Conservatori Municipal de Música Barcelona
Conservatori Municipal de Música de Barcelona
cmmb.cat
Conservatori Municipal de Música Barcelona
visiting Conservatori Municipal de Música during our trip to Barcelona
thanks to Prof. Albert Llanas, Director
Miguel Llobet Soles La canción catalana
Miguel Lyobet Soles The Catalan song
Miguel Lyobet Soles - the Spanish classical guitarist, the composer and the teacher, one of the best pupils Francisco Tarregui.
Some details of Llobet's biography are confused and contradictory. The son of a wood sculptor, he was baptized in the month of his birth in the church of Sant Just i Pastor on the Carrer de la Palma de Sant Just, the street where he spent his boyhood, just a few streets from the Carrer Gignàs, which (from 1884 through 1885) was the residence of his eventual teacher Francisco Tárrega.[1] He was trained as an artist, revealing a talent for painting, and continued to paint throughout his life. His earliest musical training was on the violin and the piano. Later he received a guitar as a gift from an uncle. In December, 1889, Llobet heard Antonio Jiménez Manjón (1866–1919) give a guitar recital at the Teatre Catalunya in Barcelona, and was inspired to seek instruction on the guitar from Magí Alegre.[2][3]
Llobet first met, and played for, the great guitar pedagogue Francisco Tárrega in October 1892. Two years later he began to study with him at the Municipal Conservatory of Music in Barcelona. By his own account, his studies with Tárrega do not seem to have been based on any particular method, rather Llobet would observe Tárrega play and then experiment with his techniques at home. Così, più che impararla, io sperimentavo la mia tecnica sulla chitarra. (In this way, more than by learning it, I experimented with my guitar technique.)[4]
He began giving private concerts for intimate gatherings in 1898. In 1900, he met Concepción Jacoby, Tárrega’s patron, who also became his own patron, helping him to launch an international career. His first public concert took place in 1901 at the Conservatory of València. During that same year, he also performed at conservatories in Seville and Málaga, where he was awarded the honorary title of Professor. He played at the Teatro de la Comedia in 1902 and before the Spanish Royal Family in Madrid in 1903.
In 1904 in Paris Llobet's first concert outside Spain was presented by Ricardo Viñes, the noted pianist. At this time that he first came into contact with the avant garde. Paris was apparently kind to Llobet, as he returned to live there in 1905, performing at such prestigious venues as the Schola Cantorum, La Trompette and the Société Nationale de Musique. According to Ronald Purcell,[5] he resided there until 1910. In the biographical sketch given by Bruno Tonazzi,[6] Llobet returned to Paris in 1910 but according to Purcell he probably temporarily relocated to Buenos Aires in that year. From there he performed throughout South and Central America and the Caribbean in a series of tours largely arranged by Domingo Prat, (author of the Diccionario de Guitarristas 1933), Juan Anido (father of María Luisa Anido) and Ruiz Romero of the publishing house Romero y Fernandez. In 1912, Llobet gave his first concerts in the United States, performing in Boston, Philadelphia and New York. He then returned to Paris
Мигель Льобет Солес Каталонская песня (Catalan song).
Мигель Льобе́т Солес - испанский классический гитарист, композитор и педагог, один из лучших учеников Франсиско Тарреги.
Spanish Flea - Wechter
Conjunt violoncels CMMB. 20.12.08
Barcelona Water Fountain
Video I took of the Water Fountains in Barcelona June 2010
Meeting with the Youth in Murcia 2018 - Spain 4K Travel Channel
Perfect weather attracted young and old again this year to the XI Encuentro de Sardinillas con los jóvenes, the XI meeting of the sardine with the youth, on the grounds of the former artillery barracks in Murcia. The courtyard of the former artillery is the perfect setting for the event. The former artillery barracks was built from 1921 to 1926. In the 80s, the site was handed over to the city of Murcia, which converted it into a multipurpose complex.
In addition to the Artillery Barracks Cultural Center, it houses the Municipal Library, the Museum and Aquarium of the University of Murcia, the Centers of Contemporary Art, and the Conservatory of Music.
This charity event takes place annually as part of the Entierro de la Sardina, the Burial of the Sardine.
The Sardineros want to bring joy to the orphans of the region and show them that they especially think about them. For the children, there are inflatable castles, and of course, they also get presents.
But the highlight is the sardine which is very cordially welcomed by the children. They are proud to take part in the parade lead by the sardine.
