Holst Quintet in A minor Op.3 - II. Scherzo: Allegro vivace
ホルスト 五重奏曲 イ短調 作品3
II. Scherzo: Allegro vivace
「アンサンブル・ブルレスカ」第9回演奏会より
2009年2月1日 大田文化の森ホール（東京）
G.Holst(1874-1934) Quintet in A minor Op.3
II. Scherzo: Allegro vivace
Performed by Ensemble Burlesca The 9th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Feb. 1,2009
Faillenot ディヴェルティスマン（古い形式に基づく）
ファイユノ ディヴェルティスマン（古い形式に基づく）
プレリュード～サラバンド～メヌエット～シシリエンヌ～マーチ
「アンサンブル・ブルレスカ」第15回演奏会より
2012年1月15日 大田文化の森ホール（東京）
M.Faillenot Divertissement(dans le style ancien)
Prélude - Sarabande - Menuet - Sicilienne - Marche
Performed by Ensemble Burlesca The 15th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Jan 15,2012
Tchaikovsky バレエ「眠りの森の美女」より序奏～終曲（プロローグ）（ブルレスカ編曲版）
チャイコフスキー バレエ「眠りの森の美女」より 序奏～終曲（プロローグ）
(2Fl/Picc/2Cl/Bhr/Fg/3Hr/Tp/Tb/Vn/Cb)
「アンサンブル・ブルレスカ」第15回演奏会より
2012年1月15日 大田文化の森ホール（東京）
P.I.Tchaikovsky Ballet The Sleeping Beauty (Burlesca version)
Introduction-Finale(Prologue)
(2Fl/Picc/2Cl/Bhr/Fg/3Hr/Tp/Tb/Vn/Cb)
Performed by Ensemble Burlesca The 15th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Jan 15,2012
Gabaye - Recreation (Tp/Hr/Tb/Pf)
ガベーユ(1930-2000) レクリエーション (Tp/Hr/Tb/Pf)
I. Allegretto 0:00
II. Largo 5:09
III. Presto 9:46
「アンサンブル・ブルレスカ」第19回演奏会より
2014年1月18日 大田文化の森ホール（東京）
P.Gabaye(1930-2000) Recreation (Tp/Hr/Tb/Pf)
I. Allegretto 0:00
II. Largo 5:09
III. Presto 9:46
Performed by Ensemble Burlesca The 19th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Jan.18,2014
Kabalevsky 組曲「道化師」よりギャロップ（ブルレスカ編曲版）
カバレフスキー 組曲「道化師」より ギャロップ （ブルレスカ編曲版）
(2Fl/Picc/2Cl/Bhr/Fg/3Hr/Tp/Tb/Vn/Cb)
「アンサンブル・ブルレスカ」第15回演奏会より
2012年1月15日 大田文化の森ホール（東京）
Kabalevsky: Gallop from Suite Comedians (Burlesca version)
(2Fl/Picc/2Cl/Bhr/Fg/3Hr/Tp/Tb/Vn/Cb)
Performed by Ensemble Burlesca The 15th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Jan 15,2012
おもちゃの交響曲（Toy Symphony） 第1楽章（ブルレスカ編曲版）
おもちゃの交響曲より第1楽章（ブルレスカ編曲版）
「アンサンブル・ブルレスカ」第19回演奏会より
2014年1月18日 大田文化の森ホール（東京）
Toy Symphony - I mov. (Burlesca Version)
Performed by Ensemble Burlesca The 19th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Jan.18,2014
Holst Quintet in A minor Op.3 - IV. Allegro con brio
ホルスト 五重奏曲 イ短調 作品3
IV. Allegro con brio
「アンサンブル・ブルレスカ」第9回演奏会より
2009年2月1日 大田文化の森ホール（東京）
G.Holst(1874-1934) Quintet in A minor Op.3
(Ob/Cl/Hr/Bsn/Pf)
IV. Allegro con brio
Performed by Ensemble Burlesca The 9th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Feb. 1,2009
Holst Quintet in A minor Op.3 - I. Allegro moderato
ホルスト 五重奏曲 イ短調 作品3
I. Allegro moderato
「アンサンブル・ブルレスカ」第9回演奏会より
2009年2月1日 大田文化の森ホール（東京）
G.Holst(1874-1934) Quintet in A minor Op.3
I. Allegro moderato
Performed by Ensemble Burlesca The 9th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Feb. 1,2009
Reicha - Wind Quintet Op.91-3 - I. Lento - Allegro assai
ライヒャ 木管五重奏曲 ニ長調 作品91-3
I. Lento - Allegro assai
「アンサンブル・ブルレスカ」第9回演奏会より
2009年2月1日 大田文化の森ホール（東京）
A.Reicha(1770-1836) Wind Quintet in D major Op.91-3
I. Lento - Allegro assai
Performed by Ensemble Burlesca The 9th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Feb. 1,2009
FLAVIO TSUHA - SUKI NI NARAZUNI IRARENAI
1o. LUGAR - NATSUMERO - TAIKAI PEDROSO
Holst Quintet in A minor Op.3 - III. Adagio
ホルスト 五重奏曲 イ短調 作品3
III. Adagio
「アンサンブル・ブルレスカ」第9回演奏会より
2009年2月1日 大田文化の森ホール（東京）
G.Holst(1874-1934) Quintet in A minor Op.3
III. Adagio
Performed by Ensemble Burlesca The 9th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Feb. 1,2009
Tchaikovsky バレエ「眠りの森の美女」よりワルツ（ブルレスカ編曲版）
チャイコフスキー バレエ「眠りの森の美女」より ワルツ（第1幕）
(2Fl/Picc/2Cl/Bhr/Fg/3Hr/Tp/Tb/Vn/Cb)
「アンサンブル・ブルレスカ」第15回演奏会より
2012年1月15日 大田文化の森ホール（東京）
P.I.Tchaikovsky Ballet The Sleeping Beauty (Burlesca version)
Valse(Act I)
(2Fl/Picc/2Cl/Bhr/Fg/3Hr/Tp/Tb/Vn/Cb)
