Подмосковье: Дубровицы / Moscow region: Dubrovitsy
Церковь Знамения Пресвятой Богородицы расположена в усадьбе Дубровицы Подольского района Московской области. Церковь была заложена в 1690 году на месте слияния рек Пахры и Десны.
Dubrovitsy is an ancient Russian village located 20 kilometres south of Moscow. The baroque-style church of The Holy Virgin was founded in 1690.
СМОТРИТЕ ТАКЖЕ/SEE ALSO:
Москва: Петровский путевой дворец (Moscow: The Petrovsky palace)
Москва: Новоспасский монастырь (Moscow: Novospassky monastery)
Крым: Ханский дворец в Бахчисарае (Crimea: Bakhchisaray palace)
Подмосковье: усадьба Ивановское (Moscow region: Ivanovskoye estate)
Подмосковье: Быково - усадьба и церковь (Moscow region: Bykovo)
Россия: церкви южного Подмосковья (Moscow region churches)
Россия: Радонеж / Russia: Radonezh
Преображенская церковь в Радонеже /
Radonezh is a historic village located 60 km from Moscow, in 1328 the future Saint Sergii Radonezhsky settled there. About twenty years later Sergii founded the Trinity Monastery to the north of Radonezh.
СМОТРИТЕ ТАКЖЕ/SEE ALSO:
Russia: Вязьма / Russia: Vyazma
Россия: поместье Грибоедовых Хмелита/Russia: Khmelita estate
Москва: Новоспасский монастырь /Moscow: Novospassky monastery
Москва: Коломенское / Moscow: Kolomenskoye estate
Крым: Свято-Успенский пещерный монастырь/Crimea: The Assumption Cave Monastery
Крым: Храм-Маяк Николая Чудотворца/Crimea: St Nicholas Church-Lighthouse
Подмосковье: усадьба Ивановское/Moscow region: Ivanovskoye estate
Подмосковье: Дубровицы / Moscow region: Dubrovitsy
Подмосковье: Николо-Угрешский монастырь (Moscow region: Nikolo-Ugreshsky Monastery)
Россия: церкви южного Подмосковья/ Moscow region churches
Россия: Николо-Пешношский монастырь/Russia: Nikolo-Peshnoshskiy monastery
Россия: поместье Грибоедовых Хмелита/Russia: Khmelita estate
Поместье Грибоедовых Хмелита под Вязьмой, здесь провёл детство и юность автор Горе от ума
The Griboyedov family estate of Khmelita is located some 20 miles from Vyazma in Smolensk Region. Russian diplomat and playwright Alexandre Griboedov spent his youth there
СМОТРИТЕ ТАКЖЕ/SEE ALSO:
Russia: Вязьма / Russia: Vyazma
Подмосковье: Быково - усадьба и церковь (Moscow region: Bykovo)
Тула: Музей оружия / Russia: Weaponry Museum in Tula
Москва: Юсуповский дворец / Moscow: Yusupov palace
Москва: Петровский путевой дворец (Moscow: The Petrovsky palace)
Подмосковье: усадьба Остафьево / Moscow region: Ostafyevo estate
Аквариум в Нью-Йорке / New York Aquarium
США, Нью-Йорк: Хайлайн-парк / NYC: The High Line Park
Нью-Йорк: публичная библиотека / New York Public Library
США: Нью-Йорк, собор Св.Патрика / NYC: St. Patrick's Cathedral
США: Нью-Йорк, вид на Манхеттен / NYC: Manhattan view
Москва: в районе Чистых прудов /Moscow: Chistye Prudy - an old central district
США: Нью-Йорк - Уолл-стрит и рядом / NYC: Wall street area
Москва: Новоспасский монастырь /Moscow: Novospassky monastery
Dubrovitcy, Podolsk, Russia | Time Warp Video | Follow Me To Magic World
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Dubrovitsy is a noble estate in the village of the same name on the banks of the rivers Pakhra and Desna. Now inside the estate are the scientific and administrative units of the Federal Scientific Center for Livestock - VIZH named after academician L.K. Ernst, including one of the largest scientific libraries in the field of animal husbandry in Russia, as well as a restaurant.
