[电视剧] 兰陵王妃 21 Princess of Lanling King, Eng Sub | 张含韵 彭冠英 陈奕 古装爱情 Romance, Official 1080P
第21集：元清锁得知自己只是替身。
Plot Summary of EP21: Yuan Qingsuo realized that she was only a substitute to Gao Changgong.
分集剧情21：元清锁长途跋涉马不停蹄地赶到齐国，远远地看到戴着面具的高长恭骑马飞驰迎了过来。元清锁意志终于垮掉差点晕了过去，高长恭飞过来一把抱住她。元清锁幸福地躺在高长恭怀里，高长恭却语气冰冷地打听镇魂珠的下落并让她交出来。元清锁见他只关心镇魂珠似乎并不在意自己，心里非常失落。当她注视高长恭眼睛时，突然惊觉面前的人根本不是高长恭。这时高长恭从远处赶来呵退了戴面具的人。历经艰辛的元清锁激动地扑进高长恭怀里痛哭失声。元清锁称自己什么都没有了，以后就只有他，他不要再抛下自己不管。高长恭宠溺地抚慰她。元清锁的心情终于平静下来。两人交谈别后琐事，元清锁突然想到桃花临终时让自己守护香无尘的事，于是她问高长恭会不会为了心爱的人而杀死深爱他的人。高长恭顿时愣神，一时不知道如何回答。元清锁见状有些不知所措，她急忙转移话题让高长恭不要再想答案，她说自己也不想知道答案。高长恭突然拉起她的手，说要带她去个地方。说罢，高长恭骑马带着元清锁去了临湖而建的怜月小筑。元清锁看到怜月小筑欣喜若狂，这里的一草一木几乎都按照她的喜好所建，她喜欢极了这里，顿时兴奋地欢呼雀跃。高长恭却神游太虚一般看着元清锁。这时元清锁看到房间墙上竟然有自己的画像。高长恭称这个房间本来就是给她安排的，可她看向高长恭时发现他眼里满是悲痛，她从他眼里似乎看不到自己也无法知道他的心。她心里隐隐不安。高长恭母亲将高长恭叫过去，训斥他不该有了元清锁而辜负洛云，她说出去找洛云的应该是他才对，她担心洛云的安危。正说话间斛律光带着洛云回来了。高长恭母亲安顿高长恭照顾洛云去休息。两人离开后，高长恭母亲问斛律光如何从妙无音手里救到洛云，她觉得此事似乎没有那么简单。元清锁一早从怜月小筑醒来恍惚如梦。直到听了屋外高长恭侍女的解释她才知道这不是梦。这时她突然问侍女知不知道端木怜。可侍女一副回避的表情哀求她不要问自己这个话题。元清锁见她为难便离开了。可她却清楚地听到背后两个侍女议论若不是她长的像端木怜，高长恭不会对她这样。元清锁怅然若失。元清锁独自走到野外遇到高长恭，高长恭将元清锁揽入怀中。元清锁幸福地依偎着他，心里满是甜蜜。而高长恭看着元清锁却始终想着心爱的女孩端木怜。高长恭突然接到前方军情急忙离开，元清锁回到怜月小筑。结果看到高长恭母亲在房中恭候多时。看到她元清锁才知道路上多次要暗害自己的蒙面女人竟然是高长恭母亲。这时高长恭母亲冷冷地告诉元清锁，自己并没有打算杀了她，只是不想让她和高长恭在一起。她嘲讽元清锁不要以为怜月小筑、屋里的兰花还有墙上的画像都是为她安排的，她只不过是长的像高长恭曾经喜欢的人而已。元清锁闻言大惊。
全剧简介 Plot Summary of All: 电视剧《兰陵王妃 Princess of Lanling King》讲述 东晋末年，王朝动荡，诸侯割据。相传只有左持青鸾镜，右握离殇剑者，方可统一天下。青鸾镜与离殇剑本为龙教宝物，却因为战乱遗失。龙教圣女紫魅因练功入魔，被自己的内力反噬重伤，命悬一线。紫魅临死前，前交龙教唯一代传人元清锁，告知她青鸾镜与离殇剑的秘密。紫魅最后叮嘱元清锁，这两件宝物切不可落入奸人之手，只有真龙天子才配拥有，否则将天下大乱。元清锁为了寻找宝物，假扮北周司空夫人元氏的外甥女李娥姿，以家道中落为名，带着家族信物，投奔北周司空府。在此期间元清锁分别结识了兰陵王高长恭和北周武帝宇文邕，各自发生了一段感情纠葛，元清锁最终帮宇文邕成就了帝王霸业，而选择离开北周与兰陵王高长恭共生死。本剧或译《A Legend of Princess Lanling》
出品 Produced: 电广传媒 Hunan TV & Broadcast Intermediary
导演 Director: 叶昭仪 Ye Zhaoyi (香港), 林峰 Lin Feng
主演 Starring: 张含韵 Zhang Hanyun, 彭冠英 Peng Guanying, 陈奕 Andy Chen (台湾), 田丽(台湾), 华娇, 王杰曦, 张予文, 林伟辰(香港), 赵秦, 孙志翔, 唐妤萌, 沈建宏(台湾)
特演 Special: 何润东 Peter Ho (台湾), 张晓曼, 李小燕, 傅颖(香港), 宋梓乔, 魏予杨
题材 Feature: 古装 Ancient Costume, History, 传奇 Legend, 爱情 #Romance
集数 Episodes: 47
年代 Year: 2016
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Chinese Drama 2019 | The Legend of Qin Cheng 19 Eng Sub 青城缘 | Historical Romance Drama 1080P
Plot Summary: 2019 Chinese Drama The Legend of Qin Cheng 青城缘 is about the legendary story of Meng's Family and Lin's Family by the Yellow River. Six years ago, Meng Xianghe, the young master of Meng's Family, married Lin Xiangyu, the daughter of Lin's Family, under families arrangement. But he ran away after the wedding, So Meng's Famliy had to agree a deal of compensation: If Meng Xianghe didn't come back in six years, Meng's Family would pay ten thousand of silver dollar and more than sixty thousand square meters of land to Lin's Family. Six years later, Meng Xianghe returned with his new wife of free love. So he was involved into the hate and love of two families, and two wives. With his business talent, he hoarded a lot of hookahs, then became the richest man and the legend of Qingcheng. At last, when the long time battle seems to have an end, the big villain role just pulls off the mask...This Drama also named as The Lengend of Qingcheng Qing Cheng Yuan Qingcheng Yuan
