ม่อนคลุย ดอยทูเล 2019
ล่าทางช้างเผือกม่อนคลุย ลุยธารน้ำตกดอยทูเล
ม่อนทูเล ถึง ม่อนคลุย อ.ท่าสองยาง จ.ตาก
จากคำบอกเล่า มีการจัดอันดับไว้ว่านี่คือทริปที่โหดอันดับต้นๆของเมืองไทย
การเดินขึ้นเขาลงเขาตลอดเวลา 2 วันเต็มๆ สำหรับพวกเรามันก็หนักเอาการ แต่สำหรับคนพื้นที่มันเป็นเรื่องธรรมดามากๆ แต่สำหรับประสบการณ์ที่ได้มันก็คุ้มค่ามากเลยทีเดียว แค่บันทึกวีดีโอ(กากๆ)กับภาพถ่ายไม่สามารถถ่ายทอดความสวยงามของธรรมชาติออกมาได้ ใครมีโอกาสก็ลองไปเที่ยวกันดูนะครับ
ปล.เพิ่งเคยถ่ายวีดีโอ อันนี้ไฟล์จาก Mirrorless Sony Nex5 ถ่ายออกมาได้ห่วยแตกมาก มือสั่น เหนื่อยหอบแฮ่กๆแต่อยากเก็บไว้เป็นความทรงจำ
Monster School : Robbery Villager - Minecraft Animation
In this lesson monster school monsters will Robbery a bank of Villager in minecraft
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Monster School : Robbery Villager - Minecraft Animation
Monster School : HELLO CATS challenge - Minecraft Animation
Music by Kevin MacLeod is licensed under a Creative Commons Attribution license (
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#minecraft #animation #monsterschool #monster_school_minecraft #minecraft_monster_school
Fatih Erkoç - Emre Yücelen İle Stüdyo Sohbetleri #7
DAKİKALARA GÖRE SORULAR :
- 0:10 Giriş
- 1:30 Efsane 'Kör Kuyular' Şarkınızın Televizyon Kaydı Nasıl Olmuştu ?
- 3:00 Fatih Erkoç Standardına Göre Müzisyen Olmak Nedir ?
- 7:09 İyi Bir Ses Sanatçısının Enstruman Çalması Ne Kadar Önemlidir ?
- 10:00 Caz Müzik Öğrenmek Neden Önemlidir ?
- 12:03 Sesinizi Nasıl Keşfettiniz ?
- 15:00 Ses Genişliğiniz Tam Olarak Nedir ?
- 17:35 Türlere Göre Şarkı Söyleme ve Enstruman Çalma Üzerine Sohbet
- 21:40 Müziğin İlaç Olması Üzerine Sohbet
- 21:25 Sigara , Alkol vs. Sesi Nasıl Etkiler ?
- 24:47 İyi Beste Yapma Formülünüz Nedir ?
- 30:00 Sesinize Nasıl Bakıyorsunuz ?
- 31:09 Çocuklarla İlgili Bir Albüm Yaptınız , Nereden Aklınıza Geldi ?
- 33:20 Bebek ve Çocuklarda Müzik Eğitimi Ne Zaman Başlamalı ve Müzik Eğitimi Nasıl Olmalı ?
- 37:00 Türkiye'deki Eğitim Sistemi İle Dünyadaki Eğitim Sistemini Kıyaslayabilir misiniz ?
- 40:20 90'ların Müziği İle Bugün Yapılan Müziği ve Şarkıcıları Kıyasladığınızda Nasıl Buluyorsunuz ?
- 45:30 Eurovision'a Gitmek İçinizde Uhde Kaldı Mı ?
- 48:00 Ses Eğitimi Aldınız Mı ?
- 48:44 'Vefasız' Şarkınızın Hikayesi Nedir ?
- 52:52 'Ellerim Bomboş' Şarkınızın Hikayesi Nedir ?
- 54:40 Kalıcı Müzisyen , Kalıcı Şarkıcı Nasıl Olunur ?
- 57:40 Hediye Sunumu ve Veda
Emre Yücelen Şan Dersi 2018
Emre Yücelen Vocal Coach Istanbul
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The Vietnam War: Reasons for Failure - Why the U.S. Lost
In the post-war era, Americans struggled to absorb the lessons of the military intervention. About the book:
As General Maxwell Taylor, one of the principal architects of the war, noted, First, we didn't know ourselves. We thought that we were going into another Korean War, but this was a different country. Secondly, we didn't know our South Vietnamese allies... And we knew less about North Vietnam. Who was Ho Chi Minh? Nobody really knew. So, until we know the enemy and know our allies and know ourselves, we'd better keep out of this kind of dirty business. It's very dangerous.
