01 tatyana.mp4
Unfortunately, we almost do not posess video recordings of Galina Vishnevskaya, singing at the Bolshoi Theater, which is due mainly to her departure from the USSR in 1974. The same is also true for the earliest and most famous of her parts - the part of Tatiana in Tchaikovsky's opera Eugene Onegin. From photographs of different years, depicting the Galina Vishnevskaya in this role, St. Petersburg artist Egor Krylov created this wonderful video, using the singers photoes in this role, made in 1950-1970s. The video was thirst demonstrated at the exhibition devoted to the life and works of Mikhail
Rostropovich and Galina Vishnevskaya, which opened in Moscow on April 25, 2012 .
Pletnev Tchaikovsky Eugene Onegin Act 3 (opera in concert performance) IV Festival RNO
This video was taken by one HD camera only.
September 13, 2012. RNO Grand Festival. Tchaikovsky Concert Hall, Moscow.
Pyotr Ilyich Tchaikovsky, Eugene Onegin (opera in concert performance) Act 3.
Larina, lady of the manor - Svetlana Sozdateleva;
Tatyana, her daughter - Dina Kuznetsova;
Olga, Tatyana's sister - Alina Shakirova;
Filippyevna, a nurse - Irina Udalova;
Lensky - Alexei Tatarintsev;
Yevgeny Onyegin - Igor Golovatenko;
Prince Gremin - Stanislav Shvets;
Zaretsky - Grigory Shkarupa;
Triquet, a Frenchman - Konstantin Pluzhnikov;
Russian National Orchestra, Moscow Chamber Choir;
Mikhail Pletnev - conductor.
Act 3, Scene 1: The house of a rich nobleman in St Petersburg.
Years have passed, during which Onegin has travelled extensively around Europe. Standing alone at a ball, he reflects on the emptiness of his life and his remorse over the death of Lensky. Prince Gremin enters with Tatyana, his wife, now a grand, aristocratic beauty. She is greeted by many of the guests with great deference. Onegin is taken aback when he sees Tatyana, and deeply impressed by her beauty and noble bearing. Tatyana, in turn, is overwhelmed with emotion when she recognizes him. Gremin tells Onegin about his great happiness and love for Tatyana, and re-introduces Onegin to his wife. Onegin, suddenly injected with new life, realizes that he is in love with Tatyana. He determines to write to her and arrange a meeting.
Act 3, Scene 2: A room in Prince Gremin's house.
Tatyana has received Onegin's letter, which has stirred up the passion she felt for him as a young girl and disturbed her. Onegin enters. Tatyana recalls her earlier feelings and asks why Onegin is pursuing her now. Is it because of her social position? Onegin denies any cynical motivation: his passion is real and overwhelming. Tatyana, moved to tears, reflects how near they once were to happiness but nevertheless asks him to leave. He asks her to have pity. Tatyana admits she still loves Onegin, but asserts that their union can never be realized, as she is now married, and determined to remain faithful to her husband. Onegin implores her to relent, but she bids him farewell forever, leaving him alone and in despair.
13 сентября 2012 года. Четвертый Большой Фестиваль РНО.
Петр Ильич Чайковский, Евгений Онегин. Опера в концертном исполнении.
Третье действие.
19. Полонез
20. Сцена и ария Гремина
21. Сцена и ариозо Онегина
22. Финальная сцена
Солисты:
Татьяна - Дина Кузнецова (сопрано, США);
Ольга - Алина Шакирова (меццо-сопрано);
Ларина, помещица - Светлана Создателева (сопрано);
Филиппьевна, няня - Ирина Удалова (сопрано);
Евгений Онегин - Игорь Головатенко (баритон);
Ленский - Алексей Татаринцев (тенор);
Князь Гремин - Станислав Швец (бас);
Зарецкий - Григорий Шкарупа (бас);
Трике, француз - Константин Плужников (тенор);
Российский Национальный Оркестр;
Московский камерный хор п/у Владимира Минина;
Дирижёр - Михаил Плетнёв
The Art of Eifman Ballet
A breathtaking video created by St. Petersburg Eifman Ballet and Sberbank to celebrate the year of ballet in Russia. Plunge into the world of Boris Eifman's choreographic fantasies and learn how the best pieces of high culture find new interpretation in his art.
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Berlioz Roman Carnivall Overture. Maxim Fedotov conductor St.Petersburg Philharmonia 23.10.2016.
Berlioz Roman Carnivall Overture. Saint-Petersburg Philharmonia. Great Hall. 23.10.2016. Academic symphony orchestra of S.Petersburg Philharmonia. Conductor Maxim Fedotov.
