The International Petroleum Museum and Exposition and the Diving and R.O.V. Museum
This is an aerial drone production I put together for the International Petroleum Museum and Exposition and the Diving and R.O.V. Historical Preservation Museum. They are a non-profit corporation established for the purpose of educating the general public, and the next generation, on the significance of the offshore oil and gas industry and its effect on the local area, the state, the nation, and the world.
Myron C. Fagan - Les Illuminati et le CFR (1967)
- S'abonner à la chaîne:
Il s'agit d'un enregistrement de 1967 de Myron Coureval Fagan, pour lequel j'ai mis des sous-titres en français. J'ai moi-même corrigé la traduction jusqu'à 23 minutes, ensuite c'est une traduction automatique. Aussi, ce qui serait bien c'est que vous m'aidiez à finir la traduction des sous-titres ; )
ici:
Myron Coureval Fagan (31 octobre 1887 - 12 mai 1972) est un dramaturge, réalisateur et producteur de cinéma américain. Il fut également essayiste de théories du complot, anticommuniste fervent et l'un des premiers à parler du complot Illuminati.
Myron Coureval Fagan fut le mari de Minna Gombell.
Il fut inspiré par John Thomas Flynn pour ses essais conspirationnistes.
Voici une liste de ses oeuvres:
Films :
1926 Mismates (scénariste)
1929 The Great Power (scénariste et réalisateur)
1931 Smart Woman (scénariste, adapté de sa pièce Nancy's Private Affair)
1931 A Holy Terror (scénariste)
Livres et articles :
1932 Nancy's Private Affair, A comedy in three acts
1932 Peter Flies High, A comedy in three acts
1934 The Little Spitfire, A comedy-drama in three acts
1948 Red stars in Hollywood: Their helpers, fellow travelers, and co-conspirators
1948 Moscow over Hollywood (published by R.C. Cary, Los Angeles)
1949 Moscow marches on in Hollywood (News-bulletin/Cinema Educational Guild)
1950 Reds in the Anti-Defamation League (Cinema Educational Guild. News-bulletin, May 1950)
1950 Reds in crusade for freedom! (News bulletin)
1950 Hollywood reds are on the run!
1950 Documentation of the Red stars in Hollywood.
1950 Reds in the Anti-Defamation League.
1951 What is this thing called anti-semitism? (News-bulletin / Cinema Educational Guild)
1951 Saga of Operation Survival (News-bulletin / Cinema Educational Guild)
1953 Hollywood backs U.N. conspiracy
1954 Red Treason on Broadway (Cinema Educational Guild)
1956 United Nations on trial in Washington, D.C (News-bulletin)
1962 Must we have a Cuban Pearl Harbor? (News-bulletin / Cinema Educational Guild)
1964 How Hollywood is brainwashing the people (News-bulletin / Cinema Educational Guild)
1964 Civil rights, most sinister tool of the great conspiracy (News-Bulletin)
1965 How greatest white nations were mongrelized, then negroized: That is the fate planned for the American people (News-bulletin)
1966 The UN already secret government of U.S.!: Our recall project can smash it! (News-bulletin)
1966 The complete truth about the United Nations conspiracy! (News-bulletin)
1967 You must decide fate of our nation!!!: The Negro (CFR) plot is our greatest menace! (News-bulletin)
1969 Proofs of the great conspiracy and how to smash it!!! (News-bulletin / Cinema Educational Guild)
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new mexico surrealist. at TAAC gallery
one of the finest magic realist artist in the southwest is on display in january 2013 at the TAAC gallery in southern colorado,,,her work has been shown in international galleries and in the united states,her painting style conveys a great sense of color with shimmering pearl colors and a inner light that seems to transport the witness to another world of beauty and light,a golden age of the senses is captured in paint ,
WESTINGHOUSE (Full Documentary) | The Powerhouse Struggle of Patents & Business with Nikola Tesla
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George Westinghouse changed the face of the world with his inventions, patents, business sense, and personality.
