২০১৯ সালের সেরা ওয়াজ, মাওলানা আব্দুল খালেক শরিয়তপুরী, Abdul Khalek Soriotpuri,
আমাদের ব্লগের ও youtube সমাজকল্যাণ কাজের তরুণীদের উৎসাহ দেয়া . ইতিহাসীক কথা লেখা . রাজনীতি. সমাজের অসমাজিক কর্ম কান্ড প্রতিবাদ করার. দেশ ও জাতি . ধর্ম বিরোধে মিথ্যা প্রচার করে প্রতিবাদ করার . আমাদের একা পক্ষে সম্বব না । তা আপনাদের সহযোগীতা দরকার . আমাদের ইমেইল করুন। দেশ রক্ষা করুন- সুন্দর সমাজ গরুন . আপনাদের সবাইকে ধন্যবাদ ।
pir saheb charmonoi, qawmi madrasa, alem society, islamic world, muslim world, haj-zakat,
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Calling All Cars: Disappearing Scar / Cinder Dick / The Man Who Lost His Face
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Suspense: The Dead Sleep Lightly / Fire Burn and Cauldron Bubble / Fear Paints a Picture
The Three Witches or Weird Sisters are characters in William Shakespeare's play Macbeth (c. 1603--1607). Their origin lies in Holinshed's Chronicles (1587), a history of England, Scotland and Ireland. Other possible sources influencing their creation aside from Shakespeare's own imagination include British folklore, contemporary treatises on witchcraft including King James I and VI's Daemonologie, Scandinavian legends of the Norns, and ancient classical myths concerning the Fates, the Greek myths of the Moirai and the Roman myths of the Parcae. Portions of Thomas Middleton's play The Witch were incorporated into Macbeth around 1618.
Shakespeare's witches are prophets who hail the general Macbeth early in the play with predictions of his rise as king. Upon committing regicide and taking the throne of Scotland, Macbeth hears the trio deliver ambiguous prophecies threatening his downfall. The witches' dark and contradictory natures, their filthy trappings and activities, as well as their intercourse with the supernatural all set an ominous tone for the play.
In the eighteenth century the witches were portrayed in a variety of ways by artists such as Henry Fuseli. Since then, their role has proven somewhat difficult for many directors to portray, due to the tendency to make their parts exaggerated or overly sensational. Some have adapted the original Macbeth into different cultures, as in Orson Welles's performance making the witches voodoo priestesses. Film adaptations have seen the witches transformed into characters familiar to the modern world, such as hippies on drugs or goth schoolgirls. Their influence reaches the literary realm as well in such works as The Third Witch and the Harry Potter series.
Come and Go, a short play written in 1965 by Samuel Beckett, recalls the Three Witches of Shakespeare's Macbeth. It features only three characters, all women, named Flo, Vi, and Ru. The opening line: When did we three last meet? [28] recalls the When shall we three meet again? of Macbeth: Act 1, Scene 1.[29] The Third Witch, a 2001 novel written by Rebecca Reisert, tells the story of the play through the eyes of a young girl named Gilly, one of the witches. Gilly seeks Macbeth's death out of revenge for killing her father.[30]
J. K. Rowling has cited the Three Witches in Shakespeare's Macbeth as an influence in her Harry Potter series. In an interview with The Leaky Cauldron and MuggleNet, when asked, What if [ Voldemort ] never heard the prophecy?, she said, It's the 'Macbeth' idea. I absolutely adore 'Macbeth.' It is possibly my favourite Shakespeare play. And that's the question isn't it? If Macbeth hadn't met the witches, would he have killed Duncan? Would any of it have happened? Is it fated or did he make it happen? I believe he made it happen.[31] On her website, she referred to Macbeth again in discussing the prophecy: the prophecy (like the one the witches make to Macbeth, if anyone has read the play of the same name) becomes the catalyst for a situation that would never have occurred if it had not been made.[32] More playfully, Rowling also invented a musical band popular in the Wizarding world called The Weird Sisters that appears in passing in several books in the series as well as the film adaptation of Harry Potter and the Goblet of Fire. The third Harry Potter movie's soundtrack featured a song by John Williams called Double Trouble, a reference to the witches' line, Double double, toil and trouble. The lyrics of the song were adapted from the Three Witches' spell in the play.