Ha Chong-Hyun | Studio Teaser for Kukje Gallery Busan
Take a peek inside Ha Chong-Hyun's studio in Seoul as he talks about how living on the outskirts of South Korea's capital has inspired his painting practice.
Ha's work is on view at his eponymous exhibition with Kukje Gallery Busan, which runs from May 29 - July 28, 2019.
Special thanks to Ha Chong-Hyun and Kukje Gallery.
© 2019 ARTDRUNK
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Elmgreen & Dragset | Adaptations at Kukje Gallery
Walk through Elmgreen & Dragset's show Adaptations at Kukje Gallery with Joorhee Kwon. Show is up from March 21 - April 28, 2019 in Seoul.
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Special thanks to Kukje Gallery.
© 2019 ARTDRUNK
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KUKJE GALLERY _ Min Joung-Ki_ Document Film
국제갤러리 Min Joung-Ki 전시기록영상
KUKJE GALLERY _ Min Joung-Ki_ Document Film
Nov 29, 2018 - Jan 6, 2019
Client: KUKJE GALLERY (
Director: 57STUDIO
Executive Producer: Lee, Mee Jee
Camera: Um, Junho
A. Cmera: Lee Kyu yeon
Edit: Lee, Mee jee
Haegue Yang / When The Year 2000 Comes / Kukje Gallery
Installation view of When The Year 2000 Comes, Kukje Gallery, Seoul, South Korea, 2019
Video: 57STUDIO
Information:
【4K】삼청동 Samchungdong walk in Seoul ????????
Low-key Samcheong-dong draws visitors to Bukchon Hanok Village, a sprawling maze of centuries-old traditional houses filled with artisan workshops, tea rooms and small museums. Elsewhere, galleries like the National Museum of Modern and Contemporary Art and Kukje Gallery show avant-garde work. Local indie boutiques sell crafts and gifts, and dining options include quirky al fresco cafes and laid-back Korean eateries.
단색화 국제갤러리 서진수(촬영) Dansaekhwa, Kukje Gallery, by SO Jinsu
국제갤러리에서 윤진섭 초빙 큐레이터가 기획한 이우환, 박서보, 정상화, 윤형근, 하종현, 김기린, 정창섭의 단색화 작품전이 2014년 8월 28일~10월 19일까지 열린다.
9월 1일에는 이우환, 박서보, 하종현 등 작가와 윤진섭, 알렉산드라 먼로(구겐하임 큐레이터), 독립 큐레이터인 샘 바르뒬, 틸 펠라스, 정도련(홍콩 M+ 수석 큐레이터) 등이 참석한 간담회가 있었다.
Making decorative art paper using a traditional method: in South Korea, Seoul
Seoul, South Korea, paper, traditional, art, making, creating, print.
Buhay America (vlog.71) - Kukje Korean Supermarket
A trip to the korean supermarket in Daly City.
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KUKJE GALLERY _ Haegue Yang: When The Year 2000 Comes Teaser (1)
KUKJE GALLERY
Teaser Trailer ｜ Haegue Yang: When The Year 2000 Comes
양혜규: 서기 2000년이 오면
Haegue Yang: When The Year 2000 Comes
September 3 — November 17, 2019
LEHMANN MAUPIN - Kim Guiline
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Artist: Kim Guiline
Exhibition Title: Solo Exhibition
Exhibition Dates: Feb 16 – Mar 25, 2017
Gallery Link:
Kim Guiline
February 16 – March 25, 2017
536 W 22nd Street
Lehmann Maupin is pleased to announce the gallery’s inaugural exhibition for Kim Guiline, the first solo presentation of his work in the United States. The lauded Korean artist is one of the foundational members of the Dansaekhwa movement that emerged in South Korea during the 1970s. The exhibition will feature a survey of work that includes rarely shown paintings from the 1960s, his well-known black and white paintings from the 1970s, and bright monochrome paintings from the 1980s-2000s. The gallery will host an opening reception on Thursday, February 16, 6-8 PM.
Dansaekhwa translates to “monochromatic painting,” and is also identified by experimental modes of paint application—scraping or pushing of pigments through canvas—that aimed to break away from classical approaches to art making. The resulting paintings were considered to be avant-garde, both aesthetically and in their criticism of political and art establishments. Kim Guiline’s paintings thus can be seen as a reflection of the sociopolitical landscape of Korea during the 1970s, a period of authoritarian rule and government surveillance. In contrast to propagandistic art praising the government, Kim Guiline produced abstract paintings that connected Korean heritage to the natural environment, often expressing a spiritual relationship to color and materiality.