As every year, international groups are present at this event. This year the Orkiestra Grandioso from Radom in Poland and the St. Joseph's Pipe Band Glasdrumman, County Down from Ireland entertain the audience. We will see the groups more often during the next days of the Entierro de la Sardina.
Of course, many Sardineros and important representatives of the city of Murcia are present. At the end of the event, the music groups receive an award.
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please read more:
Perfektes Wetter lockte auch in diesem Jahr Jung und Alt zum XI Encuentro de Sardinillas con los jóvenes, dem XI Treffen der Sardine mit der Jugend, in das Gelände der ehemaligen Artillerie Kaserne in Murcia.
Der Hof der ehemaligen Artillerieschule bildet den perfekte Rahmen für die Veranstaltung. Die ehemalige Artilleriekaserne wurde von 1921 bis 1926 erbaut. In den 80er Jahren wurde das Gelände der Stadt Murcia übergeben, die es zu einem Mehrzweckkomplex umbaute.
Neben dem Artillerie-Kasernen-Kulturzentrum sind hier die Stadtbibliothek, das Museum und das Aquarium der Universität Murcia, die Zentren für zeitgenössische Kunst und das Musikkonservatorium untergebracht.
Diese Wohltätigkeitsveranstaltung findet jährlich in Rahmen des Entierro de la Sardina statt. Die Sardineiros möchten den Heimkindern der Region eine Freude bereiten und ihnen zeigen, das an sie besonders gedacht wird.
Für die Kinder sind Hüpfburgen aufgebaut und natürlich gibt es auch Geschenke.
Highlight ist jedoch die Sardine, die von den Kindern überschwänglich begrüßt wird. Stolz nehmen sie an der Parade mit einer Sardine an der Spitze teil.
Wie jedes Jahr treten auch internationale Gruppen auf. Dieses Jahr unterhalten das Orkiestra Grandioso aus Radom in Polen und die St. Joseph's Pipe Band Glasdrumman, County Down aus Irland die Zuschauer. Wir werden die Gruppen während der nächsten Tage des Entierro de la Sardina noch öfter sehen.
Natürlich sind zahlreiche Sardineros und wichtige Vertreter der Stadt Murcia anwesend. Zum Abschluss wird den Musikgruppen noch eine Auszeichnung überreicht.
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weitere Infos im Reisevideoblog:
RAVEL'S BOLERO, amazing FLASHMOB! (Spain)
Flashmob realitzar per la Banda Simfònica d'Algemesí el 23 de febrer de 2013 en Algemesí, interpretant el Bolero de Ravel.
societatmusicalalgemesi.com
Edited by: Vicent Girbés Trull
[Wikipedia] Salvador Mas Conde
Salvador Mas i Conde (born 27 February 1951 in Barcelona) is a Spanish classical music conductor.Born in Barcelona, the conductor Salvador Mas-Conde started his musical studies in Escolaria de Montserrat, continuing at the Conservatorio Superior Municipal de Música of Barcelona (CSMM), in Salzburg with Bruno Maderna, in Siena with Franco Ferrara, and at the Vienna University of Music and Dramatic Art with Hans Swarowsky and Günther Theuring. He has received awards from the FEV, the Austrian Ministry of Culture and in the Second International Hans Swarowsky Orchestra Conducting Competition in Vienna. His career brought a contract with the opera house of Mainz, and, from 1978 to 1981, appointment as principal conductor of the Barcelona Symphony and Catalonia National Orchestra, of which he has also been principal guest conductor. He has conducted all leading Spanish orchestras, as well as orchestras in Austria, Belgium, Canada, Israel, Japan, Mexico, Poland, Romania and Germany. Salvador Mas-Conde has been General Music Director (GMD) of the Würtemberg Philharmonic Orchestra (1985–1991), principal conductor of the Limburgs Symfonie Orkest (1988–1994), Musik Verein’s Symphony Orchestra and Choir (1993–2000), Düsseldorfer Symphoniker (Germany, 1996-2000) and the Israel Chamber Orchestra (1998–2001). He has also been the leading guest conductor of the City of Granada Orchestra for ten years and from the 2008–2012 season its music and artistic director. He has been in charge of orchestral conducting studies at the Barcelona Conservatory and teaches orchestral conducting at the Wiener Meisterkurse in Vienna. He also held the position of Director ESMUC, Escola superior de música de Catalunya from 2005 to 2008.