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Подмосковье: усадьба Остафьево / Moscow region: Ostafyevo estate
Усадьба князей Вяземских и графов Шереметевых в Подмосковье /
Ostafyevo estate dates back to the late 18th century, it belonged to prince Vyazemsky and the to count Sheremetev
СМОТРИТЕ ТАКЖЕ/SEE ALSO:
Прогулка по Москве-реке (Moscow river cruise)
Москва: Новоспасский монастырь (Moscow: Novospassky monastery)
Царское село (Russia: Tsarskoye selo)
Санкт-Петербург: (Russia: Saint Petersburg)
Подмосковье: Дубровицы (Moscow region: Dubrovitsy)
Подмосковье: усадьба Ивановское (Moscow region: Ivanovskoye estate)
Россия: церкви южного Подмосковья (Moscow region churches)
A. Vivaldi: Concerto for 2 oboes, strings & continuo in A minor | I. Allegro | RV 536
Ryom-Verzeichnis catalog: RV 536
Year composed: 1720-23
First Performance: Ospedale della Pietà, Venice
First time published: By G. Ricordi & C. in Milan, Italy 1957
Antonio Vivaldi wrote nearly 50 concertos for two solo instruments and string orchestra, so-called double concertos. Most of these double concertos were probably written for the Ospedale della Pietà. Vivaldi did not devise a more precise name, calling them simply concerto in re minore per due oboi, concerto con 2 trombe or concerto per 2 flauti. Out of these nearly 50 concertos, 22 were specifically written for oboe. Out of 22, 3 concertos were specifically written for 2 oboes and they are: RV 534, RV 535 and RV 536 (shown in this video). RV 535 and RV 536 are among the earliest of the Vivaldi's double concertos and it is believed that they were written in his post-Mantua period 1720-23.
Vivaldi wrote most of double concertos for female oboists at the Ospedale Della Pietà, a orphanage for girls where Vivaldi taught. The works not written for Pietà are the two
concertos con 2 corni da caccia, because there have been no horns at the Pietà when Vivaldi was at the institution. The concerto to two trumpets RV 537 on the other hand, could quite easily have been composed for two players at the Pietà, since trumpets are used in the oratorio Juditha triumphans a work performed at the Pietà.
As was customary, girls at the Pietà were named after the instrument they played. Pelegrina dall'Oboe, was one of the most gifted pupils of the Pietà who were allowed to have private students from 1707. In 1726 a certain Susanna dall'Oboe was most gifted oboist at the Pietà performing in RV 536. Their virtuosity and complexity when compared to other Venetian oboe works of the time (such as those of Marcello and Albinoni) suggest a high skill as instrumentalists in their day. While we will never know enough about the young female virtuoso that premiered these works, these marvelous concerti are a statement of faith and confidence from their accomplished teacher.
Ospedale della Pietà also had a long history of the oboe teachers (other than Vivaldi). All the major Venetian oboists of the time taught at the Pietà: Ignazio Rion in 1704, Ludovico Erdmann in 1707, Ignazio Siber in 1713 and Onofrio Penati in 1716. Siber was re-appointed in Pietà in 1728 as flute master.
References:
Karl Heller: Antonio Vivaldi: The Red Priest of Venice
Alfredo Bernardini: The Oboe in the Venetian Republic, 1692-1797
Cover art:
(it has nothing with Vivaldi, but represents magnificent Baroque architecture):
Interior of the Baroque masterpiece the Church of the Sign of Our Lady, in Dubrovitsy, Russia. Many historians consider the construction of this Baroque church a milestone of the new epoch, the epoch of strengthening centralized power in Russia, exactly what Peter the Great did in those times. The church was built of white stone in 1690-1703 in Baroque style. Dubrovitsy, a small estate near Moscow, was owned by Prince Boris Golitsyn, who was a tutor of Peter I (Peter the Great 1672-1725). Court intrigues forced Golitsyn to leave Moscow for his estate, but after a year, news of his forgiveness reached Dubrovitsy. To mark the reconciliation with Peter I, Golitsyn decided to build an beautiful temple. Italian architect was appointed and the work started in 1690, with the groundbreaking ceremony. The local white stone was used as material. During winter time, the masters from Sweden, Germany and France made interior stone carving into hundreds of sculptures and bus-reliefs. The foundation is in the form of a cross, the facade is decorated with sculptures and carvings, and the church doesn’t have the traditional Russian domes with crosses
and instead is topped by a gilded crown.