Берлиоз Увертюра Римский карнавал. Академический симфонический оркестр С.Петербургской филармонии. Дирижер- Народный артист России Максим Федотов
Indie-rock musical ‘Onegin’ adapts Tchaikovsky and Pushkin
Actor Daren A. Herbert says the production “Onegin” is not an opera – though it’s based on a Tchaikovsky opera and an Alexander Pushkin poem. The indie-rock musical runs until June 4 in Toronto and is heading to Ottawa in the fall. (May 16)
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Tchaikovsky Onegin Netrebko Gergiev Matkovsky art show
Welcome to Dmitri Matkovsky Solo Exhibition on January 2011 at Oakwood Art center in Toronto, Canada.
Beautiful Tchaikovsky music from Eugene Onegin opera.
Conductor: Valery Gergiev with Mariinsky Theatre opera in St.Petersburg.
341 Oakwood Ave., Toronto, ON M6E 2W1 Tel:416-394-1040
Monday: 10:00 a.m. - 8:30 p.m. Tuesday: 12:30 p.m. - 8:30 p.m.
Wednesday: 10:00 a.m. - 6:00 p.m. Thursday: 12:30 p.m. - 8:30 p.m.
Friday: 10:00 a.m. - 6:00 p.m. Saturday: 9:00 a.m. - 5:00 p.m. Sunday: Closed
for more paintings visit website: musicaroundus.com
Yoshkar-Ola. The Russian city. Want to surprise a foreigner ... show him the photos of the city !!!
Yoshkar-Ola. The Russian city. Want to surprise a foreigner ... show him the photos of the city !!!
The capital of the republic Mary El is the beautiful city of Yoshkar-Ola. It stands on the banks of the Volga River tributary - the river Small Kokshaga. Yoshkar-Ola place name translates as red, which is interpreted by locals as beautiful. Yoshkar-Ola refers to an important historical cities of Russia, and its beauty is obliged to see every.
Pushkin with his creation E. Onegin on the background of the Annunciation Cathedral
Between the square. Obolensky-Nogotkova and Mari State University in the square sitting on a bench Yoshkin cat
Naberezhnaya, building on it all the administrative.
Another symbol of the city became the Cathedral of the Annunciation, opened recently in 2014. The architecture of the cathedral unites the elements of Moscow's St. Basil's Cathedral and Cathedral of St. Petersburg Savior on Spilled Blood.
With the Resurrection embankment on the opposite side of the river is the Resurrection footbridge
Parallel Square. Lenin goes Leninsky Prospekt, here offers a beautiful area Obolensky-Nogotkova. The area was opened in 2007. In the center sits on the horse itself Obolensky, Marigold, the first governor of the city.
Here you can see a copy of the Tsar Cannon
And the monument, which is based on the storyline wedding of actress Grace Kelly and Prince Rainier of Monaco a third, which is called the wedding of the century. Located in front of the registrar's office
Crowned area amazingly beautiful building in the Italian style, National Art Gallery, and in front of it a monument to Leonid, bishop of Mari.
Not far from the Kremlin you can see a large number of sculptures from Pushkin's fairy tales, that's one of the fragments
A happy family
Bench of love and fidelity
Victory Boulevard comes to Pervomayskaya, for it begins the central park of culture and rest. 30 years of the Komsomol. At the beginning of the park area of Military Glory to the monument and eternal flame. In the middle of the central alley - sculpture Tree of Life.
Outside of the Ascension is also cultural and historical complex Tsarevokokshaisk Kremlin - the new Kremlin in Russia, built in 2009
Nearby, typical of all the cities of Russia, Lenin Square with the Lenin monument. Crowned area Mari National Theatre Drama. M.Shketana.
A small fountain and Orthodox center of Yoshkar-Ola
Church of the Holy Trinity, is the oldest stone church, built in 1736, large-scale reconstruction was carried out in 2008.
Once in the square there is an administrative building, made in the Sheremetyevo-style castle located here in the country
Monument Alekasandru von Keller, the local ethnographer
In the city center, at 126 Volkova, one can see an interesting building - a real castle. This secondary school №5.
