Chicago's Little Village: A drive down 26th Street
Joe Askins of YoChicago.com continues his drive through Chicago's Little Village neighborhood with a drive down one of the city's most active commercial streets, West 26th Street. The street and surrounding neighborhood is the heart of Chicago's Mexican community and site of a huge annual Mexican Independence Day celebration.
FOREIGNER Waiting For A Girl Like You Live from Foreigner Live In Chicago
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After 15 years of fantastic live shows and touring the whole world various times, Foreigner's powerful performance have been captured in stunning HD quality. For the first time available as a single DVD and single Blu-ray, the video material shows a band which is delighted to perform in front of their most devoted fans in an intimate atmosphere. Recorded at the Arcada Theatre in St. Charles, Illinois, USA, the band played an energetic 85-minute set to a cheering audience, including all their hits. In addition to the full show, the bonus material of the DVD as well as the Blu-ray is an higlight on its own. It shows Foreigner performing a stripped down acoustic radio performance at one of the biggest German radio stations. The bonus material also gives an interesting insight behind the scenes of the Chicago show, featuring an interview with Mick Jones and Kelly Hansen.
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The KKK vs. the Crips vs. Memphis City Council (Full Length)
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In Memphis's Forrest Park, there's a statue of Nathan Bedford Forrest, one of the most infamous and powerful racists in American history. Lately it's been at the center of the city's often shaky race relations. Watch as the KKK, the Memphis City Council, and the local gang members fight for what they each believe is right.
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Man Grabs McDonald’s Worker for Having to Ask for a Straw
A simple drinking straw led to a wild brawl at a Florida McDonald’s in St. Petersburg Monday. When a man in the restaurant was informed that drinking straws were only available to customers who ask for them, he became so upset that he grabbed the 20-year-old McDonald’s worker across the counter. But then, she fought back. What the man had failed to realize was that the employee is a trained boxer. The whole fight was caught on camera.
Marijuana Minors
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Medical marijuana is legal in 20 states and the District of Columbia, but there are still use cases that are very controversial, like medical marijuana for children. Some claim it's a wonder drug for epilepsy, severe autism, and even to quell the harsh side effects of chemotherapy, while others decry pumping marijuana into still-growing bodies. We went to the small town of Pendleton, Oregon, where medical marijuana is legal, to visit Mykayla Comstock, an eight-year-old leukemia patient who takes massive amounts of weed to treat her illness. Her family, and many people we met along the way, believe not only in the palliative aspects of the drug, but also in marijuana's curative effect—that pot can literally shrink tumors.
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10 Hours of Walking in NYC as a Woman
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Suspense: Beyond Good and Evil / Summer Storm / A Shroud for Sara
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Count Dankula & Alex Jones: FULL INTERVIEW
Alex Jones and YouTuber Count Dankula conduct an in-depth interview on 8/26/2019.
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DC SHOES: NYJAH FADE TO BLACK
There's only one way to say it. The Nyjah Fade To Black video part is five minutes of some of the gnarliest skateboarding in history. Fasten your seatbelts...
The Nyjah Huston signature shoe is available now at:
Gênero e sexualidade com Marcia Tiburi, Berenice Bento e Marie-Helène Bourcier
Debate com Berenice Bento, Marie-Helène Bourcier e Marcia Tiburi no I Seminário Queer, em 2015, no Sesc Vila Mariana. Foram dois dias de debates sobre Cultura e Política; Educação, Saúde e Aprendizados; Gênero e Sexualidade e Contra-Hegemonias.
Este eixo de discussão foca em uma das temáticas mais presentes na produção queer: a generificação e sexualização dos sujeitos por meio das tecnologias sociais presentes na esfera da educação, da saúde e outras formas de pedagogia.
A Teoria Queer surge da confluência de vertentes radicais do feminismo e dos estudos gays e lésbicos, e propõe uma crítica à hegemonia heterossexual, interpretada como uma imposição cultural que permeia o discurso e a prática em diversos âmbitos da realidade social, cultural e política.
Essa discussão foi apresentada por pesquisadores brasileiros e internacionais de destaque na discussão da Teoria Queer, com especial destaque para a filósofa Judith Butler, uma das principais referências sobre o tema no mundo.
De interesse para educadores, estudantes, pesquisadores interessados nas temáticas da sexualidade, do gênero e dos saberes insurgentes, as discussões do I Seminário Queer, realizado pelo Sesc em parceria com a Revista Cult, pretendem aguçar o olhar para as formas menos visíveis de normalização corporal e subjetiva vigentes na sociedade contemporânea.
Com Judith Butler, Marie-Helène Bourcier, Richard Miskolci, Carla Rodrigues, Karla Bessa, Leandro Colling, Guacira Lopes Louro, Jorge Leite Junior, Pedro Paulo Gomes Pereira, Berenice Bento, Marcia Tiburi e Larissa Pelúcio.
Berenice Bento
É professora da UFRN (Universidade Federal do Rio Grande do Norte) e pesquisadora do CNPq. Doutorou-se em Sociologia pela UnB com a primeira tese de doutorado sobre transexualidade no Brasil, publicada como A Reinvenção do Corpo (2006). Tem produzido reflexões sobre gênero, sexualidade e direitos humanos. Em 2011, foi agraciada com o Prêmio Nacional Direitos Humanos.