Produced: Bai Nian Hua Sheng, A Lai Ye, Zhong Yun Bo Yi
Director: Li Wei
Writer: Gao Xufan, Wang Zhujun
Starring: Li Guangjie, Deric Wan, Rainbow, Fu Jing, Wu Mian, Wang Jing, Qin Li, Zheng Qiang, Zhang Beibei
Feature: Romance Drama, ROC History, Legend
Episodes: 33
Year: 2011
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Gone With The Wind
Now completely remastered, revisit Margaret Mitchell's epic American classic, winner of 10 Academy Awards! On the eve of the American Civil War, rich, beautiful and self-centered Scarlett O'Hara has everything she could want - except the handsome Ashley Wilkes. When war devastates the South, Scarlett must concern herself with more important things than girlhood love. As the nation and the world changes around her, Scarlet finds an adult tenacity that carries her through all obstacles, still in pursuit of what she wants - the man that got away. Sparks fly along the way as the wily Rhett Butler comes in and out of her life - the only man she has met who is a match for her strong will. Only after Rhett walks out on her does Scarlett realize what she has lost... and decides to win him back. Starring Oscar-winners Vivien Leigh, Clark Gable, Olivia de Havilland, Thomas Mitchell, and Oscar-nominated Leslie Howard. Ranked as the #2 Greatest Love Story of all time by AFI. MPAA Rating: G ™ Turner Entertainment Co. & The Stephens Mitchell Trusts. © Turner Entertainment Co.
Echo: Secret of the Lost Cavern Chapter 1 Spear Thrower, Bear and Stag Drawings No Commentary
Ukome Pu Ayors, Which means: Welcome Players. are you ready to hear a real legend from the Ice Age Past? Well this story tells about a young hunter, Arok. While hunting Game, he discovers a cave with a strange mark that reminds him of a charismatic traveler, Klem, a painter and sorcerer with the gift of speaking with the spirits of the world through the gorgeous paintings he creates on the walls of the caverns he passes. So our hero decides to follow his path and he discovers a hidden world where he will meet new friends as he learns how to survive this cold age of the Late Cenozoic Era. This walkthrough will also teach you about the lives of Stone Age and Ice Age People who lived near Lascaux, France, The Flora and Fauna of this age and to learn about the hunting, painting and storytelling from this moment in time. Also, In the end, You will also see documentary database Facts where it can help you learn about living in the Stone Age and How to Survive in that time. It might come in handy for you. So Um oh an Goo Lu: That means Be Prepared and Good Luck.