When the construction was finished in 1697, Patriarch Andrian, a man of conservative views, did not give his blessing to the new church despite Golitsyn’s royal connections and authority. Golitsyn’s Baroque church was forced to wait further 7 years for blessing. The Consecration of a church happened at the end of winter of 1704, in the presence of Peter I and his son Alexey. This event was celebrated for seven days, and people of different ranks and classes from 50 miles around were invited to the feast. Twenty years after the construction of the church in Dubrovitsy, the Holy Synod of the Russian Orthodox Church officially banned statues and bas-reliefs in the Russian churches and since than church was used as an orphanage, an agricultural college, an institute of animal husbandry, and after a fire in 1964, a wedding palace. Finally, the Russian Holy Sinod recognized the significance of this Baroque church and services resumed in 1990.
The Church of the Sign of Our Lady, is included into the UNESCO World Heritage List.
#vivaldiimperfectpearl #ImperfectPearlA415
A. Vivaldi: Concerto for 2 oboes, strings & continuo in A minor | II. Largo | RV 536 | 1720-03
Ryom-Verzeichnis catalog: RV 536
Year composed: 1720-23
First Performance: Ospedale della Pietà, Venice
First time published: By G. Ricordi & C. in Milan, Italy 1957
Antonio Vivaldi wrote nearly 50 concertos for two solo instruments and string orchestra, so-called double concertos. Most of these double concertos were probably written for the Ospedale della Pietà. Vivaldi did not devise a more precise name, calling them simply concerto in re minore per due oboi, concerto con 2 trombe or concerto per 2 flauti. Out of these nearly 50 concertos, 22 were specifically written for oboe. Out of 22, 3 concertos were specifically written for 2 oboes and they are: RV 534, RV 535 and RV 536 (shown in this video). RV 535 and RV 536 are among the earliest of the Vivaldi's double concertos and it is believed that they were written in his post-Mantua period 1720-23.
Vivaldi wrote most of double concertos for female oboists at the Ospedale Della Pietà, a orphanage for girls where Vivaldi taught. The works not written for Pietà are the two
concertos con 2 corni da caccia, because there have been no horns at the Pietà when Vivaldi was at the institution. The concerto to two trumpets RV 537 on the other hand, could quite easily have been composed for two players at the Pietà, since trumpets are used in the oratorio Juditha triumphans a work performed at the Pietà.
As was customary, girls at the Pietà were named after the instrument they played. Pelegrina dall'Oboe, was one of the most gifted pupils of the Pietà who were allowed to have private students from 1707. In 1726 a certain Susanna dall'Oboe was most gifted oboist at the Pietà performing in RV 536. Their virtuosity and complexity when compared to other Venetian oboe works of the time (such as those of Marcello and Albinoni) suggest a high skill as instrumentalists in their day. While we will never know enough about the young female virtuoso that premiered these works, these marvelous concerti are a statement of faith and confidence from their accomplished teacher.
Ospedale della Pietà also had a long history of the oboe teachers (other than Vivaldi). All the major Venetian oboists of the time taught at the Pietà: Ignazio Rion in 1704, Ludovico Erdmann in 1707, Ignazio Siber in 1713 and Onofrio Penati in 1716. Siber was re-appointed in Pietà in 1728 as flute master.
References:
Karl Heller: Antonio Vivaldi: The Red Priest of Venice
Alfredo Bernardini: The Oboe in the Venetian Republic, 1692-1797
Cover art:
(it has nothing with Vivaldi, but represents magnificent Baroque architecture):
Interior of the Baroque masterpiece the Church of the Sign of Our Lady, in Dubrovitsy, Russia. Many historians consider the construction of this Baroque church a milestone of the new epoch, the epoch of strengthening centralized power in Russia, exactly what Peter the Great did in those times. The church was built of white stone in 1690-1703 in Baroque style. Dubrovitsy, a small estate near Moscow, was owned by Prince Boris Golitsyn, who was a tutor of Peter I (Peter the Great 1672-1725). Court intrigues forced Golitsyn to leave Moscow for his estate, but after a year, news of his forgiveness reached Dubrovitsy. To mark the reconciliation with Peter I, Golitsyn decided to build an beautiful temple. Italian architect was appointed and the work started in 1690, with the groundbreaking ceremony. The local white stone was used as material. During winter time, the masters from Sweden, Germany and France made interior stone carving into hundreds of sculptures and bus-reliefs. The foundation is in the form of a cross, the facade is decorated with sculptures and carvings, and the church doesn’t have the traditional Russian domes with crosses
and instead is topped by a gilded crown.