Not a day goes by that we don't use something pioneered by George Westinghouse.
He is the forgotten role model that our country needs today to teach future generations of Americans that hard work and kindness pay off.
George Westinghouse was one of the most successful men in the world. A respected engineer, inventor and America's greatest industrialist.
He was a pioneer of the industrial revolution and played a leading role in turning the United States from a young agrarian society into a modern economic powerhouse.
The name Westinghouse has been a household name the world over for more than 100 years because of one man, his love of machines, and his desire to make the world a better place.
The accomplishments that George Westinghouse had in his lifetime had a major impact on the way we live today.
His work in the railroad industry with the Westinghouse air brake, the electrification of the world with Westinghouse alternating current, him being instrumental in developing natural gas as a fuel, and his impact on the shipping industry with the Westinghouse geared marine turbine engine.
George Westinghouse was known as a good person.
He always had a very good rapport with his workers. There was never a strike at any of the Westinghouse companies all the time he had control of them.
And, you know, that was not common back in those days. He certainly was not motivated by greed or money. He really thought that his accomplishments would benefit mankind. And that alone was a driving force for him. This film also engages in the power struggle between Westinghouse and Nikola Tesla.
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Memphis Belle Ceremony
The B-17F Memphis Belle is a national aviation treasure and widely recognized symbol of American bravery and heroism during WWII. The Memphis Belle will be placed on permanent public display exactly 75 years after its crew finished their last mission in the war against Nazi Germany on May 17, 1943. See the opening ceremony live from the National Museum of the United States Air Force at 6:30 pm EST May 16, 2018.
Golden Spike Train Club of Utah's magnificent Model Railroad
Golden Spikes Train Club located in Salt Lake City is Utah's largest club layout with over 20 scale miles of track. Club members operate trains over stunning western scenes !
Assembling the Dinosaur
Lukas Rieppell, David and Michelle Ebersman Assistant Professor of History, Brown University
Dinosaur fossils were first found in England, but a series of late-nineteenth-century discoveries in the American West turned the United States into a world center for vertebrate paleontology. Around the same time, the United States also emerged as an economic powerhouse of global proportions, and large, fierce, and spectacular creatures like Tyrannosaurus, Brontosaurus, and Triceratops became powerful emblems of American capitalism. Tracing the links among dinosaurs, capitalism, and culture during this era, Lukas Rieppel revealed how these giant reptiles became intertwined with commercial culture, philanthropic interests, and the popular imagination during America’s long Gilded Age.
Presented by the Harvard Museum of Natural History and the Collection of Historical Scientific Instruments.
Recorded September 17, 2019
Richard Watts : Edmonton Works : Sculpture / Installation Art / Arts Engagement Education
For this project, called Lock, six cottage boats were transformed on site in front of Edmonton City Hall, Edmonton, Alberta, 2008. The work is called Lock as I had recently done a residency with Mark Dion and J Morgan Puett in New York State and learned that in the late 19th century, before the railroad, coal was transported from the mountains to NYC in large wooden barges on an extensive canal system. When the railroad replaced them, all the boats were burned, anachronisms. They were beautiful boats.
So Lock is about transformation, forms changing, replacing original function, and the forms used are related to a life that is passing: small wooden boats, the image of the cottage and the pristine Canadian wilderness... The Oil Sands in Alberta are anachronistic as well, and we need to replace them with transformed technologies.
One of the pieces, Wake, was influenced by Antony Gormley's work and involved scrap pipe rising in a wave of sorts with a ghost figure rowing within it, like Chaeron rowing the dead across the River Styx—itself a metaphor for all the dead rivers caused by the Oil Sands and our fossil fuel dependencies.
Richard Watts
Artist Biography
Richard Watts is a Canadian/American artist, born in New Jersey, raised in the midWest and on a family farm in Kansas, and in Chicago. He moved to Toronto, Canada in 1987 and has worked in the city and, more recently, at Crowe River Studios in the Canadian Shield, since that time. His work is in public and private collections, including video work in the collection of Christo and Jeanne-Claude. The work explores environmental and climate change issues between the two countries, and has received feature print and television coverage.
