Easter 2019 in Russia. Russian and other Christian Churches in Vladivostok
Hello again, friends! In this video, we will tell you about Easter in Russia and show you Russian & other Churches in Vladivostok.
There are about 40 Russian Orthodox chapels in Vladivostok. Nowadays the biggest one is:
• Russian Orthodox Church Church of the Intercession of the Mother of God at Pokrovsky Park.
Another one is
• CATHOLIC CHURCH OF THE MOST HOLY MOTHER OF GOD
• ST. PAUL'S LUTHERAN CHURCH
April 28, 2019, is Orthodox Easter Day in Russia, a holiday so important people celebrated it even during the atheist
Soviet era. To this day Russians observe many Easter traditions, just the way their ancestors did. Although there are no Easter bunnies or chocolate eggs, celebrations involve unique and beautiful customs—here are some of them.
Easter in Russia is called Paskha (Пасха). The name presumably derives from the Jewish holiday of Pesach, which was dedicated to the release of Jews from Egyptian slavery. Another origin theory says it comes from the Greek phrase “I suffer”. In accordance with Christian tradition, the word signifies transitioning with Christ from death to eternity and from earth to heaven.
It’s a shifting holiday
Russian Easter shifts from year to year because it falls on the first Sunday after the first ecclesiastical full moon. Paskha is usually celebrated later than Catholic Easter, because the Russian Orthodox Church follows the old Julian calendar, unlike the Roman Catholic and Protestant churches, which have been using the Gregorian calendar since the 16th century.
People fast before Easter
Paskha is preceded by 40 days of Great Lent, the most important event in the Orthodox church year. Those who observe it are not supposed to eat meat, dairy and, on some days, even vegetable oils. On the last Friday before Easter (Good Friday), no food or drink should be consumed until the evening.
Easter requires preparation
Russians are supposed to do all their pre-Easter chores during the last week before the holiday, also known as the Holy Week. Houses should be thoroughly cleaned before “Clean Thursday”, which is when Russians dye and decorate eggs.
On Saturdays, everyone cooks traditional Easter food and those who fast are not allowed to taste it while cooking. It is also common to bless the food at church during the night service.
Easter customs
In Russia, the Easter church service starts on Saturday evening and lasts until dawn. This is usually an impressive ceremony with candle lights and liturgical chants attended even by those who don’t attend mass frequently. At midnight, the bells are rung to announce the resurrection of Christ; the priest says “Christ is risen!” and parishioners are supposed to respond with “He is truly risen!”
Traditional food is still popular
On Easter morning most families in Russia, no matter how religious they are, will probably enjoy a traditional breakfast of eggs, kulich (кулич)—a special kind of yeast bread, and paskha—a pyramid-shaped cake made of cottage cheese and raisins. Even though food stores offer ready-made kulichi and paskhas, many people prefer to make them using family recipes that have been passed down from generation to generation.
There’s a special greeting
Russians rarely stay at home on Easter; this holiday is all about family gatherings and festive dinners. So throughout the day people exchange Easter eggs, kiss each other on the cheek three times, and often say “Christ is risen!” to each other, responding with “He is truly risen!”
Easter lasts 40 days
The first week after Easter is considered holy, during this period church services are held with their holy doors open—symbolizing Christ opening the kingdom of heaven to all people. In fact, the 40-day period between Easter and Ascension Day is referred to as paschal (пасчал).
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Team: Ekaterina Gritsenko, Vladimir N. Biryukov
Camera: Apple Iphone X
Date: 20th of April 2019
Email: vladivostokenglishnews@gmail.com
Phone: +7 924 240 5370
Thank you! xxx
ЗВУКИ ВЛАДИВОСТОКА — Официальный Трейлер | SOUND OF VLADIVOSTOK — Official Teaser
Автор идеи, композиция, руководитель: Мариос Иоанну Элиа
Фильм снимал: Костис Николас
Основанный в 1860 году как военный пост, Владивосток стал воротами России в Азию в дальневосточном регионе и по сей день сохраняет очарование прошлых эпох. Город десятки лет оставался закрытым для посетителей и стал доступен жителям Росии и мира только в 1992 году, после.
Золотой мост, ставший достопримечательностью последних лет; напоминающие о советской эпохе крошечные студии музыкантов; Токаревский маяк, расположенный на краю мира, где заканчивается суша и начинается Японское море, — весь Владивосток становится сценой для музыкального спектакля, в котором слышатся голоса города.
Музыкальные и визуальные декорации Владивостока меняются от сезона к сезону, и особенно велик контраст между зимой и весной. Часть материалов для проекта собиралась в суровых погодных условиях, при температурах до −15°C. Записи сделаны в том числе на льду залива Петра Великого, на поверхности замерзшего моря.