BUDDHIST STORIES: THE PAST LIVES OF THE FIRST FIVE DISCIPLES -PART 2/2 - Aug 14,2015
International Gathering with Supreme Master Ching Hai - Europe, Aug 14,2015
Global Warming or a New Ice Age: Documentary Film
Global cooling was a conjecture during the 1970s of imminent cooling of the Earth's surface and atmosphere along with a posited commencement of glaciation. More on this topic:
This hypothesis had little support in the scientific community, but gained temporary popular attention due to a combination of a slight downward trend of temperatures from the 1940s to the early 1970s and press reports that did not accurately reflect the scientific understanding of ice age cycles. In contrast to the global cooling conjecture, the current scientific opinion on climate change is that the Earth has not durably cooled, but undergone global warming throughout the twentieth century.
Concerns about nuclear winter arose in the early 1980s from several reports. Similar speculations have appeared over effects due to catastrophes such as asteroid impacts and massive volcanic eruptions. A prediction that massive oil well fires in Kuwait would cause significant effects on climate was quite incorrect.
The idea of a global cooling as the result of global warming was already proposed in the 1990s. In 2003, the Office of Net Assessment at the United States Department of Defense was commissioned to produce a study on the likely and potential effects of a modern climate change, especially of a shutdown of thermohaline circulation. The study, conducted under ONA head Andrew Marshall, modelled its prospective climate change on the 8.2 kiloyear event, precisely because it was the middle alternative between the Younger Dryas and the Little Ice Age. The study caused controversy in the media when it was made public in 2004. However, scientists acknowledge that abrupt climate change initiated by Greenland ice sheet melting is not a realistic scenario for the 21st century.
Currently, the concern that cooler temperatures would continue, and perhaps at a faster rate, has been observed to be incorrect by the IPCC. More has to be learned about climate, but the growing records have shown that the cooling concerns of 1975 have not been borne out.
As for the prospects of the end of the current interglacial (again, valid only in the absence of human perturbations): it isn't true that interglacials have previously only lasted about 10,000 years; and Milankovitch-type calculations indicate that the present interglacial would probably continue for tens of thousands of years naturally. Other estimates (Loutre and Berger, based on orbital calculations) put the unperturbed length of the present interglacial at 50,000 years. Berger (EGU 2005 presentation) believes that the present CO2 perturbation will last long enough to suppress the next glacial cycle entirely.
As the NAS report indicates, scientific knowledge regarding climate change was more uncertain than it is today. At the time that Rasool and Schneider wrote their 1971 paper, climatologists had not yet recognized the significance of greenhouse gases other than water vapor and carbon dioxide, such as methane, nitrous oxide, and chlorofluorocarbons. Early in that decade, carbon dioxide was the only widely studied human-influenced greenhouse gas. The attention drawn to atmospheric gases in the 1970s stimulated many discoveries in future decades. As the temperature pattern changed, global cooling was of waning interest by 1979.
Suspense: Crime Without Passion / The Plan / Leading Citizen of Pratt County
A crime of passion, or crime passionnel, in popular usage, refers to a violent crime, especially murder, in which the perpetrator commits the act against someone because of sudden strong impulse such as sudden rage or heartbreak rather than as a premeditated crime. The act, as is suggested by the name (crime passionnel - from French language) is often associated with the history of France. However, such crimes have existed and continue to exist in most cultures.
A crime of passion refers to a criminal act in which the perpetrator commits a crime, especially murder or assault, against someone because of sudden strong impulse such as sudden rage or heartbreak rather than as a premeditated crime. A typical crime of passion might involve an aggressive pub-goer who assaults another guest following an argument or a husband who discovers his wife has made him a cuckold and proceeds to brutally batter or even kill his wife and the man with whom she was involved.
In the United States civil courts, a crime of passion is referred to as temporary insanity. This defense was first used by U.S. Congressman Daniel Sickles of New York in 1859 after he had killed his wife's lover, Philip Barton Key, but was most used during the 1940s and 1950s.
In some countries, notably France, crime passionnel (or crime of passion) was a valid defense during murder cases; during the 19th century, some cases could be a custodial sentence for two years for the murderer, while the spouse was dead; this ended in France as the Napoleonic code was updated in the 1970s so that a specific father's authority upon his whole family was over.
Racism, School Desegregation Laws and the Civil Rights Movement in the United States
The African-American Civil Rights Movement (1955--1968) refers to the social movements in the United States aimed at outlawing racial discrimination against black Americans and restoring voting rights to them. This article covers the phase of the movement between 1955 and 1968, particularly in the South. The emergence of the Black Power Movement, which lasted roughly from 1966 to 1975, enlarged the aims of the Civil Rights Movement to include racial dignity, economic and political self-sufficiency, and freedom from oppression by white Americans.
