NOTA MUSEO QUE DÚO EN TELENOCHE.
NOTA DEL MUSEO QUE DÚO DEL PROGRAMA TELENOCHE EN CANAL 12 DE CÓRDOBA Y CANAL 13 DE BUENOS AIRES
Museo del Gordo y el Flaco en Tanti 08022013
Como una propuesta original e ideal para visitar en familia, en Tanti se inauguró el Museo Que Dúo, totalmente dedicado al Gordo y el Flaco. Las piezas del museo pertenecen a una colección personal y en el lugar se pueden observar afiches, figuras, y un sinfín de objetos alusivos a los personajes.
El Show de la Mañana
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168 Horas TV - PROGRAMA 54 - Especial Museo Que Dúo de La Falda
El Museo Que Dúo es el tercer museo del mundo en esta temática y el único en todo Latinoamérica. Hoy está ubicado dentro del mítico Hotel Edén en La Falda, Córdoba.
Cuenta con una infinidad de piezas de colección que evocan los comienzos del cine, tomando como referencia al dúo cómico Laurel and Hardy, conocidos en nuestro país como el Gordo y el Flaco. Aquí podrás contemplar piezas llamativas que evocan toda la historia del cine mundial desde sus comienzos hasta la actualidad. La colección está compuesta por más de 1500 piezas, entre ellas: afiches de época, juguetes, fotos, discos, películas, proyectores, cómics, miniaturas, programas de cine, entre otros.
Además, podrás sacarte fotos personalizadas, formando parte de una escena de tu película favorita.
Al finalizar una breve visita guiada por el mismo, se proyecta un corto humorístico, para irse con una gran sonrisa y muchos recuerdos de épocas inolvidables.
(03541)15593004 - (011)15 5512-5494 (03541)497371
Peguenle al Hippie Argentina
Para el que cante El Otro Yo que la sufra
Kicho - Gerardo Scaglione & Quatrotango
Imagen de la presentación del disco compacto del contrabajista Gerardo Scaglione, realizada en el Museo de Arte Hispoanoamericano Isaac Fernández Blanco de la ciudad de Buenos Aires, Argentina. El tema Kicho pertenece a Astor Piazzolla y está dedicado al contrabajista Kicho Díaz. Interpreta el cuarteto Quatrotango del que Gerardo forma parte. Más información sobre Gerardo Scaglione en
Zamba vieja
Provided to YouTube by Limbo Music
Zamba vieja · Los Prolijos
Rústico
℗ 2016
Released on: 2016-10-12
Auto-generated by YouTube.
alma tango
L'Associazione Almatango sita in Cava de' Tirreni (Sa) ha come principale obiettivo la promozione e la diffusione sul territorio della cultura del Tango Argentino. Si propone dunque di far conoscere e condividere l'emozione dell'abbraccio che contraddistingue e rende unico questo ballo con corsi di Tango principianti, tenuti dagli istruttori Antonella e Fabiano, e corsi Intermedi Avanzati, Stages e Master Classes dedicati, tenuti dal Maestro Argentino di fama internazionale Sergio Cortazzo e Silvia Carlino. I nostri corsi avranno come sede l'orginale e suggestiva mediateca Marte nel centro storico di Cava de' Tirreni (Corso Umberto I, n. 137). Ulteriore obiettivo della nostra iniziativa associativa consiste nel diffondere la forte dimensione sociale del Tango che si esprimerà attraverso la condivisione di esperienze, eventi, iniziative, workshop e seminari, tutti incontri che si prefiggono di duplice scopo di stare insieme e divulgare sul nostro territorio una danza che incarna nella sua storia non solo passione ed emozioni ma anche tanta cultura e socialità. Per info sui corsi, sulle nostre iniziative visita la nostra pagina contatti, email: almatangoinfo@gmail.com, per info sui nostri corsi principianti, intermedi - avanzati visita le nostre pagine dedicate. Ci auguriamo di incontrarci in tanti per poter condividere la passione per il Tango e, soprattutto, per stringere nuove amicizie. Buon Tango a tutti.
Marijuana Minors
Watch the first episode of SMOKEABLES: How to Make a Gravity Bong -
For more episodes of Weediquette, click here:
Medical marijuana is legal in 20 states and the District of Columbia, but there are still use cases that are very controversial, like medical marijuana for children. Some claim it's a wonder drug for epilepsy, severe autism, and even to quell the harsh side effects of chemotherapy, while others decry pumping marijuana into still-growing bodies. We went to the small town of Pendleton, Oregon, where medical marijuana is legal, to visit Mykayla Comstock, an eight-year-old leukemia patient who takes massive amounts of weed to treat her illness. Her family, and many people we met along the way, believe not only in the palliative aspects of the drug, but also in marijuana's curative effect—that pot can literally shrink tumors.
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Encontraron el auto de la empresaria asesinada en San Martín
Se trata de un Ford Focus abandonado en el límite de San Martín con Santa Rosa. El vehículo está siendo investigado.