В проекте приняли участие множество музыкантов, в том числе восемь дирижеров и 13 различных музыкальных коллективов, симфонический и духовой оркестры, ансамбли традиционных и ударных инструментов, хор, исполнитель на терменвоксе и рэпер. В музыкальные записи органично включены звуки, отражающие характер повседневной жизни города.
Аудио производство / Звуковое оформление: Ник Элиа
Производство: Центр современного искусства «Заря»
Координация производства: Адель Ким, Международный Арт-резиденция «Заря»
Инсталляция: Митико Цуды
Тихоокеанский симфонический оркестр, художественный руководитель и главный дирижёр – заслуженный артист РФ Анатолий Смирнов
Оркестр Тихоокеанского флота России
Aнсамбль русских народных инструментов «Светозар», руководитель Логинов Николай Алексеевич
Камерный оркестр «Лира», руководитель Каулина Ольга Владимировна
Трио электроскрипок «Primavera»
Академический хор Дальневосточного федерального университета, руководитель Петухова Елена Александровна
Архиерейского хора Покровского кафедрального собора во Владивостоке, руководитель Людмила Макаренко
Xор Детской школы искусств №1 «Алые паруса», руководитель Петухова Елена Александровна
Народный хор «Покров», руководитель Власова Светлана Васильевна
Kамерный хор Пушкинского театра ДВФУ, руководитель Галины Потопяк
Ансамбль корейских барабанщиков «Хэ Дон», руководитель Сон Тина Александровна
Церемониальный коллектив «Отряд барабанщиц»
Церковные колокола, Кафедральный собор Покрова Пресвятой Богородицы г. Владивосток
soundofvladivostok.ru
- - - - - - - - - - - -
Concept, Composition, Direction: Marios Joannou Elia
Filmed, Edited: Kostis Nikolas
Sound Design, Audio Production: Nick Elia
Founded in 1860 as a military post, Vladivostok, Russia’s gateway to Asia in the Far East, has a turn-of-the-century charm. After it had been cut off from the rest of Russia and the world for decades, to protect the Pacific Fleet, the ending of the Cold War allowed the city to open in 1992.
Ranging from the modern landmark of the city, the Zolotoy Bridge, to the tiny musician’s apartment reminiscent of Soviet era and the Tokarevsky Lighthouse at the end of the world where the land ends and the Japan Sea begins; the entire city is the scenery and the stage on which the music is performed and the city’s voice is heard.
Seasonal changes affect the acoustic and visual scenery of the city, especially from winter to spring. The project’s recordings were made in severe weather conditions of up to -15º Celsius at the frozen surface of Peter the Great Gulf and hazardous situations across the icy sea and at the prow of a moving naval vessel.
A wide variety of musicians take part, amongst others, a theremin
player, a rapper, eight conductors and 13 music groups encompassing a symphony orchestra, a brass band, Russian traditional instruments, diverse percussion ensembles and choirs. In addition, recorded sounds that represent the distinctive character of the city are harmonically incorporated into the music.
Production: Zarya Center for Contemporary Art
Coordination of Production: Adel Kim, Zarya International AiR
Sound Engineer: Neo Kaplanis
Installation: Michiko Tsuda
Pacific Symphony Orchestra – Anatoliy Smirnov
Orchestra of the Pacific Fleet of Russia
Ensemble of Russian Folk Instruments “Svetozar” – Loginov Nikolay Alekseevich
Chamber orchestra “Lyra” – Kaulina Olga Vladimirovna
Electric Violin Trio “Primavera”
Academic Choir of the Far Eastern Federal University – Petukhova Elena Aleksandrovna
Choir of Cathedral of the Intercession in Vladivostok – Lyudmila Makarenko
Choir of the Children’s School of Arts No. 1 “Scarlet Sails” – Petukhova Elena Alexandrovna
Folk Choir “Pokrov” – Svetlana Vlasova
Chamber Choir of the Pushkin Theater – Galina Potopjak
Ensemble of Korean Drummers “He Don” – Son Tina Alexandrovna
Ceremonial Snare Drum Squad Vladivostok
Church Bell Quartet of Cathedral of the Intercession Vladivostok
soundofvladivostok.ru
【俄羅斯海參崴旅遊】海蔘崴大教堂,Cathedral of the Intercession,圓頂的美麗教堂,海參崴自由行攻略＠瑪姬幸福過日子
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パクロフスキー教会の鐘の演奏～Покровский храм/ Владивосток
2019．8 Vladivostok
Sound of Vladivostok - Reviews | Звуки Владивостока - Отзывы
Characterized by Russian media as the new anthem of Vladivostok and as a ceremonial sound portrait of the city, this critically acclaimed project received international attention by media such as CNN, which described it as an exceptional musical work of great importance. 'Sound of Vladivostok' is a unique audiovisual portrait of Vladivostok created and directed by Marios Joannou Elia. The project was filmed by Kostis Nikolas.
