Science and Technology Museum of Sichuan, China.avi
Science and Technology Museum of Sichuan, China
KFC & National Museum of China bring exhibits to the metro of Shanghai | STDecaux
KFC and the National Museum of China celebrated Chinese New Year with a content-driven OOH campaign that transformed the metro of Shanghai into a museum.
Together with STDecaux, they created an exhibition in Xujiahui station, with replica exhibits in custom showcase columns and interactive, mobile-connected digital screens.
The Making of a Chinese Rubbing
Professor Yang Bo of Shandong Provincal Museum demonstrates the making of a chinese rubbing.
Chinese Arts and Crafts: The Art of Copper
In Hangzhou, there is an old copperhouse entirely made of copper which belongs to Zhu Bingren. His family has been coppersmiths for five generations. When reaching its melting point, 1083°, the hard metal turns into soft liquid. Zhu Bingren finds beauty in the flowing copper liquid, and pours it into the desired shapes. These shapes become permanent as the metal cools and solidifies again. So, what kind of shapes will they be like?
Subscribe to us on Youtube:
Download for IOS:
Download for Android:
Follow us on:
Facebook:
Twitter:
Instagram:
China Science & Technology Museum -----the ball Ceiling
I like this desgin
Session 議題 2: Women, textile and technology in Hong Kong and China 女性、紡織與科技在香港和中國的發展與趨勢
Speakers 講者:
Francesca Bray, Professor of Social Anthropology, The University of Edinburgh
白馥蘭 （愛丁堡大學社會人類學教授）
Francesca Bray is a historian of science, technology and medicine in imperial China, trained in Chinese studies and anthropology. As an anthropologist, Bray is fascinated by the macro- and micro-politics of technologies, past and present. She has specifically looked at how technology has expressed and shaped gender roles throughout Chinese history. In Technology and Gender: Fabrics of Power in Late Imperial China (1997) and Technology, Gender and History in Imperial China (2013), Bray demonstrates how gender principles were woven into the very fabric of the Chinese empire, from cosmology and ideologies of rule to the material foundations of the state and the everyday practices of the domestic sphere.
Nan geng nü zhi 男耕女織 (men plough, women weave) was a popular mantra for state officials and ordinary folk alike in imperial China: men’s work in the fields fed the family and the empire, women’s work at the spindle or loom clothed them. Bray’s work analyses how these moral ideals fared in the face of dramatic changes in the Chinese economy and social order.
白馥蘭是中國古代科學、科技及醫藥歷史學家，曾受中國研究及人類學專業訓練。作為人類學家，白馥蘭對古今科技的宏觀及微觀政治深感興趣。她特別注重研究中國史上的科技如何反映及塑造性別角色。在其著作《技術與性別：晚期帝制中國的權力經緯》（2007年）及《帝制中國的科技、性別及歷史》（2013年）中，白馥蘭展示交織於中國帝制社會中的性別原則，包括從統治階級的天地觀及意識形態，以至國家的物質基礎和民間百姓的日常習慣。
在古代中國，全國上至官員下至百姓皆以男耕女織為基本社會概念：男人負責種田耕作，養育家庭和國家，女性則紡布織衣，為其裹身。白馥蘭在著述中分析，在中國經濟及社會秩序發生巨變的時代，這些道德理念如何繼續發展。
Wessie Ling, Reader of Fashion Practice Department, Northumbria School of Design
凌穎詩 （英國諾桑比亞大學設計學院服裝設計部教授）
Wessie Ling is a trained cultural historian and artist who uses academic writing and visual art practice to address issues in fashion. The discourse of cultural identities in the production of fashion and the cultural property of fashion are common themes in her work.
Author of Fusionable Cheongsam (2007), she has written widely on the socio-cultural revolution of the Chinese dress, through which she has dissected the material culture in China.
Current projects include an edited volume on Making Fashion in Multiple Chinas: Chinese Styles in the Transglobal Landscape (2017, IB Tauris), a guest issue on ’Hyper-Text)(ile)s: Transnational Networks in Fashion Exchange’ in Textile The Journal of Cloth and Cultures, and a special issue on Inter-East Asian Fashion Production for the journal Visual Anthropology.
A Reader in Fashion Practice at Northumbria University and a practicing visual artist, she uses text, audio and installations to address the soft power of fashion. She is currently a Visiting Scholar at the University of Hong Kong.
