Places to see in ( Chicago - USA ) Oriental Theatre
Places to see in ( Chicago - USA ) Oriental Theatre
The Oriental Theatre is a theater located at 24 West Randolph Street in the Loop area of downtown Chicago, Illinois. Opened in 1926 as a deluxe movie palace, today the Oriental is operated by Broadway In Chicago, a subsidiary of the Nederlander Organization. It is listed on the National Register of Historic Places as New Masonic Building and Oriental Theater.
The Oriental Theatre opened in 1926 as one of many ornate movie palaces built in Chicago during the 1920s by the firm Rapp and Rapp. It was built on the same location as the former Iroquois Theatre (later the Colonial Theatre) site of a disastrous 1903 fire that claimed over 600 lives. Although the façade looks identical, the Oriental retained nothing from the building that once stood on the same site.
The Oriental continued to be a vital part of Chicago's theater district into the 1960s, but patronage declined in the 1970s along with the fortunes of the Chicago Loop in general. Late in the decade, the theater survived by showing exploitation films. It closed in 1981 and was vacant for more than a decade. The Oriental is one of several houses now operating in Chicago's revitalized Loop Theater District. According to Richard Christiansen, the opening of the Oriental spurred on the restoration of other theaters in The Loop.
The district is also home to the Cadillac Palace Theatre, CIBC Theatre (formerly The PrivateBank Theatre), the Goodman Theatre, and the Chicago Theatre. Randolph Street was traditionally the center of downtown Chicago's entertainment district until the 1960s when the area began to decline. The now demolished United Artists Theatre, Woods Theatre, Garrick Theater, State-Lake Theatre and Roosevelt Theatre were located on or near Randolph Street.
The architects of the Oriental were George L. and Cornelius W. Rapp, who also built the Palace and Chicago Theatres. The Oriental features decor inspired by the architecture of India. The 3,250-seat theater was operated by the city's dominant theater chain, Balaban and Katz (a subsidiary of Paramount Pictures).
( Chicago - USA ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Chicago . Through a series of videos we will try to show you recommended places to visit in Chicago - USA
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MUSICAL! the musical - Matrix! - Tagline I Wish Song
Totally improvised musical based on audience suggestion on The Matrix.
MUSICAL! the musical ™ opened in 1998 at Chicago's Royal George Theatre to rave reviews. It was the first completely improvised two-act Broadway style musical in the United States. It has had runs in theaters all across the country for the past decade.
These scenes are from MATRIX! the musical, performed at the Illinois High School Theater Fest at Krannert Hall.
Neo -- Mike Shreeman
Trinity -- Colleen McHugh
Morpheus -- Nancy Howland Walker
All Other Characters -- Amanda Blake Davis
All Other Characters -- Randy Craig
Musical Director -- Eric Svejcar
MUSICAL! the musical ™ is created, produced, and directed by Nancy Howland Walker.
MUSICAL! the musical - Matrix! Love Duet
Totally improvised musical based on audience suggestion on The Matrix.
MUSICAL! the musical ™ opened in 1998 at Chicago's Royal George Theatre to rave reviews. It was the first completely improvised two-act Broadway style musical in the United States. It has had runs in theaters all across the country for the past decade.
musicalthemusical.com
These scenes are from MATRIX! the musical, performed at the Illinois High School Theater Fest at Krannert Hall.
Neo -- Mike Shreeman
Trinity -- Colleen McHugh
Morpheus -- Nancy Howland Walker
All Other Characters -- Amanda Blake Davis
All Other Characters -- Randy Craig
Musical Director -- Eric Svejcar
MUSICAL! the musical ™ is created, produced, and directed by Nancy Howland Walker.
America's Great Divide, Part 1 (full film) | FRONTLINE
An investigation into America’s increasingly bitter, divided and toxic politics.
