VENEZIA 76 - Effetto Domino
Intervista ad Alessandro Rossetto e Lucia Mascino, regista e interprete di Effetto Domino presentato nella sezione Sconfini. Il film, tratto dell'omonimo romanzo di Romolo Bugaro, racconta lo spietato mondo della finanza.
FIERA VENEZIA SPOSI 2010
Visitate il sito
Un nuovo evento firmato MultimediaTre: Venezia Sposi, fiera sul mondo delle nozze svoltasi al Laguna Palace di Mestre/venezia.
Buona visione
Banksy Crashes Venice Biennale With an Installation That Criticizes The City's Cruise Ship Problem
A new video appeared on Banksy's Instagram account showing the famous street artist (or perhaps someone from his team) setting up an unlicensed stall in Venice. The installation is interpreted as a critique of the giant cruise ships that are allowed to sail the Venetian lagoon and it seems to have resonated with locals.
The artist accompanied his post with the caption: Setting out my stall at the Venice Biennale. Despite being the largest and most prestigious art event in the world, for some reason I’ve never been invited.
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Solo MBM BILIARDI garantisce arte e tecnologia. Made in Italy.
La fabbrica MBM biliardi rimane la più quotata azienda in alta tecnologia di settore al mondo, dotata di macchinari a controllo numerico di altissima precisione. Le moderne attrezzature dei vari reparti, gli accurati controlli delle materie prime, gli scrupolosi collaudi dei prodotti finiti conferiscono ai nostri biliardi livelli elevatissimi di qualità ed affidabilità. Non è un caso che sono passati per la MBM Biliardi i maggiori campioni di questo gioco a livello mondiale nelle varie specialità, apprezzandone e premiandone la positività, la qualità e limpegno che lazienda ha da sempre mostrato. Per questo il nostro slogan è e rimane: Il biliardo non si compra a caso, solo MBM Biliardi garantisce arte e tecnologia. Naturalmente Made in Italy.
Uno dei video di Palazzo Grassi Teens, Venezia 2015
Uno dei video di Palazzo Grassi Teens
Mestre Carnival Street Show - Domenica 4 febbraio 2018
Incontriamo il Circo per le vie della Città - Spettacoli di Domenica 4 febbraio.
Il 3 e 4 febbraio e dall’8 al 13 febbraio 2018 il CARNEVALE DI VENEZIA celebrerà, a Mestre, l’arte e lo spettacolo per le vie della città, animando piazze, strade e portici con spettacoli di Musica e Arte di Strada.
Mestre diventa una grande pista da circo, dove scatenati musicisti, acrobati spericolati e stravaganti artisti danno vita ad un’animazione colorata, divertente e soprattutto originale, in Piazza Ferretto e per le altre vie della città.
I punti-spettacolo sono contrassegnati da installazioni scenografiche e bizzarri animali, per un ricco programma di Concerti, Spettacoli e Arte diffusa per le vie della Città.
Barstool Pizza Review - Nunzio's (Staten Island)
Nunzio's in Staten Island has been around since 1947, does that translate to the score?
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Venice Art Tiles - Promotional Video
Promotional Video for Venice Art Tiles and company founder, Michael Palaniuk.
Directed and edited by Carter Mays
Crazy artist destroys piece of art during a conference at the Venice Biennale 2015 - Official Video
Marco Chiurato's performance at the Biennale arte 2015.
QUIJOTE di Mimmo Paladino - CLIP4 - DISTRIBUZIONE INDIPENDENTE
Regia
Mimmo Paladino
Cast
Peppe Servillo, Lucio Dalla, Ginestra Paladino, Remo Girone, Alessandro Bergonzoni, Edoardo Sanguineti, Enzo Moscato, Roberto De Francesco
Paese
Italy
Anno
2006
Durata
75 min
Produzione
Ananas
Distribuzione
Distribuzione Indipendente
Genere
Docufiction, Storico
Fotografia: Cesare Accetta
Musiche originali: Lucio Dalla
Montaggio: Massimiliano Pacifico
Scenografie: Paolo Petti
Costumi: Ortensia De Francesco
Festival
2006 63° Mostra Internazioanle del Cinema di Venezia
2006 Venezia a Mosca
2006 Venezia a Rio De Janeiro
2006 Cinema Italian Style Los Angeles
2006 New York 41° Parallelo
2006 Sevilla Festival de Cine Europeo
2007 22° Festival Internacional del Mar del Plata
2007 Lisbon Village Festival
2009 Cairo International Film Festival
Sinossi
L'Hidalgo della Mancha rinasce a nuova vita ripercorrendo episodi canonici ed apocrifi. Gli orizzonti visivi e sonori si intrecciano fino a confondersi in incroci spazio temporali dove cavalieri erranti del passato e del presente incontrano poeti, maghi, fanciulle, imperatori.