Some have suggested that the responsibility for the ultimate failure of this policy [America's withdrawal from Vietnam] lies not with the men who fought, but with those in Congress... Alternatively, the official history of the United States Army noted that tactics have often seemed to exist apart from larger issues, strategies, and objectives. Yet in Vietnam the Army experienced tactical success and strategic failure... The...Vietnam War...legacy may be the lesson that unique historical, political, cultural, and social factors always impinge on the military...Success rests not only on military progress but on correctly analyzing the nature of the particular conflict, understanding the enemy's strategy, and assessing the strengths and weaknesses of allies. A new humility and a new sophistication may form the best parts of a complex heritage left to the Army by the long, bitter war in Vietnam.
U.S. Secretary of State Henry Kissinger wrote in a secret memo to President Gerald Ford that in terms of military tactics, we cannot help draw the conclusion that our armed forces are not suited to this kind of war. Even the Special Forces who had been designed for it could not prevail. Even Secretary of Defense Robert McNamara concluded that the achievement of a military victory by U.S. forces in Vietnam was indeed a dangerous illusion.
Doubts surfaced as to the effectiveness of large-scale, sustained bombing. As Army Chief of Staff Harold Keith Johnson noted, if anything came out of Vietnam, it was that air power couldn't do the job. Even General William Westmoreland admitted that the bombing had been ineffective. As he remarked, I still doubt that the North Vietnamese would have relented.
The inability to bomb Hanoi to the bargaining table also illustrated another U.S. miscalculation. The North's leadership was composed of hardened communists who had been fighting for independence for thirty years. They had defeated the French, and their tenacity as both nationalists and communists was formidable. Ho Chi Minh is quoted as saying, You can kill ten of my men for every one I kill of yours...But even at these odds you will lose and I will win.
The Vietnam War called into question the U.S. Army doctrine. Marine Corps General Victor H. Krulak heavily criticised Westmoreland's attrition strategy, calling it wasteful of American lives... with small likelihood of a successful outcome. In addition, doubts surfaced about the ability of the military to train foreign forces.
Between 1965 and 1975, the United States spent $111 billion on the war ($686 billion in FY2008 dollars). This resulted in a large federal budget deficit.
More than 3 million Americans served in the Vietnam War, some 1.5 million of whom actually saw combat in Vietnam. James E. Westheider wrote that At the height of American involvement in 1968, for example, there were 543,000 American military personnel in Vietnam, but only 80,000 were considered combat troops. Conscription in the United States had been controlled by the President since World War II, but ended in 1973.
By war's end, 58,220 American soldiers had been killed, more than 150,000 had been wounded, and at least 21,000 had been permanently disabled. According to Dale Kueter, Sixty-one percent of those killed were age 21 or younger. Of those killed in combat, 86.3 percent were white, 12.5 percent were black and the remainder from other races. The youngest American KIA in the war was PFC Dan Bullock, who had falsified his birth certificate and enlisted in the US Marines at age 14 and who was killed in combat at age 15. Approximately 830,000 Vietnam veterans suffered symptoms of posttraumatic stress disorder. An estimated 125,000 Americans fled to Canada to avoid the Vietnam draft, and approximately 50,000 American servicemen deserted. In 1977, United States President Jimmy Carter granted a full, complete and unconditional pardon to all Vietnam-era draft dodgers. The Vietnam War POW/MIA issue, concerning the fate of U.S. service personnel listed as missing in action, persisted for many years after the war's conclusion.
The CIA, Drug Trafficking and American Politics: The Political Economy of War
The CIA supported various Afghan rebel commanders, such as Mujahideen leader Gulbuddin Hekmatyar, who were fighting against the government of Afghanistan and the forces of the Soviet Union which were its supporters. More on this topic:
Historian Alfred W. McCoy stated that:
In most cases, the CIA's role involved various forms of complicity, tolerance or studied ignorance about the trade, not any direct culpability in the actual trafficking ... [t]he CIA did not handle heroin, but it did provide its drug lord allies with transport, arms, and political protection. In sum, the CIA's role in the Southeast Asian heroin trade involved indirect complicity rather than direct culpability.
In order to provide covert funds for the Kuomintang (KMT) forces loyal to General Chiang Kai-shek, who were fighting the Chinese communists under Mao Zedong, the CIA helped the KMT smuggle opium from China and Burma to Bangkok, Thailand, by providing airplanes owned by one of their front businesses, Air America.