凌穎詩是文化歷史學專家，也是一位藝術家，她透過撰寫學術文章及視覺藝術創作，討論時裝相關的議題。她經常在作品中探討時裝生產中的文化身份和時裝的文化內涵。
在其著作《Fusionable Cheongsam》（2007年）中，她詳盡地講述傳統長衫一直以來的變革及所反映的社會文化發展，從中剖析中國的物質文化。
目前，她的工作項目包括參與修訂《Making Fashion in Multiple Chinas: Chinese Styles in the Transglobal Landscape》（2017年，IB Tauris出版）；為《Textile The Journal of Cloth and Cultures》的 「Hyper-Text」(ile)s: Transnational Networks in Fashion Exchange」撰寫客席文章；為期刊《Visual Anthropology》的特別專題「東亞區內的時裝生產」（Inter-East Asian Fashion Production）撰文。凌穎詩是英國諾桑比亞大學設計學院服裝設計部准教授，同時也是一位視覺藝術家，運用文字、聲音及裝置探討時裝的軟實力。目前她是香港大學訪問學者。
Moderator/ commentator 主持和評論:
Edith Cheung, Textile Catalyst
張西美 （紡織研究及教育人士）
Edith juggles her time between commercial and self-initiated projects. She takes interest in all textile-related matters, ancient and modern, East and West. After returning to Hong Kong from New York and Europe in the late 1980s, she started working as a costume designer in the film industry. At the 27th Golden Horse Award, Edith was awarded the Best Costume Design and Best Art Direction for her work in Director Yim Ho’s ’Red Dust’.
She worked with private collections, museums and academics on the study of Chinese Textiles, with the items ultimately being used as a study archive for the public. From 2010- 2015, she also wrote a bi-weekly column for Mingpao Weekly Magazine on textile-related matters. Currently, her services include consultation work for the Fashion Archive at Hong Kong Design Institute, China National Silk Museum in Hangzhou, MILL6 Foundation in Hong Kong and the St. James Settlement Rehabilitation Services.
張西美在商業和自發藝術項目之間遊走自如。她對關於紡織的一切都深感興趣，而且不論古今與中外。1980年代末，她從紐約及歐洲返回香港，自此開始成為電影界的服裝設計師。張西美曾
榮獲第二十七屆金馬獎最佳服裝設計及最佳藝術指導，參與電影是嚴浩執導的《滾滾紅塵》。
她與私人機構、博物館及學術機構合作研究中國紡織品，當中所收集的織品最終被納入研究檔案庫，向公眾開放。2010至2015年期間，她為明報周刊撰寫關於紡織的專欄，每兩個星期刊登一次。目前，她為香港設計學院時裝資料庫（Fashion Archive）、杭州中國絲綢博物館、南豐六廠及聖雅各福群會復康服務提供諮詢。
Sichuan Science and Technology Museum - Chengdu
The Sichuan Science and Technology Museum in Chengdu is a most interesting place to visit for people of all age groups.
By David Goorney
Computer History Museum Overview
Computer History Museum Overview
Shanghai Science and Technology Museum: Their Overview of Shanghai, China
For more information on my study tour of China, visit my blog at
Museum lifts wraps on China dissent's first big US show
One of the Washington's biggest art museums lifted the wraps Tuesday on the first North American survey of the work of Ai Weiwei, with the Chinese dissident artist conspicuous by his absence.Duration: 00:42
HANDICRAFTS WEAVING MUSEUM
the handicrafts museum at shaoxing, hangzhou, china
The new interactive Hello Park “Alice: The Return to Wonderland” in China by Hello Computer
The new Phygital Park “Alice: The Return to Wonderland” has attracted more than 30,000 visitors during its first month of operation in Shenzhen — the first location of the park’s upcoming tour across China, with plans to visit eight cities across the country within the next fifteen months. The 900 sq. m (9,700 sq. ft) family entertainment venue is also a major exposition of the new Phygital Park concept, showing its capabilities in the edutainment field and giving inspiration for its business-related use. The immersive space is filled with large- scale projections of Carroll’s wondrous worlds and beloved characters re-imagined in a new format, featuring ten interactive activities tailored for visitors of all ages. Inspired by the children’s classic book, the exhibition brings some of its wildest dreams to life and reveals the Alice’s world like never before with the help of exquisite imagery and latest technologies. Organised with the support of Hello Tale Investment Co. Ltd., the exhibition was designed and executed by the Russian company Hello Computer.
#helloalice #phygitalpark #hellocomputer
В Китае открылась масштабная мультимедийная выставка-приключение «Алиса: Возвращение в Страну Чудес» от российской компании Hello Computer. Тур по 8 городам Китая стартовал в Шэньчжэне, где за месяц парк посетили 30 000 человек. Выставка создана в формате Phygital Park – развлечения на стыке осязаемого (physical) и цифрового (digital). Иммерсивное пространство наполнено масштабными проекциями удивительных миров Кэрролла и воплощает в жизнь самые смелые мечты с помощью волшебных образов, захватывающих игровых механик и новейших технологий. Новый Phygital Park в Китае — это междисциплинарный проект на стыке искусства, технологий, развлечений, сторителлинга, развития и креативного мышления. 1000 человек ежедневно, 900 м, 10 аттракционов, 8 городов, 2018-2019.