Note
I brani Nest of machines (swarm mix) e Nest of machines (chamber mix) sono di Edison Woods edisonwoods.net
Sito web
Biografia del regista
Mimmo Paladino è nato nel 1948 a Paduli, presso Benevento. Pittore, scultore, creatore di scenografie. Le sue opere arricchiscono le principali collezioni pubbliche e private del mondo, fra cui il Museum of Modern Art e il Guggenheim Museum a New York e la Tate Gallery a Londra. Quijote è il suo primo film.
Dichiarazioni
Ho sempre pensato che un film non si sostituisca alla pittura, non vi si sovrapponga, è semplicemente un'altra cosa. Nello stesso tempo però se guardi nell'obiettivo, nel rettangolo della macchina da presa puoi immaginare che quello sia lo spazio della tela. Ma non solo questo. Quello che conta non è solo il momento delle riprese o della regia. Non è l'unico momento creativo. Molto avviene durante il montaggio, o la composizione delle musiche... È una forma che prende vita lentamente. Per molti versi, il cinema è paragonabile alla scultura. Quando modelli una forma in creta o in gesso hai appena cominciato. Dopo c'è la fusione, la limatura, la patina... Non solo. I tempi di attesa, i tempi tecnici, tra un film e una scultura sono simili. E nel momento in cui ti fermi accade che poi rivedi il lavoro con occhi nuovi. E magari ricominci. Creare un film è qualcosa di analogo alla scultura ma è come plasmare la luce. Questo è quello che mi ha affascinato. Lavorare con la luce che si materializza, che diventa immagine, movimento, parola, suono. Probabilmente è stato proprio il confronto con la figura di Cervantes, e con i tratti sincronicamente confusi che l'hidalgo riunisce in se - utopia, sogno, fantasia, sentimento, nobiltà, fierezza, coraggio - a mostrarmelo come possibile soggetto del mio primo film. Così nasce il Quijote costruito con un sistema simile a quello delle scatole cinesi, una struttura capace di restituire all'infinito innumerevoli suggestioni. La magica scena del gran teatro dell'hidalgo dalla nera figura è l'antica e remota terra del Sannio, un luogo ricomposto nelle luci e nella fotografia di Cesare Accetta, geometricamente pura ed esatta. (Mimmo Paladino)
Pisa Italy - Tower of Pisa
Pisa is a city in the Tuscany region of Central Italy
The tower of Pisa is a jewel of Romanesque Italian architecture, forming a circular plant of 16 m in diameter that rises 55 m on this one presenting a maximum inclination of about 4 m on the vertical. Its structural peculiarity is composed of six floors of carved marble arches that present excellent reliefs, especially in the cover, decorated by sculptures of grotesque animals. The interior staircase has 294 steps leading to the belfry. In the past it was believed that the slope of the tower was part of the project, but now we know not. The tower was designed to be vertical and begins to tilt during its construction. Great efforts were made to stop the incline, using special construction devices; Back columns and other damaged parts were replaced on more than one occasion; Today, interventions are being made within the subsoil to significantly reduce slope and make sure that the tower will have a long life. Bell tower, or campanile, of the Romanesque cathedral of Pisa (Italy). Together with the church or duomo, the baptistery and the cemetery form the cathedral complex of this Tuscan city. The work began in 1064, but its construction lasted until the end of the 12th century,
La torre de Pisa joya de la arquitectura románica italiana, la forma una planta circular de 16 m de diámetro que se eleva 55 m sobre esta presentando una inclinación máxima de unos 4 m sobre la vertical. Su peculiaridad estructural esta compuesta por seis pisos de arquerías de mármol tallado que presentan unos relieves excelentes, en especial en la portada, decorada por esculturas de animales grotescos. La escalera interior cuenta con 294 escalones que conducen al campanario. En el pasado se creía que la inclinación de la torre era parte del proyecto, pero ahora sabemos que no. La torre fue diseñada para ser vertical y comienza a inclinarse durante su construcción. Fueron realizados grandes esfuerzos para detener la inclinación, utilizando dispositivos especiales de construcción; columnas posteriores y otras piezas dañadas fueron substituidas en más de una ocasión; hoy, las intervenciones se están realizando dentro del subsuelo para reducir perceptiblemente la inclinación y cerciorarse de que la torre tendrá una larga vida. Torre del campanario, o campanile, de la catedral románica de Pisa (Italia). Junto con la iglesia o duomo, el baptisterio y el camposanto forman el conjunto catedralicio de esta ciudad toscana. La obra se comenzó en 1064, pero su construcción se prolongó hasta finales del siglo XII,
Venezia 2017: Alessandro Borghi posa al photocall
Il padrino della manifestazione Alessandro Borghi posa davanti a fotografi e curiosi.
