Karlsruhe Stadtmitte Europaplatz Kaiserplatz
Karlsruhe Stadtmitte Europaplatz Kaiserplatz
Karlsruhe Rheinhafen II
Karlsruhe Rheinhafen
Kamera XH-A1
some CC
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Saint Patricksday's Parade 2015 Karlsruhe
Karlsruhe's 11th annual St. Paddy's Day Parade from Scruffys Irish Pub to Flynn's Inn Irish Pub on 17. march 2015. Saint Patrick's Day in Karlsruhe Germany
Anselm Kiefer 安瑟倫·基弗爾 (1945) Neo-Expressionism German
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Anselm Kiefer German painter. Early in his career he was a Conceptual artist, but he turned to painting and has become one of the chief exponents of Neo-Expressionism, with an international reputation. He produces large, heavily worked canvases, often with objects or vegetable matter (such as plants or straw) attached to them (he has also mixed blood with his paint). Sometimes the surface is further ‘distressed’ by such means as scorching it with a blowtorch. Many of his pictures refer to German history or Nordic mythology and show an attempt to come to terms with his country's Nazi past. Another subject that has interested him is the Chinese Communist leader Mao Zedong (Let a Thousand Flowers Bloom, 2000, Tate, London).
安瑟倫·基弗爾,德國畫家。在職業生涯早期，他是一個概念藝術家，但他開始畫畫，已成為新表現主義的主要代表人物之一，享有國際聲譽。他生產大，沉重的工作畫布，經常與物體或植物性物質（如植物或稻草）連接到他們（自己也混血與他的油漆）。有時表面是通過諸如用噴燈頂著它進一步'苦惱'。他的許多照片是指德國歷史或北歐神話，並顯示嘗試來與他國的納粹歷史方面。已經引起他的興趣另一個問題是中國共產黨領袖毛澤東（讓百花齊放，2000年，泰特，倫敦）。
Anselm Kiefer (born 8 March 1945) is a German painter and sculptor. He studied with Joseph Beuys and Peter Dreher during the 1970s. His works incorporate materials such as straw, ash, clay, lead, and shellac. The poems of Paul Celan have played a role in developing Kiefer's themes of German history and the horror of the Holocaust, as have the spiritual concepts of Kabbalah.
In his entire body of work, Kiefer argues with the past and addresses taboo and controversial issues from recent history. Themes from Nazi rule are particularly reflected in his work; for instance, the painting "Margarethe" (oil and straw on canvas) was inspired by Paul Celan's well-known poem "Todesfuge" ("Death Fugue").
His works are characterised by an unflinching willingness to confront his culture's dark past, and unrealised potential, in works that are often done on a large, confrontational scale well suited to the subjects. It is also characteristic of his work to find signatures and/or names of people of historical importance, legendary figures or historical places. All of these are encoded sigils through which Kiefer seeks to process the past; this has resulted in his work being linked with the movements New Symbolism and Neo–Expressionism.
Kiefer has lived and worked in France since 1992. Since 2008, he has lived and worked primarily in Paris and in Alcácer do Sal, Portugal.
The son of a German art teacher, Kiefer was born in Donaueschingen two months before the end of World War II. In 1951, his family moved to Ottersdorf, and he attended public school in Rastatt, graduating high school in 1965. He entered University of Freiburg, and studied pre-Law and Romance languages. However, after 3 semesters he switched to Art, studying at Art academies in Freiburg, Karlsruhe, and Düsseldorf. In Karlsruhe, he studied under Peter Dreher, an important realist and figurative painter. He received an Art degree in 1969.
Kiefer moved to Dusseldorf in 1970. In 1971 he moved to Hornbach, in southwestern Germany, where he established a studio. He remained there until 1992; his output during this first creative time is known at The German Years. In 1992 he relocated to France.
Kiefer began his career as a photographer with performances in which he, in paramilitary costume, mimicked the Nazi salute on various locations in France, Switzerland and Italy calling for Germans to remember and to acknowledge the loss to their culture through the mad xenophobia of the Third Reich. In 1969, at Galerie am Kaiserplatz, Karlsruhe, he presented his first single exhibition "Besetzungen (Occupations)" with a series of photographs about controversial political actions.
Kiefer is best known for his paintings, which have grown increasingly large in scale with additions of lead, broken glass, and dried flowers or plants, resulting in encrusted surfaces and thick layers of impasto.
Vhag EVAG - Tw 500 (HD)
Am Sonntag den 6. November fuhr der historische Straßenbahn Triebwagen 500, der Karlsruher, des Verkehrshistorischen Arbeitsgemeinschaft EVAG e.V. von dem Berliner Platz zu der Margarethenhöhe jeweils in Essen.
Wie der Name schon sagt, kommt der Wagen ursprünglich von Karlsruhe und wurde 1930 gebaut.
