American Experience THE PILGRIMNS
GREAT EXPECTATIONS [1867 Edition] by Charles Dickens [Stage 3]
GREAT EXPECTATIONS[1867 Edition] by Charles Dickens:
Stage1:
Stage2:
This classic tale tells of an orphan, Pip, who through a series of strange circumstances first finds a trade as a blacksmith's apprentice and then learns that he has great expectations of a future inheritance from an anonymous benefactor. He soon learns to live the profligate life of a gentleman as he gradually sheds his associations with the gentle souls of his past, Joe (the blacksmith) and Biddy (a level-headed young lady). He throws his money at improving the prospects of his roommate and friend Herbert and his heart at an ice princess whose heart will never respond. But then an escaped convict from his distant past comes calling, and all Pip's hopes dissolve.
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Shockamania 3 - 12 Hour Livestream of 2019
The 3rd annual marathon stream. Let's try not delete this one.
If we hit our donation goal to go towards my VidCon trip I will tattoo Sonic the Hedgehog spreading his ass cheeks onto my ass cheek.
DONATIONS HERE:
**DO NOT GIVE YOUR ADDRESS IN THE DONATION MESSAGE BECAUSE IT WILL APPEAR ON STREAM!!!! I WILL GET THIS FROM YOU AFTERWARD IF YOU BOUGHT A POSTER OF FIGURINE!!!**
CALL IN ON DSICORD
REWARDS FOR DONATION
(ALL REWARDS INCLUDE $1 REWARD)
$1US - Name on Shockamania 3 poster
$5US - Write/Draw on whiteboard
$10US - Write/Draw on the USSR flag
$15US - Write/Draw on body - your choice where
$25US - Get ShockaMania 3 POSTER
(DO NOT WRITE YOUR ADDRESS IN DONATION MESSAGE)
$30US - Spray paint your name on wall
$100US - Get a JonTron YouTooz (1)*
$200US - Get THE Red Egoraptor Animate Hat (1)*
$300US - Get 15 unboxed Funko Pops of your
choosing (first in best dressed) (x2)*
GOAL LEVELS;
$10US - Call Lilla on stream
$20US - Perform Big Red Car by The Wiggles
$30US - STREAM CHOICE - Write on USSR flag
$40US - Call Mum on stream
$60US - SCULL SANTA SHOEY (2 beers from glass shoe)
$80US - Call crazy sister on stream
$100US - Draw character decided by poll
$150US - Be a Reddit channel for entire Feb2020
$200US - Draw character for top donator at the time
$250US - Show CRINGE Standup Videos IN FULL
_____________
ONLY 1 TATTOO - WHICHEVER IS HIGHEST
$1000US - Ugundan Knuckles Tattoo
$1500US - Ugundan Tails Tattoo
$2000US - Sonic with tits tatto'd onto Mitch's ass
$3000US - Sonic stretching ass tattoo
This'll be 12'ish hours of video games and hanging out.