Released on April 13, 1989, the Kerry Committee report concluded that members of the U.S. State Department who provided support for the Contras were involved in drug trafficking... and elements of the Contras themselves knowingly received financial and material assistance from drug traffickers.
In 1996 Gary Webb wrote a series of articles published in the San Jose Mercury News, which investigated Nicaraguans linked to the CIA-backed Contras who had smuggled cocaine into the U.S. which was then distributed as crack cocaine into Los Angeles and funneled profits to the Contras. The CIA was aware of the cocaine transactions and the large shipments of drugs into the U.S. by the Contra personnel and directly aided drug dealers to raise money for the Contras. Although he heavily implied CIA involvement, Webb never claimed to have made a direct link between the CIA and the Contras. Moreover, Webb's articles were heavily attacked by many media outlets who questions the validity of his claims, although the unusual response led some to question if the CIA was involved.[citation needed] Webb turned the articles into a book called, Dark Alliance: The CIA, the Contras, and the Crack Cocaine Explosion. On December 10, 2004, Webb committed suicide, dying of two gunshot wounds to the head.
In 1996, CIA Director John M. Deutch went to Los Angeles to attempt to refute the allegations raised by the Webb articles, and was famously confronted by former Los Angeles Police Department officer Michael Ruppert, who testified that he had witnessed it occurring.
The CIA has been accused of moneylaundering the iran-contra drug funds via the BCCI, the former U.S. Commissioner of Customs William von Raab said that when customs agents raided the bank in 1988, they found numerous CIA accounts. The CIA also worked with BCCI in arming and financing the Afghan mujahideen during the Afghan War against the Soviet Union, using BCCI to launder proceeds from trafficking heroin grown in the Pakistan-Afghanistan borderlands, boosting the flow of narcotics to European and U.S. markets.
ม่อนปุยหมอก อุทยานแห่งชาติแม่เมย จังหวัดตาก
ม่อนปุยหมอก อุทยานแห่งชาติแม่เมย จังหวัดตาก
จริงๆแล้วบนยอดเขามันไม่ได้สำคัญเลย ถ้าระหว่าง คุณไม่ได้เก็บความรู้สึกระหว่างทางเอาไว้
จริงๆแล้วบนยอดเขามันไม่ได้เป็นเป้าหมายสุดท้ายเลย ถ้ากลับลงมาแล้วลืมสิ่งที่เคยเจอตอนเดินระหว่างทาง
แต่จริงๆแล้ว แค่กล้าลองออกไปเดินทางดู จะรู้ว่าชีวิตมันสั้นนะที่จะรอให้มีเวลาแล้วค่อยไปเดินทาง วันนั้นอาจจะแก่เกินจะทำอะไรแบบนี้ได้แล้ว
เหมือนจะเหงานะ เพราะจริงๆแล้ว วันนั้นมีนักเดินทางขึ้นไปบนดอกทั้งหมด 2คน เท่านั้น!!!! แต่มันสงบจริงๆ อยากให้คนที่ชอบอะไรแบบนี้ไปจริงๆ
Calling All Cars: A Child Shall Lead Them / Weather Clear Track Fast / Day Stakeout
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: The Broken Motel / Death in the Moonlight / The Peroxide Blond
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: The Wicked Flea / The Squealing Rat / 26th Wife / The Teardrop Charm
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Suspense: Lonely Road / Out of Control / Post Mortem
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Ex Illuminati Druid on the Occult Power of Music w William Schnoebelen & David Carrico NYSTV
William Schnoebelen was an Illuminati Initiate, Druid,, Witch, 32nd degree Freemason and now spreads the truth.
Alongside David Carrico, the worlds foremost expert on Freemasonry (by a non Masonic initiate).
Hosted by Jon Pounders of NYSTV also a truly knowledgeable guy on all topics related to the Illuminati..
OK, so I grew up listening to music like all of us did. We think it's just harmless entertainment. Music throughout the years wan't for the masses, though. It was a highly prized, esoteric secret only for the priest kings in their ceremonies.
Sometimes, especially when we're younger, we can listen to a song and it can change our whole life and life perception. Why? Is it that inspirational? Or are there components of mind control interlaced into the music to make you feel and react a certain way?
The short answer is yes.
Tune in to this awesome Podcast by Now You See TV (check them out if you haven't already). Pretty much the most cutting edge info out there.
Also Check out FOJC Radio for more with David Carrico - Truly this man is an encyclopedia of knowledge from Ancient History to yesterday's news..
And Bill Schnoebelen at With One Accord Ministries who provides insights into the Illuminati completely unavailable anywhere else.