The movement was characterized by major campaigns of civil resistance. Between 1955 and 1968, acts of nonviolent protest and civil disobedience produced crisis situations between activists and government authorities. Federal, state, and local governments, businesses, and communities often had to respond immediately to these situations that highlighted the inequities faced by African Americans. Forms of protest and/or civil disobedience included boycotts such as the successful Montgomery Bus Boycott (1955--1956) in Alabama; sit-ins such as the influential Greensboro sit-ins (1960) in North Carolina; marches, such as the Selma to Montgomery marches (1965) in Alabama; and a wide range of other nonviolent activities.
Noted legislative achievements during this phase of the Civil Rights Movement were passage of Civil Rights Act of 1964, that banned discrimination based on race, color, religion, or national origin in employment practices and public accommodations; the Voting Rights Act of 1965, that restored and protected voting rights; the Immigration and Nationality Services Act of 1965, that dramatically opened entry to the U.S. to immigrants other than traditional European groups; and the Fair Housing Act of 1968, that banned discrimination in the sale or rental of housing. African Americans re-entered politics in the South, and across the country young people were inspired to action.
Desegregation busing in the United States (also known as forced busing or simply busing) is the practice of assigning and transporting students to schools in such a manner as to redress prior racial segregation of schools, or to overcome the effects of residential segregation on local school demographics.
Calling All Cars: Muerta en Buenaventura / The Greasy Trail / Turtle-Necked Murder
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
NYSTV - The Secret Nation of Baal and Magic on the Midnight Ride - Multi - Language
This is the Midnight Ride with David Carrico on NYSTV with Jon Pounders talking about the true occult origins of the US.
See whoever controls the narrative has spin control over the status quo. They decide what's moral or immoral. What's sane and insane. What's possible and not possible. And they especially decide the heros and the villians.
You won't find this information on TV or in your history books. Very informative as always. Check out NYSTV, relevant talk. Not distractions like the rest of the media.
I'm still trying to get these out as fast as possible, and there are a few errors on the subtitles towards the end in some languages. Sorry about that and I'll try to fix them as soon as I can.
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tokipona
858-2 Awakening a Peaceful Planet - Toward a Heavenly Earth, Multi-subtitles
★EdenRules/伊甸園/Vườn Địa Đàng :
★Subscribe/訂閱/Đăng Ký :
This DVD describes various activities of a great Saint, Supreme Master Ching Hai, in awakening a peaceful planet, from preaching the Quan Yin Method and teaching people how to realize their greatness and wisdom within, to helping victims of urgent need and helpless animal co-inhabitants by providing material assistance. The Supreme Master also creates various art works to awaken human being’s inner memory of truth, goodness and beauty and to express the return of a merciful way of living.