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Stan Kenton - Concert In Miniature (Ross Auditorium, Great Lakes Naval Air Station, North Chicago)
Personnel:
Alto sax: Vinnie Dean, Lee Konitz
Tenor sax: Bill Holman, Richie Kamuca
Bariton sax: Bob Gioga
Trumpet: Buddy Childers, Maynard Ferguson, Conte Candoli, Don Dennis, Ruben McFall
Trombone: Bob Burgess, Bill Russo, Frank Rosolino, Keith Moon, George Roberts (bass-trombone)
Piano: Stan Kenton
Bass: Don Bagley
Guitar: Sal Salvador
Drums: Stan Levey
Recorded: Tuesday, 9 September 1952, Ross Auditorium, Great Lakes Naval Air Station, North Chicago, Illinois
1. 23 Degrees North - 82 Degrees West (Bill Russo) 1:34
arr. by Bill Russo
solos: Rosolino (tb) Candoli (tp) Konitz (as)
2. What’s New? (Bob Haggart & Johnny Burke) 5:53
arr. by Shorty Rogers
solo: Ferguson (tp)
3. Collaboration (Stan Kenton & Pete Rugolo) 10:08
arr. by Pete Rugolo
solos: Kenton (p) Burgess (tb)
3. The Peanut Vendor (Moises Simons & Marion Sunshine & Wolfe Gilbert) 14:16
head arrangement
solos: Rosolino (tb) Kenton (p)
4. Invention For Guitar and Trumpet (Bill Holman) 19:15
arr. by Bill Holman
solos: Salvador (g) Ferguson (tp)
5. Intermission Riff (Ray Wetzel) 23:11
head arrangement
solos: Kamuca (ts) Dennis (tp) Konitz (as) Ferguson (tp)
6. Artistry In Rhythm (Stan Kenton) 27:54
arr. by Stan Kenton
solo: Kenton (p)
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
Chicago Tonight full episode: June 26, 2019
Cook County Assessor Fritz Kaegi on property tax bills – and the sticker shock they may bring. Geoffrey Baer on why many local buildings perished. And historian Rick Atkinson on the Revolutionary War.
Stan Kenton - Concert In Miniature (Memorial Gardens, Kitchener, Ontario, Canada) (Episode 1)
Personnel
Alto sax: Vinnie Dean; Dick Meldonian
Tenor sax: Bill Holman; Lee Elliot
Bariton sax: Bob Gioga
Trumpet: Buddy Childers; Clyde Reasinger; Conte Candoli; Don Dennis; Ruben McFall
Trombone: Bob Fitzpatrick; Gerald Finch; Bill Russo; Keith Moon
George Roberts (bass-trombone)
Piano: Stan Kenton
Bass: Don Bagley
Guitar: Ralph Blaze
Drums: Frank Capp
Recorded: Tuesday, 3 June 1952, Memorial Gardens, Kitchener, Ontario, Canada.
1. Stardust (Hoagy Carmichael) 2:36
arr. by Pete Rugolo
solos: Bagley (b) Kenton (p) Blaze (g) Fitzpatrick (tb) Meldonian (as) Holman (ts)
2. Love For Sale (Cole Porter) 6:47
arr. by Pete Rugolo
solos: Kenton (p)/Blaze (g) Fitzpatrick (tb) Meldonian (as)
Russo gives an extensive humorous introduction.
3. Ennui (Bill Russo) 12:52
arr. by Bill Russo
solo: Russo (tb)
5. Bill’s Blues (Bill Russo) 16:25
arr. by Bill Russo
solos: Candoli (tp) Fitzpatrick (tb) Meldonian (as)
6. Artistry In Rhythm (Stan Kenton) 20:40
arr. by Stan Kenton
7. Collaboration (Stan Kenton & Pete Rugolo) 21:46
arr. by Pete Rugolo
solos: Kenton (p) Fitzpatrick (tb)
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
Enter the secret world of the Freemasons
The Freemasons are the world's most well-known secret society, and are the subject of countless parodies and conspiracy theories. But who are they exactly? Mo Rocca ventures inside Masonic Lodges to find out.
Portrait of a Presidency: Pete Souza's Photography of the Obama Years
Pete Souza, Former Chief Official White House Photographer for U.S. Presidents Ronald Reagan and Barack Obama
Ann Marie Lipinski, NF '90 (Moderator), Curator, Nieman Foundation for Journalism, Harvard University
Obama Yells at Bill Clinton to Get on Air Force One
Following today's funeral of former Israeli President Shimon Peres, former President Clinton hitched a ride back from Israel on Air Force One with Obama.
