Norge 2017 - TrollAktiv
Norge 2017 - TrollAktiv
Ernest Galpert -- Growing Up Religious (Czech Audio | English Subtitle)
The story of a Hasidic childhood in one of the centers of Orthodox and Hasidic Judaism of Central Europe. Mukacevo (as it's called in Czech, or Munkacs in Hungarian) is a town that was in five countries between 1918 and 1991: the Austro-Hungarian Monarchy, interwar Czechoslovakia, wartime Hungary, the Soviet Union and today, Ukraine. Mukacevo had a majority Jewish population (before it was wiped out during the Holocaust); its great rabbinical courts feuded constantly with each other.
Ernest Galpert, born in 1923, spent his childhood mornings in a religious school and his afternoons in a secular Czech school. His father had a grocery store and the family spoke Yiddish at home. During the war, Ernst was taken into forced labor brigades while his parents and sisters were deported to Auschwitz. Only his sisters returned and left for Israel soon after.
Ernest remained, hoping his sweetheart Tilda would return from the camps. She did - they married and raised two sons in Mukacevo, then in the Soviet Union. When Communism fell in 1991, one of Ernest's sons left for Israel while Ernest and his other son began helping run the Jewish community.
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Příběh dětství v chasidské komunitě v jednom z nejvýznamnějších center ortodoxního a chasidského judaismu ve střední Evropě, Mukačevu. Mukačevo, město kterému se poštěstilo náležet mezi lety 1918 až 1991 pěti různým státům: k Rakousko - Uherské monarchii, meziválečnému Československu, během války Maďarsku, poté k Sovětskému Svazu, a dnes Ukrajině. V Mukačevu tvořili židovští obyvatelé většinu občanů (předtím než byli vyhlazeni během holokaustu) a mukačevské vrchní rabínské soudy se mezi sebou neustále svářely.
Ernest Galpert, narozený roku 1923, trávil ve svém dětství každé ráno v chederu (náboženské škole pro chlapce). Odpolední vyučování pak absolvoval pro změnu v české škole, která zajišťovala světské vzdělání. Ve státní škole se tak malý Ernest nezřídka učil pravý opak toho, co mu bylo vykládáno ve škole náboženské. Ernestův tatínek vlastnil malý koloniál. V rodině se hovořilo jazykem jidiš. Během války byl Ernest internován v táboře nucených prací, zatímco jeho rodiče a sestry byli deportováni do Osvětimi. Z koncentračního tábora se vrátily pouze sestry, které se krátce na to odstěhovaly do Izraele. Ernest zůstal v Mukačevu a doufal, že se jeho milovaná přítelkyně Tilda vrátí z koncentračního tábora. Vrátila se. Ernest s Tildou se vzali. Měli civilní svatbu.
Tragické zkušenosti způsobily, že se oba odvrátili od náboženského života. Ve stejném duchu vychovali i své dva syny. Žili nadále v Mukačevu, které se mezitím stalo součástí Sovětského Svazu. Ovšem když komunismus v roce 1991 padl, a Mukačevo se stalo součástí Ukrajiny, jeden z Ernestových synů se odstěhoval do Izraele. Ernest se svým druhým synem začali pomáhat při rozvoji židovské komunity, vrátili se k víře. Nejenže Ernest absolvoval svoji dlouhou cestu zpět k judaismu, ale také si pravidelně dopisuje emailem se svým vnukem žijícím v Izraeli.
Roma are singing in Stryi, Ukraine
The presence of a Romani minority in Ukraine was first documented in the early 14th century. Romani maintained their social organizations and folkways, shunning non-Romani contacts, education and values, often as a reaction to anti-Romani attitudes and persecution. They adopted the language and faith of the dominant society being Orthodox in most of Ukraine, Catholic in Western Ukraine and Transcarpathia, and Islam in Crimea. (WikipediA)
The Great Gildersleeve: The Grand Opening / Leila Returns / Gildy the Opera Star
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Gildy's New Flame / Marjorie's Babysitting Assignment / Congressman
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Religious Right, White Supremacists, and Paramilitary Organizations: Chip Berlet Interview
John Foster Chip Berlet (born November 22, 1949) is an American investigative journalist and photojournalist activist specializing in the study of right-wing movements in the United States, particularly the religious right, white supremacists, homophobic groups, and paramilitary organizations. He also studies the spread of conspiracy theories in the media and on the Internet, and political cults on both the right and left of the political spectrum.
He was a senior analyst at Political Research Associates (PRA), a non-profit group that tracks right-wing networks, and is known as one of the first researchers to have drawn attention to the efforts by white supremacist and anti-Semitic groups to recruit farmers in the Midwestern United States in the 1970s and 1980s. He is the co-author of Right-Wing Populism in America: Too Close for Comfort and editor of Eyes Right! Challenging the Right Wing Backlash.
Berlet, a paralegal, was a vice-president of the National Lawyers Guild. He has served on the advisory board of the Center for Millennial Studies at Boston University, and currently sits on the advisory board of the National Committee Against Repressive Legislation. In 1982, he was a Mencken Awards finalist in the best news story category for War on Drugs: The Strange Story of Lyndon LaRouche, which was published in High Times. He served on the advisory board of the Campaign to Defend the Constitution. He was affiliated with Chicago Area Friends of Albania.