If subtitles are not up now they will soon be. =)
Subscribe here:
freetruthproductions.com
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Our Miss Brooks: Business Course / Going Skiing / Overseas Job
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
NYSTV - The Secret Nation of Baal and Magic on the Midnight Ride - Multi - Language
This is the Midnight Ride with David Carrico on NYSTV with Jon Pounders talking about the true occult origins of the US.
See whoever controls the narrative has spin control over the status quo. They decide what's moral or immoral. What's sane and insane. What's possible and not possible. And they especially decide the heros and the villians.
You won't find this information on TV or in your history books. Very informative as always. Check out NYSTV, relevant talk. Not distractions like the rest of the media.
I'm still trying to get these out as fast as possible, and there are a few errors on the subtitles towards the end in some languages. Sorry about that and I'll try to fix them as soon as I can.
Afrikaans
አማርኛ
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Azərbaycanca / آذربايجان
Boarisch
Беларуская
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ᏣᎳᎩ (supposed to be Burmese but it doesn't show...)
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словѣньскъ / slověnĭskŭ
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Yorùbá
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tokipona
NOOBS PLAY CLASH ROYALE FROM START LIVE
NOOBS PLAY CLASH ROYALE FROM START LIVE
Finally noobs play Clash Royal from scratch, yes this was a multi subscriber request! Sorry for the sideways action if viewing from a computer (we have no idea why) but it is a vertical game.
We hope you have enjoyed this video but still love to hear constructive criticism on how we can improve so please feel free to leave a comment on what we can do better.
Your support is greatly appreciated by commenting, liking subscribing, sharing and hitting the notification bell so you can get more fun and entertainment from future videos. Enjoy and thanks again for visiting our channel and video. Peace and love from PooDot and StinkPants your friendly Youtube channel!!
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Words at War: White Brigade / George Washington Carver / The New Sun
George Washington Carver (January 1864 -- January 5, 1943), was an American scientist, botanist, educator, and inventor. The exact day and year of his birth are unknown; he is believed to have been born into slavery in Missouri in January 1864.
Carver's reputation is based on his research into and promotion of alternative crops to cotton, such as peanuts, soybeans and sweet potatoes, which also aided nutrition for farm families. He wanted poor farmers to grow alternative crops both as a source of their own food and as a source of other products to improve their quality of life. The most popular of his 44 practical bulletins for farmers contained 105 food recipes using peanuts.[3] He also developed and promoted about 100 products made from peanuts that were useful for the house and farm, including cosmetics, dyes, paints, plastics, gasoline, and nitroglycerin. He received numerous honors for his work, including the Spingarn Medal of the NAACP.
During the Reconstruction-era South, monoculture of cotton depleted the soil in many areas. In the early 20th century, the boll weevil destroyed much of the cotton crop, and planters and farm workers suffered. Carver's work on peanuts was intended to provide an alternative crop.
He was recognized for his many achievements and talents. In 1941, Time magazine dubbed Carver a Black Leonardo.[4]
George Washington Carver reputedly discovered three hundred uses for peanuts and hundreds more for soybeans, pecans and sweet potatoes. Among the listed items that he suggested to southern farmers to help them economically were adhesives, axle grease, bleach, buttermilk, chili sauce, fuel briquettes (a biofuel), ink, instant coffee, linoleum, mayonnaise, meat tenderizer, metal polish, paper, plastic, pavement, shaving cream, shoe polish, synthetic rubber, talcum powder and wood stain. Three patents (one for cosmetics; patent number 1,522,176, and two for paints and stains; patent numbers 1,541,478 and 1,632,365) were issued to George Washington Carver in the years 1925 to 1927; however, they were not commercially successful.[40] Aside from these patents and some recipes for food, Carver left no records of formulae or procedures for making his products.[41] He did not keep a laboratory notebook.
Carver's research was intended to provide replacements for commercial products, which were generally beyond the budget of the small one-horse farmer. A misconception grew that his research on products for subsistence farmers were developed by others commercially to change Southern agriculture.[42][43] Carver's work to provide them with resources for more independence from the cash economy foreshadowed the appropriate technology work of E.F. Schumacher.
Calling All Cars: Cop Killer / Murder Throat Cut / Drive 'Em Off the Dock
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: Old Grad Returns / Injured Knee / In the Still of the Night / The Wired Wrists
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Point Sublime: Refused Blood Transfusion / Thief Has Change of Heart / New Year's Eve Show
Clifford Charles Cliff Arquette (December 27, 1905 -- September 23, 1974) was an American actor and comedian, famous for his TV role as Charley Weaver.
