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Cycle Londons Landmarks

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Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
Cycle Londons Landmarks
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Der Ring des Nibelungen , WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from the Norse sagas and the Nibelungenlied. The composer termed the cycle a Bühnenfestspiel , structured in three days preceded by a Vorabend . It is often referred to as the Ring Cycle, Wagner's Ring, or simply The Ring. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the Ring cycle are, in sequence: Das Rheingold Die Walküre Siegfried Götterdämmerung Although individual works of the sequence have occasionally been performed separately, Wagner intended them to be performed in series. The first performance as a cycle opened the first Bayreuth Festival in 1876, beginning with Das Rheingold on 13 August and ending with Götterdämmerung on 17 August. Opera stage director Anthony Freud stated that Der Ring des Nibelungen marks the high-water mark of our art form, the most massive challenge any opera company can undertake.
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