When the construction was finished in 1697, Patriarch Andrian, a man of conservative views, did not give his blessing to the new church despite Golitsyn’s royal connections and authority. Golitsyn’s Baroque church was forced to wait further 7 years for blessing. The Consecration of a church happened at the end of winter of 1704, in the presence of Peter I and his son Alexey. This event was celebrated for seven days, and people of different ranks and classes from 50 miles around were invited to the feast. Twenty years after the construction of the church in Dubrovitsy, the Holy Synod of the Russian Orthodox Church officially banned statues and bas-reliefs in the Russian churches and since than church was used as an orphanage, an agricultural college, an institute of animal husbandry, and after a fire in 1964, a wedding palace. Finally, the Russian Holy Sinod recognized the significance of this Baroque church and services resumed in 1990.
The Church of the Sign of Our Lady, is included into the UNESCO World Heritage List.
#RecordareDomine
A. Vivaldi: Concerto for 2 oboes, strings & continuo in A minor | III. Allegro | RV 536 | 1720-03
Ryom-Verzeichnis catalog: RV 536
Year composed: 1720-23
First Performance: Ospedale della Pietà, Venice
First time published: By G. Ricordi & C. in Milan, Italy 1957
Antonio Vivaldi wrote nearly 50 concertos for two solo instruments and string orchestra, so-called double concertos. Most of these double concertos were probably written for the Ospedale della Pietà. Vivaldi did not devise a more precise name, calling them simply concerto in re minore per due oboi, concerto con 2 trombe or concerto per 2 flauti. Out of these nearly 50 concertos, 22 were specifically written for oboe. Out of 22, 3 concertos were specifically written for 2 oboes and they are: RV 534, RV 535 and RV 536 (shown in this video). RV 535 and RV 536 are among the earliest of the Vivaldi's double concertos and it is believed that they were written in his post-Mantua period 1720-23.
Vivaldi wrote most of double concertos for female oboists at the Ospedale Della Pietà, a orphanage for girls where Vivaldi taught. The works not written for Pietà are the two
concertos con 2 corni da caccia, because there have been no horns at the Pietà when Vivaldi was at the institution. The concerto to two trumpets RV 537 on the other hand, could quite easily have been composed for two players at the Pietà, since trumpets are used in the oratorio Juditha triumphans a work performed at the Pietà.
As was customary, girls at the Pietà were named after the instrument they played. Pelegrina dall'Oboe, was one of the most gifted pupils of the Pietà who were allowed to have private students from 1707. In 1726 a certain Susanna dall'Oboe was most gifted oboist at the Pietà performing in RV 536. Their virtuosity and complexity when compared to other Venetian oboe works of the time (such as those of Marcello and Albinoni) suggest a high skill as instrumentalists in their day. While we will never know enough about the young female virtuoso that premiered these works, these marvelous concerti are a statement of faith and confidence from their accomplished teacher.
Ospedale della Pietà also had a long history of the oboe teachers (other than Vivaldi). All the major Venetian oboists of the time taught at the Pietà: Ignazio Rion in 1704, Ludovico Erdmann in 1707, Ignazio Siber in 1713 and Onofrio Penati in 1716. Siber was re-appointed in Pietà in 1728 as flute master.
References:
Karl Heller: Antonio Vivaldi: The Red Priest of Venice
Alfredo Bernardini: The Oboe in the Venetian Republic, 1692-1797
Cover art:
(it has nothing with Vivaldi, but represents magnificent Baroque architecture):
Interior of the Baroque masterpiece the Church of the Sign of Our Lady, in Dubrovitsy, Russia. Many historians consider the construction of this Baroque church a milestone of the new epoch, the epoch of strengthening centralized power in Russia, exactly what Peter the Great did in those times. The church was built of white stone in 1690-1703 in Baroque style. Dubrovitsy, a small estate near Moscow, was owned by Prince Boris Golitsyn, who was a tutor of Peter I (Peter the Great 1672-1725). Court intrigues forced Golitsyn to leave Moscow for his estate, but after a year, news of his forgiveness reached Dubrovitsy. To mark the reconciliation with Peter I, Golitsyn decided to build an beautiful temple. Italian architect was appointed and the work started in 1690, with the groundbreaking ceremony. The local white stone was used as material. During winter time, the masters from Sweden, Germany and France made interior stone carving into hundreds of sculptures and bus-reliefs. The foundation is in the form of a cross, the facade is decorated with sculptures and carvings, and the church doesn’t have the traditional Russian domes with crosses
and instead is topped by a gilded crown.