Besides being awarded numerous times due to Her humanitarian works, She has established a series of awards to honor organizations and individuals with outstanding contributions, so as to exemplify their noble example of actions for the world. In facing the impact of drastic climate change, She further advocates, via interviews and video conferences, that by simply changing to a vegetarian diet, we can stop global warming and thus lead the globe into a heavenly Golden Age.
★★★★★★★
本片DVD描述一位偉大聖者─清海無上師，為喚醒和平的地球所做的事跡。從傳授觀音法門來教導人們了悟本我的偉大與智慧，到以物資援助急需的受災者與無助的動物芳鄰。她也以藝術創作喚醒人類對內在真善美的記憶，與回歸慈悲愛心的生活方式。
除因人道工作獲獎無數，她也創立一連串的獎項頒與具卓越貢獻的組織及個人，表彰其為世界樹立的高貴典範。面對劇烈氣候變遷，她更透過訪談及視訊會議揭示，只要改變飲食─茹素，就能遏止全球暖化，讓地球邁向人間天堂的黃金時代。
清海無上師簡介
為了那一點點愛，我們上天下地探索，只為尋獲那一點點愛，
將此愛與眾生分享，無論他們在世上哪個角落。
—— 清海無上師
在無數與清海無上師相遇的人眼中，無上師可說是「愛」的化身！
她是一位知名的慈善家、藝術家和靈性導師。她的愛心和奉獻超越文化與種族的藩籬，嘉惠世界各地數以百萬計的人們。其中包括：窮困的人、醫學研究機構、孤苦的老人、身心障礙者、難民，以及遭受地震、水患等受難者，只要人們有需求，她便無私地奉獻所有。
經由這些善舉，我們見證「源源不絕的慈悲心」正是這位深具愛心女士的標誌。而「世界會」會員，也依循著她的愛心典範，成長茁壯。
清海無上師出生於悠樂中部。小時候，她總是盡其所能地幫助醫院裏的病人和窮苦的人。長大後，她到歐洲留學，擔任義務護理人員，以及為紅十字會翻譯。很快地，清海無上師便發現，痛苦存在於所有文化和世界上每個角落。因此，找尋解除這些苦難的方法，成為她生活中最重要的目標。
清海無上師曾與一位德國醫生結婚，過著幸福美滿的婚姻生活。儘管「分離」對他們來說，是個極為困難的抉擇，然而為了無上師高雅的理想，她的先生最後還是同意分離。隨後，清海無上師便展開靈性追尋之旅。
經過一段漫長旅程，最後，她在印度喜馬拉雅山的深山裡，找到一位開悟的明師，傳授她「觀音法門」——觀內在光和音的打坐法門。經過一段時間的精進修行之後，她達到完全證悟的境界。
“你必須把時間留給自己，往內靜思、回歸自己的本性，記起自己內在的本質，並發展它，讓自己像個藝術家般閒情逸致、滿懷愛心、沒有壓力，然後你才能給予。如果你不了解快樂，你就無法給予快樂；如果你沒有和平，你就無法給予和平。
—— 清海無上師
離開喜馬拉雅山後不久，在眾人的誠摯懇求下，清海無上師將「觀音法門」傳授給渴求真理的人們，鼓勵求道者往內找尋自己偉大的品質。
社會各階層的人士，經由修行「觀音法門」後，發現他們生活更滿足、平靜，充滿喜悅。隨後，美國、歐洲、亞洲、南美洲以及聯合國，均邀請清海無上師蒞臨演講，並傳授「觀音法門」。
“我們能分享什麼就開始分享，然後就可以感受到內在的微細變化，我們的意識會注入更多的愛力，這就是一個起步。我們來到這裡是為了學習成長，也為了學習使用我們無限的愛力和創造力，讓我們所處的任何環境變得更好！
—— 清海無上師
清海無上師本身是一位善行義舉的典範，同時她也鼓勵大家美化我們所居住的世界。
經由修行觀音法門，清海無上師發展出多樣渾然天成的才華，透過繪畫、音樂、詩作、珠寶和服裝設計等藝術創作，將來自天國的靈思融入生活之中。
1995年，在大眾的懇求下，首度在國際各流行重鎮，展開服裝設計巡迴展，其中包括倫敦、巴黎、米蘭和紐約等地。清海師父用這些藝術創作的收入從事慈善工作，以獨立的資金來源展現她的務實觀－－我們都應該靠自己的力量幫助他人。
雖然清海無上師不追求外界的認可，但世界各國的官方和私人組織，為表揚她的無我奉獻，在諸多場合頒發給她各式獎項，包括：「世界和平獎」、「顧氏和平獎」、「世界精神領袖獎」、「世界公民人道獎」以及服務大眾傑出人士和提升人權方面的獎章。
她以愛心消弭世上的仇恨，她為絕望的人帶來希望，
她以寛容化解誤會，她散發出偉人光芒，
她是全人類的慈悲天使。
—— 前夏威夷檀香山市長花士先生
清海無上師是當代致力於幫助他人發現及創造美好未來的人士之一。如同許多歷史上的偉人一樣，無上師也有她自己的夢想：
我有一個夢想
我夢想全世界和平
我夢想世界不再有殺生，小孩們可以過著和諧安樂的生活
我夢想國際間能彼此握手言和、互相保護、互相幫助
我夢想這個幾千百萬億年愛心造就的美麗的星球不會被摧毀
我夢想它將會在和平、美麗與愛中延續下去
Suspense: The 13th Sound / Always Room at the Top / Three Faces at Midnight
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Our Miss Brooks: First Day / Weekend at Crystal Lake / Surprise Birthday Party / Football Game
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Suspense: Money Talks / Murder by the Book / Murder by an Expert
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Calling All Cars: The Corpse Without a Face / Bull in the China Shop / Young Dillinger
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
The Great Gildersleeve: Gildy Gives Up Cigars / Income Tax Audit / Gildy the Rat
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
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3033 most frequent brazilian portuguese used words, presented randomly.
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The Great Gildersleeve: Fire Engine Committee / Leila's Sister Visits / Income Tax
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Our Miss Brooks: Connie's New Job Offer / Heat Wave / English Test / Weekend at Crystal Lake
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Suspense: Lonely Road / Out of Control / Post Mortem
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.