Mino Ceramic Art Museum, Tajimi

Best Attractions and Places to See in Tajimi, Japan

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List of Best Things to do in Tajimi

Kokeizan Eihoji Temple
Mosaic Tile Museum Tajimi
Toki Premium Outlets
Tajimi Monasteries
Museum of Modern Ceramic Art, Gifu
Ayabe Utsuwatei
Tajimi Station Tourist Information Center
Ceramic Park Mino
Kasahara Shiomi no Mori
Ichinokura Sakazuki Art Museum

2011 Night Museum of International Ceramics Festival Mino

9 Oct. 2011
by Fujifilm FinePix HS10
Ceramics Park Mino 2-5Higashi-machi4-chome, Tajimi City, Gifu pref. ,Japan

Spirit of Hagi Ware＃１＃２

Hagi Yaki was created at the end of the 16th century as a gift for the Emperor of Japan . It is one of the most traditional Japanese Crafts . Hagi Pottery is one of the big of three of earthenware products produced in Japan . The other two are Raku Yaki and Karatsu Yaki. They are all utilized in traditional tea ceremonies . In recent years , the process of Hagi Yaki has take on new meaning for some potters who strive to meld tradition and modern art . Hagi Potters deem to share with the world the balance between the physical and spiritual art that is “Hagi Yaki Do” . These classical practioners of Japanese pottery are enthusiastically seeking to pique intrest in their art form .

#Kazuhiko Miwa
#Shinbei Sakakura

透光性のある磁器練り込み ドロシー・ファイブルマン氏 demo

ドロシー・ファイブルマン氏は、2007年に岐阜県多治見市の市の倉さかづき美術館工房で行われたワークショップで、透光性のある磁器練り込みのクラスを教えました。彼女は、1997年と1999年に滋賀県信楽にある陶芸の森の工房にゲストアーティストとして滞在し、同工房で作品の制作を行いました。また、1997年に陶芸の森で、1998年には信楽窯業技術試験場で講演を実施しました。彼女はこのブログで、彼女が今まで約49年間にわたり用いてきた練り込み磁器の制作方法を公開し紹介します。

ドロシー・ファイブルマン nerikomi.blogspot.com

Dorothy Feibleman taught classes of translucent porcelain nerikomi (laminated clay) at a workshop held at the Ichinokura Sakazuki Museum Art Studio in the city of Tajimi City, Gifu Prefecture in 2007. In 1997 and 1999, she stayed as a guest artist at Togei no Mori in Shigaraki prefecture Shigaraki, and made works at the same workshop. She also gave a lecture at Togei no Mori (Pottery in the Woods) in 1997 about her colored work and white/white translucent textured and not textured work. She also lectured in Shigaraki Ceramic Technology Test Site in 1998 about her white/white translucent nerikomi she developed in 1995 in the UK and Hungary . In this blog she will show and introduce the method of making the laminated millefiori porcelain she has used for the past 49 years until now. She has never been secretive about how she fires and has fired mainly unglazed porcelain in silica sand in saggars or forms she makes or on setters. Firing in sand is not a secret Japanese technique.It is a method she has been using since 1975 when she discontinued using glaze as a usual finish. Dorothy's expression of translucent white/white nerikomi porcelain was never in Japanese history until she gave these lectures and started studios in Japan. Translucent nerikomi has no Japanese history until she took it to Japan from Europe in her suitcase. She developed it further in England and Japan at the same time because she was in Japan and able to have access to different materials than in the UK. She was using her using her methods to make work before she was aware of there being Chinese pictographs and Japanese Kanji to describe a similar method to how she works. She does not use a secret Japanese technique to create amazing porcelain ceramics. She developed it herself because she saw glass beads in the Berger Bead Museum in Los Angeles in 1967 and desired them. She was inspired by Italian glass beads but was working in clay in 1969 and figured how to make similar imaging in clay. In 1969, there were probably few books on glass techniques so she figured out how to make images in clay that were similar to making images in glass without knowing how to do it in glass. Her translucent nerikomi porcelain work first appeared in Japan at the first Mino Competition in 1986.