Crowe River Studio is a developing environmental art centre, located on a wooded acreage in a large converted barn like an overturned ship in the middle of the woods on the edge of the Canadian Shield, beside the Crowe River east of Peterborough, Ontario, 2 hours from Toronto. The barn and woods are a working studio combining creation, production, exhibition, and education in an environmental context. An influence would be the American artists Mark Dion and J Morgan Puett’s Centre, Mildred’s Lane, between New York and Pennsylvania.
Recent works include the “Earth Skins” series-- latex and gauze relief sculpture ‘prints’ or ‘paintings’ created from Shield rock faces, trees, vintage boats, and abandoned architecture (2008-2015 . . . ), the site-specific “Ark” under the Manhattan Bridge (2007), and a series of skeletal steel forms along Mission Creek, a salmon river, in Kelowna, British Columbia (2006). In summer 2008 six cottage boats were altered live in front of Edmonton City Hall for The Works Festival, according to climate change themes, including a CBC presentation: Art In the Mall. In 2012 the “Earth Skins” were first shown at the MacLaren Art Centre in a solo exhibition called The Three Seasons, and in 2014 travelled to Two Rivers Gallery in Prince George, British Columbia, as well as the International Earth Art Exhibition in Hamilton, Ontario at the Royal Botanical Gardens.
Developing projects include the Mobile Art Circus, which involves an outdoor ‘museum’ made of cargo containers with “Earth Skins” made off old growth trees from different bioregions in Canada, shown inside, and an integrated courtyard performance space for multimedia presentations. Other developing projects include an Ancient Grove cedar tree Earth Skin in British Columbia, Canada.
The boat forms, archetypes of collective and individual life cycles and journeys, refer to the way the continent was originally traversed—in wood, bone, and skin crafts on the lake and river system—as well as to the vehicles of European colonization. The old growth trees are ancient world-symbols from which human culture has evolved—cathedrals, or ships, both depended on them and, classical columns and architectural proportions evolved from the sacred groves. With current climate change trajectories we need many more of them. The forms remind us to protect what remains.
Encana Corporation (NYSE:ECA) Just Reported Decreased Shorts
January 18, 2018 - By Kurt SiggersThe stock of Encana Corporation (NYSE:ECA) registered a decrease of 6.75% in short interest. ECA’s total short interest was 15.78M shares in January as published by FINRA. Its down 6.75% from 16.92 million shares, reported previously. With 5.62 million shares average volume, it will take short sellers 3 days to cover their ECA’s short positions. The short interest to Encana Corporation’s float is 1.79%.The stock increased 1.04% or $0.14 during the last trading session, reaching $13.59. About 8.12 million shares traded. Encana Corporation (NYSE:ECA) has risen 50.13% since January 18, 2017 and is uptrending. It has outperformed by 33.43% the S&P500.Encana Corporation, together with its subsidiaries, engages in the exploration, development, production, and marketing of natural gas, oil, and natural gas liquids in Canada and the United States. The company has market cap of $13.03 billion. The firm owns interests in various assets, such as the Montney in northern British Columbia and northwest Alberta; Duvernay in west central Alberta; and other upstream operations, including Wheatland in southern Alberta, Horn River in northeast British Columbia, and Deep Panuke located offshore Nova Scotia. It has a 17.05 P/E ratio. It also holds interests in assets that comprise the Eagle Ford in south Texas; Permian in west Texas; San Juan in northwest New Mexico; Piceance in northwest Colorado; and Tuscaloosa Marine Shale in east Louisiana and west Mississippi.Among 28 analysts covering Encana Corporation (NYSE:ECA), 21 have Buy rating, 2 Sell and 5 Hold. Therefore 75% are positive. Encana Corporation has $17.0 highest and $5.50 lowest target. $12.91’s average target is -5.00% below currents $13.59 stock price. Encana Corporation had 117 analyst reports since July 21, 2015 according to SRatingsIntel. The firm earned “Sell” rating on Friday, October 7 by Societe Generale. As per Wednesday, September 27, the company rating was maintained by Canaccord Genuity. Deutsche Bank maintained it with “Buy” rating and $6 target in Thursday, January 21 report. The