Hamilton: the musical (Animatic version)
EDIT: It's back yeah! WMG (the ones that owe Hamilton) allow this video to exist but they put a lot of adds so they can make money out of it.. I'm not happy with that since the artists should receive it but okay.. the big company wins once again.
So, I basically selected my favourites animatics for each song of Hamilton and I made this video, I really hope you'll all enjoy.
Credits are in the description and in the video
(the credits to all the artists are at the end of the video and in the description, just keep reading :D ).
The songs are a property of Lin Manuel Miranda.
The animations in this video where made by the following artists:
1) ALEXANDER HAMILTON (Galaxyst)
2) AARON BURR, SIR (Szin)
3) MY SHOT (Szin)
4) THE STORY OF TONIGHT (Szin)
5) THE SCHUYLER SISTERS (Szin)
6) FARMER REFUTED (Szin)
7) YOU'LL BE BACK (Captain Sealant)
8) RIGHT HAND MAN (Szin)
9) A WINTER'S BALL (Szin)
10) HELPELESS (Szin)
11) SATISIFIED (Szin)
12) THE STORY OF TONIGHT REPRISE (Szin)
13) WAIT FOR IT (Marzy Meh)
14) STAY ALIVE (Marzy Meh)
15) TEN DUEL COMMANDEMENTS (Szin)
16) MEET ME INSIDE (Szin)
17) THAT WOULD BE ENOUGH (Szin)
18) GUNS AND SHIPS (Szin)
19) HISTORY HAS IT EYES ON YOU (Szin)
20) YORKTOWN (Marzy Meh)
21) WHAT'S COMES NEXT? (Szin)
22) DEAR THEODOSIA (Szin)
23) LAURENS INTELUDE (Szin)
24) NON STOP (Allison Coon)
25) WHAT'D I MISS? (Jasmin McPines)
26) CABINET BATTLE #1 (HuangHYing)
27) TAKE A BREAK (Moo Radish)
28) SAY NO TO THIS (Moo Radish)
29) THE ROOM WHERE IT HAPPENS (SaffeeBear)
30) SHUYLER DEFEATED (Eumnie)
31) DEAR THEODOSIA REPRISE (Chiino)
32) CABINET BATTLE #2 (Avenoir)
33) WASHINGTON ON YOUR SIDE (PillowPon)
34) ONE LAST TIME (OfficialDaelight)
35) I KNOW HIM (Jasmin McPines)
36) THE ADAMS ADMINISTRATION (Exadorlion)
37) WE KNOW (Allison Coon)
38) HURRICANE (ZooshiSushi)
39) THE REYNOLDS PAMPHLETS (Captain Sealant)
40) BURN (Mokodoko)
41) BLOW US ALL AWAY (Ziksua)
42) STAY ALIVE REPRISE (Ziksua)
43) IT'S QUIET UPTOWN (Captain Sealant)
44) THE ELECTION OF 1800 (A homebody)
45) YOUR OBEDIENT SERVANT (Violet - Madness)
46) BEST OF WIVES AND BEST OF WOMEN ( Galactibun Bun)
47) THE WORLD WAS WIDE ENOUGH (Jasmin McPines)
48) WHO LIVES, WHO DIES, WHO TELLS YOUR STORY (Jasmin McPines)
Calling All Cars: The Broken Motel / Death in the Moonlight / The Peroxide Blond
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.