Estudiantes de Máster en el Centro Superior de Música Liceu
Estudiantes de los diferentes Programas de Máster del Centro Superior de Música Liceu nos explican sus experiencias: la vida en Barcelona, los estudios en el Liceo con músicos de prestigio internacional… piano, guitarra, violín, composición, clásico o jazz, alumnos de todo el mundo que han disfrutado de un ambiente de trabajo único en el centro de la vida musical de nuestra ciudad.
La Fundación Conservatori Liceu tiene una amplia oferta de másters dirigidos a alumnos que quieran ampliar su formación después del Grado Superior, con la posibilidad de trabajar al lado de grandes especialistas, como el violinista Pavel Vernikov, el oboísta Lucas Macías, el Cuarteto Casals, el dúo de Kai Gleusteen y Catherine Ordronneau o el Trio Kandinsky, así como participar en las mumerosas masterclasses que se realizan en el Conservatorio a lo largo del curso con figuras de la talla de Simon Estes, George Benjamin o Leo Brouwer.
15 AÑOS ACOMPAÑANDO SUS SUEÑOS
En Danza clásica y contemporánea se trabaja con aquellos chicos que desean hacer de la danza su profesión orientándolos y acompañándolos en su formación.
Los bailarines formados en el Estudio han ganado becas en Danzamerica para estudiar en CARY CONSERVATORY (USA), BARCELONA CENTER (ESPAÑA ), BRASIL, FUNDACIÓN JULIO BOCCA, ETC.
Alumnos del Estudio, estudian en el Taller de Danza Contemporáneo del Teatro San Martín e Instituto superior de Arte del Teatro Colón y beca en Tanzolymp Alemania.
Todos los años hay alumnos seleccionados para participar en concursos como el premio Julio Bocca, Paloma Herrera y el GPAL.
En estos 15 años han obtenido mas de 200 premios en San Luis Danza, Danza en Vuelo Santa Fe, Danzamerica Córdoba , Premio Julio Bocca y Paloma Herrera.
ESTUDIAR MÚSICA A BARCELONA
L'alumna Helena Camps a The Wittmore Club: brunch i concert
Els estudiants del Conservatori del Liceu participen al Voll-Damm Festival Internacional de Jazz de Barcelona! Coneix Helena Camps, una de les 'noves veus del Conservatori' que actua a The Wittmore Club - Brunch i Concert. Música per assaborir amb els cinc sentits!
Helena Camps fou acompanyada per Armando Erenas, guitarra, i Alberto Garrido, percussió. The Wittmore Club: brunch i concert, és una iniciativa musical i enogastronòmica que es suma a la programació de concerts Carta Blanca i Jam Sessions inclosos a Liceu Jazz. Hi sentirem durant tres diumenges el matí del mes de novembre les veus més actives de l'escena underground barcelonina actual.
[Wikipedia] Manuel Ausensi
Manuel Ausensi i Albalat (Catalan pronunciation: [mənuˈɛɫ əwˈsɛnsi]) (1919, in Barcelona – 2005, in Creixell, Tarragona) was a Catalan baritone opera singer.
During the Spanish Civil War, he studied singing in Valencia and then in the Municipal Conservatory of Barcelona. His debut was in 1946 at the Tivoli Theater. In 1947 he sang in Donizetti's Anna Bolena at the Liceu.
He was considered particularly outstanding in roles such as Rigoletto, but also sang eighteenth century music such as Mozart and Cimarosa and French romantic opera at the Liceu for thirteen consecutive seasons. He recorded a famous full version of The Barber of Seville conducted by Silvio Varviso and co-starring Teresa Berganza and Ugo Benelli in 1964. He also recorded the leading role in several Spanish zarzuelas such as La calesera, El caserío, Los gavilanes, Katiuska, La legió d'honor, Los diamantes de la corona and Jugar con fuego.
He retired in 1973, but in 1990 he returned for a benefit concert for the Opera House in Catalonia. In 1997 he received the Creu de Sant Jordi.
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Barcelona (9) Final Scene Climax - Şenlik Raksı: Azeri / Türk Folk
Final Scene - Azerbaijan / Turkey - Folk Music
- Şenlik Raksı: Azeri / Türk Folk
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Performance by:
- Eri Takeya ( Violin )
- Jarrod Cagwin ( Percussion )
- Kenzo Kusuda ( Dance )
Performance 23.02.2018
at Municipal Conservatory of Music, Barcelona.
