Legend Of Eight Samurai 1983 Movie | Japanese Historical Martial Arts Fantasy Film
Watch Legend Of Eight Samurai 1983 Movie | Japanese Historical Martial Arts Fantasy Film | Japanese historical martial arts fantasy film,
The story follows Princess Shizu (Hiroko Yakushimaru), her family slain and on the run from her enemies. As she escapes she is found by the vagabond Shinbei (Hiroyuki Sanada), before being rescued from her pursuers by Dōsetsu (Sonny Chiba). He tells her the legend of a curse on her family, and of eight beads that identify eight dog-warriors who can lift it, of which he and his companion are two. To defeat the evil queen Tamazusa (Mari Natsuki) who killed her family, they must find all eight. But Shinbei hears of Princess Shizu's identity, and vows to collect the reward for capturing her
Cast
Hiroko Yakushimaru ... Princess Shizu
Hiroyuki Sanada ... Inue Shinbee Masashi
Sonny Chiba ... Inuyama Dōsetsu Tadatomo
Minori Terada ... Inumura Daikaku Masanori
Masaki Kyomoto ... Inuzuka Shino Moritaka
Etsuko Shihomi ... Inusaka Keno Tanetomo
Takuya Fukuhara ... Inukawa Sōsuke Yoshitō
Shunsuke Kariya ... Inuta Kobungo Yasuyori
Kenji Ōba ... Inukai Genpachi Nobufuchi
Keiko Matsuzaka ... Princess Fuse
Mari Natsuki ... Tamazusa
Yūki Meguro ... Hikita Gonnokami Motofuji
Nagare Hagiwara ... Yōnosuke
Mamako Yoneyama ... Funamushi
Akira Shioji ... Genjin
Nana Okada ... Hamaji
Akira Hamada ... Akushirō
Nagare Hagiwara ... Yōnosuke
Directed by Kinji Fukasaku
Produced by Haruki Kadokawa
Written by Toshio Kamata
Kinji Fukasaku
Starring: Hiroko Yakushimaru,Hiroyuki Sanada,Sonny Chiba
Music by Nobody
Cinematography: Seizō Sengen
Distributed by Toei
Release dates: December 10, 1983 (Japan)
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The Craft of the Master Cooper | First-Class Techniques That Reveal
The Craft of the Master Cooper | First-Class Techniques That Reveal the warmth and beauty of the wood grain.
Oke Taru Master Craftsman: Yawata Oshio (八幡さん), 80 years old
►Where to Buy
Yawata Oshio (八幡さん)
Address: 〒Tsujido Motomachi, Fujisawa, Kanagawa Prefecture 251-0043, Japan
They are made from Cedarwood, much appreciated for its beautiful grains.
General Production Process
1. Preparing the Timber
Firstly, from the center of a cedar log, using a wedge and hammer, fan-shaped blocks are split to fit the product circumference and depth. The blocks are then further split with a hatchet to make small panels (kure), which are then naturally dried for about 100 days, followed by a further 30 days or so of artificial drying. According to the purpose of the final product, maseme-gure (straight grain panels) or itame-gure (flat grain panels) are prepared.
2. Sengari (Shaving)
Using a sen (two-handed special blade), the artisan sits astride an uma workhorse and shaves the prepared kure to the desired size.
3. Shojikitsuki (Planing)
A shojiki is a large plane used to align the joints of kure; to complete one tub, 17 to 18 kure are needed. After further planing, a kegata ruler is used to mark out the sizes and angles of the kure, and further planing reduces the kure to the precise dimensions and shapes.
4. Kuretate (Assembling Kure)
Kure are secured with bamboo pegs and gradually the tub shape is formed; attention is paid to matching and harmonizing the grain and color of adjacent kure, so that the tubs are both perfectly fitted and pleasing to the eye. A temporary hoop is wrapped around the circumference to prevent any loss of shape to the perfect tub circle.
5. Plane Finish
To finish the surface, convex and concave planes with round blades are used to plane the inside and outside of the tub. When planing the inside with a convex plane, the artisan rotates the tub with their feet. Later a groove to fit a base plate is cut on the inside with a kehiki tool.
6. Fitting the Hoop and Bottom Plate
After finally fitting the bottom plate and a permanent bamboo hoop, the artisan turns the tub using their hands and feet and tightens the hoop with a mallet. Madake bamboo is the best material for hoops and they need careful shaving to ensure a smooth surface. Finally, the kure are worked and tightened from the outside to complete.
7. Glazing
Glazing refers to the application of glaze to pieces that have been through the bisque process. Glaze melts when baked and produces a glass-like film on surfaces, which eliminates permeability and increases hardness. The role of glazing is to decorate pieces by applying color and luster. There are three basic types of glaze: ash glaze, fieldspar glaze and lead glaze. Various other glazes can be produced by adding iron, copper and metals to these basic glazes. The main glazing techniques include complete application, ladle application and spray application.
8. Glost firing
Firing carried out at high temperature after glazing is known as glost firing. Pieces are carefully placed inside the kiln, and care is taken in the baking process so that the kiln as a whole has an equal density. The main types of kiln include the climbing kiln, gas kiln, and electric kiln.
9. Overglazing
After glost firing has been carried out, pictures and patterns are overglazed using paint. Forms of overglazing include aka-e, overglaze enamels, and five-colored porcelain. Paints mix metals such as iron, copper, cobalt and manganese with the addition or soda or lead, etc. After filling delicate lines, firing is carried out at around 700 to 800 degrees, a temperature even lower than that used for glost firing, so that the colors do not scatter.
10. Completion
After the end of the final firing, the pieces are finished with filing.
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