NCD 2011 Trnava Poster Triennial 2009
National Prize for Design 2011 - Communication Design
TRNAVA POSTER TRIENNIAL 2009 -- visual identity
design: Ondrej Gavalda
client: Jan Koniarek Gallery, Trnava
ZVONUZRODENIE SYNAGÓGY
Trnavský samosprávny kraj a Galéria J. Koniarka v Trnave spoločne zorganizovali slávnostné znovuotvorenie Synagógy – Centra súčasného umenia na Halenárskej ulici, ktorá prešla kompletnou rekonštrukciou. Akcia bola spojená aj s vernisážou japonského umelca s názvom Reflexia, či oceňovaním osobností, ktoré priložili ruku k dielu.
HASH - Aloud - Live - THK 2016 ( with harmonica )
Video from DVD - Live at Jan Koniarek Gallery Trnava
Camera: Pavol Banáš
Video cut: Miloš Chiko Moravčík
Sound recorted by: Dimenzia Company
Mixed, Mastered: Bunker Studio
DVD you can book on bandhash@gmail.com
Mira Sikorová-Putišová – Peter Meluzín / Autenticita vs štýl a trend
Peter Igor Meluzín (* 13. september 1947, Bratislava)
je slovenský autor akcií, performancií a videoinštalácií.
1965 – 1968 Slovenská vysoká škola technická v Bratislave
1968 – 1970 Filozofická fakulta Univerzity Komenského v Bratislave, odbor sociológia
1977 – 1983 Vysoká škola výtvarných umení v Bratislave, oddelenie grafiky u Oresta Dubaya a Vladimíra Gažoviča
V rokoch 1993 – 2012 pôsobil na Škole úžitkového výtvarníctva Josefa Vydru v Bratislave ako pedagóg a riaditeľ školy.
Tvorba Petra Meluzína predstavuje časť obdobia slovenského umenia pred a po roku 1989. Spolu s Radislavom Matuštíkom a Júliusom Kollerom založili akčné zoskupenie Terén, ktoré zoskupovalo akčných umelcov. Umelci v rokoch 1982 – 1985 realizovali akcie v prírode – negalerijnom prostredí. Terén prechádzal štyrmi ročnými obdobiami a zmyslom bolo spojenie s prírodou. Výstavný projekt Suterén (1989) bol vyvrcholením Terénu. Suterén zadefinoval tradíciu site – specific inštalácií v našom prostredí.
Formálna stránka jeho tvorby zahŕňa v sebe prácu s médiami ako sú fotografia, videoprojekcia, videoinštalácia. Peter Meluzín vo svojich dielach zostáva verný banalitám, využíva slovné hračky a pohráva sa s gýčom, ďalej používa aj motív zenu v zmysle meditácie. Zaoberá sa a upriamuje pozornosť na rozdielnosti medzi mužom a ženou. Cielene pracuje s motívmi ako sú pohlavie, sexualita, rodovosť.
Samostatné výstavy (výber)
1995 – Mouse killer. Považská galéria umenia, Žilina
1997 – KU-KLUX-KLON, Štátna galéria, Banská Bystrica
1998 – Bezruký Raphael. SNG – Vermesova vila, Dunajská Streda
1999 – Múr nárekov. Synagóga – centrum súčasného umenia, Galéria Jána Koniarka, Trnava
2002 – ENDANDYAND, Tatranská galéria- Elektráreň, Poprad
2013 – P. Meluzin pohľadom R. Matuštíka. Slovenský inštitút, Praha
Kolektívne výstavy (výber)
1991 – Sen o múzeu, Považská galéria umenia, Žilina
1993 – Priestor ´93, Kúpeľný ostrov, Piešťany
1992 – Zwischen Objekt und Installation. Museum am Ostwall, Dortmund
1995 – Artists of Central and Eastern Europe, Mattress Factory, Pittsburg
1997 – Limitloss. Kunsthalle, Drážďany
1996 – Epikurova záhrada, Slovenská národná galéria, Bratislava
2001 – Umenie akcie 1965 – 1989. Slovenská národná galéria, Bratislava
2006 – Autopoesis, Slovenská národná galéria, Bratislava
2008 – Slovenský obraz (anti-obraz). 20. storočie v slovenskom výtvarnom umení. Jízdárna Pražského hradu, Praha
Zdroj: sk.wikipedia.org
Diela:
Čierne diery,
Perníková chalúpka,
U-fotbal
Z novej tvorby,
Televangelium,
Megalit,
Life after Life
Terény
Suterén
Mira Sikorová-Putišová (*1974)
Vyštudovala Dejiny umenia a kultúry na Fakulte humanistiky Trnavskej univerzity v Trnave.
