Poole's Mill Covered Bridge.
Poole's Mill Covered Bridge and park just outside Cummung Ga,
Poole's Mill Covered Bridge park
Pooles Mill Park Coverd Bridge
Located in Ballgound, Georgia Pooles Mill Park features a beautifully preserved covered bridge.
Pools Mill Park - Cumming
Note:
This video is raw with not editing and audio may not be great neither. This video is intended for you to have an idea of the place and area, and for you to decide or not to make plans to explore it yourself or get in touch with me to put a group together and all of us have fun.
Poole’s Mill Park is located in the far west part of Forsyth County is a nice place to hangout and relax in the rocks while enjoy watching the cascading falls.
The trails are in a woodland area. They are wide, and are easy to walk and navigate through. But is no as longer as i thought. Found lots of sings anf fences of private property cutting the trail.
There is a nice swim hole that people were hanging out at. Instead of bringing your walk shoes, bring your swimsuit.
There is a river and there is a rock slide. You can hop from rock to rock and in safe parts, swim! The is a rope swing over the river. The water is usually warm.
The Bridge, built in 1901, spans the shoals of Settendown Creek. After periods of disrepair, the structure was converted from private ownership and dedicated as a county park in 1997. The park, on the National Historic Registry, offers residents the opportunity to picnic, walk and reminisce about the history of a bygone era.
Good place to visit maybe for Halloweeen. This place have a haunted story behind.
Place a Snickers Bar or any candy on your car roof or close to the other side of the covered bridge at midnight, you will hear the scurrying of feet and hands on your car roof.
Poole’s Mill features include:
Playground
Covered Picnic Pavilion
Outdoor Picnic Tables by the River
River – for fishing or swimming
and of course the famous “rock slides”
PARK ADDRESS
7725 Poole's Mill Road, Ballground
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Natural Rock Slides at Poole's Mill Bridge Park
One of our favorite parks to visit just North of Atlanta is Poole's Mill Bridge Park. Bring a picnic and a towel because you're going to want to get wet playing on the natural rock water slides.
Follow us on Instagram @ErnisJourneys
Music by joshwoodward.com
Poole's Mill Park Swimming Hole in Forsyth County, Georgia
People of all ages enjoy the natural water slides, rapids, and swimming hole at Poole's Mill Park in Forsyth County, Georgia
Chattahoochee Pointe Park, Suwanee, GA 30024
Chattahoochee Pointe Park is located in South Forsyth Suwanee, GA 30024 and is less than a mile from Olde Atlanta Club and St. Marlo. It's a brand new park with a playground area, a boat ramp, a nature trail with beautiful view to the Chattahoochee river.
What Happens If You Drop 30 lb of Dry Ice in POOL
Indoor Waterfall -
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Loose Change - 2nd Edition HD - Full Movie - 911 and the Illuminati - Multi Language
Why were 4 planes allowed to fly over restricted airspace with no transponder signals for over an hour? Why did the owner of the WTC take out a multi billion dollar terrorist insurance policy months before? Why did Jeb Bush, then Head of Security for the WTC remove all the bomb sniffing dogs? Why did the lead hijacker use the U.S. Pensacola Naval Air Station as his address when he rented a car?
So many unanswered questions that deserve further examination, but not even mentioned in the 911 Commission Report.
This is the best documentary on 911. there are other Loose Change Editions but they have been watered down by Alex Jones and others. The second edition is the one you want to watch.
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NYSTV - The Secret Nation of Baal and Magic on the Midnight Ride - Multi - Language
This is the Midnight Ride with David Carrico on NYSTV with Jon Pounders talking about the true occult origins of the US.
See whoever controls the narrative has spin control over the status quo. They decide what's moral or immoral. What's sane and insane. What's possible and not possible. And they especially decide the heros and the villians.
You won't find this information on TV or in your history books. Very informative as always. Check out NYSTV, relevant talk. Not distractions like the rest of the media.
I'm still trying to get these out as fast as possible, and there are a few errors on the subtitles towards the end in some languages. Sorry about that and I'll try to fix them as soon as I can.
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The Great Gildersleeve: Leila Leaves Town / Gildy Investigates Retirement / Gildy Needs a Raise
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter Bronco Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed Ha!!! or What a character! Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.