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HYDROCITY REMIX MUSIC FROM
Portland, Maine | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Portland, Maine
00:01:08 1 History
00:06:01 2 Geography
00:06:51 2.1 Climate
00:08:42 3 Neighborhoods
00:09:58 4 Demographics
00:10:07 4.1 2010 census
00:12:34 4.2 2000 census
00:16:21 5 Economy
00:17:56 6 Culture
00:18:05 6.1 Sites of interest
00:19:41 6.1.1 Public parks
00:20:45 6.1.2 Notable buildings
00:22:43 6.2 Notable people
00:22:52 7 Media
00:25:47 7.1 Movies filmed in Portland
00:26:05 8 Sports
00:28:25 9 Food and beverage
00:31:14 10 Infrastructure
00:31:23 10.1 Government
00:34:01 10.2 Fire department
00:36:16 10.3 Education
00:36:24 10.3.1 High schools
00:36:42 10.3.2 Colleges and universities
00:37:02 10.4 Hospitals
00:37:52 11 Transportation
00:38:01 11.1 Roads
00:38:37 11.2 Intercity buses and trains
00:39:37 11.3 Airports
00:40:10 11.4 Water transportation
00:42:13 12 Honors
00:42:21 12.1 Food and drink
00:43:18 12.2 Lifestyle and travel
00:43:47 12.3 Other
00:44:51 13 Sister cities
00:45:16 14 See also
Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
=======
Portland is the most populous city in the U.S. state of Maine, with a population of 67,067 as of 2017. The Greater Portland metropolitan area is home to over half a million people, more than one-third of Maine's total population, making it the most populous metro in northern New England (an area comprising the states of Maine, New Hampshire, and Vermont). Portland is Maine's economic center, with an economy that relies on the service sector and tourism. The Old Port district is a popular destination known for its 19th century architecture and nightlife. Marine industry still plays an important role in the city's economy, with an active waterfront that supports fishing and commercial shipping. The Port of Portland is the largest tonnage seaport in New England. The city has also seen growth in the technology sector, with companies such as WEX building headquarters in the city. The city seal depicts a phoenix rising from ashes, which is a reference to the recoveries from four devastating fires. Portland was named after the English Isle of Portland, Dorset. The city of Portland, Oregon was named after Portland, Maine.
David Copperfield
We are friends for life. The man speaking: Micawber, played by W.C. Fields with great comedic charm and human warmth. The child addressed: David, played by Freddie Bartholomew in his Hollywood debut. The movie: David Copperfield, still one of the best ever screen adaptations of a Charles Dickens novel. To call the casting inspired is to underrate it, historian David Shipman wrote in his The Story of Cinema. Lionel Barrymore, Edna May Oliver, Maureen O'Sullivan, Basil Rathbone and more join Fields and Bartholomew in portraying the eccentrics, cads and loving family of this film directed by George Cukor. David O. Selznick produced, insisting on an attention to Dickensian detail that included matching the sets to the first edition's illustrations. The result: one of the greatest page-to-screen adaptations ever.
Oct. 17, 2019 - House of Assembly Proceedings
Proceedings start: 26:57
Question Period: 1:14:52
Government Business: 2:05:01 and 6:33:29
Committee of the Whole House on Bills: 6:06:38
Guidelines for Use:
The Speaker of the Nova Scotia House of Assembly grants permission to record and use the audio and video of the proceedings of the Assembly and its committees for educational and research purposes and as provided below.
The video may only be used with its original audio component and no other audio or video material may be added to audio or video material used.
Television and radio broadcasters may use recorded excerpts of the proceedings in their news or public affairs programs in balanced, fair and accurate reports of proceedings.
Neither the audio nor the video may be used for political party advertising, election campaigns or any other politically partisan activity except that members of the House of Assembly may, for the purpose of serving their constituents, make use of recorded excerpts of the proceedings on their websites or on social media if not presented in a misleading manner and if a link is provided to the full proceeding.
Neither the audio nor the video may be used in any edited form that could mislead or misinform an audience or viewer or that does not present a balanced portrayal of the proceedings in the House.
The audio and video may not be used in court, or before a tribunal or other body, for the purpose of questioning, commenting upon or making judgement upon the proceedings in the House.
Any other use or rebroadcast or webcast of these proceedings requires the express written approval of the Speaker.
Oct. 1, 2019 - House of Assembly Proceedings
Proceedings start: 24:18
Question Period: 1:15:11
Government Business: 2:05:09
Guidelines for Use:
The Speaker of the Nova Scotia House of Assembly grants permission to record and use the audio and video of the proceedings of the Assembly and its committees for educational and research purposes and as provided below.
The video may only be used with its original audio component and no other audio or video material may be added to audio or video material used.
Television and radio broadcasters may use recorded excerpts of the proceedings in their news or public affairs programs in balanced, fair and accurate reports of proceedings.