company was maintained on Thursday, October 19 by Morgan Stanley. Morgan Stanley downgraded the shares of ECA in report on Tuesday, January 12 to “Equal-Weight” rating. The firm has “Buy” rating given on Monday, October 10 by . On Monday, May 29 the stock rating was maintained by RBC Capital Markets with “Buy”. TD Securities maintained the shares of ECA in report on Tuesday, June 13 with “Hold” rating. The firm has “Outperform” rating by Bernstein given on Friday, September 15. The stock has “Buy” rating by Altacorp on Sunday, July 23.More notable recent Encana Corporation (NYSE:ECA) news were published by: Livetradingnews.com which released: “Encana Corp (USA) (NYSE:ECA) Technicals Stock Consolidating” on December 27, 2017, also Fool.com with their article: “Encana Corp.’s Growth Strategy Is Starting to Pay Off” published on May 02, 2017, Fool.ca published: “Encana Corp.: Is the Sell-Off Overdone?” on July 10, 2017. More interesting news about Encana Corporation (NYSE:ECA) were released by: Fool.ca and their article: “Is Another Rally on the Horizon for Encana Corp.?” published on August 10, 2017 as well as Fool.ca‘s news article titled: “Should Encana Corp. Be in Your Portfolio?” with publication date: July 25, 2017.Encana Corporation-Receive News & Ratings Via Email - Enter your email address below to receive a concise daily summary of the latest news and analysts' ratings with our FREE daily email newsletter.
Artist Linda Besse at the International Guild of Realism 6th Annual Show
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Like most wildlife artists, Linda was enchanted with animals at an early age. It was vivid childhood memories of her great-uncle and his African hunting stories which gave her an immediate sense of the adventure one experiences when exploring wild animals and places. Linda was drawn to the outdoors through her geology bachelor's degree from Colgate University, followed with
a Master of Science degree which enabled her to get into the back country of Alaska, Nevada, Wyoming, Utah, and Montana.
Linda works from her field sketches, small field paintings, and her photographs to create a composition designed to reflect the inherent artistry of nature. Painting exclusively in oil because she likes its luminosity, depth, and intensity of color, Linda uses a mostly wet-on-wet technique to capture the immediacy of the image. She lives in the country surrounded by deer, wild turkey, grouse, quail, coyote, and the occasional moose and mountain lion.
To gather reference for her paintings, Linda has traveled to every U.S. state, 31 countries, and all seven continents. Three extended visits to Africa included a 70 km canoe trip on the Zambezi River in Zimbabwe. Linda has traversed remote tundra in Labrador researching the caribou migration, been dropped off by float plane to salmon-filled streams to watch grizzly bears in Alaska, and snorkeled with wild beluga whales in Hudson Bay.
Gracia Interviews Héctor Destéfanis - Part 2
Jorge J. E. Gracia's interview of Héctor Destéfanis is part of a series with the artists whose work is included in Gracia's book Painting Borges: Philosophy Interpreting Art Interpreting Literature and, with the exception of Leon Ferrari, in the exhibition Painting Borges: Art Interpreting Literature. The exhibition began in the Pabellon de las Bellas Artes in Buenos Aires, and is currently traveling in the United States. The venues include the Cantor Gallery of College of the Holy Cross in Worcester, Latino Arts in Milwaukee, Stark Galleries of Texas A&M University in College Station, Abud Family Foundation of the Arts in Lawrenceville, American University Museum in Washington, DC, Anderson Gallery of University at Buffalo, and Kansas-State Beach Museum. The book and the core of the exhibition consist of 24 figurative works of art that interpret twelve stories by Jorge Luis Borges. Sixteen artists from Argentina and Cuba participated. The interviews were conducted in Buenos Aires and Miami, and took place during 2010 and 2011. They served as background material for the book and biographical details used in the exhibition. The films were subjected only to absolutely necessary editing. For further information, see
Day of the Dead: WATCH 2019 Catrinas on the River Parade
San Antonio's inaugural Catrinas on the River parade was a huge success. It was the marquee event for the city's Day of the Dead celebrations featuring colorful barges decorated with skeletons, skulls, candles, incense, marigolds and pan de muerto.