This documentation includes, amongst others, interviews with Vicky Leandros (Singer), Friedrich Liecthenstein (Performer), Asteris Koutoulas (Author/Filmmaker), Alexander Mechetin (CEO, Beluga Group), Klaus Salge (Filmmaker), Anna Aleko (Director, Primorye Regional Philharmonic Society), Andrea Mavroidis (Journalist, Rundfunk Berlin-Brandenburg), Anna Danilevskaya (Journalist, 8 Channel), Andreas Pantzis (Film Director), Anatoliy Smirnov (Artistic Director and Chief Conductor, Pacific Symphony Orchestra), Vassilis Koukalani (Actor), Elias Demetriou (Film Director, ERT Gr) and Ludmila Makarenko (Conductor, Archbishop Choir of the Intercession Cathedral in Vladivostok)
The interviews were filmed in Vladivostok (December 2017) and Berlin (January 2018), after the film's 11 screenings.
—Credits—
Filming: Kostis Nikolas
Editing: Lika Sas
Sound: Northolt Studios
Music: Sound of Vladivostok, Composer: Marios Joannou Elia
--
Основанный в 1860 году как военный пост, Владивосток стал воротами России в Азию в дальневосточном регионе и по сей день сохраняет очарование прошлых эпох. Город десятки лет оставался закрытым для посетителей и стал доступен жителям Росии и мира только в 1992 году.
Золотой мост, ставший достопримечательностью последних лет; напоминающие о советской эпохе крошечные студии музыкантов; Токаревский маяк, расположенный на краю мира, где заканчивается суша и начинается Японское море, — весь Владивосток становится сценой для музыкального спектакля, в котором слышатся голоса города.
Музыкальные и визуальные декорации Владивостока меняются от сезона к сезону, и особенно велик контраст между зимой и весной. Часть материалов для проекта собиралась в суровых погодных условиях, при температурах до −15°C. Записи сделаны в том числе на льду залива Петра Великого, на поверхности замерзшего моря.
В проекте приняли участие множество музыкантов, в том числе восемь дирижеров и 13 различных музыкальных коллективов, симфонический и духовой оркестры, ансамбли традиционных и ударных инструментов, хор, исполнитель на терменвоксе и рэпер. В музыкальные записи органично включены звуки, отражающие характер повседневной жизни города.
--
Founded in 1860 as a military post, Vladivostok, Russia’s gateway to Asia in the Far East, has a turn-of-the-century charm. After it had been cut off from the rest of Russia and the world for decades, to protect the Pacific Fleet, the ending of the Cold War allowed the city to open in 1992.
Ranging from the modern landmark of the city, the Zolotoy Bridge, to the tiny musician’s apartment reminiscent of Soviet era and the Tokarevsky Lighthouse at the end of the world where the land ends and the Japan Sea begins; the entire city is the scenery and the stage on which the music is performed and the city’s voice is heard.
Seasonal changes affect the acoustic and visual scenery of the city, especially from winter to spring. The project’s recordings were made in severe weather conditions of up to -15º Celsius at the frozen surface of Peter the Great Gulf and hazardous situations across the icy sea and at the prow of a moving naval vessel.
A wide variety of musicians take part, amongst others, a theremin player, a rapper, eight conductors and 13 music groups encompassing a symphony orchestra, a brass band, Russian traditional instruments, diverse percussion ensembles and choirs. In addition, recorded sounds that represent the distinctive character of the city are harmonically incorporated into the music.
抵達海參威
???? 更多詳細介紹
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瑪姬FB粉絲團：
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圖文遊記：
RUSSIA: Zapovednaya Rossia
Russians are awesome - we love Russia
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俄羅斯島海邊是一座又一座堡壘，除了堡壘，也有人行山和玩越野車。沿海岸線走了約一小時，途中遇到幾座倒塌了的碉堡，最後走到 Mys Tobizina，是俄羅斯島的最南端一座細小的監測堡。
圖文遊記：
❉ Vladivostok 海參崴之旅 VLOG ❉
Follow：
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Details：
[Camera] ♥ iPhone6
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[Email] ♥ siusiucharlie@gmail.com
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