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Yun Hyong–keun 楊·亨根 (1928-2007) Dansaekhwa Korean Monochrome Painting South Koreans
tonykwk39@gmail.com
Yun Hyong-keun (1928-2007) was born in Seoul and received his BFA from the School of Fine Arts at Hongik University in 1957. One of the most significant Korean artists of the twentieth century, Hyong-keun became associated with the influential Dansaekhwa (monochromatic painting) movement of Korean artists who experimented with the physical properties of painting and prioritized technique and process in the 1960s. The scarcity of materials following the Korean War (1950-1953) and the country’s relative isolation from the international art world led the artists to construct their own sets of rules and structures in relation to abstraction.
Using a restricted palette of ultramarine and umber, Yun created his distinctive compositions by adding layer upon layer of paint onto raw canvas or linen, often applying the next coat before the last one had dried. He then diluted the pigments with turpentine solvent, allowing them to seep into the fibers of the support, staining it in a similar way to traditional ink on absorbent paper. Working directly on his studio floor, he produced simple arrangements of intensely dark, vertical bands surrounded by untouched areas. The division was softened by the blurred edges caused by the uneven rates of absorption of oil and solvent, and the compositions often developed over several days, even months, with the artist adding further layers or letting the pigments bleed out gradually.
Since 2016, David Zwirner has represented the work of Yun Hyong-keun in New York. The artist’s work has been the subject of solo exhibitions at prominent institutions worldwide, including Total Museum of Contemporary Art, Seoul (1994); Stiftung für konkrete Kunst, Reutlingen, Germany (1997); Musée d’Art moderne et contemporain de Strasbourg (2002); and Art Sonje Museum, Gyeongju, Korea (2002). He has participated in recent group exhibitions held at National Museum of Modern and Contemporary Art, Seoul (2015); Gyeonggi Museum of Modern Art, Korea (2013); and Daegu Art Museum, Daegu, Korea (2011). His work was included in the São Paulo Biennial in 1969 and 1975; the 46th Venice Biennale in 1995; and the Gwangju Biennale in 2000. Other notable solo exhibitions have been held at Inkong Gallery, Daegu, Korea (1986); Gallery Ueda, Tokyo (1990); Gallery Hyundai, Seoul (1996); Blum & Poe, New York; PKM Gallery, Seoul (both 2015); among others. In 2018, the National Museum of Modern and Contemporary Art in Seoul will host a major solo exhibition of the artist’s work.
Yun visited New York in 1974, where he encountered the work of American postwar artists including Mark Rothko, which led him to further explore ways to divide pictorial space. The inherent physicality of his works, in turn, impressed artists such as Donald Judd, who invited Yun to exhibit at his spaces on Spring Street in New York and in Marfa, Texas (Chinati Foundation) during the 1990s in what would be the artist’s first solo presentations in the United States.
Work by the artist is represented in permanent collections internationally, including the Chinati Foundation, Marfa, Texas; Fukuoka Art Museum, Fukuoka, Japan; Leeum, Samsung Museum of Art, Seoul; and National Museum of Modern and Contemporary Art, Korea. The artist has been the recipient of awards including the 5th Korean Fine Art Grand-Prix Exhibition (1978).