Chicago Tonight full episode: October 15, 2019
An update on negotiations between CPS and CTU as the clock keeps ticking toward a possible teachers strike. And Mexico's U.S. ambassador’s views on President Trump.
Top 10 Scary Ghost Urban Legends
Top 10 Scary Ghost Urban Legends
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Stan Kenton - Concert In Miniature (Seville Theatre, Montreal, Quebec, Canada) (Episode 5)
Personnel:
Alto sax: Vinnie Dean; Dick Meldonian
Tenor sax: Bill Holman; Lee Elliot
Bariton sax: Bob Gioga
Trumpet: Buddy Childers; Clyde Reasinger; Conte Candoli; Don Dennis; Ruben McFall
Trombone: Bob Fitzpatrick; Bill Russo; Frank Rosolino; Keith Moon
George Roberts (bass-trombone)
Piano: Stan Kenton
Bass: Don Bagley
Guitar: Sal Salvador
Drums: Stan Levey
Recorded: Tuesday, 1 July 1952, Seville Theatre, Montreal, Quebec, Canada.
1. Minor Riff (Pete Rugolo & Stan Kenton) 2:09
arr. by Pete Rugolo
solos: Childers (tp) Holman (ts) Rosolino (tb) Salvador (g) Candoli (tp)
2. Interlude (Pete Rugolo) 6:33
arr. by Pete Rugolo
solo: Kenton (p)
3. Bags and Baggage (Johnny Richards) 10:30
arr. by Johnny Richards
solo: Bagley (b)
4. Street Of Dreams (Victor Young & Sam Lewis) 14:39
arr. by Stan Kenton
solo: Dean (as)
5. Portrait Of A Count (Bill Russo) 20:29
arr. by Bill Russo
solo: Candoli (tp)
6. Concerto To End All Concertos (Stan Kenton) 25:26
arr. by Stan Kenton
solos: Kenton (p) Elliott (ts) Childers (tp) Dean (as)
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
Raw Video: Obama Sings Al Green
During a speech at a fundraising event in New York Thursday night, President Barack Obama sang while thanking Al Green, who performed earlier at the same event. (Jan. 20)
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Emboldened Usurpers Make Mockery of Oath
Have a look at the video below, where the new gay Mayor of Houston makes a mockery of the Oath of Office in front of thousands of people. The oath ceremony was to be held behind closed doors, but outrage from people all across the nation changed their plans at the last minute. Rather than take the oath behind closed doors, this Mayor took an oath that completely ignores the Constitution of these united states.
Listen for yourself, and see how the official oath to uphold the Constitution is ignored. Why would they attempt to make it a secret process held behind closed doors, and why no mention of the Constitution?
Next, take a look at the article below about Obama's own folly with the traditional oath. Chief Justice John Roberts (purposely) fumbled the oath by switching words around during Obama's ceremony. For those who understand semantics, the re-ordering of the words actually infers that Obama will execute the office of the President; meaning it will no longer exist, rather than meaning he will uphold his duties to said office.
Fear not though, for Obama took a second oath behind closed doors and you can rest assured that this correction to his oath was no better than the first. Why else would it need to be taken in secret? See if you can understand for yourself what a slight change in the wording really means.
Public officials continue to make a mockery of their Oath of Office, and the trend seems to be gaining ground. It's no question why ROK members do not take an oath to the Constitution, but to our people. However, you should be very wary when these high level officials start dumping all over the one thing most Americans still support, the Constitution.
ROK members know this document was designed with purposeful flaws to allow these usurpers to gain control of our country, and this is why we don't support it. The problem is, when these officials start to ignore the last few protections it still offers us, you are well on your way to communism in America, and it should not be tolerated.
Source: Chicago Tribune - Date: 20jan2009
WASHINGTON - Chief Justice John Roberts swore in Barack Obama as president of the United States on Tuesday with a slight stumble over the wording of the oath of office, a stumble Obama repeated.
Separated by a Bible used by Abraham Lincoln at his first inaugural, Roberts asked Obama: Are you prepared to take the oath, senator?