V rokoch 2000 – 2005 pracovala v Kultúrnych zariadeniach Petržalky v Bratislave:
2000 – 2003 ako manažérka pre styk s médiami
2003 – 2005 ako kurátorka výstav spojených s prezentáciou mladej dokumentárnej filmovej tvorby v CC Centre
v roku 2004 bola dočasne poverená vedením Galérie Petra Michala Bohúňa v Liptovskom Mikuláši
od roku 2002 pracuje ako kurátorka v Považskej galérii umenia v Žiline
od roku 2005 prednáša na Katedre teórie a dejín umenia Fakulty umení Technickej univerzity v Košiciach
Je kurátorkou desiatok výstav zameraných na prezentáciu súčasného umenia realizovaných na Slovensku a v zahraničí, autorkou štúdií a textov v katalógoch a iných odborných publikáciách. Od roku 2006 pôsobí vo Výkonnom výbore Rady galérií Slovenska, je členkou Slovenskej sekcie AICA. Bola a je členkou viacerých galerijných rád (GJK v Trnave, GCM v Bratislave, VSG v Košiciach, Galéria mladých NG v Nitre). Prispieva do odborných periodík – predovšetkým Flash Art Czech & Slovak edition, Jazdec a ďalších. Žije v Žiline.
Slovakia | Wikipedia audio article
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Slovakia
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Slovakia ( ( listen); Slovak: Slovensko [ˈslɔʋɛnskɔ] ( listen)), officially the Slovak Republic (Slovak: Slovenská republika, listen ), is a landlocked country in Central Europe. It is bordered by Poland to the north, Ukraine to the east, Hungary to the south, Austria to the west, and the Czech Republic to the northwest. Slovakia's territory spans about 49,000 square kilometres (19,000 sq mi) and is mostly mountainous. The population is over 5.4 million and consists mostly of Slovaks. The capital and largest city is Bratislava, second largest city is Košice. The official language is Slovak.
The Slavs arrived in the territory of present-day Slovakia in the 5th and 6th centuries. In the 7th century, they played a significant role in the creation of Samo's Empire and in the 9th century established the Principality of Nitra, which was later conquered by the Principality of Moravia to establish Great Moravia. In the 10th century, after the dissolution of Great Moravia, the territory was integrated into the Principality of Hungary, which would become the Kingdom of Hungary in 1000.. In 1241 and 1242, much of the territory was destroyed by the Mongols during their invasion of Central and Eastern Europe. The area was recovered largely thanks to Béla IV of Hungary who also settled Germans which became an important ethnic group in the area, especially in what are today parts of central and eastern Slovakia. After World War I and the dissolution of the Austro-Hungarian Empire, the Czechoslovak National Council established Czechoslovakia (1918–1939). A separate (First) Slovak Republic (1939–1945) existed during World War II as a totalitarian, clero-fascist one-party client state of Nazi Germany. At the end of World War II, Czechoslovakia was re-established as an independent country. A coup in 1948 ushered in a totalitarian one-party state under the Communist regime during whose rule the country existed as a satellite of the Soviet Union. Attempts for liberalization of communism in Czechoslovakia culminated in the Prague Spring, which was crushed by the Warsaw Pact invasion of Czechoslovakia in August 1968. In 1989, the Velvet Revolution ended the Communist rule in Czechoslovakia peacefully. Slovakia became an independent state on 1 January 1993 after the peaceful dissolution of Czechoslovakia, sometimes known as the Velvet Divorce.
Slovakia is a high-income advanced economy with a very high Human Development Index, a very high standard of living and performs favourably in measurements of civil liberties, press freedom, internet freedom, democratic governance and peacefulness. The country maintains a combination of market economy with a comprehensive social security system. Citizens of Slovakia are provided with universal health care, free education and one of the longest paid parental leave in the OECD. The country joined the European Union in 2004 and the Eurozone on 1 January 2009. Slovakia is also a member of the Schengen Area, NATO, the United Nations, the OECD, the WTO, CERN, the OSCE, the Council of Europe and the Visegrád Group. Although regional income inequality is high, 90% of citizens own their homes. In 2018, Slovak citizens had visa-free or visa-on-arrival access to 179 countries and territories, ranking the Slovak passport 10th in the world. Slovakia is the world's largest per-capita car producer with a total of 1,040,000 cars manufactured in the country in 2016 alone and the 7th largest car producer in the European Union. The car industry represents 43% of Slovakia's industrial output, and a quarter of its exports.