Dalat Cooking Class ( Life In Laugh) Dalat Vietnam
At the market
Tourguide from Dalat Cooking Class ( Life In Laugh) Dalat Vietnam
Dalat cooking class
Life in laugh Dalat cooking class in vietnam
Life in laugh cooking class and tour
Dalatcookingclass (Life In Laugh )
Episode 12: Dalat, Vietnam
Mr. Rot’s Secret Tour, Vietnamese Cooking Class with Sun and exploring the beautiful, European-esque town.
Doha Cafe & Paddle Boats in Da Lat, Vietnam (HD)
Before we visited Vietnam we had read about it being not Vietnamese enough. It was places like the Doha cafe and the area around the large lake that are the least Vietnamese and more European. Check it out! Read more about The Travel Bug Bite adventures at thetravelbugbite.com and thetravelbugbite.net.
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Cooking Lesson in DaLat!
During my one week summer vacation, I met up with three of my best friends from back home in Vietnam. The food in Vietnam was incredible and we were keen to learn how to make some of the dishes we had been eating all week, so we signed up for a cooking lesson with a local woman named Son. Other than seeing my friends from back home, it was the highlight of my trip! We made Bun Cha (grilled pork on noodles), Pho (beef noodle soup), pumpkin soup and steamed fish. I highly recommend this experience if you are in DaLat.
For more Shan On Rout blogs visit: shanonroute.com
For more info on Son's cooking class check our her Facebook page:
Cooking class at Ana Villas Dalat Resort & Spa
Ana Villas Dalat Resort & Spa offer private cooking class for guest who love to explore the secret of Vietnamese cuisine. The class is held at resort green garden and instructed by our talent chefs
Credit:
Henriette Skov Andersen - Videojournalist
takeawaytv.dk
FOR BOOKINGS
Tel: (+84) 34 525 9977
Email: reservation@anavillasdalat.com
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Beautiful girl sell chicken
Beautiful girl sell chicken
Boat Cycling in Dalat
Enjoying a nice day on the lake
HẸN ĂN TRƯA #83 UNCUT| Chàng Quảng Ninh U30 bị VỢ CŨ không cho gặp con được bạn gái mở lòng đón nhận
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2013-07-25 (P1of3) Leading All to Be Vegan Will Bring Immense Merits
Multi-language subtitles can be accessed via the Youtube settings button (cogwheel icon ☼) on the bottom right corner of the video box.
This discussion, titled “Leading All to Be Vegan Will Bring Immense Merits - Part 1 of 3” (DVD#1029-1), took place on July 25, 2013.
More videos are coming soon. Feel free to share them and spread the peace and love!
May your life be graced with serenity and laughter every day.
Supreme Master TV
The Great Gildersleeve: Fishing Trip / The Golf Tournament / Planting a Tree
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Dragnet: Homicide / The Werewolf / Homicide
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.