Neither the audio nor the video may be used for political party advertising, election campaigns or any other politically partisan activity except that members of the House of Assembly may, for the purpose of serving their constituents, make use of recorded excerpts of the proceedings on their websites or on social media if not presented in a misleading manner and if a link is provided to the full proceeding.
Neither the audio nor the video may be used in any edited form that could mislead or misinform an audience or viewer or that does not present a balanced portrayal of the proceedings in the House.
The audio and video may not be used in court, or before a tribunal or other body, for the purpose of questioning, commenting upon or making judgement upon the proceedings in the House.
Any other use or rebroadcast or webcast of these proceedings requires the express written approval of the Speaker.
Oct. 9, 2019 - House of Assembly Proceedings
Proceedings start: 23:19
Question Period: 1:18:10
Opposition Members’ Business: 2:08:42
Government Business: 4:38:25
Late debate: 4:39:19
Guidelines for Use:
The Speaker of the Nova Scotia House of Assembly grants permission to record and use the audio and video of the proceedings of the Assembly and its committees for educational and research purposes and as provided below.
The video may only be used with its original audio component and no other audio or video material may be added to audio or video material used.
Television and radio broadcasters may use recorded excerpts of the proceedings in their news or public affairs programs in balanced, fair and accurate reports of proceedings.
Neither the audio nor the video may be used for political party advertising, election campaigns or any other politically partisan activity except that members of the House of Assembly may, for the purpose of serving their constituents, make use of recorded excerpts of the proceedings on their websites or on social media if not presented in a misleading manner and if a link is provided to the full proceeding.
Neither the audio nor the video may be used in any edited form that could mislead or misinform an audience or viewer or that does not present a balanced portrayal of the proceedings in the House.
The audio and video may not be used in court, or before a tribunal or other body, for the purpose of questioning, commenting upon or making judgement upon the proceedings in the House.
Any other use or rebroadcast or webcast of these proceedings requires the express written approval of the Speaker.
The Rainbow Audio book by D. H. Lawrence | Audiobook with subtitles| Part 3
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Sept. 26, 2017 - House of Assembly Proceedings
Proceedings start: 00:23:00
Budget Address: 00:26:29
Question Period: 02:48:03
Government Business: 03:38:06
Guidelines for Use:
The Speaker of the Nova Scotia House of Assembly grants permission to record the televised proceedings of the Legislature for use in schools and for other purposes such as private study, research, review or newspaper summary.
Television and radio broadcasters may make use of recorded excerpts of the televised proceedings in their news or public affairs programs for the purpose of fair and accurate reports of proceedings.
Program material may not be used for political party advertising, election campaigns or any other politically partisan activity.
Program material may not be edited for use in promotional material by any political party or other organization and may not be used in any edited form that could mislead or misinform an audience or viewer, or which does not present a balanced portrayal of the proceedings in the House.
Program material may not be used in court, or before a tribunal or other body, for the purpose of questioning, commenting upon or making judgment upon the proceedings in the House.
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Video and audio material must not be used in any edited form, which has the tendency to mislead or misinform an audience or viewer; for greater certainty, in any manner that separates the video and audio elements, unless audio alone is requested, or which adds music or other sounds; or in election campaigns, promotional videos or any other politically partisan activity.
Any other commercial use or rebroadcast of these proceedings requires the express written approval of the Speaker.
Suspense: Heart's Desire / A Guy Gets Lonely / Pearls Are a Nuisance
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's Sorry, Wrong Number, about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's The Hitch Hiker, in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone.
After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and producer in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors.
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Classic Movie Bloopers and Mistakes: Film Stars Uncensored - 1930s and 1940s Outtakes
Classical Hollywood cinema or the classical Hollywood narrative, are terms used in film history which designate both a visual and sound style for making motion pictures and a mode of production used in the American film industry between 1917 and 1960. More bloopers:
This period is often referred to as the Golden Age of Hollywood. An identifiable cinematic form emerged during this period called classical Hollywood style.