Click here for more Day of the Dead stories.
Reflections on the First Fifty Years of the Peabody Museum, 1866–1916
Curtis Hinsley, Regents’ Professor Emeritus of History and Comparative Cultural Studies, Northern Arizona University
The Peabody Museum was founded at a time of epistemological and political turmoil, seven years after the publication of Darwin’s On the Origin of Species and one year after the end of the Civil War. The chaotic decades following the war proved to be an era of unprecedented economic opportunity, but also a time of corruption, disillusionment, and oppression. In the world of instruction, museums held the promise of teaching not only scientific facts, but proper values as well; a museum of anthropology might serve a vital moral function in the emerging society. As Peabody director Frederic Putnam wrote in 1891: “Many an indifferent idler straggling into a well-arranged museum goes forth with new ideas and fresh interests” to enrich “an otherwise aimless and weary life.” In this lecture Curtis Hinsley will consider the hopes and intentions of the Peabody Museum in its early years.
Presented as part of the Peabody Museum of Archaeology & Ethnology's 150th anniversary.
Spinosaurus fishes for prey | Planet Dinosaur | BBC
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John Hurts tells the stories of the biggest, deadliest and weirdest Dinosaurs ever to walk the Earth. Massive carnivorous hunter Spinosaurus hunts the giant fresh water fish Onchopristis.
Planet Dinosaur tells the stories of the biggest, deadliest and weirdest creatures ever to walk the Earth, using the latest fossil evidence and immersive computer graphics. Narrated by John Hurt.
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Beaumont Hamel 100 Remembrance: Full Program
CBCNL's live coverage of the Beaumont Hamel centenary hosted by Anthony Germain, Heather Hiscox and Debbie Cooper.
The July 1st, 2016 program honoured members of the Royal Newfoundland Regiment who served in World War One with her Royal Highness Princess Anne Colonel in Chief of the Regiment.
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Pope Francis meets Astronauts & The Life of Giovanni Palatucci | EWTN Vaticano Full Episode
This Week on EWTN Vaticano for June 17, 2018. Episode 345.
A focus on the environmental teachings of the Church as oil company CEOs visit the Vatican; crew from the International Space Station invited Pope Francis to explore space; the life of the “fair commissioner” Giovanni Palatucci, and more.
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EWTN Vaticano is a weekly television magazine show from the Heart of the Catholic Church. We bring you the Pope's recent activities, short documentaries and specials about history, art, and modern developments in the Catholic Church. It airs in English, Spanish, and German.0
Print making: lithography
Laura Bianchi, MA student of Printmaking at Camberwell College of Arts, UAL, demonstrates the techniques of lithography – using carborundum, oil, water and ink – and discusses how the painterly aspect of the process suits her artistic practice.
There are many amazing lithographic prints by artists such as Rosenquist, Rauschenberg, Lichtenstein and Jasper Johns in the exhibition:
The American Dream: pop to the present
9 March – 18 June 2017
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Sponsored by Morgan Stanley
Supported by the Terra Foundation for American Art
This film was made in collaboration with the printmaking tutors, technicians and students at Camberwell College of Arts, UAL.
Find out more about printmaking courses at UAL
El Greco y la pintura moderna 14
Montaje de la exposición El Greco y la pintura moderna
24 de junio - 5 de octubre de 2014.