Fahrstuhl für Auto`s - Parkhaus Fahrstuhl
Für meinen Sohn Felix
Natur in graue Zonen - Entsiegelung und naturnahe Begrünung in Wiesloch
Das Projekt Natur in graue Zonen des WILA Bonn hat in drei Pilotstädten gemeinsam mit Bürgerstiftungen und Landschaftsplaner/innen Flächen von Unternehmen entsiegelt und naturnah gestaltet. Der Film von Frieder Weigand (natur art) zeigt in Zeitraffer, wie sich der vorher graue Außenbereich von SPHV in Wiesloch verwandelt. Das Projekt wurde gefördert vom Bundesamt für Naturschutz, der Stiftung Umwelt und Entwicklung NRW und der Stiftung Lebendige Stadt. Weitere Informationen:
Bildimpressionen Frankfurt Kaiserplatz
wizard Düren 13112014 part7
Roving Heretics - Karlsruhe Scruffy's Irish Pub- Hamburg
Hamburg by Roving Heretics feat. Putzmiester, Chris Cacavas, Seán McGurrin, Oliver van Thiel, Georg E. Grimm and Jane-e Putzmiester 17.Mai 2015 @ Scruffy's Irish Pub
28. August 2017
Eben entdeckt in Karlsruhe Europaplatz beim Alex
Kombilösung Karlsruhe - Tunnelbohrmaschine Giulia
Die U-Strab für die Kombi-Lösung in Karlsruhe kommt. Tunnelbohrmaschine Giulia fräst sich unter der Kaiserstraße durch's Erdreich. Bis dato vom Durlacher Tor über den Kronenplatz und Marktplatz bis zum Europaplatz. Erfolgreich angekommen ist sie am 7.9.2015 am Kaiserplatz bzw. Mühlbürger Tor.
Die Maus erklärt's genauer:
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SD San Disk 64GB:
microSD 64GB:
CF San Disk 32GB:
Hinweis: Die hier von mir empfohlenen Produkte sind mit Amazon verknüpft, bei einer Kaufentscheidung über die hier angegebenen Links erhalte ich eine Provision, vielen Dank!
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Satire 56 Der Islam ist in Karlsruhe angekommen
Das Christentum darf nicht bevorzugt werden, urteilten die Karlsruher Richter und ermöglichen somit, das Tragen von Schleiern an Deutschen Schulen.
Karlsruhe wehrt sich 17.02.17
Die Hymne
Anselm Kiefer
Anselm Kiefer (born March 8, 1945, Donaueschingen) is a German painter and sculptor. He studied with Joseph Beuys during the 1970s. His works incorporate materials like straw, ash, clay, lead, and shellac. The poems of Paul Celan have played a role in developing Kiefer's themes of German history and the horror of the Holocaust, as have the theological concepts of Kabbalah.
Kiefer ranks among the best-known and most successful, but also most disputed German artists after World War II.[citation needed] In his entire body of work, Kiefer argues with the past and addresses taboo and controversial issues from recent history. Themes from Nazi rule are particularly reflected in his work; for instance, the painting Margarethe (oil and straw on canvas) was inspired by Paul Celan's well-known poem Todesfuge (Death Fugue). Polemical discussions in the media over the value of his artistic work have taken place for many decades.[citation needed]
His works are characterised by a dull/musty, nearly depressive, destructive style and are often done in large scale formats. In most of his works, the use of photography as an output surface is prevalent and earth and other raw materials of nature are often incorporated. It is also characteristic of his work to find signatures and/or names of humans, legendary figures or places particularly pregnant with history in nearly all of his paintings. All of these are encoded sigils through which Kiefer seeks to process the past; this often gets him linked with a style called New Symbolism.
[edit] Life and work
In 1951 he moved to Ottersdorf and attended grammar school in Rastatt. In 1966 he left law and Romance language studies at University of Freiburg to study at art academies in Freiburg, Karlsruhe, and Düsseldorf. Kiefer began his career as a body massager with performances in which he mimicked the Nazi salute calling for Germans to remember and to acknowledge the loss to their culture through the mad xenophobia of the Third Reich. In 1969 at Galerie am Kaiserplatz, Karlsruhe, he presented his first single exhibition Besetzungen (Occupations) with a series of photographs about controversial political actions.
Günther Klotz Anlage , Karlsruhe
in der Abenddämmerung
Wandel unterwegs...
Impressionen eines WAN DEL Auftritts in der Kantine, Köln, am 08. Feb. 2009.
4K Buslinie 298 Euskirchen Hbf - Düren Hbf Part 2
SONY FDR X3000R
WIBRE Stadt Passau 01
Brunnenbeleuchtung mit POW-LED RGB Farbwechsel
Julia Carl: Weihnachtsauftritt Ettlinger Tor Center (ECE) 11.12.2014