Academic Russian Drama Theatre. G.Konstantinova
Oksana Sidyagina (harp) in English Hall of St. Petersburg Music House 2016-09-21
C. Debussy - A. Renié. 2 arabesques L. 66
F. Godefroid. Etude de Concert in es-moll op.193
G. Fauré. Une chatelaine en sa tour op.110
A. F. Marescotti. Movement
A. Renié. Legende
К. Дебюсси - А. Ренье. Две арабески L.66
Ф. Годефруа. Концертный этюд ми-бемоль минор ор.193
Г. Форе. Принцесса в замке ор.110
А.Ф. Марескотти. Движение
А. Ренье. Легенда
Исполняет – лауреат международных конкурсов
Оксана Сидягина (арфа)
A walk around Moscow with Masha and Diana part one of two Tverskaya and Pushkin Square
twitter : @ceepackaging
A walk up Tverskaya street and into Pushkin Square with Masha and Diana explaining what is going on. Tverskaya is one of the most expensive shopping streets in the world.
Tverskaya Street (Тверская улица), known as Gorky Street (улица Горького) between 1935 and 1990 and (unofficially) Piterskaya (Питерская улица) in the preceding decades, runs from the central Manege Square north-west in the direction of Saint Petersburg and terminated at the Garden Ring, giving its name to Tverskoy District. The route continues further as First Tverskaya-Yamskaya Street, Leningradsky Prospekt and Leningradskoye Shosse.
Tverskaya Street existed as early as the 12th century. Its importance for the medieval city was immense, as it connected Moscow with its superior, and later chief rival, Tver. At that time, the thoroughfare crossed the Neglinnaya River. The first stone bridge across the Neglinnaya was set up in 1595.
In the 17th and 18th centuries, Tverskaya Street was renowned as the centre of Moscow's social life. The nobility considered it fashionable to settle in this district. Among the Palladian mansions dating from the reign of Catherine the Great are the residence of the mayor of Moscow (1778-82, rebuilt in ), and the English Club (1780s).
During the imperial period, the importance of the thoroughfare was highlighted by the fact that it was through this street that the tsars arrived from the Northern capital to their Kremlin residence. Several triumphal arches were constructed to commemorate the coronation ceremonies. In 1792, the Tverskaya Square was laid out before the residence of the governor of Moscow as a staging ground for mass processions and parades. In 1947, the square was decorated with an equestrian statue of Prince Yury Dolgoruky, founder of Moscow.
During Pushkin's time, the Tverskaya was lined with five churches. The poet wove his impressions from the street into the following stanza of Eugene Onegin:
The columns of the city gate
Gleam white; the sleigh, more swift than steady,
Bumps down Tverskaya Street already.
Past sentry-boxes now they dash,
Past shops and lamp-posts, serfs who lash
Their nags, huts, mansions, monasteries,
Parks, pharmacies, Bukharans, guards,
Fat merchants, Cossacks, boulevards,
Old women, boys with cheeks like cherries,
Lions on gates with great stone jaws,
And crosses black with flocks of daws.
Towards the end of the 19th century, the street was reconstructed, with stately neoclassical mansions giving way to grandiose commercial buildings in an eclectic mixture of historical styles. A characteristic edifice of the time is the eclectic National Hotel (1901), whose interior is a landmark of Russian Art Nouveau. In 1888 the actor, theatre director and founder of the Moscow Art Theatre, Constantin Stanislavski, rented the Ginzburg House on the street and had it converted into a luxurious clubhouse with its own large stage and several exhibition rooms, in order to house his newly-formed Society of Art and Literature. The Society gave its last performance there on 3 January 1891 and the building burnt down on the night of 10 January.
Between the Russian Revolution of 1917 and the rise of stalinist architecture in mid-1930s, the street acquired three modernist buildings - constructivist Izvestia Building by Grigory Barkhin (1925-1927, Pushkin Square), Central Telegraph Building (1927-29, 5 Tverskaya), a modernist masterpiece by Ivan Rerberg, and a stern black cube of Lenin Institute in Tverskaya Square (1926) by Stepan Chernyshyov.
Further expansion occurred in line with Stalin's 1935 master plan. During that period, all the churches and most other historic buildings were torn down in order to widen the street and replace low-rise buildings with larger, early stalinist apartment blocks and government offices. Arkady Mordvinov, who handled this ambitious project, retained some historical buildings, like the ornately decorated Savvinskoye Podvorye by Ivan Kuznetsov. This building was moved to a new foundation north from the new street line, and is now completely enclosed inside Mordvinov's stalinist block at 6, Tverskaya Street.
Alexei Harlamoff (1840-1925) A collection of paintings 4K Ultra HD
Alexei Alexeievich Harlamov (1840–1925) was a Russian painter.
Alexei was born into a family of serfs on 18 October 1840 in the village of Dyachevka near Saratov on the River Volga. Harlamoff became a guest student at the Imperial Academy of Arts in Saint Petersburg in 1854. Three years later he was awarded a second class silver medal for a drawing.