El redescubrimiento del Greco tuvo gran importancia para el desarrollo de la pintura en el último tercio del siglo XIX y a lo largo de buena parte del XX. Tras la fascinación ejercida por Velázquez entre los pintores realistas, el Greco, entonces muy poco conocido, atrajo a los artistas más renovadores, como Manet y Cézanne. También interesó a los pintores españoles, entre ellos Zuloaga, que poseyó La visión de san Juan (Nueva York, Metropolitan Museum of Art), obra decisiva en el nacimiento mismo del cubismo por su influencia sobre Picasso, para quien el Greco fue el maestro antiguo más relevante. Tuvo además un gran peso en la difusión del cubismo, a través del orfismo de Delaunay, y de las obras de Derain, Modigliani, Rivera y la vanguardia checa.
DISPLAY OF THE EXHIBITION EL GRECO AND MODERN PAINTING
The rediscovery of El Greco was very important to the development of painting in the last third of the nineteenth century and throughout much of the twentieth. Following the fascination Velázquez held for the realist painters, El Greco – who was then little known – attracted the most innovative artists, such as Manet and Cézanne. He also interested Spanish painters, among them Zuloaga, who owned The Vision of Saint John (New York, Metropolitan Museum of Art). This work was decisive in the emergence of Cubism for its influence on Picasso, who regarded El Greco as the most outstanding old master. El Greco was also pivotal in the spread of Cubism through Delaunay’s Orphism and the works of Derain, Modigliani, Rivera and the Czech avant-garde. The first exhibition of El Greco’s work at the Museo del Prado (1902), the formation of new collections that related his painting to modern artists, the appearance of the first art historical studies, written by Manuel B. Cossío (1908) and August Mayer (1911), and the critical appreciations of Julius Meier-Graefe in his Spanish Journey (1910) and those of Maurice Barrès (1911), helped spread knowledge of the artist’s oeuvre. His works, chiefly the Laocoön(Washington, National Gallery of Art), provided inspiration to Expressionists in Central Europe, such as Beckmann, Macke, Kokoschka, Hofer, Steinhardt and Korteweg. He was also important to Jewish artists active in Paris, such as Soutine and Chagall, and to the Surrealists, as evidenced by the cases of Masson and Domínguez. El Greco played a particularly prominent role in shaping modern painting in the Americas, where the most expressive aspects of his art held great fascination in Mexico – as may be seen in the works of Orozco – and in the United States, where artists like Benton, Pollock and Matta (who came from Surrealism) were exploring abstraction. El Greco continued to be influential on the expressive figurative art of post-war Europe, as may be seen in the works of Giacometti, Bacon and Saura, as well as in Picasso’s late oeuvre.
Theory and Practice of Folklore in Cajun & Creole Louisiana
Barry Jean Ancelet discusses his fieldwork and current research, addressing the relationship between the theory and practice of folklore, between what folklorists think and how they convey the results of that thought to diverse audiences, including academic colleagues, cultural specialists and the general public. Although some folklorists have seen a dichotomy between thought and action, Ancelet has always seen them as inextricably integrated. He says that while he is more interested in discussing practice than theory, both are always in play.
Speaker Biography: Folklorist and University of Louisiana professor Barry Jean Ancelet is a leading scholar, author, expert and activist in the revival and revitalization of Cajun and Creole music and culture in Louisiana. He has been a leader not only in the academic study of Cajun and Creole folk culture, but in creating archives where the culture has been preserved, and festivals and other programs where the culture has been shared with diverse audiences. He is also a poet, songwriter and singer, and his 2016 CD with Sam Broussard, Broken Promised Land, was nominated for a Grammy Award in the Regional Roots Music category.
For transcript and more information, visit
Glass Storage - This is Only a Test 525 - 11/7/19
In the small window between Norm returning from a international travel and Kishore about to embark on an overseas trip, we gather the team to discuss Google's acquisition of Fitbit, the new VR game Pistol Whip, and Microsoft Research's experiments with archiving data onto sheets of glass. Plus, we ponder the viability of a LEGO competition show and are blown away from an experimental audio tool.
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