Turkish and Islamic Arts Museum | Showcase
Steps away from Istanbul’s Blue Mosque sits another treasure: the Museum of Turkish and Islamic arts. Home to some of Islam’s holiest relics, from ancient Qurans and manuscripts, to sacred cloths, the Museum attracts visitors from across the world. Miranda Atty visited the museum to find out more about the history of the relics it houses and the story behind the building.
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Museum Of Turkish And Islamic Arts 4K UltraHD
Museum Of Turkish And Islamic Arts (Türk Ve İslam Eserleri Müzesi)
İstanbul Turkey
4K UltraHD
(İbrahim Paşa Sarayı) Türk ve İslam Eserleri Müzesi - İstanbul
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Saklıkent akarsu
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Evde nargile nasıl hazırlanır?
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IZNIK TILES | Bursa - Tales of Turkey [EN]
Tales of Turkey
Edirne Türk İslam Eserleri Müzesi-Edirne City Museum of Turkish and Islamic Arts
Edirne’de ilk Müze, Atatürk’ün emriyle, 1925 yılında Selimiye Camii Dar-ül Hadis Medresesinde kurulmuştur. Bu müzeye Arkeoloji Müzesi denilmekle birlikte, müzede değerli etnografik eserler ve mezar taşları da yer almaktaydı. Osmanlı İmparatorluğu’nun yaklaşık 94 yıl başkentliğini yapan Edirne’de saray, halk sanatlarını etkilemiş ve etnografya açısından zenginlik kazandırmıştır. Bu yüzden ikinci bir müzeye gerek duyulmuştur. Selimiye Camii avlusu içinde bulunan Dar-üs Sıbyan Medresesi’nin, Trakya Umumi Müfettişi Kazım DİRİK başkanlığındaki Edirne ve Yöresi Eski Eserleri Sevenler Kurumu tarafından restore ettirilmesi sonucu “Etnografya” adı altında ikinci bir bölüm, Edirne’nin kurtuluşunun on üçüncü yılında ( 25 Kasım 1936 ) burada açılmıştır. Bu Müze, Ankara Etnografya Müzesi ve Topkapı Sarayı Müzesi’nden bazı değerli eserlerle takviye edilmiştir. Zamanla eserlerin çoğalmasıyla burasının müze için yetersiz duruma gelmesi sonucunda, aynı kurum tarafından Selimiye Camii’nin Dar’ul Kurra Medresesi onarılmış ve Etnografik eserler taşınarak burası “Etnografya Müzesi” olarak düzenlenmiştir.İkinci Dünya Savaşından sonra Edirne Müzelerindeki eserlerin birçoğunun müzelere geri verilmesi sonucu elde kalanlar yalnızca Dar-ül Hadis Medresesi’nde sergilenmiştir. Bundan sonraki yıllarda satın alma, bağış ve kazılardan gelen eserlerle Müzedeki eserlerin sayısının artması nedeniyle Edirne’de ihtiyaç duyulan yeni bir müze binası 1966 yılında programa alınmıştır. Selimiye Camii civarında müze için temin edilen arsa üzerine, Y. Mimar İhsan KIYGI tarafından hazırlanan projeye göre yapılan müze binası, 13 Haziran 1971 yılında “Arkeoloji ve Etnografya Müzesi” adı ile açılmıştır. Dar-ül Hadis Medresesindeki Müze de “Türk İslam Eserleri Müzesi” olarak düzenlenmiştir.(Edirne first Museum , Ataturk, in 1925 Selimiye Mosque was established in Dar- ul- Hadith madrasa . Although this museum is called the Archaeological Museum , monuments and tombstones valuable ethnographic museums were included. That the capital of the Ottoman Empire nearly 94 years in Edirne palace , have influenced the folk art and ethnography in terms of earned wealth . So the need for a second museum has heard. Selimiye Mosque in Dar- base Elementary school was in the courtyard , Thrace , General Inspector Kazim DİRİK headed Edirne and region of Antiquities Lovers be restored by the Agency result Ethnography a second section called , on the third year of Edirne's liberation ( November 25, 1936 ) was opened here. This museum was supplemented with some valuable work in Ankara Ethnography Museum and Topkapi Palace Museum. Museum of place with the proliferation of times works as a result of coming to insufficient by the same institution Selimiye Mosque Dar'ul Kurri Madrasa repaired and ethnographic artifacts moved here Ethnographic Museum as düzenlenmiştir.ikinc the world after the war to return to many of the monuments in Edirne Museum museum resulting residue obtained Dar- ul- Hadith has only been exhibited at the Madrasah . Purchase in the next year , due to the increase in the number of donations and works in the museum with works from the excavations in Edirne needed a new museum building has been scheduled in 1966 . Selimiye Mosque on land obtained for around the museum , the museum building is made according to the project prepared by the Architect KIYG Ihsan , 13 June 1971 Archaeology and Ethnography Museum was opened with the name. The museum at Dar - ul- Hadith madrasa Turkish-Islamic Works Museum are .)