Idea & production by Hello Computer
hello.io
hello-alice.ru
hello-park.ru
CHINA REGION - TAIWAN Major 6.5 EARTHQUAKE FULFILLED!!! in Days 1 Dead 85 Inj 3.27.13
- - SUBSCRIBE FOR PREDICTIONS THAT MAY AFFECT YOU - -
[complete upload:
NEWS ARTICLES:
TIME: 02:03:20 UTC
MAGNITUDE: 6.0 to 6.5
China: (6.5)
Usgs: (6.0)
DEPTH: 12.9 mls
LOCATION:
21 km (13 miles) SE of Buli, Taiwan
39 km (24 miles) ENE of Lugu, Taiwan
47 km (29 miles) ESE of Zhongxing New Village, Taiwan
48 km (29 miles) E of Nantou, Taiwan
IMPACT
- 1 Dead after a wall fell
- 86 Injured by falling rocks
- Felt across the island
- Buildings Shaken in Taipei
- Building Evacuations
- Several fires triggered
- People trapped in lifts
- High Speed Rail suspended
- Metro Rail halted
- Many school children screamed as they fled
- Several Aftershocks
SOME PAST FULFILLLED PREDICTIONS
#2:15.13 METEOR EXPLOSION -- RUSSIA
# 2.5.13 Santa Cruz, Solomon Isl Mega-quake Tsunami
# 1.5.13 Alaska 7.8 Mega Quake USA
# 10.29.12 Sandy Super-storm, New York, New Jersey
# 9.26.12 Scientists Discovery Confirm Weird Mega-quake
# 9.7.12 China Apocalyptic Earthquake 500,000 Bldgs damaged
# 9.7.12 Clock Time of China Apocalyptic Earthquake
# 8.29.12 Louisiana US Hurricane Katrina Revisit by Isaac
# 8.12.12 London Massive Olympic Fire; Worst in 7 years
# 7.13.12 Christian Camp Attack; Rapes, Pillage: Predicted 5 dys before
# 3.11.11 Japan 9.0 Mega-quake: Predicted 12 days bfr
# 3.20.12 Earthquake Magnitude of 7.8 Predicted 2 days bfr:
# 4.11.12 Mega-quake 8.6 Magnitude & death toll: Predicted 2 wks bfr:
# 5.29.12 Italy Deadly Earthquake Date Depicted: 6 dys bfr
HOW TO BE SAVED:
To The Honest Enquirer, PRAY the following prayer or one similar:
LORD JESUS, I BELIEVE THAT YOU DIED ON THE CROSS FOR MY SINS. YOU WERE BURIED AND RESURRECTED. I ASK YOUR FORGIVENESS OF ALL MY SINS AND I MAKE A DECISION TO FOLLOW YOUR WORD
BELIEVE that you are forgiven. If you do, you are saved (Born Again). Visit a Bible Church and ask to be BAPTIZED
HOW TO PREPARE FOR CALAMITY
(un-scientific pastoral suggestions)
China International Big Data Industry Expo 2018 Opens
An international expo on big data opened Saturday in southwest China's Guizhou Province, attracting over 40,000 participants from nearly 30 countries.
Chinese President Xi Jinping on Saturday called for enhanced international exchange and cooperation in the development of the big data industry in a congratulatory letter to the expo.
Focusing on the latest technological innovation and achievements, the four-day China International Big Data Industry Expo 2018 in the provincial capital of Guiyang will be attended by 388 exhibitors, according to the organizing committee.
Some high-tech achievements such as the application of supercomputing technology and a scenario of 5G assisted autonomous driving also made debut at the expo.
The expo will include a summit on e-commerce innovation and development, eight panel discussions and more than 50 forums. Covering some 60,000 square meters, the expo's exhibition zones are dedicated to state-of-the-art technology, hardware, digital applications and experience, and startups.
The expo will also feature a global competition on big data and artificial intelligence.
Welcome to subscribe us on:
Facebook:
Twitter:
LinkedIn:
Instagram:
Video on Demand: cctvplus.com
If you are in demand of this video footage, please contact with our business development team via email: service@cctvplus.com
3D animation project -How is smart express works
3D animation project name: Smart Logistic System show
10+ experiences in architectural animation services.
Guangzhou Frontop Computer Graphic Co., Ltd
Web:
Cotact us now:
Email us: business@frontop.com
TripaDeal TVC - China Deal
THE CUSTOMER
TripADeal is an online travel store that offers unique travel experiences around the world at reduced prices.