Suspense: 'Til the Day I Die / Statement of Employee Henry Wilson / Three Times Murder
The aim for thrillers is to keep the audience alert and on the edge of their seats. The protagonist in these films is set against a problem -- an escape, a mission, or a mystery. No matter what sub-genre a thriller film falls into, it will emphasize the danger that the protagonist faces. The tension with the main problem is built on throughout the film and leads to a highly stressful climax. The cover-up of important information from the viewer, and fight and chase scenes are common methods in all of the thriller subgenres, although each subgenre has its own unique characteristics and methods.[8]
A thriller provides the sudden rush of emotions, excitement, sense of suspense and exhilaration that drive the narrative, sometimes subtly with peaks and lulls, sometimes at a constant, breakneck pace thrills. In this genre, the objective is to deliver a story with sustained tension, surprise, and a constant sense of impending doom. It keeps the audience cliff-hanging at the edge of their seats as the plot builds towards a climax. Thrillers tend to be fast-moving, psychological, threatening, mysterious and at times involve larger-scale villainy such as espionage, terrorism and conspiracy.
Thrillers may be defined by the primary mood that they elicit: fearful excitement. In short, if it thrills, it is a thriller. As the introduction to a major anthology explains:
...Thrillers provide such a rich literary feast. There are all kinds. The legal thriller, spy thriller, action-adventure thriller, medical thriller, police thriller, romantic thriller, historical thriller, political thriller, religious thriller, high-tech thriller, military thriller. The list goes on and on, with new variations constantly being invented. In fact, this openness to expansion is one of the genre's most enduring characteristics. But what gives the variety of thrillers a common ground is the intensity of emotions they create, particularly those of apprehension and exhilaration, of excitement and breathlessness, all designed to generate that all-important thrill. By definition, if a thriller doesn't thrill, it's not doing its job.
—James Patterson, June 2006, Introduction, Thriller[9]
Writer Vladimir Nabokov, in his lectures at Cornell University, said: In an Anglo-Saxon thriller, the villain is generally punished, and the strong silent man generally wins the weak babbling girl, but there is no governmental law in Western countries to ban a story that does not comply with a fond tradition, so that we always hope that the wicked but romantic fellow will escape scot-free and the good but dull chap will be finally snubbed by the moody heroine.
Words at War: Faith of Our Fighters: The Bid Was Four Hearts / The Rainbow / Can Do
Wanda Wasilewska (21 January 1905 -- 29 July 1964) was a Polish and Soviet novelist and communist political activist who played an important role in the creation of a Polish division of the Soviet Red Army during World War II and the formation of the People's Republic of Poland.
She had fled the German attack on Warsaw in September 1939 and taken up residence in Soviet-occupied Lviv and eventually the Soviet Union.
Wasilewska was born on 25 January 1905 in Kraków, Austria-Hungary. Her father was Leon Wasilewski, a Polish Socialist Party politician. She studied philosophy at the Warsaw University and Polish language and Polish literature at the Jagiellonian University in Kraków. After she graduated she remained at her alma mater and passed her doctorate exams in 1927. While studying she started cooperation with the Union of Socialist Youth and Society of Workers' Universities.
Soon after she finished her studies she started working as a school teacher and a journalist for various left-wing newspapers, among them Naprzód, Robotnik, Dziennik Popularny and Oblicze Dnia. She also became the chairperson of the Płomyk and Płomyczek monthlies for children, where she introduced Soviet propaganda. Although she was often criticised for her radical left-wing opinions, she joined the PPS instead of the communist party, where she was soon promoted to a member of the main party council. In her early political career she supported an alliance of all the left-wing parties with the communists against the ruling Sanacja. She was also an active supporter of many strikes in Poland. During one of the demonstrations in Kraków she met Marian Bogatko, whom she later married.
After the Polish defeat in the Polish Defensive War of 1939 and the partition of Poland into Soviet and German occupied zones, she moved to Lviv where she automatically became a Soviet citizen. The Gestapo — acting at the request of the NKVD — helped to transfer her daughter and her furniture from Warsaw to Lviv.[1] She became a member of various communist organisations uniting local Polish and Ukrainian communists. She was also a journalist for the Czerwony Sztandar (Red Banner), a Soviet propaganda newspaper printed in Polish language. In early 1940, Joseph Stalin awarded her a seat in the Supreme Soviet of the USSR. She also became the chair of the Dramatic Theatre in Lviv. After the German invasion of the Soviet Union Wasilewska fled advancing Nazi army and joined the Red Army as a war correspondent and a functionary of the Political Commandment (Politupravleniye) of the Red Army. She held the military rank of a colonel.[2] She was also one of the founders (together with Jerzy Putrament) of the Nowe Widnokręgi monthly.
After consultations with Stalin (and most probably by his direct order) she became the head of the newly formed Związek Patriotów Polskich (Society of Polish Patriots), a Soviet-created provisional government that was to control Poland. In 1944 she also became the deputy chief of the Polish Committee of National Liberation (PKWN), another provisional government which was also sponsored by the Soviet Union and opposing the Polish government in exile as the legal government of Poland. She favoured the incorporation of Poland as a republic of the Soviet Union.
After most of Poland was occupied by the Red Army she decided to stay in the Soviet Union. She also became involved in a relationship with Ukrainian playwright Oleksandr Korniychuk, with whom she moved to Kiev.