JELAJAH TURKI- MENAPAK JEJAK KEBESARAN ISLAM-TOPKAPI-BLUE MOSQUE # part 1
JELAJAH TURKI- MENAPAK JEJAK KEBESARAN ISLAM-TOPKAPI-BLUE MOSQUE
Menjelajahi negara turki kita berkunjung ke topkapi, hagia sophia, blue mosque, selat bosphorus. mencoba kuliner ala turki. Bermain salju di uludag Bursa
exploring istanbul turki, turkish food, turkey
#turki#topkapi#bluemosque
Sufi Dancers in Bursa, Turkey
Last Saturday night I witnessed this amazing Sufi ceremony called Sema, in the city of Bursa, Turkey. There were five dancers and eighteen singers and musicians. It took place after 10:00 pm and went on for almost an hour. It was great to be so close to the dancers.
DERAP LANGKAH SANG KHALIFAH - Istana Topkapi Istanbul (episode 2) Part 3/3
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PROGRAM INI TAYANG SETIAP HARI SELAMA RAMADHAN PUKUL 04.45 WIB
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Program ini akan membahas mengenai tempat bersejarah dibelahan dunia dari sisi agama, asal-usul, perkembangan sejarah, keunikan, dan kesenian. Program ini akan dibawakan oleh Zee Zee Shahab, Ustad Zacky Mirza, dan Sahrul Gunawan.
Part 1 :
Part 2 :
Part 3 :
【K】Turkey Travel-Safranbolu[터키 여행-샤프란볼루]세계문화유산, 오스만제국 시대 가옥/Ottoman/Heritage Village/Museum
■ KBS 걸어서 세계속으로 PD들이 직접 만든 해외여행전문 유투브 채널 【Everywhere, K】
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[한국어 정보]
사프란볼루의 밤은 전통마을답게 조용하고 아늑하다. 사프란볼루는 과거 흑해와 연결되는 오스만 무역로의 중심지로서 지금까지 오스만 제국시대의 집들이 완벽하게 보존되어 있는 곳이다. 오스만시대 가옥들은 대체로 3층집으로 되어있고 외부는 하얀색으로 칠해져 있는 것이 특징이다. 이 지역은 1994년 유네스코 세계문화유산에 등재됐다. 걷는 것만으로도 즐거운 경험을 할 수 있는 마을산책, 본격적으로 오스만 제국시대 전통집 구경에 나선다. 박물관으로도 이용된다는 한 집을 찾았다. 목재로 된 옛집이 수백 년의 세월 속으로 나를 인도한다. 최소한으로 복원하려 애쓴 흔적이 느껴지면서도 현대적인 시설들이 곳곳에 눈에 띈다. 남녀구분이 남달랐던 이슬람제국 오스만은 집안배치에 있어서도 엄격한 원칙을 따랐다. “방과 주방은 위층에 있어요. 위층에서 요리된 음식이 집의 끝 쪽에서 접시로 내려지면 그것을 회전식 선반에 둡니다. 그리고 음식이 준비되었다는 신호로 노크를 하면 이런 식으로 돌려서 보내주었어요.” 물론 평상시에는 가족이 모두 함께한다. 이외에도 집안 곳곳에는 다양한 용도의 시설들이 감쪽같이 숨겨져 있는데 평소엔 장으로 쓰이지만 중요한 물건을 보관하는 비밀창고도 있다. 이불장을 제치면 개인 목욕탕으로 변신하는 장치까지. “여기는 옷장입니다. 옷장외에 목욕탕이기도 해요. 모든 것을 한 곳에서 할 수 있어요. 문을 닫았을 때 침대도 내려놓을 수 있죠. 방마다 식구들이 살고 있는데 목욕실을 좀 더 빨리 사용할 수 있어요. 모든 방에서 목욕을 할 수 있죠.“ 규모로 보아 당시 재력이나 권세가 있던 사람의 집이었을 거라 짐작해본다.
