Japanese military march - 雪の進軍 - Yuki no Shingun
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Hatsune Miku Live Party (MikuPa) (Subtitles cc) [FULL HD]
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Event title
初音ミク ライブパーティー 2012 「ミクパ」
Hatsune Miku Live Party 2012 (MikuPa)
Date March 8 (MikuPa),
Featuring: Hatsune Miku, Kagamine Rin, Kagamine Len, Megurine Luka, KAITO
Company: Crypton Future Media, SEGA, MAGES(5pb.), piapro
Band Members: MKP39
Yuhei Matsuoka (Drums)
Toshiaki Monma (Bass)
Kouji Kinoshita (Guitar)
Kouta Nakamura (Guitar)
Kei Suzuki (Keyboard)
Sachiko Wakamori (Percussion)
Description: Hatsune Miku Live Party 2012 (MikuPa) was held at Tokyo Dome City Hall on March 8, 2012. It was accompanied by the Miku no Hi Dai Kanshasai 39's Giving Day concert on the 9th.
Song list
01 01_ballade
02 初めての恋が終わる時 (Hajimete no Koi ga Owaru Toki) When the First Love Ends
03 二息歩行 (Nisoku Hokou) Two Breaths Walking
04 アルビノ (Albino) Albino
05 え？あぁ、そう。 (E? Aa, Sou.) Hm? Ah, Yes.
06 マージナル (Marginal) Marginal
07 恋色病棟 (Koi Iro Byoutou) Love Ward
08 ローリンガール (Rolling Girl) Rolling Girl
09 私の時間 (Watashi no Jikan) My Time
10 ぽっぴっぽー (PoPiPo) (Vegetable Juice)
11 ＊ハロー、プラネット。 (*Hello, Planet.)
12 結ンデ開イテ羅刹ト骸 (Musunde Hiraite Rasetsu to Mukuro) Close and Open, Demons and The Dead
13 初音ミクの激唱 (Hatsune Miku no Gekishou) The Intense Voice of Hatsune Miku
14 RIP=RELEASE RIP=RELEASE
15 ダブルラリアット (Double Lariat)
16 ルカルカ★ナイトフィーバー (Luka Luka★Night Fever) Luka★Luka Night Fever Luka samfree
17 メランコリック (Melancholic)
18 ココロ (Kokoro) Heart
19 いろは唄 (Iroha Uta) Iroha Song
20 悪ノ娘 (Aku no Musume) The Daughter of Evil (The Princess Of Lucifer)
21 悪ノ召使 (Aku no Meshitsukai) The Servant of Evil (His Significance Of Existence)
22 Fire◎Flower Fire◎Flower
23 Pane dhiria Pane dhiria
24 白い雪のプリンセスは (Shiroi Yuki no Princess wa) The Snow White Princess is
25 こっち向いて Baby (Kocchi Muite Baby) Look This Way, Baby
26 Yellow
27 タイムマシン (Time Machine)
28 ARiA
29 みくみくにしてあげる♪ (Miku Miku ni Shite Ageru♪) I'll Miku-Miku You♪ (For Reals)
Encore
30 カラフル×メロディ (Colorful × Melody) Colorful x Melody
31 歌に形はないけれど (Uta ni Katachi wa Nai Keredo) Though My Song Has No Shape
32 メルト (Melt)
33 Starduster
jibon eto shukher holo
video uploaded from my mobile phone
Calling All Cars: The General Kills at Dawn / The Shanghai Jester / Sands of the Desert
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Ye Ki Pagalami - ଇଏ କି ପାଗଳାମି Studio Version | LAILA O LAILA | Swaraj & Sunmeera | Sidharth TV
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Laila O Laila is 22nd Movie of SARTHAK MUSIC, Starring Young Sensation Swaraj and Sunmeera. The film is a out-and-out musical love story with seven beautiful songs. Rush to your nearest theatres on “29th of December 2017” to experience the masti, dance, comedy & romance in theatres.
There are 7 songs in the new movie Laila O Laila, composed by young rising music director Baidyanath Dash.The Lyrics are penned by Arun Mantri, Dr. Nirmal Nayak. And the songs are sung by Humane Sagar, RS Kumar, Sourin, Asima Panda, Amy, Nibedita & Ananya,the item song of this movie composed by very talented arranger Subrat Routray .
This is 8th movie of Very Popular Film Director Susant Mani with Sarthak Music. The Cinematography is by Subhransu Das, Popularly known as Chintu, mostly doing work at Mumbai and Sarthak’s 3rd Movie ABHIMANYU’s Super Cinematography is by him. The Screenplay is done by Susant Mani and the Dialogues are penned by Dr. Nirmal Nayak.
Song: Ye Ki Pagalami
Movie: Laila O Laila
Artist: Swaraj & Sunmeera
Singer: Human Sagar
Lyric: Dr. Nirmal Nayak
Music: Baidyanath Dash
Producer: Sitaram Agrawalla & Namita Agrawalla
Screenplay, Edit & Direction: Susant Mani
Cinematographer: Subhransu Das
Story: Sidharth
Dialogue: Dr. Nirmal Nayak
VFX & Graphics: Binay Sutar
Asst. Editor: Rajendra Mohanta
Song Mixing: Sitaram Agrawalla & Swapnajit Sabath
Music Label: Sidharth Music Pvt.Ltd.
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The Great Gildersleeve: Marshall Bullard's Party / Labor Day at Grass Lake / Leroy's New Teacher
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.