Monuments to the Doge Giovanni Pesaro and sculptor Canova in The Frari, Venice
This video clip shows two remarkable monuments located next to one another in the Basilica di Santa Maria Gloriosa dei Frari in Venice, Italy. The 1669 Baroque monument designed by by Baldassare Longhena in honor of the Doge Giovanni Pesaro focuses on two pairs of marble blackamoor caryatids that sustain the whole monument, with each pair flanking a black bronze skeleton. The exuberance and theatricality of the Longhena monument contrast with the refined classicism of the pyramidal funerary monument to the sculptor Antonio Canova (1757-1822). Using a design of Canova intended as an unrealized tomb for the painter Titian, it was completed posthumously by Canova's pupils in 1827. Both monuments abound with allegorical figures and themes. Filmed by S. Fredericq in June 2010 with an iphone 3GS.
Monteverdi in Venice: the four operas, 2–7 November 2015
All three operas – and a new reconstruction of a fourth. Operas include L’Orfeo, Il ritorno d’Ulisse in patria and L’incoronazione di Poppea. The festival features the world première of the reconstruction of L’Arianna by Claudio Cavina, a renowned Monteverdi specialist and director of the prize-winning ensemble La Venexiana. This is a unique and probably unprecedented opportunity to hear all the surviving operas by Monteverdi in the utterly enchanting and entirely authentic context of the art, architecture and atmosphere of Venice. There is a special frisson arising from hearing music in appropriate historic buildings and in the place for which it was written. There are talks on the music from Dr David Vickers and Professor John Bryan. The performances are private, being exclusive to the approximately 230 participants who take a package which includes accommodation (from a choice of six hotels), flights from/to London (you can opt out of these), airport transfers by water taxi, free vaporetto journeys, daily lectures, three dinners, interval drinks and much else besides.
Biennale Architettura 2014 - Conversazioni / Talks (Preserving architecture)
Elements of Architecture - 5000 years of architecture... and now what? Preserving architecture?
con / with Rem Koolhaas, Ton Büchner, Francesco Bandarin
moderatore Reinier de Graaf
Giardini, Spazio Esedra (6 giugno 2014)
Italia Mia
Provided to YouTube by The Orchard Enterprises
Italia Mia · Mantovani And His Orchestra · Annunzio Paolo Mantovani
The Golden Age of Light Music: Stereo into the Sixties
℗ 2012 Guild Light Music
Released on: 2012-03-15
Music Publisher: Mantovani-Music Inc
Auto-generated by YouTube.
Kitsch Palace : Underwater Stars
Underwater Stars
Venice Biennale D'Arte 2007
Kitsch Palace Performance
Launching The Ship of Tolerance
Shot by Paddy Scoffin
Cut by Natalia Andreadis
seedsoftolerance.org
Documentary trailer and music video.
Written, Directed & Produced by Giada D.
Shot by Paddy Scoffin and Alex Atwater.
Edited by Natalia Andreadis.
Costumes by Zandra Rhodes and Vanessa Galvin.
Vocals by Helen Lawson and GiGi Von G.
Music produced by The Lego G Project (Nik Logiotatides and Giada D.)
Alessandro Borghi - Mostra internazionale d'arte cinematografica di Venezia
Scoprire che Alessandro Borghi (eccezionale Padrino della Mostra internazionale d'arte cinematografica) non è solo bravo e bello ma anche una persona squisita.. Da Venezia il suo saluto e quello di tanti altri amici che ci raccontano le loro aspettative #informadiRosa
Grazie a tutti: in particolare a Zucchero e (miracolosamente) a Pavarotti per la performance estemporanea!