[English: Google Translator]
Night of Safranbolu is cozy and quiet, like a traditional village. Safranbolu is a place where the past and the Black Sea as a center of trade being connected in so far as the Ottoman houses of the Ottoman era is perfectly preserved. Ottoman-era homes are usually a three-story house and the outside is characterized by painted white. The area was inscribed on the UNESCO World Heritage Site in 1994. Simply by walking through the village you can experience a pleasant stroll in earnest in the Ottoman Empire sets out the traditional home visit. Also found that using the house as a museum. This old house of wood and lead me in the time in hundreds of years. The attempt to restore a minimum aesseun traces feel while modern amenities were noticeable throughout. Islamic Ottoman Empire gender distinction namdalratdeon followed a strict principle also placed in the house. I'm in the room and the kitchen are upstairs. The food is cooked in the upstairs floor down to the end plate side of the house, leave it in the rotary shelf. And if you knock a signal that food is ready to send, turn gave it this way. Of course, it all has a normal family. In addition to the house there is also a secret storage places to keep only the important stuff obsolete as usual ¥ The hidden chapters are gamjjokgatyi facilities for a variety of uses. Yibuljang to hit the first device to transform into a private bathroom. This is the closet. It's also a bathroom in addition to the wardrobe. I can do everything in one place. Beds can you even when you close the door and lay down. Por family live there I can use the bathroom more quickly. Can you do a bath in every room. Try to imagine the scale seen at the time would have been a financial power house and who was the authority.
[Information]
■클립명: 유럽115-터키06-07 세계문화유산, 오스만제국 시대 가옥/Ottoman/Heritage Village/Museum
■여행, 촬영, 편집, 원고: 은희각 PD (travel, filming, editing, writing: KBS TV Producer)
■촬영일자: 2012년 3월 March
[Keywords]
유럽,Europe,유럽,터키,Turkey,Turkey,은희각,2012,3월 March,샤프란볼루,Safranbolu,Karabuk
Iznik Tiles
Iznik Tiles
The ambassador of Islamicate art all across the world
LONDRA’da OSMANLI Eserleri- Victoria&Albert Museum
Londra’da Victoria&Albert Müzesi’nde Osmanlı'nın 1500'lü yıllarından kalma eserlerle devam ediyoruz.
En sevdiğim galeri müzelerden olan Victoria&Albert Müzesi'nin diğer bölümlerini de izlemeyi unutmayın.
Dini ögelerle bezeli ortaçağ dönemi eserlerinde bolca Hz. İsa ve Meryem figürlerini incelerken Botticelli’den bir Fatih Sultan Mehmet tablosuna rastlayabilirsiniz. Gerçeği kadar mükemmel Raphael ve Michelangelo eserlerinin kopyalarına hayranlıkla bakarken, Americo Vespucci’nin haritasında Türkiye’yi keşfedebilirsiniz.
Keyifli izlemeler... Devamı için takipte kalın.
Geziyorum, yiyorum ve düşünüyorum.
Öyleyse varım! diyebiliyorum.
Peki ya sen?
Sen de benimle birlikte deneyimlemeye var mısın?