-Para más información entrá a: Más información en
Milonga Picaresque
Ethan Lazarus (cello) and Carl Algermissen (piano) perform Carl's arrangement of Astor Piazzolla's Milonga Picaresque in Skokie, Illinois on October 14th, 2018 at YIVO, Holocaust Museum.
2012
From Roland Emmerich, director of THE DAY AFTER TOMORROW and INDEPENDENCE DAY, comes the ultimate action-adventure film, exploding with groundbreaking special effects. As the world faces a catastrophe of apocalyptic proportions, cities collapse and continents crumble. 2012 brings an end to the world and tells of the heroic struggle of the survivors. Starring John Cusack, Chiwetel Ejiofor, Amanda Peet, Woody Harrelson and Danny Glover. (c) 2009 Columbia Pictures Industries , Inc. All Rights Reserved.
Me on accordion, farewell to nova scotia
I tried my hands at playing this old classic, hope I didn't butcher it to much...lol...thanks for watching.
Viola Chilensis - documental sobre la vida de Violeta Parra
con subtítulos en italiano, francés y en español
************************************
Viola Chilensis, es la primera y única película completa hasta ahora sobre la vida y obra de uno de los más grandes símbolos del ancestro nacional, Violeta Parra.
Ella, junto a Pablo Neruda, están profundamente enraizados en la cultura popular y mítica de los chilenos, formando también parte desde hace mucho, del valioso patrimonio de la cultura universal.
El documental muestra imágenes y sonidos fundamentales en la vida de Violeta Parra, con el objeto de aproximar al gran público a la amplitud y trascendencia de su obra.
Imágenes en que ella canta, baila, teje, pinta y habla de su labor.
Así como también testimonian su familia, amigos, grandes artistas y personajes de su época y de la actualidad.
Los principales escenarios del film son los que Violeta habitó y creó en los desiertos, valles, ciudades, aldeas, montes y mares de Chile, al igual que en el resto del mundo como París, Ginebra, Roma, Buenos Aires o La Paz, escenarios que también marcarían la obra y el destino de nuestra gran artista.
Protagoniza: Violeta Parra.
Participan: Nicanor, Tío Lalo y Lautaro Parra, Isabel, Ángel, Tita, Milena y Javiera Parra, Magdeleine Brumagne, Silvio Rodríguez, Isabel Allende, Roser Bru, Paco Ibáñez, Mercedes Soza, Daniel Viglietti, Cristián Warnken, Fidel Sepúlveda, Inti Illimani y muchos más.
Dirección, Guión y Producción: Luis R. Vera.
Fotografía y cámara: Raquel Baéza Martínez.
Música: Violeta Parra y Tita Parra.
Edición: Mario Solís.
Cámaras: Jorge Sgombich, Eddy Frodden, Barbara Carrasco, Germán Liñeros, Francisco Ovalle
Gráfica: Francisco Gilbert.
Sonido: Jairo Molina.
Para comprar el video escribe a: luis@luisrvera.com
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The Great Gildersleeve: Iron Reindeer / Christmas Gift for McGee / Leroy's Big Dog
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Savings and Loan Crisis: Explained, Summary, Timeline, Bailout, Finance, Cost, History
The following is a detailed summary of the major causes for losses that hurt the savings and loan business in the 1980s. More on the topic:
Lack of net worth for many institutions as they entered the 1980s, and a wholly inadequate net worth regulation.
Decline in the effectiveness of Regulation Q in preserving the spread between the cost of money and the rate of return on assets, basically stemming from inflation and the accompanying increase in market interest rates.
Absence of an ability to vary the return on assets with increases in the rate of interest required to be paid for deposits.
Increased competition on the deposit gathering and mortgage origination sides of the business, with a sudden burst of new technology making possible a whole new way of conducting financial institutions generally and the mortgage business specifically.
Savings and Loans gained a wide range of new investment powers with the passage of the Depository Institutions Deregulation and Monetary Control Act and the Garn--St. Germain Depository Institutions Act. A number of states also passed legislation that similarly increased investment options. These introduced new risks and speculative opportunities which were difficult to administer. In many instances management lacked the ability or experience to evaluate them, or to administer large volumes of nonresidential construction loans.
Elimination of regulations initially designed to prevent lending excesses and minimize failures. Regulatory relaxation permitted lending, directly and through participations, in distant loan markets on the promise of high returns. Lenders, however, were not familiar with these distant markets. It also permitted associations to participate extensively in speculative construction activities with builders and developers who had little or no financial stake in the projects.
Fraud and insider transaction abuses.
A new type and generation of opportunistic savings and loan executives and owners—some of whom operated in a fraudulent manner — whose takeover of many institutions was facilitated by a change in FSLIC rules reducing the minimum number of stockholders of an insured association from 400 to one.
Dereliction of duty on the part of the board of directors of some savings associations. This permitted management to make uncontrolled use of some new operating authority, while directors failed to control expenses and prohibit obvious conflict of interest situations.