Arquette was born in Toledo, Ohio, the son of Winifred (née Clark) and Charles Augustus Arquette, a vaudevillian. He was the patriarch of the Arquette show business family, which became famous because of him. Arquette was the father of the late actor Lewis Arquette and the grandfather of actors Patricia, Rosanna, Alexis (originally Robert), Richmond, and David Arquette. He was a night club pianist, later joining the Henry Halstead orchestra in 1923.
Arquette had been a busy, yet not nationally known, performer in radio, theatre, and motion pictures until 1956, when he retired from show business. At one time, he was credited with performing in 13 different daily radio shows at different stations in the Chicago market, getting from one studio to the other by way of motorboats along the Chicago River through its downtown. One such radio series he performed on was The Adventures of Wild Bill Hickok Arquette and Dave Willock had their own radio show, Dave and Charley, in the early 1950s as well as a television show by the same name that was on the air for three months. Arquette performed on the shows as Charley Weaver.
The story that Arquette later told about his big break was that one night in the late 1950s he was watching The Tonight Show. Host Jack Paar happened to ask the rhetorical question, Whatever became of Cliff Arquette? That startled Arquette so much that, I almost dropped my Scotch!
In 1959, Arquette accepted Paar's invitation to perform on Paar's NBC Tonight Show. Arquette depicted the character of Charley Weaver, the wild old man from Mount Idy. He would bring along, and read, a letter from his Mamma back home. This characterization proved so popular that Arquette almost never again appeared in public as himself, but nearly always as Charley Weaver, complete with his squashed hat, little round glasses, rumpled shirt, broad tie, baggy pants, and suspenders.
Although a good number of Arquette's jokes appear 'dated' now (and, arguably, even back then), he could still often convulse Paar and the audience into helpless laughter by way of his timing and use of double entendres in describing the misadventures of his fictional family and townspeople. As Paar noted, in his foreword to Arquette's first Charley Weaver book:
Sometimes his jokes are old, and I live in the constant fear that the audience will beat him to the punch line, but they never have. And I suspect that if they ever do, he will rewrite the ending on the spot. I would not like to say that all his jokes are old, although some have been found carved in stone. What I want to say is that in a free-for-all ad lib session, Charley Weaver has and will beat the fastest gun alive.
Arquette, as Charley Weaver, hosted Charley Weaver's Hobby Lobby on ABC from September 30, 1959 to March 23, 1960.
Arquette also appeared as Charley Weaver on the short-lived The Roy Rogers and Dale Evans Show on ABC from September 29 to December 29, 1962.
Arquette was also a frequent guest on NBC's The Ford Show, Starring Tennessee Ernie Ford, the short-lived The Dennis Day Show in the 1953-1954 season, and on The Jack Paar Show after Paar left The Tonight Show.
Managing the Beatles: Brian Epstein Interview
Sgt. Pepper outtakes:
White Album outtakes:
All These Years - Extended Special Edition:
Beatles box sets:
Beatles on vinyl:
Beatles books:
Beatles collectibles:
Beatles documentaries:
Beatles housewares:
U.S. Albums:
Stereo Albums:
Mono Albums:
Brian Samuel Epstein (19 September 1934 -- 27 August 1967) was an English music entrepreneur, best known for being the manager of the Beatles until his death in 1967. He had also served as manager for Cilla Black, Gerry & the Pacemakers, Billy J. Kramer and the Dakotas, the Remo Four, and the Cyrkle. After attending boarding schools, being in the army, and training to be an actor at RADA, he returned to Liverpool to join the Epstein family business, which later led to him naming his own company NEMS Enterprises; an acronym for North End Music Stores, which his family owned.
In 1962, Epstein paid for the Beatles to record a demonstration tape at Decca's London studios, but Decca declined to sign the group to a contract. After then approaching nearly all of the major recording companies in London and being rejected, Epstein met a record producer, George Martin, who offered a contract on behalf of EMI's small Parlophone label. When Beatlemania swept the UK in 1963, Epstein allowed a significant business opportunity to pass when he was besieged by offers from merchandisers, as he had already given away 90% of the merchandising rights to Stramsact in the UK, and Seltaeb (Beatles spelt backwards), in the US.
Epstein developed a drug dependence, but publicly supported the campaign for legalizing cannabis, whilst unsuccessfully attempting rehabilitation in the same year. His love of gambling also took a heavy financial toll. Epstein's homosexuality was a secret that had to be avoided throughout his public life, as it was not decriminalized in England and Wales until the year of his death of an accidental drug overdose at his home in London.
The Beatles' early success has been attributed to his management and sense of style. Paul McCartney said of him: If anyone was the Fifth Beatle, it was Brian.