Takipte kalmak için Abone Olmayı Unutmayın:
Red Basilica, Bergama, İzmir, Aegean, Turkey, Asia
The Red Basilica, also called variously the Red Hall and Red Courtyard, is a monumental ruined temple in the ancient city of Pergamon, now Bergama, in western Turkey. The temple was built by the Roman Empire, probably in the time of Hadrian and possibly on his orders. It is one of the largest Roman structures still surviving in the ancient Greek world. The temple is thought to have been used for the worship of the Egyptian gods specifically Isis and/or Serapis, and possibly also Osiris, Harpocrates and other lesser gods, who may have been worshipped in a pair of drum-shaped rotundas, both of which are virtually intact, alongside the main temple. Although the building itself is of an immense size, it was only one part of a much larger sacred complex, surrounded by high walls, that dwarfed even the colossal Temple of Jupiter in Baalbek. The entire complex was built directly over the River Selinus in a remarkable feat of engineering that involved the construction of an immense bridge 196 metres (643 ft) wide to channel the river through two channels under the temple. The Pergamon Bridge still stands today, supporting modern buildings and even vehicle traffic. A series of tunnels and chambers lies under the main temple, connecting it with the side rotundas and giving private access to different areas of the complex. Various drains, water channels and basins are located in, around and under the main temple and may have been used for symbolic reenactments of the flooding of the Nile. The temple was converted by the Byzantines into a Christian church dedicated to St John but was subsequently destroyed. Today the ruins of the main temple and one of the side rotundas can be visited, while the other side rotunda is still in use as a small mosque. The temple's date of construction is not recorded, but from the style of the sculptures and the building techniques a date in the first half of the second century AD has been proposed. Its use of red brick on a massive scale, unique in Asia Minor but relatively common in Italy at the time, indicates that the architect was not local. The immense size and lavish construction of the complex points to an extremely wealthy patron who sent a Roman architect and brick masons to Pergamon to build the temple. The most likely candidate is the emperor Hadrian himself. He is known to have been an enthusiastic sponsor of the Egyptian gods; he built temples of Isis and Serapis at various places in the Roman world, including at his own villa in Tivoli. At some point during the Christian era the temple was gutted by fire. It was not restored, but was redeveloped in the 5th century AD as a Christian basilica, built inside the shell of the destroyed temple. Arcades were built dividing the interior into a central nave and two side aisles. The eastern wall was demolished and replaced with an apse. The floor level was raised by about 2 metres (6.6 ft), obscuring the original Roman floor, though the former floor level has since been restored by archaeologists. The church was probably destroyed by the forces of the Arab general Maslamah ibn Abd al-Malik, who besieged and looted the city in 716-717 during his unsuccessful bid to conquer Constantinople. Pergamon fell into Turkish hands in 1336 and the building was converted into a mosque. The complex has been investigated and excavated in a series of campaigns by the German Archaeological Institute. In 1906-1909 P. Schazmann prepared detailed drawings of the ruins during a German excavation of the Hellenistic city. The temple and temenos were excavated by Theodor Wiegand from 1927. New archaeological studies were carried out from 2002 to 2005 under A. Hoffmann. Restoration efforts have also been pursued, first in the 1930s under O. Bayatlı, the Director of the Bergama Museum, and later in the 1950s and 1960s. Further restoration work was conducted on the main temple in 2006 and the south rotunda was restored between 2006 and 2009.
The Sultan's World - The Ottoman Orient in Renaissance Art
Your last weeks are counted to explore our exhibition about the Ottoman Empire along with Renaissance painters and thinkers. More info
Turkish Carpets and Curtains
THIS VLOG IS ABOUT MY SHOPPING FROM DUSK TO MIDNIGHT
Orhangazi Parkı & Süs Havuzu - 01 | Bursa | Turkey / 4K Ultra HD
Hayat, Yaşam , Sanat, Spor, Eğitim, Gezi , Travel, Vlog, Seyahat
Relaxing Nature Sounds & View | Meditation & Stress Relief
Bursa,Turkey
Turkey/Istanbul (Hippodrome/Sultanahmet Square) Part 61
Welcome to my travelchannel.On my channel you can find almost 1000 films of more than 70 countries. See the playlist on my youtube channel.Enjoy!
Sultanahmet (Meydanı) SQUARE
The imperial palace, known as the Great Palace, used to spread over an area extending from the Hippodrome down to the seashore. Only the mosaic floor panel of a large hall remains from this palace today. The Augusteion, the most important square of the city, used to be here, and between the square and the main avenue there was the Millairium victory arch. The road used to extend as far as Rome and the stone marking the first kilometer was located here. The baths, temples, religious, cultural, administrative and social centers were all in this district. The area maintained its importance in the Byzantine and Turkish eras. Therefore some of the most important monuments of Istanbul such as the Hagia Sophia, Sultan Ahmet Mosque, the Museum of Turkish and Islamic Art and the Basilica Cistern are all located around the Hippodrome.
Mısır Obelisk The main streets in the city (those leading down to the harbor and those extending toward the city walls in the west) started at the Hippodrome and followed the slopes of the hills. The streets were lined with business establishments and mansions. The side streets were narrow and some were stepped. Some of the main streets had two-galleried sidewalks. There were spacious squares along the route and the side roads forking from these squares led to the city gates. The main avenue was called the Mese, and Via Egnetia, the road to Rome, started at the Golden Gate (Altmkapi).