The former Illinois senator indicated he was, and Roberts started reciting — and Obama repeating — the 35-word oath that is prescribed by the Constitution.
But at one point, Obama paused abruptly after Roberts reversed several words in the oath.
The oath includes the phrase that I will faithfully execute the office of president of the United States but Roberts didn't say faithfully until after saying president of the United States.
Obama apparently realized that something was out of order.
Roberts then repeated the phrase correctly, putting faithfully in the right place after execute: faithfully the office of president of the United States.
But Obama instead repeated Roberts' original, incorrect version: ... the office of president of the United States faithfully.
Later, as they shook hands before a lunch in the Capitol, Roberts chatted briefly with Obama and appeared to say the mistake was his fault, not Obama's.
Despite the awkward moment, the swearing in was the first of what could be many important interactions between two men who rose to their positions of power quickly and who have some background similarities, but whose politics differ.
The affable Roberts and his conservative-leaning Supreme Court could have much to say in the years to come about Obama's most important policy choices.
Roberts is the youngest chief justice in more than 200 years. He easily could still be in his role a quarter century from now, long after Obama has left office.
He and Obama are similar in many ways. Both are late Baby Boomers. Roberts is 53, Obama 47. And both got their law degrees from Harvard and made rapid ascents to power. But their politics diverge sharply. Roberts was an official in Republican administrations before becoming an appeals court judge and then chief justice.
Obama was one of 22 Senate Democrats to vote against Roberts' confirmation to the Supreme Court in 2005 — the first time a Supreme Court justice has sworn in a president who voted against him.
Stan Kenton - Concert In Miniature (Club Harlem, Philadelphia) (Preview Show)
Personnel
Alto sax: Boots Mussilli; Dick Meldonian
Tenor sax: Bill Holman; Lee Elliot
Bariton sax: Bob Gioga
Trumpet: Buddy Childers; Clyde Reasinger; Conte Candoli; Don Dennis; Ruben McFall
Trombone: Bob Fitzpatrick; Gerald Finch; Bill Russo; Keith Moon
George Roberts (bass-trombone)
Piano: Stan Kenton
Bass: Don Bagley
Guitar: Ralph Blaze
Drums: Frank Capp
Recorded: Friday, 30 May 1952, Club Harlem, Philadelphia.
1. Young Blood (Gerry Mulligan) 1:50
arr. by Gerry Mulligan
solos: Candoli (tp) Holman (ts) Mussulli (as)
2. Francesca (Sherman Feller) 5:46
arr. by Pete Rugolo
solos: Fitzpatrick (tb) Mussulli (as)
3. Bags and Baggage (Johnny Richards) 9:08
arr. by Johnny Richards
solo: Bagley (b)
4. Solitaire (Bill Russo) 12:41
arr. by Bill Russo
solo: Fitzpatrick (tb)
5. Taboo (Margarita Lecuona & Bob Russell) 17:11
arr. by Johnny Richards
solos: Fitzpatrick (tb) Mussulli (as) Candoli (tp) Capp (d)
6. Jump For Joe (Gene Roland) 21:15
arr. by Gene Roland
solos: Meldonian (as) Candoli (tp) Holman (ts)
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
Stan Kenton - Concert In Miniature (Blue Note Club, Chicago) (Concept Show 3)
Personnel:
Alto sax: Dick Meldonian, Lennie Niehaus
Tenor sax: Bill Holman, Lee Elliot
Bariton sax: Bob Gioga
Trumpet: Buddy Childers, Clyde Reasinger, Conte Candoli, Don Dennis, Ruben McFall
Trombone: Bob Fitzpatrick, Gerald Finch, Bill Russo, Harold Branch, George Roberts (bass trombone)
Piano: Stan Kenton
Bass: Don Bagley
Guitar Ralph Blaze
Drums: Frank Capp
Vocal: Jerri Winters
Recorded: Saturday, 12 April 1952, Blue Note Club, Chicago, Illinois.