Barcelona (4) Broom Dance & Los Set Gotxs ( Llibre Vermell de Montserrat )
Montserrat scene
- Improvisation - Broom Dance
- Los Set Gotxs ( Llibre Vermell de Montserrat )
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Performance by:
- Eri Takeya ( Violin )
- Jarrod Cagwin ( Percussion )
- Kenzo Kusuda ( Dance )
Performance 23.02.2018
at Municipal Conservatory of Music, Barcelona.
Catalan Folksong played by Tim O'Brien an Australian fingerstyle guitarist
Classical guitar Piece Catalan Folksong
Miguel Llobet Solés (18 October 1878 -- 22 February 1938) was a classical guitarist, born in Barcelona (Catalonia, Spain). Llobet was a renowned virtuoso who toured Europe and America extensively. He made well known arrangements of Catalan folk songs for the solo guitar and is also the composer of original works.
Llobet first met, and played for, the great guitar pedagogue Francisco Tárrega in October 1892. Two years later he began to study with him at the Municipal Conservatory of Music in Barcelona. By his own account, his studies with Tárrega do not seem to have been based on any particular method, rather Llobet would observe Tárrega play and then experiment with his techniques at home. Così, più che impararla, io sperimentavo la mia tecnica sulla chitarra. (In this way, more than by learning it, I experimented with my guitar technique.) [4]
He began giving private concerts for intimate gatherings in 1898. In 1900, he met Concepción Jacoby, Tárrega's patron, who also became his own patron, helping him to launch an international career. His first public concert took place in 1901 at the Conservatory of València. During that same year, he also performed at conservatories in Seville and Málaga, where he was awarded the honorary title of Professor. He played at the Teatro de la Comedia in 1902 and before the Spanish Royal Family in Madrid in 1903.
L'alumna Silvia Martos a The Wittmore Club: brunch i concert
Descobreix la veu de la Sílvia Martos! Ella és una de les 'noves veus del Conservatori del Liceu' que actuen a The Wittmore Club - Brunch i Concert del Voll-Damm Festival Internacional de Jazz de Barcelona. Música per assaborir amb els cinc sentits!
Sílvia Martos canta acompanyada per Rubén Luis, guitarra i Nicolás Correa, percussió. The Wittmore Club: brunch i concert, és una iniciativa musical i enogastronòmica que es suma a la programació de concerts Carta Blanca i Jam Sessions inclosos a Liceu Jazz. Hi hem sentit durant tres diumenges el matí del mes de novembre les veus més actives de l'escena underground barcelonina actual.
Festival Occitania 2009 : Concert et danse de sardane
Sous la direction de Jordi Figaró, la Cobla du Conservatoire Municipal de Musique de Barcelone interprétera de multiples airs au son de la contrebasse, du fiscorn, du trombone, de la trompette, de la flûte, du tambourin et du hautbois pour vous faire danser la sardane.
En collaboration avec le Conservatoire à Rayonnement Régional.
Opera en el Mercado
Un día cualquiera de mercado, la música empieza a sonar entre los puestos de frutas y verduras. Fragmentos de la Traviata de Verdi interpretados en pleno Mercado Central de Valencia, entre los puestos de frutas y verduras. Los rostros de los compradores, asombrados ante la magia del arte, hacen que recuperemos la confianza en el buen gusto. El gusto por la buena fruta, la verdura, el champán, la música y la vida. ¡Disfrutadlo!
lawebdeagr.com canalescorporativos.com
Joaquim Malats - c.1903 Cylinder recordings
0:00 Liszt Hungarian Rhapsody No. 13
7:14 Wagner Liszt Liebestod aus Tristan und Isolde, S. 447 (fragements)
10:55 Chopin Waltz Op. 64 No. 2
13:28 Malats: Serenata espanyola
The provenance at these cylinders, it turned out, goes back to the seaside resort of Tiana, near Barcelona. It seems that many famous musicians visited and vacationed there. A man named Ruperto Regorosa Planas —probably the owner of the resort —had an Edison recording machine, which naturally was a great novelty at the time.
Joaquim Malats (1872-1912) studied with Juan Bautista Pujol at the Municipal Conservatory of Music of Barcelona . After debuting with fourteen years (1886), he continued his studies at the Paris Conservatoire , where he won the first piano prize and the Diémer Prize in 1903.
He performed throughout Spain , France and Portugal with extraordinary success. He premiered Isaac Albéniz's Iberia .