Hippodrome means square for horses. The Hippodrome was built by the Roman Emperor Septimius Severus towards the end of the 2nc* century and it was extended to an immense size by Constantine the Great. Some historians claim that it could seat thirty thousand spectators, while others put the figure at sixty thousand. The main attraction was the two or four-horse chariot races. In Roman and Byzantine times, the Hippodrome served as the city's main meeting, entertainment and sports center until the 10tn century. Like many of the other monuments in the city, it lost its importance with the Latin invasion in 1204. Besides the chariot races and gladiator fights with wild animals, there were performances by musicians, dancers and acrobats. There were many public holidays during Roman times to allow opportunities for all these activities.
The Hippodrome was shaped like a gigantic U and the imperial box, built like a balcony with four bronze horses on its roof, was situated on the eastern side. The sand-covered surface of the Hippodrome was divided into two by a low wall around which the chariots raced. On this wall stood monuments brought here from different corners of the empire and the statues of famous riders and their horses. Successful chariot drivers were very wealthy and could have anything they wanted. Originally there were 4 teams of drivers whose supporters' clubs formed large quarrelling factions and competed for position and prestige in the city. From time to time politics intermingled with the races, and the clashes between competing forces turned into bloody massacres.
The original ground level of the Hippodrome was 4 or 5 meters lower than the present surface. Three monuments have remained to our day: the Egyptian Obelisk, the Serpent Column and the Walled Obelisk. In the Turkish era, too, festivals, ^ceremonies and performances used to be organized here. The Palace of Ibrahim Pasa opposite Sultan Ahmet Mosque is the sole example of the imposing private residences of the 16th century. This elegant building now houses the Museum of Turkish and Islamic Art.
Only the round southern end of the vast Hippodrome has survived. This is a brick structure decorated with tall vaults. In later ages, all of the stone blocks and columns of the Hippodrome were used for building material. The ruins in the park to the right of the entrance to the Hippodrome belong to 4th and 5th century private palaces, and a little further along there are the remains of the Byzantine Hagia Euphemia church.
藝苑掇英 Erol Akyavaş 艾羅·亞史基瓦 (1932-1999) Surrealism Tachisme Turkish
tonykwk39@gmail.com
Erol Hakkı Akyavaş (b. 1932, Ankara - d. 20 April 1999 , Istanbul) , Turkish painter.
He was born in 1932 in Ankara. His father was Hasan Tahsin Akyavaş and his mother Melek Akyavaş. Family because of his father's job at Emlak Bank; He lived in Ankara, Izmir, Samsun, Bursa and Istanbul.
1950 - 1952 in the Fine Arts Academy , Bedri Rahmi studied art as a guest artist in the workshop. From 1952 to 1953 he attended summer studies at the Academy of Fine Arts in Florence. He worked with Lhote and Léger in Paris .
He lived in the United States between 1954 and 1960; He studied architecture at the Illinois Institute of Technology in Chicago with Mies Van Der Rohe . 1956 Ilona Mosolygo, daughter of a Hungarian family, met and married in Cleveland, Ohio. 1959 Her daughter Nazan was born. His 1959 painting "The Magnificence of Sultans " was taken to the New York Museum of Modern Art . Between 1960 and 1962 he made design studies with Earo Saarine.
In 1963 he came to Turkey to do his military service. 1964 - 65 "Kaya Hotel" architectural studies in Göreme (Aga Khan award finalist) He worked as an architect between 1965-1967. 1968 He settles in New York. He died on 20 April 1999 at his home in Salacak, Istanbul.
Works; New York Museum of Modern Art (MOMA), Istanbul and Ankara Museum of Painting and Sculpture , Berlin Art Museum, Stuttgart Art Museum, Central Bank of Turkey , Istanbul Modern , British Museum collections. In 1987, the Miracname series, which consisted of 8 lithographic prints, was published in 2004 by the Turkish Ministry of Foreign Affairs as a book. In 2000, Bilgi University held a comprehensive retrospective exhibition at the Istanbul Dolmabahçe Cultural Center.