Performed by Ensemble Burlesca The 15th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Jan 15,2012
Reicha - Wind Quintet Op.91-3 - II. Adagio
ライヒャ 木管五重奏曲 ニ長調 作品91-3
II. Adagio
「アンサンブル・ブルレスカ」第9回演奏会より
2009年2月1日 大田文化の森ホール（東京）
A.Reicha(1770-1836) Wind Quintet in D major Op.91-3
II. Adagio
Performed by Ensemble Burlesca The 9th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Feb. 1,2009
Digital Content Expo janken
Reicha - Wind Quintet Op.91-3 - IV. Finale: Allegretto
ライヒャ 木管五重奏曲 ニ長調 作品91-3
IV. Finale: Allegretto
「アンサンブル・ブルレスカ」第9回演奏会より
2009年2月1日 大田文化の森ホール（東京）
A.Reicha(1770-1836) Wind Quintet in D major Op.91-3
IV. Finale: Allegretto
Performed by Ensemble Burlesca The 9th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Feb. 1,2009
Reicha - Wind Quintet Op.91-3 - III. Menuetto
ライヒャ 木管五重奏曲 ニ長調 作品91-3
III. Menuetto
「アンサンブル・ブルレスカ」第9回演奏会より
2009年2月1日 大田文化の森ホール（東京）
A.Reicha(1770-1836) Wind Quintet in D major Op.91-3
III. Menuetto
Performed by Ensemble Burlesca The 9th Concert
at Ota Bunka-no-Mori Hall in Tokyo,Japan on Feb. 1,2009
Gunma-chan's Tasty Tour
Discover Gunma’s many tasty treasures with Gunma-chan! JOMO JET presents its second video project, Gunma-chan's Tasty Tour!
We went on a tour with Gunma-chan, the mascot of Gunma Prefecture, to taste and introduce some of the delicious local dishes in Gunma. We hope it tickles your tastebuds!
Follow us on...
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Twitter:
ぐんまちゃんと群馬県のおいしいお宝を発見しましょう！JOMO JETのビデオ製作プロジェクト第二弾、「ぐんまちゃんのおいしい食べ歩き」が完成しました！
群馬県のマスコット、「ぐんまちゃん」と一緒に群馬県内のおいしいグルメをいくつか食べ歩きをし、紹介してみました！ぜひ見て楽しんでください！
LIST OF LOCATIONS
Tatebayashi City:
1. Morinji Temple [
2. Tsutsujigaoka Park [
3. Restaurant: Hanayama Udon [hanayamaudon.co.jp]
Kiryu City:
1. Textile Experience Museum Yukari [
2. Caribbean Beach [
3. Restaurant: Fujiya Honten [fujiya-honten.net]
Isesaki City:
1. Kezoji Park [
2. Restaurant: El Kero [On Facebook @restauranteelkero]
Annaka City:
1. Usui Touge Tetsudo Bunka Mura [
2. Usui 3rd Bridge (Megane Bridge) [
3. Restaurant: Oginoya [oginoya.co.jp]
Tomioka City:
1. Tomioka Silk Mill [
2. Nukisaki Shrine [
3. Restaurant: Otsukaya [On Tabelog @ 大塚屋]
Maebashi City:
1. Gunma Flower Park [
2. Rinkokaku [
3. Restaurant: Voler Cygne [swanweb.co.jp/restaurant/voler]
Takasaki City:
1. Gunma-no-Mori (Prefectural Forest Park) [
2. Takasaki Castle [
3. Restaurant: Ristorante Italiano Shango [shango.co.jp]
Presented by JOMO JET
Original Music: 散歩しましょう by Manny Marx
Editing: Broguen Whetstone and Janice Kunishige
Featured JOMO JET Members:
Stephanie Borria, Jana Hopkins, Janice Kunishige, Jaime Ota, Ashly
Schanback, Broguen Whetstone
Featured Honorary JOMO JET Members:
Yusuke Aoyama, Damien Robuchon, Shinichi Saito, Takeo Sato
MEU SMARTPHONE ASUS, TRAVOU E ENTROU EM CURTO - Por: Ludih Evangelistah
Olá amigos!!! Sejam bem vindos ao meu canal, no vídeo de hoje falarei sobre os problemas com o celular ASUS Zenfone 2 Laser, que venho tendo desde que comprei em 9/2016 com travamento, no carregamento ligando e desligando e agora em curto e quase explode dentro do posto GNV quando fui abastecer.
Assista ao vídeo e comente depois!!
*****************************************************************
*****************************************************************
Me sigam em minhas Redes sociais:
facebook: LudiEvangelista
Instagram: @Luevangelist
Youtube brigaderiadaludi:
Calling All Cars: The Blonde Paper Hanger / The Abandoned Bricks / The Swollen Face
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: History of Dallas Eagan / Homicidal Hobo / The Drunken Sailor
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.