Although both her Russian and Ukrainian language abilities were very limited, she remained a member of the Supreme Soviet of the Soviet Union for several decades. She did not return to public life, however. She died on July 29, 1964 in Kiev. She is buried in the Baikove Cemetery.
She was triple recipient of the Stalin prize for literature (1943, 1946, 1952). During the life of Joseph Stalin she was considered a classic writer of Soviet literature and her works were included into the school curriculum throughout the Soviet Union, but she was almost completely forgotten after his death.
The Vietnam War: Reasons for Failure - Why the U.S. Lost
In the post-war era, Americans struggled to absorb the lessons of the military intervention. About the book:
As General Maxwell Taylor, one of the principal architects of the war, noted, First, we didn't know ourselves. We thought that we were going into another Korean War, but this was a different country. Secondly, we didn't know our South Vietnamese allies... And we knew less about North Vietnam. Who was Ho Chi Minh? Nobody really knew. So, until we know the enemy and know our allies and know ourselves, we'd better keep out of this kind of dirty business. It's very dangerous.
Some have suggested that the responsibility for the ultimate failure of this policy [America's withdrawal from Vietnam] lies not with the men who fought, but with those in Congress... Alternatively, the official history of the United States Army noted that tactics have often seemed to exist apart from larger issues, strategies, and objectives. Yet in Vietnam the Army experienced tactical success and strategic failure... The...Vietnam War...legacy may be the lesson that unique historical, political, cultural, and social factors always impinge on the military...Success rests not only on military progress but on correctly analyzing the nature of the particular conflict, understanding the enemy's strategy, and assessing the strengths and weaknesses of allies. A new humility and a new sophistication may form the best parts of a complex heritage left to the Army by the long, bitter war in Vietnam.
U.S. Secretary of State Henry Kissinger wrote in a secret memo to President Gerald Ford that in terms of military tactics, we cannot help draw the conclusion that our armed forces are not suited to this kind of war. Even the Special Forces who had been designed for it could not prevail. Even Secretary of Defense Robert McNamara concluded that the achievement of a military victory by U.S. forces in Vietnam was indeed a dangerous illusion.
Doubts surfaced as to the effectiveness of large-scale, sustained bombing. As Army Chief of Staff Harold Keith Johnson noted, if anything came out of Vietnam, it was that air power couldn't do the job. Even General William Westmoreland admitted that the bombing had been ineffective. As he remarked, I still doubt that the North Vietnamese would have relented.
The inability to bomb Hanoi to the bargaining table also illustrated another U.S. miscalculation. The North's leadership was composed of hardened communists who had been fighting for independence for thirty years. They had defeated the French, and their tenacity as both nationalists and communists was formidable. Ho Chi Minh is quoted as saying, You can kill ten of my men for every one I kill of yours...But even at these odds you will lose and I will win.
The Vietnam War called into question the U.S. Army doctrine. Marine Corps General Victor H. Krulak heavily criticised Westmoreland's attrition strategy, calling it wasteful of American lives... with small likelihood of a successful outcome. In addition, doubts surfaced about the ability of the military to train foreign forces.
Between 1965 and 1975, the United States spent $111 billion on the war ($686 billion in FY2008 dollars). This resulted in a large federal budget deficit.
More than 3 million Americans served in the Vietnam War, some 1.5 million of whom actually saw combat in Vietnam. James E. Westheider wrote that At the height of American involvement in 1968, for example, there were 543,000 American military personnel in Vietnam, but only 80,000 were considered combat troops. Conscription in the United States had been controlled by the President since World War II, but ended in 1973.
By war's end, 58,220 American soldiers had been killed, more than 150,000 had been wounded, and at least 21,000 had been permanently disabled. According to Dale Kueter, Sixty-one percent of those killed were age 21 or younger. Of those killed in combat, 86.3 percent were white, 12.5 percent were black and the remainder from other races. The youngest American KIA in the war was PFC Dan Bullock, who had falsified his birth certificate and enlisted in the US Marines at age 14 and who was killed in combat at age 15. Approximately 830,000 Vietnam veterans suffered symptoms of posttraumatic stress disorder. An estimated 125,000 Americans fled to Canada to avoid the Vietnam draft, and approximately 50,000 American servicemen deserted. In 1977, United States President Jimmy Carter granted a full, complete and unconditional pardon to all Vietnam-era draft dodgers. The Vietnam War POW/MIA issue, concerning the fate of U.S. service personnel listed as missing in action, persisted for many years after the war's conclusion.