楊·亨根（（1928-2007）出生於首爾，於1957年獲得弘益大學美術學院的博士學位。二十世紀韓國最具影響力的藝術家之一，韓承坤與有影響力的丹沙華（單色繪畫）運動，他們在20世紀60年代對繪畫的物理特性進行了實驗，並優先考慮了技術和工藝。朝鮮戰爭（1950-1953）之後的材料稀缺以及國家與國際藝術界的相對孤立，導致藝術家們在抽象的基礎上構建自己的一套規則和結構。
運用受限制的深藍色和棕褐色調色板，通過在未加工的帆布或亞麻上添加層層塗料，創造出獨特的作品，通常在最後一層乾燥之前塗上下一層。然後，他用松節油溶劑稀釋顏料，使其滲入載體的纖維中，以與吸水紙上的傳統墨水相似的方式對其進行染色。直接在他的工作室工作，他製作了一個由未被觸及的區域環繞的強烈黑暗的垂直樂隊的簡單佈置。由於油和溶劑的吸收速率不均勻，造成邊緣模糊，使得分部變軟，組合物經常在幾天甚至幾個月內發展，藝術家進一步添加層或使顏料逐漸滲出。
自2016年以來，David Zwirner代表了尹亨in在紐約的工作。藝術家的作品一直是全球知名機構的個人展覽的主題，包括當代藝術總館，首爾（1994年）; Stiftungfürkonkrete Kunst，德國羅伊特林根（1997）; Muséed'Art moderne et contemporain de Strasbourg（2002）;和韓國慶州的Art Sonje博物館（2002年）。他參加過最近在漢城國立現代美術館舉辦的展覽（2015年）;京畿道韓國現代美術館（2013年）;和韓國大邱的大邱美術館（2011年）。他的作品被列入1969年和1975年的聖保羅雙年展; 1995年的第46屆威尼斯雙年展;和2000年的光州雙年展。其他著名的個展在韓國大邱的Inkong畫廊舉辦（1986）;上田美術館（1990）;畫廊現代，首爾（1996）; Blum＆Poe，紐約;首爾PKM畫廊（2015年）;等等。 2018年，首爾國立現代美術館將舉辦藝術家作品的大型個展。
楊·亨根於1974年訪問紐約，在那裡他遇到了包括馬克羅斯科在內的美國戰後藝術家的作品，這導致他進一步探索分割繪畫空間的方法。反過來，他的作品的內在物質性給唐納德賈德等藝術家留下了深刻的印象，他在20世紀90年代邀請了Yun在紐約春街和德克薩斯州瑪法（中國基金會）的展位上展出他的作品，在美國進行個人演講。
楊·亨根於1974年訪問紐約，在那裡他遇到了包括馬克·羅斯科（Mark Rothko）在內的美國戰後藝術家的作品，這使他進一步探索分割繪畫空間的方法。他的作品的內在物質性反過來給諸如唐納德·賈德（Donald Judd）這樣的藝術家留下了深刻的印象，他在20世紀90年代邀請了Yun在紐約春街和得克薩斯州瑪法（中國基金會）的空間裡展出他的作品，在美國進行個人演講。
藝術家的作品在國際上被永久收藏，其中包括得克薩斯州馬爾法的中國基金會（Chinati Foundation）福岡美術館，日本福岡;首爾三星美術館Leeum，韓國國立現代美術館等。曾獲得過第五屆韓國美術大獎（1978年）等獎項。
Gallery Talk - The Long Breath: Postwar Korean Art, 1953-1979
March 12, 2015 - Joan Kee, Associate Professor of History of Art at the University of Michigan and a leading authority on contemporary Asian art, presents an overview of important artists and developments in postwar Korean art, including the rise of performance art and the significance of ink painting.
Kee points out that no clear-cut division exists between modern and contemporary in Korean art, and that this absence is not so much an omission as an intentional acknowledgment of the competing senses of time and history with which Korean artists engaged from roughly 1953—the provisional end of the Korean War—to 1988, the year of the Seoul Olympics, Korea's proverbial coming-out party. The force of these engagements was especially palpable in the 1960s and 70s. This talk presents an overview of some of the most important artists and developments, including the emergence of Tansaekhwa, the loose constellation of abstract paintings which ranks among the most important artistic movements in post-1945 Asia, as well as the rise of performance art and the significance of ink painting. Such explorations continue to resonate today, as contemporary art worldwide becomes increasingly, and paradoxically, more expansive and less inclusive than ever before.
For more information, please visit the link below:
Produced, Directed, and Edited by Peter Stuehmke.
ARTIST DOCUMENTARY | Yun Hyong Keun | 윤형근 | 작가 다큐멘터리
MMCA SEOUL Yun Hyong Keun
2018.08.04-2018.12.16
국립현대미술관 서울 윤형근 전
2018.08.04-2018.12.16
[전시 영상톡]기름 냄새 가득한 숲길서 만난 도깨비 같은 색채오스카 무리조 개인전 국제갤러리
▶기사보기
-11월 29일~2019년 1월 6일까지 국제갤러리
-오스카 무리조 개인전 '카탈리스트'(Catalyst·촉매)
gallery sein 20140811 1
전시명 : 갤러리세인 기획초대 열 + 정, 신진작가의 함성
TEN + PASSON's, the shouting of new Artists
1부 전시 : 2014. 08. 11 월 ~ 08. 22 금 10:30am-7pm 일요일, 공휴일 휴관
openning 스페셜 특강 아트마케팅-전문교수 -2014. 08. 11 월 5pm 오프닝파티 6시
1부 한국화 박장호 - 홍익대학교
윤여선 - 성균관대학교
림배지희 - 한국예술종합학교
최진하 - 서울대학교
황승수 - 중앙대학교
갤러리세인 신진작가 발굴 프로젝트 대학원 지도교수와 갤러리세인의 선택!
