9 - Chapter 4, part 1 The Osseous Type
3:44:45 | 10 - Chapter 4, part 2 The Osseous Type
4:07:06 | 11 - Chapter 5, part 1 The Cerebral Type
4:28:07 | 12 - Chapter 5, part 2 The Cerebral Type
4:54:08 | 13 - Chapter 6, part 1 Types That Should and Should Not Marry Each Other
5:18:20 | 14 - Chapter 6, part 2 Types That Should and Should Not Marry Each Other
5:49:42 | 15 - Chapter 7, part 1 Vocations For Each Type
6:16:37 | 16 - Chapter 7, part 2 Vocations For Each Type
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----------------------------------------------------------------------------------------------------- Audio Book Audiobooks All Rights Reserved. This is a Librivox recording. All Librivox recordings are in the public domain. For more information or to volunteer visit librivox.org.
Calling All Cars: The Broken Motel / Death in the Moonlight / The Peroxide Blond
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
HSN | The List with Colleen Lopez 09.08.2016 - 09 PM
Shop The List on HSN.com #n# Colleen takes the guesswork out of shopping for fashion and jewelry. Watch HSN every Thursday at 9pm ET & 6pm PT to see what you'll add to your list! #n# Prices shown on the previously recorded video may not represent the current price. View hsn.com to view the current selling price.
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HSN | Electronic Connection featuring Vizio 09.04.2016 - 01 PM
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The Great Gildersleeve: Gildy Gives Up Cigars / Income Tax Audit / Gildy the Rat
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
The Groucho Marx Show: American Television Quiz Show - Wall / Water Episodes
In public and off-camera, Harpo and Chico were difficult to recognize by their fans without their wigs and costumes, but it was almost impossible to recognize Groucho without his trademark eye-glasses, fake eyebrows and mustache. More Groucho:
The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache every night because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in Duck Soup, where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows.
Marx was asked to apply the greasepaint mustache once more for You Bet Your Life when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him actually to need corrective lenses; before then, his eye-glasses had merely been a stage prop. He debuted this new, and now much-older, appearance in Love Happy, the Marx Brothers's last film as a comedy team.
He did paint the old character mustache over his real one on a few rare performing occasions, including a TV sketch with Jackie Gleason on the latter's variety show in the 1960s (in which they performed a variation on the song Mister Gallagher and Mister Shean, co-written by Marx's uncle Al Shean) and the 1968 Otto Preminger film Skidoo. In his late 70s at the time, Marx remarked on his appearance: I looked like I was embalmed. He played a mob boss called God and, according to Marx, both my performance and the film were God-awful!.
The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist was a parody of a fad from the 1880s and 1890s. Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. Edmund Morris, in his biography The Rise of Theodore Roosevelt, describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural Members who were present. Groucho exaggerated this fad to a marked degree, and the comedy effect was enhanced by how out of date the fashion was by the 1940s and 1950s.