1. Machito (Pete Rugolo) 1:35
arr. by Pete Rugolo
solos: Kenton (p) Fitzpatrick (tb) Candoli (tp) Childers (tp)
2. Collaboration (Stan Kenton & Pete Rugolo) 4:38
arr. by Pete Rugolo
solos: Kenton (p) Fitzpatrick (tb)
3. Bill’s Blues (Bill Russo) 8:32
arr. by Bill Russo
solos: Candoli (tp) Fitzpatrick (tb) Niehaus (as)
4. Impressionism (Pete Rugolo) 12:21
arr. by Pete Rugolo
5. Round Robin (Shorty Rogers) 15:42
arr. by Shorty Rogers
solo: Candoli (tp)
6. Artistry In Rhythm (Stan Kenton) 19:56
arr. by Stan Kenton
solo: Kenton (p)
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
1. Campaign Strategy
What happened to the GOP, and will it ever be the same? Why has populism returned on both sides of the political aisle? How has political campaigning and strategy changed in the 2016 election? Rob Reich, David Kennedy, Jim Steyer, and guests Mike McCurry and David Plouffe provide analysis of and predictions for the November election.
Election 2016 will attempt, with the help of experts, to make sense of an election that defies all historical precedent and to take stock of the health of American democracy.
For more on Election 2016, visit:
View the entire Election 2016 video series:
EXPO – Magic of the White City (Narrated by Gene Wilder)
Narrated by Gene Wilder, EXPO – Magic of the White City brings the Chicago World’s Fair to life. Experience the world of 1893 through a cinematic visit to Chicago’s Columbian Exposition.
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Nearly 28 million people visited the Fair. Dubbed the “White City,” it inspired future innovators like Henry Ford and Frank Lloyd Wright, unveiled the Ferris Wheel and Cracker Jack®, and, in many ways, marked the beginning of the 20th century. Many of the era’s greatest achievements in science, technology and culture were unveiled there. The grounds were designed by Frederick Law Olmsted, famous for his design of New York City’s Central Park, and constructed under the supervision of Daniel Burnham.
The Fair was an engineering marvel. On opening day, President Grover Cleveland depressed a golden telegraph key which sent the first courses of electricity throughout the Fair powering fountains, machines, electric railways and thousands of lights. It was the first use of electricity on such a massive scale.
In addition, fairgoers enjoyed the Midway Plaisance where a one-mile boulevard of fun offered camel riding and guilty pleasures such as belly dancing, street fighting and beer drinking. Against the backdrop of 1893’s troubles with workers’ rights, prejudice, discrimination and corruption, the World’s Columbian Exposition cast a brief ray of hope for the future of humanity.
Filmed in spectacular High-Definition, EXPO – Magic of the White City immerses viewers in one of the world’s biggest extravaganzas and one of the most unforgettable events in American history. There will never be another event like it… or will there?
Stan Kenton - Concert In Miniature (Club 86, Geneva, New York) (Episode 10)
Personnel:
Alto sax: Vinnie Dean, Dick Meldonian
Tenor sax: Bill Holman, Lee Elliot
Bariton sax: Bob Gioga
Trumpet: Buddy Childers, Maynard Ferguson, Conte Candoli, Don Dennis, Ruben McFall
Trombone: Bob Burgess, Bill Russo, Frank Rosolino, Keith Moon, George Roberts (bass-trombone)
Piano: Stan Kenton
Bass: Don Bagley
Guitar: Sal Salvador
Drums: Stan Levey
Recorded: Tuesday, 5 August 1952, Club 86, Geneva, New York.
1. Taboo (Margarita Lecuona & Bob Russell) 1:58
arr. by Johnny Richards
solos: Rosolino (tb) Salvador (g) Meldonian (as) Candoli (tp) Levey (d)
2. Portrait Of A Count (Bill Russo) 6:54
arr. by Bill Russo
solo: Candoli (tp)
3. Young Blood (Gerry Mulligan) 11:25
arr. by Gerry Mulligan
solos: Candoli (tp) Holman (ts) Dean (as) Ferguson (tp)
4. Stella By Starlight (Victor Young & Ned Washington) 16:38
arr. by Johnny Richards
solos: Roberts (b-tb) Childers (tp) Roberts (b-tb)
5. The Peanut Vendor (Moises Simons & Marion Sunshine & Wolfe Gilbert) 21:16
head arrangement
solo: Rosolino (tb)
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.