艾羅·哈客·亞史基瓦Erol Hakkı Akyavaş（生於1932年，安卡拉 - 1999年4月20日，伊斯坦布爾），土耳其畫家。
他於1932年出生於安卡拉。他的父親是客沙·達新·亞史基瓦Hasan Tahsin Akyavaş和他的母親Melek Akyavaş。家人，因為他父親在Emlak銀行的工作;他住在安卡拉，伊茲密爾，薩姆松，布爾薩和伊斯坦布爾。
1950年至1952年在美術學院，Bedri Rahmi在·工作室學習藝術作為客座藝術家。從1952年到1953年，他參加了佛羅倫薩美術學院的暑期學習。他在巴黎與Lhote和Léger合作。
他於1954年至1960年間居住在美國;他曾在美而·范德羅Mies Van Der Rohe的芝加哥伊利諾伊理工學院學習建築學。 1956年，一個匈牙利家庭的女兒Ilona Mosolygo在俄亥俄州的克利夫蘭會面並結婚。 1959年，她的女兒納贊出生。他1959年的作品“蘇丹的壯麗”被帶到了紐約現代藝術博物館。 1960年至1962年間，他與Earo Saarine一起進行設計研究。
1963年，他來土耳其服兵役。 1964年-65歲的“Kaya Hotel”建築研究在Göreme（Aga Khan獎入圍）他在1965年至1967年期間擔任建築師。 1968年他在紐約定居。他於1999年4月20日在伊斯坦布爾Salacak的家中去世。
作品;紐約現代藝術博物館（MOMA），伊斯坦布爾和安卡拉繪畫和雕塑博物館，柏林藝術博物館，斯圖加特藝術博物館，土耳其中央銀行，伊斯坦布爾現代，大英博物館藏品。 1987年，Miracname系列由8幅平版印刷品組成，於2004年由土耳其外交部出版。 2000年，Bilgi大學在伊斯坦布爾Dolmabahçe文化中心舉辦了一次全面的回顧展。
【K】Turkey Travel-Istanbul[터키 여행-이스탄불]세계에서 가장 오래된 군악대, 메흐테르/Istanbul/Mehter Military Band
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[한국어 정보]
세계에서 가장 오래된 군악대는 오스만제국의 메흐테르다, 지금도 명맥을 이어가고 있는 부르사의 메흐테르가 봄을 맞아 공연 준비에 한창이다. 메흐테르는 오스만제국이 일으킨 정복전쟁 때 음악으로 군사들의 사기를 올리는 역할을 했다. 터키행진곡이라는 별명의 모차르트 피아노 소나타 11번 역시 메흐테르에서 아이디어를 얻은 작품이라고 한다. 메흐테르의 유명한 팔자걸음 행군이다. 이 과장된 팔자걸음은 멀리서도 적군이 볼 수 있어서 적군의 사기를 꺾는데 결정적 역할을 했다고 한다.
[English: Google Translator]
The oldest military band in the world is meheu Terminus of the Ottoman Empire , Bursa is located in Terre meheu still continues survived the show is in full swing preparing for spring 's right . Meheu Termini has a role in raising the morale of the military war of conquest that caused this music when the Ottoman Empire . Mozart 's Piano Sonata Turkish March nickname is referred to 11 times also work inspired by meheu Termini . Meheu the famous march of Terre ol pace . This step is exaggerated ol I break the enemy 's morale in the enemy from a distance and can see that it has a decisive role .
[Turkish: Google Translator]
Dünyanın en eski askeri bandosu Osmanlı İmparatorluğu'nun meheu Terminus , Bursa meheu yine şov bahar hakkı hazırlanıyor tüm hızıyla devam hayatta Terre yer olmasıdır. Meheu Termini bu müziği Osmanlı İmparatorluğu neden fetih askeri savaş moralini yükselterek bir rolü vardır . Mozart'ın Piyano Sonatı Türk Marşı takma ayrıca meheu Termini esinlenerek çalışır 11 kez denir . Terre ol hızı ünlü yürüyüşünü Meheu . Bu adım bir mesafeden düşman düşmanın moralini kırmak ve belirleyici bir role sahip olduğunu görebilirsiniz ol abartılı .
[Information]
■클립명: 유럽115-터키07-14 세계에서 가장 오래된 군악대, 메흐테르/Istanbul/Mehter Military Band
■여행, 촬영, 편집, 원고: 김서호 PD (travel, filming, editing, writing: KBS TV Producer)
■촬영일자: 2015년 3월 March
[Keywords]
유럽,Europe,유럽,터키,Turkey,Turkey,,김서호,2015,3월 March,이스탄불,Istanbul
Curtain from turkey
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