Classical style is fundamentally built on the principle of continuity editing or invisible style. That is, the camera and the sound recording should never call attention to themselves (as they might in films from earlier periods, other countries or in a modernist or postmodernist work).
Throughout the early 1930s, risque films and salacious advertising, became widespread in the short period known as Pre-Code Hollywood. MGM dominated the industry and had the top stars in Hollywood, and was also credited for creating the Hollywood star system altogether. MGM stars included at various times King of Hollywood Clark Gable, Norma Shearer, Greta Garbo, Joan Crawford, Jean Harlow, Gary Cooper, Mary Pickford, Henry Fonda, Marilyn Monroe, Elizabeth Taylor, Judy Garland, Ava Gardner, James Stewart, Katharine Hepburn, Vivien Leigh, Grace Kelly, Gene Kelly, Gloria Stuart, Fred Astaire, Ginger Rogers, John Wayne, Barbara Stanwyck, John Barrymore, Audrey Hepburn and Buster Keaton. Another great achievement of American cinema during this era came through Walt Disney's animation. In 1937, Disney created the most successful film of its time, Snow White and the Seven Dwarfs.
Many film historians have remarked upon the many great works of cinema that emerged from this period of highly regimented film-making. One reason this was possible is that, with so many movies being made, not every one had to be a big hit. A studio could gamble on a medium-budget feature with a good script and relatively unknown actors: Citizen Kane, directed by Orson Welles and often regarded as the greatest film of all time, fits that description. In other cases, strong-willed directors like Howard Hawks, Alfred Hitchcock and Frank Capra battled the studios in order to achieve their artistic visions. The apogee of the studio system may have been the year 1939, which saw the release of such classics as The Wizard of Oz, Gone with the Wind, Stagecoach, Mr. Smith Goes to Washington, Destry Rides Again,Young Mr. Lincoln, Wuthering Heights, Only Angels Have Wings, Ninotchka, Babes in Arms, Gunga Din, and The Roaring Twenties. Among the other films from the Golden Age period that are now considered to be classics: Casablanca, The Adventures of Robin Hood, It's a Wonderful Life, It Happened One Night, King Kong, Citizen Kane, Swing Time, Some Like It Hot, A Night at the Opera, All About Eve, The Searchers, Breakfast At Tiffany's, North by Northwest, Dinner at Eight, Rebel Without a Cause, Rear Window, Double Indemnity, Mutiny on the Bounty, City Lights, Red River, The Manchurian Candidate, Bringing Up Baby, Singin' in the Rain, To Have and Have Not, Goodbye, Mr. Chips, Roman Holiday, Giant and Jezebel.
The style of Classical Hollywood cinema, as elaborated by David Bordwell, has been heavily influenced by the ideas of the Renaissance and its resurgence of mankind as the focal point.
Thus, classical narration progresses always through psychological motivation, i.e. by the will of a human character and its struggle with obstacles towards a defined goal. The aspects of space and time are subordinated to the narrative element which is usually composed of two lines of action: A romance intertwined with a more generic one such as business or, in the case of Alfred Hitchcock films, solving a crime.
Time in classical Hollywood is continuous, since non-linearity calls attention to the illusory workings of the medium. The only permissible manipulation of time in this format is the flashback. It is mostly used to introduce a memory sequence of a character, e.g. Casablanca.
Likewise, the treatment of space in classic Hollywood strives to overcome or conceal the two-dimensionality of film (invisible style) and is strongly centered upon the human body. The majority of shots in a classical film focus on gestures or facial expressions (medium-long and medium shots). André Bazin once compared classical film to a photographed play in that the events seem to exist objectively and that cameras only give us the best view of the whole play.
Life with Ken and Jane | Tube Life S01 * E51 on Puša Studios
First meeting in 2006, Ken and Jane are semi nomads that RV in the summer in their 5th wheel, gold mine down south in the winter and have a home in Lake Havasu AZ. where they plan their next adventures. Ken has opened for many big bands and still writes originals with his muse Jane who he credits with turning his life around
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