In 1862 Harlamoff was awarded a second class silver medal for a sketch, and he enrolled with the historical painter Alexey Tarasovich Markov. In 1863 he was awarded two first class silver medals, for a drawing and for a sketch. In 1865 he presented his large scale painting Ananias before the Apostles, but did not win the competition for a second class gold medal.
The next year however he did win this award, for his painting Baptizing of the Kiever. He completed his studies in 1868, winning a first class gold medal for his Return of the Prodigal Son, and was granted a scholarship from the academy to study in Paris in 1869.
In January 1875 Harlamoff completed a portrait of Elena Tretyakova in an evening dress. He began a portrait of Turgenev, which he finished in December. During this period he also accepted other commissions, and may have spent March in Spain.
In May he exhibited at the Salon, where the portraits of Pauline Viardot-Garcia and Louis Viardot drew the attention of the Parisian press. He moved into the studio of the late Isidore Pils at Place Pigalle 11.
During this year he was beginning to gain popularity with British art dealers. At New Years and the beginning of 1876 he visited Russia.
In 1876 the young soprano singer Félia Litvinne arrived from Saint Petersburg and started taking lessons with Pauline Viardot-Garcia. Turgenev purchased one of Harlamoff's paintings from Bogolyubov, entitled Gipsy Girl.
Harlamoff and Turgenev visited the Imperial Academy of Arts in late May/early June 1877.
Turgenev commissioned Harlamoff to portrait the bibliophile collector Alexandre F. Onegin. On 28 November 1877 Harlamoff became a founding member of the Association of Russian Artists for the Mutual Support and Benefaction Abroad.
In 1878 Harlamoff exhibited his paintings at the Salon and at the Universal Exhibition in Paris simultaneously. His portrait of Alexander F. Onegin was awarded a second class medal.
In 1879 Peter F. Iseyev asked Harlamoff to collaborate on decorating the Cathedral of Christ the Saviour in Moscow. He was also invited to exhibit at the elitist Cercle de l’Union artistique.
For the first time Harlamoff was a visiting exhibitor at the Itinerant Art Exhibition in Russia. Ivan Kramskoi convinced Harlamoff to switch from the Society for Art Exhibitions at the Imperial Academy of Arts to the Association of the Itinerant Art Exhibitions, which he did in 1880.
In 1879 he also travelled again to Spain, and to Biarritz, where he painted the prominent Russian publisher Andrey Krayevsky.
Through 1881 and 1882 Harlamoff exhibited three paintings at the All-Russian Exhibition Centre in Moscow. In 1883 Harlamoff was commissioned to portray Paul Demidoff, Prince of San Donato, and his family. He also travelled to Florence that same year.
In 1885 he supported Bogolyubov’s plan to found a museum in Saratov by donating his painting Italian Girl with a Lizard. He also took part in the 5th Exhibition of the Association of Watercolour Artists in Saint Petersburg.
The next year Sergei M. Tretyakov recommended to his brother Pavel that he should purchase Harlamoff’s Girl Laughing for the Tretyakov Gallery in Moscow.
In 1888, on Bogolyubov's suggestion, Vladimir Stasov exhibited Harlamoff’s portrait of Turgenev at an Itinerant Art Exhibition. He was also exhibited at the International Exhibition in Glasgow, where Queen Victoria was reportedly impressed by his paintings.
The next year Harlamoff joined the organizing committee of the Universal Exhibition in Paris, where he showed eleven of his paintings that year.
In 1909 Harlamoff moved to his new studio, Boulevard de Rochechouart, 57bis. Between 1911 and 1914 Harlamoff participated in exhibitions with Galerie Lemercier in Moscow. In 1922 Felia Litvinne showed the works of Harlamoff in her salon in Paris.
Harlamoff died on 10 April 1925 in his studio on Boulevard de Rochechouart with Litvinne as his sole heir.
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Pushkin Museum of fine arts
The Pushkin Museum of Fine Arts has a collection of masterpieces that can compete with Prado, Louvre or London National gallery. Owing to one woman who's devoted her life to the museum it's now famous far away from Russia. At the same time there are many works that are still waiting of their hour in store-rooms and restoration workshops. Get closer to museum's great history and modern development in the Pushkin Museum of Fine Arts documentary.
Alexey Gusev: The ethics of art
Alexey Gusev talk about terms ''ethics'' and ''morality'' in art and particularly in cinema.
Alexey Gusev at CreativeMornings Saint Petersburg, February 2016. Free events like this one are hosted every month in dozens of cities. Discover hundreds of talks from the world's creative community at
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