When the construction was finished in 1697, Patriarch Andrian, a man of conservative views, did not give his blessing to the new church despite Golitsyn’s royal connections and authority. Golitsyn’s Baroque church was forced to wait further 7 years for blessing. The Consecration of a church happened at the end of winter of 1704, in the presence of Peter I and his son Alexey. This event was celebrated for seven days, and people of different ranks and classes from 50 miles around were invited to the feast. Twenty years after the construction of the church in Dubrovitsy, the Holy Synod of the Russian Orthodox Church officially banned statues and bas-reliefs in the Russian churches and since than church was used as an orphanage, an agricultural college, an institute of animal husbandry, and after a fire in 1964, a wedding palace. Finally, the Russian Holy Sinod recognized the significance of this Baroque church and services resumed in 1990.
The Church of the Sign of Our Lady, is included into the UNESCO World Heritage List.
#RecordareDomine
MOSCOW, LOCATION #9.Усадьба Усачёвых — Найдёновых
***
Где в Москве находится последние творение швейцарского архитектора Доменико Жилярди?
***
Где не раз пировали министры финансов Российской империи?
***
Ну а Если «Мосфильму» требовалось перенести зрителей в прошлое, то съёмки велись многих фильмов именно в этом месте. Мы идем путешествовать в усадьбу Усачёвых — Найдёновых или Высокие горы.
***
Ну, что пошли путешествовать!
------------------------------------YouTuber????????Chiki Kat---------------------------------------
г. Москва, Ул. Земляной вал, д. 53
Spring in Muranovo
Aerial video from Muranovo village which is famous for it's splendid sceneries. There is a Fyodor Tyutchev state museum located in Muranovo village, Pushkino, Moscow Oblast, Russia. The estate was founded in 1816.
Music: Lindsey Stirling - Song of the Caged Bird
Серия Русская усадьба, Ивановское.
Южное Подмосковье, Ивановское, Всесвятская церковь, church, temple, Moscow, tourism in Russia.
Tours-TV.com: Church of the Intercession at Fili
The most beautiful Church of the Intercession at Fili, erected in the end of 17th century in honour of the victory over the Polish army, is a true masterpiece of the early Moscow Baroque style. Russia : Moscow. See on map .
А я иду, шагаю по Москве: Усадьба Остафьево | Manor Ostafyevo
Продолжаю свои рассказы о том, как можно интересно с пользой для всей семьи провести свои выходные дни. Сегодня я хочу порекомендовать Вам посетить 2 замечательных места: Усадьбу Остафьево и Знаменскую церковь в Дубровицах (см. фильм: )
* * *
Остафьево — обращённая в музей подмосковная усадьба князя Петра Андреевича Вяземского и его потомков, в которой жил и работал Н. М. Карамзин, неоднократно бывали в гостях А. С. Пушкин и другие ключевые фигуры Золотого века русской поэзии. В 2012 году вместе со всей округой вошла в состав новых территорий города Москвы.
Усадьба, размещенная в 35 верстах от Москвы, в Подольском уезде, была приобретена у поручика Журавлёва князем Андреем Ивановичем Вяземским в честь рождения сына Петра 9 августа 1792 г. за 26 тысяч рублей. В семье рассказывали, что А. И. Вяземскому очень понравилась липовая аллея в парке, и именно это стало решающим аргументом при покупке. Одновременно было приобретено небольшое (152 крепостных души) село Остафьево. Поместье оставалось во владении Вяземских до 1898 г., после чего перешло во владение графов Шереметевых.
Усадебный дом в стиле русского классицизма стоит на берегу старинного озера-запруды в городском округе Подольск Московской области. Его построил в 1800-07 гг. отец поэта, князь Андрей Иванович Вяземский. Автор проекта точно неизвестен; не исключено, что это был ученик Валлен-Деламота И. Е. Старов. Постройке усадебного дома с колоннадами и флигелями предшествовало возведение Свято-Троицкой церкви (автор проекта неизвестен, построена на средства владельца усадьбы, промышленника К. М. Матвеева; освящена 1 июля 1782 года).
А. И. Вяземский пригласил поселиться в Остафьеве своего зятя, Николая Михайловича Карамзина, который с 1804 по 1815 гг. работал здесь над трудом «История государства Российского». В апреле 1807 г. после смерти отца владельцем усадьбы стал Петр Андреевич Вяземский, при котором Остафьево стало одним из символов культурной жизни России. Петр Андреевич посвятил родной усадьбе множество стихотворений, среди которых «Деревня» (1817), «Родительский дом» (1830), «Сельская церковь» (1856), «Приветствую тебя, в минувшем молодея…» (1857), «Нет, не видать уж мне Остафьевский мой дом…» (1863).