Based in Byron Bay on the idyllic NSW North Coast, the company has in recent years grown to become Australia’s leading Travel Deals website.
THE CHALLENGE
TripaDeal approached us to produce a a series of TV Commercials, to air in August 2015, featuring their new Brand Ambassador Shelley Croft.
TEN ALPHAS needed come up with a solution to produce each new deal quickly and cheaply, whilst retaining the Brand Ambassador, whom was only available for limited production days. The scripts therefore needed to allow for variations to be implemented in post-production.
THE SOLUTION
The treatment we proposed incorporates the design of the TripADeal print ads, linking the TVCs to TripADeal's current media strategy and branding.
We filmed Shelley Croft in a Green Screen Studio in Byron and added the print ad’s master image in the background during post.
In the ‘About the Deal’ section of each commercial we added a voiceover over animated deal specifics (text and images). This voiceover allowed for last minute changes where necessary.
We believe the final videos represent TripADeal's values of fun and excitement, and strengthen and enhance its existing branding.
CREDITS:
Client: TripADeal
Written and Directed by Nick Bolton
Produced by Erin Harvey
Shot by Jonathan Adams
Technical Director Jess Milne
Graphic Design by Dave Cochrane
Edited by Adrian Powers
Medieval China: Crash Course History of Science #8
Like Egypt, Sumer, and Mesoamerica, ancient China represents a hydraulic civilization—one that maintained its population by diverting rivers to aid in irrigation—and one that developed writing thousands of years ago. Today, we’re going to focus on the time of the Northern and Southern Song Dynasties, a time of great technical innovation. But, before we get to the Song, let’s take a tour through the ages and explore key elements of Chinese scientific culture.
***
Crash Course is on Patreon! You can support us directly by signing up at
Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever:
Mark Brouwer, Glenn Elliott, Justin Zingsheim, Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Divonne Holmes à Court, Brian Thomas Gossett, Khaled El Shalakany, Indika Siriwardena, Robert Kunz, SR Foxley, Sam Ferguson, Yasenia Cruz, Eric Koslow, Caleb Weeks, Tim Curwick, Evren Türkmenoğlu, Alexander Tamas, D.A. Noe, Shawn Arnold, mark austin, Ruth Perez, Malcolm Callis, Ken Penttinen, Advait Shinde, Cody Carpenter, Annamaria Herrera, William McGraw, Bader AlGhamdi, Vaso, Melissa Briski, Joey Quek, Andrei Krishkevich, Rachel Bright, Alex S, Mayumi Maeda, Kathy & Tim Philip, Montather, Jirat, Eric Kitchen, Moritz Schmidt, Ian Dundore, Chris Peters, Sandra Aft, Steve Marshall
--
Want to find Crash Course elsewhere on the internet?
Facebook -
Twitter -
Tumblr -
Support Crash Course on Patreon:
CC Kids:
English Antique Sundial Chinese Chippendale Scientific
- Newel.com: English Antique Sundial Chinese Chippendale Scientific and Mechanical for Sale (Newel Art and Antiques, New York City)
Climate Change Reimagined – Museum of the Future 2017
The Museum of the Future: Climate Change Reimagined marked the fourth year Tellart, in partnership with the Dubai Future Foundation, have opened the exhibition at the annual World Government Summit in Dubai. The latest edition addressed the growing concerns and inevitability of climate change. It presented a future where we have not only survived the challenges of climate change in the mid-21st century, but have thrived. The exhibit underlined the inevitability of major environmental change and the importance of adapting proactively. Climate Change Reimagined proposed three new ideas for how we can deal with the consequences, unveiling imaginative approaches for how countries can adapt to and lead the future.
Follow Tellart on:
The road to home | Lizhong Wei | TEDxQingboStSalon
We normally regard movable-type printingin Song dynasty as the printing of mother in China, however, it was proved that early back to Tang dynasty, it showed the Woodblock printing already by that time, and passed down to Hu zhengyan in Ming dynasty into its prosperous peak, but it was discontinued afterwards till lizhong Wei reverted the Ten Bamboo Hall nowadays and soon it was spread to the world. Lizhong Wei explained more why it attracts so much for a English student on this technique again and again in his workshop over his talk. Wei Lizhong, good at painting, carving, photography, is also a printmaker and representative inheritor of the national Intangible Cultural Heritage Ten Bamboo Hall Woodblock Printing. The master supervisor of Chinese ancient books protection research institute of Fudan university, the instructor of Woodblock Printing Center of national library, the curator of Ten Bamboo museum in Hangzhou , the teacher of Ten Bamboo woodblock experience center at Hangzhou Changjiang Experimental Elementary School . Mr.Wei , as an excellent folk talent, is a member of Hangzhou Democratic National Construction Association. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at