Temptation
16-25yrs Freestyle Team.
IDTA Nationwide Medallist of the Year 2005.
Final Rehearsal.
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Michael - Diane Morgan's ghostly guy? Bob Mortimer's campsite client? Lee Mack's donkey do-gooder?
Diane: This is Michael. I once punched him because I thought he was a ghost.
Lee: This is Michael. Together we helped free a donkey that had trapped in the cubicle of a seaside toilet.
Bob: This is Michael, and after cutting his hair, I got a job on a campsite as a hairdresser.
Series 10 Episode 2. With Bob Mortimer, Nadiya Hussain, Diane Morgan and Michael Smiley. Would I Lie to You S10E02 Series 10 Episode 2
Le 10 migliori canzoni dei Beatles
Lista di le 10 migliori canzoni dei Beatles. Non dimentichi di iscriverti al canale, per non mancare i prossimi video:
Ciao dal mio conto corrente. Votate la vostra canzone preferita dei Beatles (10 + famoso) I Beatles era un gruppo rock britannico attivo nel corso del 1960, e riconosciuto come il più grande successo commerciale e acclamato dalla critica nella storia della musica popolare.1 2 3 4 5 6 Formata a Liverpool, è stato costituito dal 1962 da John Lennon (chitarra ritmica, voce), Paul McCartney (basso, voce), George Harrison (chitarra, voce) e Ringo Starr (batteria... (continua a leggere)
Nella lista di le 10 migliori canzoni dei Beatles che abbiamo:
10. Lucy nel cielo con diamanti
9. Venire Insieme
8. Love me do
7. Sottomarino Giallo
6. Tutto ciò che serve è amore
5. Aiuto!
4. Ieri
3. Hey Jude
2. Ecco che arriva il sole
1. Let it be
10. Lucy nel cielo con diamanti
Lucy in the Sky with Diamonds (en castellano: 'Lucy in the sky with diamonds) è una canzone scritta da John Lennon (anche se accreditato alla coppia Lennon/McCartney) e registrato dai Beatles per il loro album del 1967 Sgt. pepper's Lonely Hearts Club Band.
La canzone ha un arrangiamento complesso tipico delle ultime composizioni di Lennon/McCartney. La maggior parte della canzone è in 3/4, tranne il ritornello, in cui passa in 4/4. Si è detto che è stata la prima canzone rock scritta in due bar diversi. [citazione necessaria]. Si compone di una melodia è molto semplice (ricordo una canzone per bambini) cantata da Lennon su una sempre più complessi strumentali accordo che contiene un sitar, interpretato da George Harrison e un organo Hammond, il cui suono è stato alterato da Lennon e il produttore George Martin.
Il testo della canzone include versi ricchi di immagini che riflettono un viaggio psichedelico, che descrive una gita in barca attraverso un paese fantastico fiori di cellophane (cellophane fiori), taxi di carta di giornale (quotidiano taxi) e di torte di marshmallow (marshmallow piedi); in alternanza con il coro ripete semplicemente il titolo della canzone.
McCartney ha detto che La canzone, come si può immaginare, è di circa un'allucinazione[1]. I Beatles, tuttavia, sono rimasto costantemente il fatto che le iniziali del titolo formano la parola LSD, (Lucy in the Sky with Diamonds) è pura coincidenza, dal momento che il titolo è stato preso da un disegno del figlio di John, Julian Lennon.
9. Venire Insieme
Come Together è una canzone dei Beatles, scritta principalmente da John Lennon e accreditato alla coppia Lennon/McCartney. La canzone è il primo album di settembre del 1969, Abbey Road dei Beatles. Un mese più tardi anche apparso come uno dei lati del singolo numero ventuno del gruppo (era una singola con due facce, l'altro è Qualcosa di George Harrison) in regno Unito, e il numero ventisei, negli Stati uniti. La canzone ha raggiunto il numero 1 in classifica negli USA, mentre è diventato un successo nella Top 10 del regno Unito.
8. Love me do
Love Me Do è uno dei primi brani di John Lennon e Paul McCartney, composto prevalentemente da McCartney, tra il 1958 e il 1959. Il brano è stato rilasciato come singolo nel regno Unito, nella sua prima versione, il 5 ottobre 1962, con P. S. I Love You, che occupa il lato B del disco. Raggiunto il n.No. 17 della classifica inglese, in fase di ri-lanciato, ora nella sua seconda versione, nel 1982, raggiungendo in...
La fonte delle immagini è 20 minutos
Joi Lansing on TV: American Model, Film & Television Actress, Nightclub Singer
Joi Lansing (April 6, 1928 -- August 7, 1972) was an American model, film and television actress, as well as a nightclub singer. She was noted for her pin-up photos and minor roles in B-movies. More Joi:
Lansing's film career began in 1948, and, in 1952, she played an uncredited role in MGM's Singin' in the Rain. She received top billing in Hot Cars (1956). In the opening sequence of Orson Welles's Touch of Evil (1958), she appeared as Zita, the dancer who dies at the end of the famous first tracking shot, during which her character exclaims to a border guard, I keep hearing this ticking noise inside my head! Lansing had a brief role as an astronaut's girlfriend in the 1958 sci-fi classic Queen of Outer Space. During the 1960s, she starred in short musical films for the Scopitone video-jukebox system. Her songs included The Web of Love and The Silencers.
In the 1964, producer Stanley Todd discussed a film project with Lansing tentatively titled Project 22 with location shooting planned in Yugoslavia and George Hamilton and Geraldine Chaplin named to the cast. The movie was never made.