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Grazie a [J | Jessica Tozzi (Logo Designer)
Alessandro Grandi: Venetian Christmas Vespers, complete. Voices of Music
The Christmas Vespers of Alessandro Grandi (Venice, 1630): live, high-definition video from our December 2013 concert in San Francisco.
Voices of Music
Hanneke van Proosdij & David Tayler, directors
There is a complete companion lecture for this concert:
Laura Heimes, soprano
Jennifer Ellis Kampani, soprano
John Taylor Ward, baritone
Elizabeth Blumenstock, baroque violin
Carla Moore, baroque violin
Lisa Grodin, baroque violin & viola
William Skeen, viola da gamba & baroque cello
David Tayler, archlute & theorbo
Hanneke van Proosdij, baroque organ, harpsichord & recorder
Our program is a reconstruction of a Vespers service for First Vespers on Christmas Eve. A Vespers service differs radically from the Eucharistic service of the Mass. It originated in the monastic Office Hours, recited every three hours around the clock. Vespers is the early evening service, but in actuality comprises two services: First Vespers on the vigil, or evening before the feast, and Second Vespers on the late afternoon of the feast itself. Like most of the Office Hours, the central part of the service is the recitation of Old Testament psalms. In a Vespers service there are five psalms, chosen according to the particular feast, such as Christmas, or the type of feast, such as Sundays, or feasts of the Virgin, feasts of Holy Martyrs, etc. For some feasts, such as Christmas, the series of psalms and some other texts is a bit different for First Vespers than it is for Second Vespers. All Vespers services close (except for short parting prayers) with another psalm-like text, the Magnificat, from the Gospel according to Luke in which the Virgin Mary sings to her cousin Elizabeth of her joy at the news she is carrying the Christ child. Thus, the central part of the program tonight is the set of five psalms from the Latin Vulgate designated by the Church as those for Christmas Eve, Dixit Dominus, Confitebor tibi, Beatus vir, Laudate pueri and Laudate Dominum plus the concluding Magnificat.
But as you look at the order of pieces on tonight’s program, you will see that there are other compositions beyond the five psalms and Magnificat. The two that are integral to every Vespers service are, after the instrumental introduction, Deus in adiutorium, the Gregorian chant versicle and response that open every Vespers service, and a strophic hymn, prior to the Magnificat. In the program you will see an indication for the Christmas hymn, Jesu Redemptor omnium substituted by an organ hymn by Girolamo Frescobaldi, organist at St. Peter’s in Rome. In an actual Vespers service, the celebrant would have spoken the hymn text under his breath while the organist was playing.
The substitution of an instrumental piece for the hymn leads us to the final aspect of tonight’s Vespers service. From early in the history of the Catholic Church and its liturgy, the singing of each psalm and the Magnificat was accompanied by the singing of a shorter text, called an antiphon, at least before and after the psalm, and sometimes between verses as well. Even more than the psalms, antiphon texts were specific to the particular feast or type of feast. So even though the psalms for Christmas Eve are the same as the psalms for Sundays and male feasts, the antiphons for each psalm were unique to Christmas Eve only.
By the 16th century we encounter the practice of substituting for the antiphons assigned to a particular feast some other text in a polyphonic musical setting or even an instrumental composition. Where an instrumental piece was substituted for an antiphon, the celebrant would have recited the appropriate text sotto voce as mentioned above with regard to the substitution of Frescobaldi’s organ piece for the Christmas hymn.
For tonight’s program, Voices of Music has substituted a series of vocal motets and instrumental compositions by some of the most prominent composers of the period, including Grandi’s own maestro at St. Mark’s, Claudio Monteverdi, in place of the antiphons after each psalm and the Magnificat. While the Magnificat and its antiphon were the final major liturgical elements in a Vespers service, the service itself closed with a group prayer, called a collect, and a brief dismissal from the priest. We know that additional music was sometimes performed during these functions, especially for major feasts with elaborate music. Tonight we’ll hear a motet by Grandi for the collect, and this recreation of a Christmas service closes with the joyous Cantate Domino, “Sing to the Lord,” of Monteverdi. Of all Monteverdi’s surviving music, Cantate Domino is the closest to the style of Grandi, so it makes an ideal composition by the greatest composer of the 17th century to close a performance dedicated to the music of his one-time vice maestro di cappella, Alessandro Grandi.
--notes by Jeffrey Kurtzman
Festival di Venezia 2009. Nerio Alessandro, Presidente TecnoGym.