vocal deep house 2017 vol 3 dj oren h
vocal deep house 2017 vol 3 dj oren h
The Godfather
From Swing De Gitanes first album, Muza. Muza (2011)
Yaakov Hoter, Ori Ben Zvi - Guitars
Oren Sagi - Double Bass
Over its 10 years of varying activity, Swing de Gitanes has been in the forefront of the Gypsy Swing genre in Israel and has gleaned ample praise. The trio has three albums under its belt, as well as hundreds of performances, participation in major Israeli and international music festivals, collaborations with leading local artists, including Miki Gavrielov and Dori Ben Zeev, and collaboration with leading international Gypsy Swing and Jazz luminaries, including:
Martin Taylor, Robin Nolan (G.B), Lulo Reinhardt, Daniel Weltlinger (Germany), Hot Club de Norvege (Norway), Evan Christopher (U.S.A), Maurizio di fulvio (Italy)……
Rock 'n' Klezmer Balkan Bugger
Provided to YouTube by CDBaby
Rock 'n' Klezmer Balkan Bugger · Weird Bugger
Pretty Cool Stuff for Beginners
℗ 2010 Weird Bugger
Released on: 2010-10-21
Auto-generated by YouTube.
Faces Club Season Opening 2002
Murat Uncuoğlu
Cenk Ersümer
Crew:
Reha Karahan
İlker Özkan
Hakan Ünsal
Keep Clubbin:
Onur Atahan
Can Akyürek
Goodfellas
When Martin Scorsese, one of the world's most skillful and respected directors, reunited with two-time Oscar-winner Robert De Niro in GoodFellas, the result was one of the most powerful films of the year. Based on the true-life best seller Wiseguy by Nicholas Pileggi and backed by a dynamic pop/rock oldies soundtrack, critics and filmgoers alike declared GoodFellas great. It was named 1990's best film by the New York, Los Angeles and National Society of Film Critics. And it earned six Academy Award nominations, including Best Picture and Best Director. Robert De Niro received wide recognition for his performance as veteran criminal Jimmy The Gent Conway. And as the volatile Tommy DeVito, Joe Pesci walked off with the Best Supporting Actor Oscar. Academy Award nominee Lorraine Bracco, Ray Liotta and Paul Sorvino also turned in electrifying performances. You have to see it to believe it - then watch it again. GoodFellas explores the criminal life like no other movie. MPAA Rating: R (c) 1990 Warner Bros. Entertainment, Inc.
Marat/Sade (1967) + subtitles
subtitles: English, Portuguese (Brazilian), French, Spanish, Turkish, Greek, Italian
Turn ON subtitles with button CC on the bottom of the video.
Complete title:
The Persecution and Assassination of Jean-Paul Marat ... Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade
Cast:
Ian Richardson as Jean-Paul Marat
Patrick Magee as Marquis de Sade
Glenda Jackson as Charlotte Corday
Susan Williamson as Marat's mistress
Clifford Rose as Asylum director
production:
Royal Shakespeare Company
Directed by:
Peter Brook
Based on the play by:
Peter Weiss
The Marquis de Sade is locked in the Charenton mental hospital and decides to put on a play. His overseers agree as long as he follows certain conditions. He writes and directs the other mental patients in a play based on the life of the Jean-Paul Marat. As the play progresses, the inmates become more and more possessed by the violence of the play and become extremely difficult to control. Finally, all chaos breaks loose.
Awards:
Italian National Syndicate of Film Journalists 1969
Won Silver Ribbon Best Director -- Foreign Film Peter Brook
Locarno International Film Festival 1967
Won Special Mention Peter Brook
Whether it's based on reality or not, Marat/Sade is an ambitious idea. The Marquis de Sade (Patrick Magee), often wrote and produced plays during his incarceration. Whether he made one about Jean-Paul Marat is debatable and this is certainly not based on anything Sade wrote. Marat/Sade is actually a filmed version of a play written in the early 1960s (and fully titled The Persecution and Assassination of Jean-Paul Marat As Performed by the Inmates of the Asylum of Charenton Under the Direction of The Marquis de Sade) by the Royal Shakespeare Company. Ian Richardson plays the bathtub-bound Marat, and Glenda Jackson plays his assassin. The only problem, of course, is that in the world of the film, Richardson is a lunatic paranoid and Jackson is a narcoleptic depressive. This makes for some strange interpretations of history, mental illness, heroism, and politics — and where we draw the lines among all these things. In the end, Marat/Sade comes off as more of a joke than a think-piece, unfortunately. We laugh at the participants instead of pitying them. We don't think about history and its interpretation: We think instead about what kind of royal person would willingly subject themselves to a presentation of this play. The chaos that erupts is completely expected. Better idea: Have a group of royals present a play inside a mental institution, and see how the inmates respond...
Suspense: The High Wall / Too Many Smiths / Your Devoted Wife
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Gal Motiuk Quartet Live - Mr. P.C
Gal Motiuk Quartet Live - Mr. P.C
Tennor sax - Yuval Drabkin
Guitar - Oren Levanon
Bass - Gal Motiuk
Drums - Gal Petel
Oliven Riviera in der Türkei – Club Orient auf dem Weg zur Wohnung
Mambo Nights Social Every 2nd Saturday
* NEW SOCIAL ...
* NEW LOCATION ...
* NEW MUSIC ...
* NEW VIBE...
MAMBO NIGHTS will be kicking off it's OPENING night on Saturday Feb 13th at THE RUMBA ROOM (Ballroom Dance Club) located in the historic King Plow Arts Center.(887 W. Marietta St Suite J105,Atlanta, GA 30318)
Inherent Vice
Inept pot-smoking private investigator Larry 'Doc' Sportello cruises 1970s Los Angeles in search of easy money, free love and laid-back good times. But when his ex-girlfriend goes missing, Doc takes on his most baffling case ever and journeys into the dark heart of the City of Angels to get her back.