Lansing played Lola in Marriage on the Rocks (1965) with a cast that included Frank Sinatra, Deborah Kerr, and Dean Martin. She had previously appeared in Sinatra's film A Hole in the Head and in Martin's comedy Who Was That Lady?. She denied the chance to replace Jayne Mansfield in The Ice House, a horror film, and instead appeared in Hillbillys in a Haunted House, as Mamie Van Doren's replacement. Her last film was Bigfoot (1970).
Lansing appeared in The Adventures of Wild Bill Hickok, It's a Great Life, I Love Lucy, Where's Raymond?, Noah's Ark, State Trooper, Bat Masterson, This Man Dawson, Maverick, The Mothers-in-Law, and had a recurring role in The Beverly Hillbillies. She is best known perhaps as Shirley Swanson in The Bob Cummings Show or Love That Bob (1956--1959). She appeared in several episodes as a busty model who was the foil for photographer Cummings. The series ran for 173 episodes. She also appeared as the title character in Superman's Wife, a 1958 episode of The Adventures of Superman.
What was possibly Lansing's best role may ironically have been her least-seen—as the leading lady in The Fountain of Youth, a Peabody Award-winning unsold television pilot directed by Orson Welles for Desilu in 1956 and broadcast once for the Colgate Theatre two years later. The half-hour film remains available for public viewing at the Paley Center for Media in New York City and Los Angeles.
In the 1960--1961 season of the NBC Western Klondike, Lansing appeared as Goldie with Ralph Taeger, James Coburn, and Mari Blanchard. In May 1963, Lansing appeared in Falcon Frolics '63. The broadcast honored the men stationed at the Vandenberg Air Force Base. By 1956, she had appeared in more than 200 television shows.
She appeared in five episodes of The Beverly Hillbillies in the role of Gladys Flatt, the unlikely glamorous wife of bluegrass musician Lester Flatt.
She named Ozzie Nelson as possessing the greatest sex appeal of any actor with whom she worked. The two played a love scene in a Fireside Theater drama. The show was hosted by Jane Wyman. Lansing was sometimes referred to as television's Marilyn Monroe.
Lansing broke into night club entertaining in 1965. She had taken up singing during an actors strike in the early 1960s. In May 1965, Lansing cut her first record album. It was composed of a collection of songs written especially for her by composer Jimmie Haskel and actress Stella Stevens. Lansing performed in the Fiesta Room in Las Vegas, Nevada, in July 1966. Featured on the bill were Red Buttons and Jayne Mansfield.
In 1972 Joi Lansing died from breast cancer at St. John's Hospital in Santa Monica, California where she had initially been treated surgically for the disease earlier the same year.
Abortion Debate: Attorneys Present Roe v. Wade Supreme Court Pro-Life / Pro-Choice Arguments (1971)
Roe v. Wade, 410 U.S. 113 (1973), is a landmark decision by the United States Supreme Court on the issue of abortion. More on the topic:
Decided simultaneously with a companion case, Doe v. Bolton, the Court ruled 7--2 that a right to privacy under the due process clause of the 14th Amendment extended to a woman's decision to have an abortion, but that right must be balanced against the state's two legitimate interests in regulating abortions: protecting prenatal life and protecting women's health. Arguing that these state interests became stronger over the course of a pregnancy, the Court resolved this balancing test by tying state regulation of abortion to the trimester of pregnancy.
The Court later rejected Roe's trimester framework, while affirming Roe's central holding that a person has a right to abortion until viability. The Roe decision defined viable as being potentially able to live outside the mother's womb, albeit with artificial aid, adding that viability is usually placed at about seven months (28 weeks) but may occur earlier, even at 24 weeks.
In disallowing many state and federal restrictions on abortion in the United States, Roe v. Wade prompted a national debate that continues today, about issues including whether and to what extent abortion should be legal, who should decide the legality of abortion, what methods the Supreme Court should use in constitutional adjudication, and what the role should be of religious and moral views in the political sphere. Roe v. Wade reshaped national politics, dividing much of the United States into pro-choice and pro-life camps, while activating grassroots movements on both sides.
Sarah Ragle Weddington (born February 5, 1945, in Abilene, Texas) is an American attorney, law professor, and former Texas state legislator best known for representing Jane Roe (real name Norma McCorvey) in the landmark Roe v. Wade case before the United States Supreme Court.
After graduating, Weddington found it difficult to find a job with a law firm. She instead joined a group of graduate students at University of Texas-Austin that was researching ways to challenge various anti-abortion statutes. After deciding that a woman should helm a lawsuit to challenge Texas' statute, Weddington volunteered.
Soon after, a pregnant woman named Norma McCorvey visited a local attorney seeking an abortion. The attorney instead assisted McCorvey with handing over her child for adoption, and after doing so, referred McCorvey to Weddington and Linda Coffee. In March 1970, Weddington and her co-counsel filed suit against Wade, the Dallas district attorney and the person responsible for enforcing the anti-abortion statute. McCorvey became the landmark plaintiff, and was referred in the legal documents as Jane Roe to protect her identity.
Weddington first stated her case in front of a three-judge district court on May 1970 in Dallas. The district court agreed that the Texas abortion laws were unlawful, but the state appealed the decision, landing it before the United States Supreme Court.
Weddington appeared before the Supreme Court in 1971 and again in the fall of 1972. Her argument was based on the 1st, 4th, 5th, 8th, 9th and 14th amendments, as well as the Court's previous decision in Griswold v. Connecticut, which legalized the sale of contraceptives based on the right of privacy. Of the experience, Weddington later stated, There was a sense of majesty, walking up those stairs, my steps echoing on the marble. I went to the lawyers' lounge — to go over my argument. I wanted to make a last stop before I went in — but there was no ladies' room in the lawyer's lounge.
The Great Gildersleeve: The Campaign Heats Up / Who's Kissing Leila / City Employee's Picnic
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.