В гостях у П. А. Вяземского в Остафьево неоднократно бывали Пушкин, Жуковский, Батюшков, Денис Давыдов, Грибоедов, Гоголь, Адам Мицкевич.
MOSCOW, LOCATION #3.Усадьба ОСТАФЬЕВО
????Остафьево - уникальный памятник русской усадебной культуры XIX века, один из центров культурной жизни России.
????При жизни хозяина Остафьева поэта князя П.А. Вяземского в усадьбе бывали Пушкин, Жуковский, Боратынский, Мицкевич, Грибоедов, Гоголь. В Остафьеве Н.М. Карамзин работал над Историей государства Российского.
????До наших дней уцелели лишь основные постройки усадьбы. Главный дом построен в 1806 году в стиле классицизма предположительно по проекту архитектора школы М. Казакова. Сохранилась старая липовая аллея Русский Парнас.
????В 1911-1913 годах последний владелец Остафьева С.Д. Шереметев установил в усадебном парке памятники Карамзину, Пушкину, Жуковскому, Вяземским.
Официальный сайт усадьбы:
Tsaritsyno Park, Moscow - DJI Mavic PRO
Moscow Tsaritsino 4K
LIGHT VISION FILM
NIKOLAY LIGHT
SVETLANA LIGHT
Променад по Новой Москве и агломерации 13/08/2016 (timelapse 4x)
1) Москва {Москва [Внуково] (Бол. Внуковская ул. - 2-я Рейсовая ул. - Центральная ул. - Заводское ш. - Боровское ш.) - Боровское ш.: [Давыдково - Шарапово (Придорожная ул.) - Бол. Свинорье] - автодорога 46К-1022: [Рогозинино (Дорожная ул.) - Верховье - Поповка - Ботаково]- Троицк (Бол. Октябрьская ул. - Фабричная пл. - ул. Полковника Милиции Курочкина - микрорайон В - Академическая пл. - Октябрьский просп. - Солнечная ул. - Физическая ул. - Калужское ш.] - Калужское ш.: [Ватутинки - Ватутинки-1] - Сосенки - Ямонтово - поселок Подсобного Хозяйства Воскресенское - Ямонтово (второй раз) (Звёздная ул.) - Губкино - Хелферштрассе - Коммунарка (ул. Александры Монаховой - Проектируемый пр. 941) - Москва (ул. Акад. Понтрягина - Остафьевская ул. - Чечёрский пр. - Венёвская ул. - Скобелевская ул. - Изюмская ул. - Новобутовский пр. - Новобутовская ул. - Варшавское ш.)} - Московская область {Расторгуевское ш: [Бутово] - Видное (Спасский пр. - 2-й Футбольный пр. - Петровский пр. - ул. Черняховского - ул. Героя России Тинькова - 1-й Калининский пр. - Кооперативная ул. - Вокзальная пл. - Школьная ул. - Советская пл. - Заводская ул. - Белокаменное ш. (заезд на АЗС) - Заводская ул. (разворот) - Белокаменное ш.) - Таболово - Видное (второй раз) (Белокаменное ш.) - старое Каширское ш.: [Апаринки - пос. Совхоза им. Ленина] - автодорога 46К-4180: [Развилка (Проектируемый пр. 5537 - Проектируемый пр. 5538 - Проектируемый пр. 5539) - СНТ Берёзка-2 - ТЛПХ Дроздово - Дроздово - Мильково - Беседы (Ленинская ул.)]} - Москва (второй раз) {Бесединское ш. - Люблинская ул. - Саратовская ул. - Проектируемый пр. 770 - Окская ул. - Жигулёвская ул. - Зеленодольский пр. - Зеленодольская ул. - ул. Фёдора Полетаева - Есенинский бульв. - ул. Шумилова)}
2) Москва (Волгоградский просп. - ул. Марш. Чуйкова - ул. Юных Ленинцев - ул. Малышева)
Самый крутой свадебный день в Раменском
29.08.2014г. церковь в Быково и территория бизнес-центра PlazaRamStars в Раменском
Парк Воронцовского дворца / Park of the Vorontsov Palace
Воронцовский дворец