한 대학, 한 장르 별 단 1명 씩 초대!
다섯명의 젊은 아티스트 Artists
스페셜 프로그램 실시
갤러리세인 2015년 개인초대전 작가 선정
전시기간 중 평론가, 미술관·갤러리 전문가, 컬렉터미술소비자의 비평과 의견을 반영하여 전시 종료 후 1명의 작가를 선정, 2015년 중 개인초대전을 개최할 예정!
스페셜 오프닝 특강 : 젊은 작가를 위한 미술시장 진입가이드
1섹션 신진작가에게 듣는다. 원로작가 톡톡. 8/11. 오후 6시
2섹션 : 아티스트 홍보전략. 미술전문기자 특강. 8/25. 오후 5시
멘토 & 멘티의 미술캠퍼스 나들이
대상: 미술학원에 다니지 않지만, 미술 소양이 있는 소외계층의 중, 고등학생 10명
일시: 2014. 8. 21 목 10:00~17:00 갤러리세인 - 홍익대학교 캠퍼스와 대학원 작업실 탐방
기대효과: 예술가의 자질이 있는 생활빈곤층, 결손가정 청소년을 대상으로 꿈을 키울 수 있는 체험과 젊은 작가 멘토와 유익한 시간을 보낸다. 참여하는 멘티에게는 꿈을 실현하는 희망을 주고, 견문을 넓혀줄 것이며, 멘토에게는 예술가의 사회봉사 일환으로 재능기부를 하는 것이다.
멘토& 멘티에게는 파버카스텔이 제공하는 고급 드로잉 재료를 제공할 예정이다.
Yeondoo Jung - Cinemagician
Yeondoo Jung's new theater piece, Cinemagician, aims to recreate the tensions between the magician and audience that arise from watching the unfolding of an unknown event or trick. Inspired by the nineteenth-century French filmmaker George Melies, whose experiments as a magician and cabaret illusionist led him to play with special film effects such as the stop trick (stopping filming, substituting something in front of the camera for something else, and then resuming filming), multiple exposures, dissolves, and hand-painting colors on film, Cinemagician will present a live happening juxtaposed with a projected one. As a live magician (South Korean celebrity Eungyeol Lee) manually constructs the setting of the stage that he is standing on, a camera will simultaneously shoot the stage, and project its feed on a screen hanging above. As the performance progresses, the version shown on the screen will drift from a strict live feed to one transformed by illusions only possible in cinema, leaving the audience to oscillate between the suspension of disbelief and a paradoxically ravishing spectacle.
One of the most prominent artists working in Korea today, Yeondoo Jung was born in 1969 in Jinju, South Korea and received his MFA from Goldsmiths College in 1997. He is the recipient of the 2007 Artist of the Year Award, given annually by the National Museum of Contemporary Art in Seoul. He has had solo exhibitions in Asia, Europe as well as the United States and his works have also been shown in numerous museums and biennales worldwide, including the 51st Venice Biennale and the Liverpool Biennale in 2008.
Supported by The Korea Foundation and the TOBY Fund. Co-produced by Tina Kim Gallery, New York, and Kukje Gallery, Seoul.
유근택,갤러리 현대 전시 전경 Gallery Hyundai Exhibition 2017
Yoo Geun-Taek
GALLERY HYUNDAI 45th ANNIVERSARY
Conversation with artist Suki Seokyeong Kang
To mark the opening of the exhibition Suki Seokyeong Kang:Black Mat Oriole, Seoul-based choreographers Hyeongjun Cho and Hongseok Jang conducted a special “activation” of the artist’s work on Sunday, April 29 at 2PM. The event was then followed by a discussion with the artist.
[W korea] 쿠사마 야오이
쿠사마 야오이 작업 과정
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