1600 Pennsylvania Avenue / Colloquy 4: The Joe Miller Joke Book / Report on the We-Uns
After Miller's death, John Mottley (1692--1750) brought out a book called Joe Miller's Jests, or the Wit's Vade-Mecum (1739), published under the pseudonym of Elijah Jenkins Esq. at the price of one shilling. This was a collection of contemporary and ancient coarse witticisms, only three of which are told of Miller. This first edition was a thin pamphlet of 247 numbered jokes. This ran to three editions in its first year.
Later (not wholly connected) versions were entitled with names such as Joe Miller's Joke Book, and The New Joe Miller to latch onto the popularity of both Joe Miller himself and the popularity of Mottley's first book. It should be noted that joke books of this format (i.e. Mr Smith's Jests) were common even before this date. It was common practice to learn one or two jokes for use at parties etc.
Owing to the quality of the jokes in Mottley's book, their number increasing with each of the many subsequent editions, any time-worn jest came to be called a Joe Miller, a Joe-Millerism, or simply a Millerism.
Joke 99 states:
A Lady's Age happening to be questioned, she affirmed she was but Forty, and called upon a Gentleman that was in Company for his Opinion; Cousin, said she, do you believe I am in the Right, when I say I am but Forty? I ought not to dispute it, Madam, reply'd he, for I have heard you say so these ten Years.
Joke 234 speaks of:
A famous teacher of Arithmetick, who had long been married without being able to get his Wife with Child. One said to her 'Madam, your Husband is an excellent Arithmetician'. 'Yes, replies she, only he can't multiply.'
Joe Miller was referred to in Charles Dickens' A Christmas Carol (1843), by the character Scrooge, who remarks Joe Miller never made such a joke as sending [the turkey] to Bob's will be!
Joe Miller was also referred to in James Joyce's Ulysses (1922) in the limerick that Lenehan whispers during the Aeolus episode to Stephen Dedalus, the last line of which is I can't see the Joe Miller. Can you?.
According to Leonard Feinberg, the 1734 edition contains one of the oldest examples of gallows humor.
Calling All Cars: History of Dallas Eagan / Homicidal Hobo / The Drunken Sailor
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Magicians assisted by Jinns and Demons - Multi Language - Paradigm Shifter
So in the rumors of researching the Illuminati, we sometimes hear faint whisperings of celebrities who sell their souls for fame and fortune.
Magicians do pretty much the same thing and this video provide about 3 hours of evidence.
What secret is so big you have to form multiple secret societies to cover it up?
How come no matter where you start researching the Illuminati, whether it be from JFK to the Moon Landing to Ley Lines to UFOs,
you'll always arrive at the richest most powerful people in world wearing robes and worshipping an owl.
Are they just dumb?
Nope. You're dumb if you think the worlds richest and most powerful are dumb. They know exactly what their doing and after watching this video you will too.
From Manly P. Hall's words himself.
This movie is not to be missed. It's very educational.
Subscribe here:
freetruthproductions.com
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Suspense: 100 in the Dark / Lord of the Witch Doctors / Devil in the Summer House
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Words at War: Barriers Down / Camp Follower / The Guys on the Ground
Alfred Friendly (December 30, 1911 -- November 7, 1983) was an American journalist, editor and writer for the Washington Post. He began his career as a reporter with the Post in 1939 and became Managing Editor in 1955. In 1967 he covered the Mideast War for the Post in a series of articles for which he won the Pulitzer Prize for International Reporting in 1968. He is credited with bringing the Post from being a local paper to having a position of national prominence.
Friendly was born in Salt Lake City. After graduating in from Amherst College in 1933, he came to Washington, DC to look for work. A former professor who worked in the Commerce Department hired him, but his appointment to a high position at such a young age earned him criticism in the press and he resigned. For the next year he travelled the country in the middle of the Depression, eventually returning to become a reporter at the Washington Daily News, writing a column for government employees. Less than two years later he was hired to write the same kind of column for the Post, where he was soon assigned to cover war mobilization efforts and anti-war strikes.
When World War II broke out he entered the Army Air Force, rising to the rank of Major before leaving in 1945. While in the military he was involved in cryptography and intelligence operations, finally becoming the second in command at Bletchley Park, and the highest ranking American officer there. After the war he remained in Europe as press aide to W. Averell Harriman supervisor of the Marshall Plan.
A year later he returned to Washington and to the Post, where he became assistant managing editor in 1952 and managing editor in 1955. In 1966 he became an associate editor and a foreign correspondent based out of London. Hearing rumors of war in 1967 he headed to the Middle East where he was present throughout the 1967 War and wrote his series of award winning articles. He retired from the Post in 1971, though he continued writing occasional editorials and book reviews.
During his retirement he wrote several books, and after his death the Alfred Friendly Foundation was established. It administers the Alfred Friendly Press Fellowships to bring foreign journalists to the United States for internships at prominent newspapers. The Archives and Special Collections at Amherst College holds a collection of his papers.