Marcia Tiburi
É professora da Universidade Presbiteriana Mackenzie. Doutora em Filosofia pela UFRGS, suas principais áreas de interesse são filosofia contemporânea, ética, estética, biopolítica e feminismo. Autora de diversos livros de filosofia, dentre eles As Mulheres e a Filosofia (2002) e Mulheres, Filosofia ou Coisas do Gênero(2008).
Marie-Hélène Sam Bourcier [FRA]
É professora da Universidade de Lille. Doutora em Sociologia pela Haute École en Études Sociales, foi professora visitante em diversas universidades do mundo e é autora de vários livros e artigos com impacto na produção queer contemporânea mundial. Entre seus interesses de pesquisa destacam-se as reflexões sobre epistemologias queer. Tem reconhecida atuação política em movimentos queer internacionais.
Marta Colabone (mediadora)
É historiadora com especialização em Comunicação e em Artes. É gerente de estudos e desenvolvimento no Sesc SP.
• 3:10 Início da fala de Berenice Bento
• 27:11 Início da fala de Marie-Helène Bourcier
• 44:00 Início da fala de Marcia Tiburi
DOMÍNIO PÚBLICO / PUBLIC DOMAIN - Full - With Subtitles
Entre 2011 e 2014, o documentário investigou as transformações no Rio de Janeiro por conta dos megaeventos: UPPs nas favelas, remoções forçadas, privatizações de espaços públicos e revoltas populares.
Gostaríamos de agradecer o apoio e a paciência de todas as pessoas que participaram e contribuíram com o projeto.
O documentário está disponível para download e qualquer utilização sem fins lucrativos da obra está previamente autorizada.
Baixem, copiem, e exibam!
La g7azet5ta (2005) [RE-UP M2ulti7Sub]
Suspense: The Cross-Eyed Bear / The Most Dangerous Game / Philomel Cottage
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio.
Suspense: I Won't Take a Minute / The Argyle Album / Double Entry
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Raging Bull
RAGING BULL is director Martin Scorsese's lacerating film biography of middleweight boxing champion Jake LaMotta, who was known during his brief reign as the Bronx Bull. LaMotta (played with extraordinary brilliance by Robert De Niro) had early lessons in life: to steal and to fight. His aggression in the ring was a means of combating deep-seated anxieties and emotional fears. This determination and rage turned him from a young hoodlum into a champion. But his drive for the title, his brutality outside of the ring and his almost-psychotic sexual jealousy will destroy his marriage to Vickie (Cathy Moriarty) and his deepest friendships. After Vickie leaves him a final violent confrontation with his patient, supportive brother and manager, Joey (Joe Pesci)-and the loss of his title.
50 Billion Dollar Man...Dan Peña Speaks at the University of Chester
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Translated titles:
Hombre de 50 mil millones de dólares ... Dan Peña habla en la Universidad de Chester
50-Milliarden-Dollar-Mann ... Dan Peña spricht an der University of Chester
Un homme de 50 milliards de dollars ... Dan Peña s'exprime à l'université de Chester
Homem de 50 bilhões de dólares ... Dan Peña fala na Universidade de Chester
50 बिलियन डॉलर मैन ... डेन पेनाला चेस्टर व
50 miliardi di dollari ... Dan Peña parla all'Università di Chester
500億ドルの男... DanPeña、チェスター大学で講演
50 억 달러의 남자 ... 체스터 대학에서 댄 페냐 (Dan Peña)가 말한다.
Человек за 50 миллиардов долларов ... Дэн Пенья выступае
ชาย 50 พันล้านดอลลาร์ ... Dan Peñaพูดที่ University o
DOMÍNIO PÚBLICO | PUBLIC DOMAIN [2014] [NACIONAL] [SUBTITLED]
DOMÍNIO PÚBLICO é um documentário independente, financiado coletivamente pelo povo brasileiro.
Entre 2011 e 2014, a equipe investigou para onde estão indo todos os bilhões investidos no Brasil, principalmente no Rio de Janeiro, visando a Copa do Mundo e as Olimpíadas, tornando claro que grande parte desse dinheiro sairá dos cofres públicos e servirá para enriquecer um grupo muito restrito de empreiteiros, políticos, bancos e empresários envolvidos. O legado que vai ser deixado para a população é muito pequeno.
Nesse período, a equipe percorreu as comunidades do Vidigal, Vila Autódromo, Providência, toda a Zona Portuária e Maracanã, obtendo diversas imagens, entrevistando muitos moradores, participando de reuniões, debates e conflitos, investigando as transformações no Rio de Janeiro por conta dos megaeventos: UPPs nas favelas, remoções forçadas, privatizações de espaços públicos e revoltas populares.
O documentário está disponível para download e qualquer utilização sem fins lucrativos da obra está previamente autorizada.
Baixem, copiem, e exibam!
Website: paebiru.com/dominiopublico
Facebook: facebook.com/ProjetoDominioPublico
Return to Me
Bob Rueland (David Duchovny) loses his wife (Joely Richardson) in a car accident. A year later, still grieving, he meets Grace Briggs (Minnie Driver), a shy waitress an Irish/Italian restaurant run by her grandfather Marty (Carroll O'Connor). Bob immediately falls for Grace and she's attracted to him as well, but what he doesn't know is that a year ago Grace was the recipient of a heart transplant -- and that Elizabeth was the donor.
AIR Dibrugarh Online Radio Live Stream