The most recent of Berlet's three books, co-authored with Matthew N. Lyons, is Right-Wing Populism in America: Too Close for Comfort, published in 2000 by The Guilford Press. It is a broad historical overview of right-wing populism in the United States.
The book received generally favorable reviews. Library Journal said it was a detailed historical examination that strikes an excellent balance between narrative and theory. The New York Review of Books described it as an excellent account describing the outermost fringes of American conservatism. A review by Jerome Himmelstein in the journal Contemporary Sociology said that it offers more than a scholarly treatise on the activities of the Third Reich, that it provides a background to help the reader understand the Holocaust and that it merits close attention from scholars of the political right in America and of social movements generally.
Robert H. Churchill of the University of Hartford criticized Berlet and other authors writing about the right wing as lacking breadth and depth in their analysis.
In articles, Berlet has argued that the United States is currently undergoing a right-wing backlash that is the most sustained of its kind in U.S. history. He argues that although 95% of the US's hate crimes are committed by people not affiliated with any group, they have nevertheless internalized a narrative developed and promoted by the right wing that demonizes certain groups, including blacks and gays. He argues that the left must develop coalitions to find a way to counter-balance these narratives, instead of becoming isolated as another side of the lunatic fringe.
In ZOG Ate My Brains, Berlet warned of a troubling resurgence on the political Left of anti-Semitic conspiracy theories that undermine the effort of progressives to bring about social change.
Berlet has provided research assistance to a campaign run by the mother of Jeremiah Duggan to reopen the investigation into his death. The British student died in disputed circumstances near Wiesbaden, Germany. Berlet's statement suggests that the LaRouche movement bears responsibility.
Ambassadors, Attorneys, Accountants, Democratic and Republican Party Officials (1950s Interviews)
Interviewees:
Sir Percy C. Spender, ambassador from Australia to the United States
Stephen A. Mitchell, American attorney and Democratic Party official. He served as chairman of the Democratic National Committee from 1952 to 1956, and was an unsuccessful candidate for the Democratic nomination for Governor of Illinois in 1958.
W. Sterling Cole, Republican member of the United States House of Representatives from New York.
T. Coleman Andrews, accountant and an independent candidate for President of the United States.
T. Lamar Caudle, Justice Department official
Tadeusz Bór-Komorowski, Polish military leader. Komorowski was born in Lwów (now L'viv in Ukraine), in the Austrian partition of Poland. In the First World War he served as an officer in the Austro-Hungarian Army, and after the war became an officer in the Polish Army, rising to command the Grudziądz Cavalry School.
Thomas Coleman Andrews (February 19, 1899 -- October 15, 1983) was an accountant and an independent candidate for President of the United States.
Andrews was born in Richmond, Virginia. After high school, he worked at a meat packing company in Richmond. He then worked with a public accounting firm and he was certified as a CPA in 1921. Andrews formed his own public accounting firm in 1922. He went on leave from his firm in 1931 to become the Auditor of Public Accounts for the Commonwealth of Virginia, a position he held until 1933. He also took leave in 1938 to serve as controller and director of finance in Richmond. Andrews served in the office of the Under-Secretary of War as a fiscal director. He joined the United States Marine Corps in 1943, working as an accountant in North Africa and in the Fourth Marine Aircraft Wing.
Andrews retired from his firms in 1953 to become the Commissioner of Internal Revenue. He left the position in 1955 stating his opposition to the income tax. Andrews ran for President as the States' Rights Party candidate in 1956; his running mate was former Congressman Thomas H. Werdel. Andrews won 107,929 votes (0.17% of the vote) running strongest in the state of Virginia (6.16% of the vote), winning Fayette County, Tennessee and Prince Edward County, Virginia.
Our Miss Brooks: Department Store Contest / Magic Christmas Tree / Babysitting on New Year's Eve
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
The Great Gildersleeve: Dancing School / Marjorie's Hotrod Boyfriend / Magazine Salesman
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter Bronco Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed Ha!!! or What a character! Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.
Dragnet: Big Gangster Part 1 / Big Gangster Part 2 / Big Book
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.
Kent Hovind - Seminar 3 - Dinosaurs in the Bible [MULTISUBS]
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Many skeptics try to use dinosaurs as a weapon to fight against the faith of Christianity. Can the Bible withstand the onslaught of all of the overwhelming evidence? How is it possible to mix the Bible with the existence of these so-called prehistoric creatures?
Dinosaurs and the Bible, part three of the creation seminar series, pursues the Biblical and historical references to an explanation that just may surprise you. Follow the clues and find out how dinosaurs trace back to the original Creation. See how they survived the flood. Listen to first hand Biblical accounts and see the impact of the possibility of a few dinosaurs still being alive today? Discover the truth about dinosaurs and how God is using them to bring glory to His name.
Dr. Kent Hovind, founder of Creation Science Evangelism, is dedicated to proclaiming scientific evidence which supports the Biblical account of a literal six-day creation. As guest lecturer for public and private schools, universities, churches, camps, debates, and TV and radio programs, he has been traveling internationally giving seminars on creation verses evolution since 1989. His extensive study and research make Dr. Hovind one of the world's foremost authorities on science and the Bible.
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