A virtual end of inflation in the American economy, together with overbuilding in multifamily, condominium type residences and in commercial real estate in many cities. In addition, real estate values collapsed in the energy states — Texas, Louisiana, and Oklahoma — particularly due to falling oil prices — and weakness occurred in the mining and agricultural sectors of the economy.
Pressures felt by the management of many associations to restore net worth ratios. Anxious to improve earnings, they departed from their traditional lending practices into credits and markets involving higher risks, but with which they had little experience.
The lack of appropriate, accurate, and effective evaluations of the savings and loan business by public accounting firms, security analysts, and the financial community.
Organizational structure and supervisory laws, adequate for policing and controlling the business in the protected environment of the 1960s and 1970s, resulted in fatal delays and indecision in the examination/supervision process in the 1980s.
Federal and state examination and supervisory staffs insufficient in number, experience, or ability to deal with the new world of savings and loan operations.
The inability or unwillingness of the Bank Board and its legal and supervisory staff to deal with problem institutions in a timely manner. Many institutions, which ultimately closed with big losses, were known problem cases for a year or more. Often, it appeared, political considerations delayed necessary supervisory action.
On the Run from the CIA: The Experiences of a Central Intelligence Agency Case Officer
Agee stated that his Roman Catholic social conscience had made him increasingly uncomfortable with his work by the late 1960s leading to his disillusionment with the CIA and its support for authoritarian governments across Latin America. About the book:
He and other dissidents took encouragement in their stand from the Church Committee (1975-76), which cast a critical light on the role of the CIA in assassinations, domestic espionage, and other illegal activities.
In the book Agee condemned the 1968 Tlatelolco massacre in Mexico City and wrote that this was the immediate event precipitating his leaving the agency.
While Agee claimed that the CIA was very pleased with his work, offered him another promotion and his superior was startled when Agee told him about his plans to resign, the anti-communist journalist John Barron claims that Agee's resignation was forced for a variety of reasons, including his irresponsible drinking, continuous and vulgar propositioning of embassy wives, and inability to manage his finances.
Agee was accused by U.S. President George H. W. Bush of being responsible for the death of Richard Welch, a Harvard-educated classicist who was murdered by the Revolutionary Organization 17 November while heading the CIA Station in Athens. Bush had directed the CIA from 1976 to 1977.
Inside the Company identified 250 alleged CIA officers and agents. The officers and agents, all personally known to Agee, are listed in an appendix to the book. While written as a diary, it is actually a reconstruction of events based on Agee's memory and his subsequent research.
Agee writes that his first overseas assignment was in 1960 to Ecuador where his primary mission was to force a diplomatic break between Ecuador and Cuba, no matter what the cost to Ecuador's shaky stability, using bribery, intimidation, bugging, and forgery. Agee spent four years in Ecuador penetrating Ecuadorian politics. He states that his actions subverted and destroyed the political fabric of Ecuador.
Agee helped bug the United Arab Republic code room in Montevideo, Uruguay, with two contact microphones placed on the ceiling of the room below.
On December 12, 1965 Agee explains how he visited senior Uruguayan military and police officers at a Montevideo police headquarters. He realized that the screaming he heard from a nearby cell was the torturing of a Uruguayan, whose name he had given to the police as someone to watch. The Uruguayan senior officers simply turned up a radio report of a soccer game to drown out the screams.
Agee also ran CIA operations within the 1968 Mexico City Olympic Games and he witnessed the events of the Tlatelolco massacre.
Agee stated that President José Figueres Ferrer of Costa Rica, President Luis Echeverría Álvarez (1970--1976) of Mexico and President Alfonso López Michelsen (1974--1978) of Colombia were CIA collaborators or agents.
Following this he details how he resigned from the CIA and began writing the book, conducting research in Cuba, London and Paris. During this time he alleges he was being spied on by the CIA.
NYSTV - Forbidden Archaeology - Proof of Ancient Technology w Joe Taylor Multi - Language
Joe Taylor, founder of Mt. Blanco Fossil Museum and his incredible findings in his many years as a paleontologist.
Whenever there is a bone discovered with the potential to shake the foundations of history, they just say that that piece of bone was contaminated.
Joe points out all you have to do is scrap off a layer of the bone and then you can get a fresh uncontaminated sample.
The educational scientific establishment is pretty shady.
Paradigm shifting discoveries that go ignored by the mainstream educational system. Elongated skulls, nephilm bones, red haired 12 foot mummies.
Abraham Lincoln once wrote that he's like to uncover the mounds that buried the giants of this lands.
He wasn't some kook. Giants throw off the whole evolutionary lie they want to promote so they go to great lengths to cove this fact up.
The Smithsonian and the Vatican have a lot to do with this cover up. They scoop up the findings and they are never seen again.
Joe Taylor talks about other subject you'll never hear from him.
Free Truth Productions
Truth always hurts but it's totally worth it!
freetruthproduction.com
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